A framed ivory Corpus Christi. 17th to 19th century. Frame: 14 1/4" x 10 3/4". Condition: Missing finger.

A group of three religious figures. Painted wood. Largest: 21" x 9".

A Coptic processional cross. Nickel. 13 1/2" x 6 1/2" x 2"

A French altar white metal crucifix with instruments of passion. 16 3/4" x 6 1/2" x 4 1/2"

An instruments of the passion altar crucifix. Carved wood. 20" x 6 1/4" x 4 1/2"

A souvenir crucifix with ivory Christ, banner, and stations of the cross. Marquetry mother of pearl inlay. Marked "Bethlehem" on reverse. 17 3/4" x 8 3/4" x 1 1/4" Condition: Repair on one arm and Jesus has loose arm.

An Italian framed reliquary cross. 17 relics on fabric cross surrounded by rhinestones. Wax seal on reverse. 10" x 8"

A group of three ivory crucifixes. One Holy water font mounted to frame. 11 1/2" x 9" Two mounted on wood. 10" x 5" and 10 1/2" x 5 1/4"

An Adolfo Cipriani (Italian, active 1880-1930) alabaster bust of woman. Signed on reverse. 25" x 13" x 6 1/2" Condition: Damage to lace headpiece.

An Adolfo Cipriani (Italian, active 1880-1930) alabaster bust of woman wearing a large bonnet. Signed on reverse. 28" x 18" x 8" Condition: Damage to lace head piece.

A bronze sculpture of a butcher with a pig on a table. Signed "L. Grant 1914(?)". 11" x 10".

Felix de Weldon (Austrian-American, 1907-2003). Bronze bust of George Wythe (American, 1726-1805). Marble stand with plaque. Signed right side "Felix W. de Weldon S.C. 1963." Bronze: 17" x 15" x 10". Provenance: Plaque states bronze was presented by Felix de Weldon in 1965 to Arthur B. Hanson.

After Pierre Julien (French, 1731-1804) "Amalthea and Jupiter's Goat." Bronze sculpture. Residue under goat's foot. 17 1/2" x 9 1/2"

After Pierre Jules Mene (French, 1810-1879) Arab Falconer. bronze sculpture of a man on horseback reaching out for a falcon. Unsigned. On marble base. 12 1/2" x 10 1/2"

After Auguste Moreau (France, 1834-1917) bronze statue of a seated lady with rolls of fabric. Signed Moreau on back of chair. 11 1/2" x 9"

After Yevgeny Viktorovich Vucetic (Russian, 1908-1974). "Let Us Beat Swords into Plowshares." Bronze sculpture. Signed by artist. Inscription dedication on base. Stamped "Made in USSR." 10" x 7 1/2". Provenance: The original statue located in in the United Nations Headquarters in New York City. The sculpture was gifted to the UN by the Soviet Union on December 4, 1959.

An Eli Harvey (American, 1860-1957) recumbent lioness Cire Perdue lost wax bronze sculpture. Marked "Eli Harvey/ Sculptor 1904" and "Copyright -1904 by Eli Harvey." Stamped "Cire/ C. Valsuani/ Perdue" on edge. 7 3/4" x 21 3/4" x 5 1/4"

Demetre Chiparus (Romanian/French, 1886-1947). An Art Deco gilt bronze and ivory figure of a young girl on a marble plinth. Signed on base. 14 3/4" x 3 4/8". Condition: Arms are loose, small crack on top of head, some abrasions, and light surface dirt.

After Dimitri Chiparus(Romanian/French, 1886-1947) "Les Girls." Painted and gilt bronze and ivory figures on marble base. Signed on base. 20 1/2" x 23 1/2"

Otto Poertzel (German, 1876-1963) "Aristocrat." Painted bronze sculpture of a woman and her dogs. Signed on side. 19 1/2" x 19"

A monumental Art Nouveau walnut hall tree. Five shelves with twisting tendril supports and central compartment. 102" x 50" x 18" Condition: Break in glass. Break in upper right side and loss on wood on bottom.

A pair of two Art Nouveau bronze lamps with female faces. Without shade: 19 3/4" x 7".

A pair of Persian cranberry Laleh electrified lamps. 28 1/2" x 7".

An Italian Renaissance Savonarola walnut folding chair, 16th century. Later replaced back panel. Floral rosette in arm. 7 over 7 slats. 37 1/4" x 28" x 21". Condition: Heavy wear. Worm damage particularly on feet. Some repairs to slats. Break on one side of back panel. Provenance: Purchased in December 1954 from Parke-Bernet Galleries Inc. From the Collection of Mortimer L. Schiff, Parke-Bernet Galleries, Inc. 1939.

An Italian Renaissance Savonarola walnut folding chair, 16th century. Later replaced back panel. Floral rosette in arm. 6 over 7 slats. 36 1/2" x 26 1/2" x 21". Condition: Heavy wear. Worm damage. Break in back of right arm with back panel held on with peg. Repairs to some slats. Provenance: From the Collection of Mortimer L. Schiff, Parke-Bernet Galleries, Inc. 1939. Purchased in December 1954 from Parke-Bernet Galleries Inc.

A Brunschwig and Fils sofa with fringe. Savonnerie Velvet upholstery with tasseled fringe. 83" x 35" x 36"

A French Provincial oak farmhouse table, Late 19th/ Early 20th century. Raised on cabriole legs with canted edges. 29 1/2" x 98" x 23"

A French Provincial oak farmhouse table, Late 19th/ Early 20th century. Scroll cut legs with stretcher. 30" x 104" x 28 1/2"

A French Provincial armoire, 19th century. Walnut primary and oak secondary. Two doors with chevron veneer. Canted corners. 89" x 55" x 24 1/2"

A French Provincial oak armoire, Late 19th/ Early 20th century. Two doors with wood escutcheons. 84" x 57" x 24" Condition: Partially restored. Faux painted and drilled worm holes.

A George III chest of drawers. Mahogany primary and pine secondary. 5 drawers with replaced pulls. 38" x 36" x 17 1/2" Condition: Heavy wear. Cut through in center. Break in back right leg. Provenance: Purchased in 1984 from William Doyle Galleries.

A large French gilt mantle mirror. 90" x 56" x 3"

A Dominick and Haff "Queen Anne" sterling silver flatware service. JE Caldwell & Co. retailed. Monogrammed. 134.01 ozt. 147 pieces. Including eleven 7 5/8" forks, ten 6 7/8" forks, twelve 6 1/4" salad forks, six 8 1/4" serving tablespoons, twelve 7" tablespoons, twelve 6 7/8" gumbo soup spoon, twenty-one 5 7/8" teaspoon, twelve 5 1/4" soup spoons, twelve 5 1/2" cocktail fork, twelve 5 3/4" butter knives, two piece 10 1/2" wood salad set, one 10" pie server, and twenty-four 8 3/8" hollow place knives. Includes JE Caldwell & Co wood presentation box. 6 1/2" x 18 1/2" x 12 3/4"

A group of two International "Royal Danish" pattern sterling silver bowls. 1 6/8" x 12" 37.56 ozt. Condition: Etched numbers

A group of two International "Royal Danish" pattern sterling silver trays. 1 1/4" x 12 1/2" x 9 1/4" and 1 1/4" x 13" x 5 1/2" 40.74 ozt. Condition: Etched numbers

A Tiffany & Co. No. 22667 sterling silver floriform dish. 1907-1947 mark on reverse. 1" x 9 1/4" 14.90 ozt. Condition: Etched numbers

A Tiffany & Co. retailed sterling silver serving bowl. Rocaille edge with foliate repousse chased design. Marked on reverse "MADE FOR/ TIFFANY & CO." and No. 3335/44. 3 3/4" x 15 1/4" x 12" 24.63 ozt.

A Tiffany & Co. sterling paperweight. Inscribed on front "C.A.F. to F.L.P., SR/ 21 XI 72" and the reverse the logo of Spanco Industries. Presented to Fred L Proctor, Sr. of Greensboro, NC. . 2" x 2" x 3/8" 7.52 ozt. Provenance: Fred L Proctor, Sr. was a prominent businessman and philanthropist of Greensboro, NC.

A Gorham 1979 edition "1722 Burning of Gaspee" limited edition sterling silver charger in presentation box. 359/2500. 13" across. 25.18 ozt. Box: 1 3/4" x 14 1/2" x 14 1/2"

A Towle "Old Master" pattern sterling silver flatware service. 177 pieces. 158.38 ozt. Including sixteen 7" place forks, twenty-two 6 1/2" salad forks, twelve 5 3/4" cocktail forks, one 5 7/8" olive fork, one 5 1/4" lemon fork, one 4 1/8" baby fork, twelve 7 7/8" iced tea spoon, twelve 6 1/4" soup spoons, twenty-two 5 3/4" teaspoons, eight 6" fruit spoons, one 6 1/2" jelly server, two 5 1/2" bon bon spoon, two 5 3/4" sugar spoon, one 4 7/8" infant feeding spoon, seventeen 4 1/4" demitasse spoons, one 4 1/4" baby spoon, three 8 1/2" table spoons, one 8 1/2" pierced tablespoon, one 7 3/8" tomato server, one 6 3/4" gravy ladle, one 5 1/2" cream ladle, one 8 1/4" cold meat fork, one 4" sugar tong, fourteen 5 3/4" flat butter knives, one 6 7/8" hollow butter knife, two 12 plastic salad, one 10 3/4" hollow pie server, one 9 1/2" serrated cake server, one 9 7/8" carving knife, one 8 1/2" carving fork, one 7 hollow server, and sixteen 8 3/4" hollow place knives.

An Alvin Manufacturing Co. "Morning Glory" pattern sterling silver ladle. 11 1/4" 18.04 ozt.

A Frank Whiting "Josephine" sterling silver salad fork and spoon set. 8 7/8" 5.76 ozt.

An Oneida Heirloom "Stanton Hall" sterling flatware service. 71 pieces. 70.66 ozt. Including eight 7 1/8" place forks, eight 6 1/2" salad forks, eight 6 1/2" soup spoons, sixteen 6" teaspoon, two 8 5/8" tablespoon, one 8 5/8" pierced tablespoon, one 8 1/4" cold meat fork, one 6 1/2" ladle, one 6" sugar spoons, one 6 7/8" flat butter knife, eight 8 3/4" knife, and eight 6 1/8" butter knives

A Reed and Barton "Love Disarmed" sterling serving fork and spoon. ++ 10 1/2" cold meat serving fork. ++ 10 1/2" serving spoon with gold washed bowl. ++ 11.68 ozt.

A Tuttle "Onslow" sterling flatware service. 139.17 ozt. 115 pieces. Harry Truman date code 1945-53. "L" monogram. Including eight 7 3/4" dinner forks, twelve 7 3/8" forks, twelve 6" forks, three 8 3/8" serving tablespoons, twelve 6 5/8" soup spoons, twenty-four 5 3/4" teaspoons, twelve 5/8" oyster forks, twelve 5 3/4" hollow butter knives, and twenty-four 9 5/8" hollow place knife with bolster.

A James Dixon & Sons, England sterling basket. Repousse chased floral design. 1919 London hallmarks. Raised on ball feet. 3" x 10 1/2" x 8" 20.7 ozt.

A pair of attributed Rex Silver for Liberty & Co., London "Cymric" Arts and Crafts sterling silver candlesticks. Liberty & Co maker's mark, "CYMRIC" and 1901 Birmingham sterling hallmarks. Bud form decoration on capital connecting two four tendrils with openwork tapered column ending in square leaves on circular base. Removable sconces. Bud 15.82 ozt. 7 6/8" x 5" Condition: One has poor repairs to four tendril arms.

A Cypriot or Greek silver tea three piece service. Repousse foliate design raised on scroll feet. 850 silver standard mark on bottom with Delta Gamma makers mark and ship in profile. 55.41 ozt. ++ Teapot with bird finial. 7 1/2" x 9" x 6" ++ Creamer 6" x 5" x 4" ++ Open top sugar 5 1/4" x 8" x 5 1/2" Condition: Separated handle.

A Faberge enamel and ivory Paper Knife. Exquisite enamel work with sterling collar. Hallmarks on the collar. In presentation box for "A LA VIEILLE RUSSIE /781 FIFTH AVENUE / NEW YORK" Item 12 3/4"l x 1 1/8" x 5/16"d.

Hublot Geneve Quartz Watch with stainless steel case approx. 40.0mm case, matte black dial with silvertone hands, date window at 3:00 position, bezel with screw accents, case back stamped B1905.1 719156, rubber band with deployant stainless steel clasp. Condition: Band is broken, abrasions. Quinn's does not guarantee or warranty the condition or workings of any watch or clock movement.

An18K yellow gold engraved pill box approx. 3" x 1 7/8" x 1/2", stamped and tested 18K yellow gold, machine engraved on all sides, satin finish interior hand engraved on hinged lid HENRI J. RISGALLA, gross weight approx. 77.95dwt

An 18K yellow gold braided lariat style necklace. approx. 36" x 5.0mm terminating to end caps with aventurine, ruby and diamonds all metal in satin finish, 18K yellow satin finish and ruby shortner included, gross weight approx. 50.85dwt

A 14K white gold diamond and ruby Art Deco fan style pin approx. 2 5/8" x 1 3/4" with double stem mechanism, three bands of 35 total round diamonds approx. .04ct each, 1.40cttw., eleven rows of square cut channel set rubies, gross weight approx. 17.05dwt

18KY/WG Braided Style Necklace approx. 17.0 inches x 1/2 inch, stamped and tested 18K yellow and white gold, gross weight approx. 48.50dwt.

A 14k white and yellow gold omega necklace. Approximately 20" x 1/4", necklace is stamped and tested 14K gold with one side in white gold and opposing side in yellow gold, gross weight approx. 25.45dwt.

A 14K white gold diamond solitaire ring size 6.5, two tapered baguette diamonds approx. .20cttw., center diamond measures 8.3mm x 8.4mm x 4.5mm weighing approx. 1.92 by calculation Condition: As item did not have an accompanying appraisal; color and clarity are not available

A 14K white gold pearl and diamond ring size 5, open wire style mounting testing 14K white gold, 32 prong set round faceted diamonds approx. .03ct each, .98cttw., cultured pearl approx. 6.0mm, gross weight approx. 8.50dwt

A group of thirteen pieces of jewelry including eight necklaces, one bracelet, one ring, one pair of earrings, and two pendants. Largest: 8".

A 14K yellow gold frame and 20 Kroner gold coin pin approx. 2 1/2" x 1 1/8", stamped and tested 14K yellow gold single stem pin frame containing a 20 Kroner gold coin dated 1886 and showing an effigy of King Oscar II, stamped OSCAR II KING OF NORWAY AND SWEDEN WELL BEING OF THE BROTHER NATIONS, gross weight approx. 10.40dwt

A 14K yellow gold pin frame and 1913 George V gold coin approx. 1 7/8" diameter, gold coin is Canadian $10 dated 1913 with effigy of King George V set in a single stem 14K yellow gold pin frame, gross weight approx. 16.75dwt

A 14K yellow gold and carved jade pendant with open linked pendant chain approx. 20" with scroll work pendant frame approx. 1 1/4" x 1" with bezel set carved green jade, gross weight approx. 7.60dwt

Wilcox, J. Ralph (New York/Florida, 1866-1915) Florida swamp landscape. Watercolor on paper. Signed l.l. Sight: 10 1/2" x 13 3/4" Frame: 15 3/4" x 18 1/2"

Corbino, Jon (American, 1905-1964). "Curtain Call." Oil on board. Signed u.r. Signed and titled on verso. Sight: 7 3/4" x 9 3/4". Frame: 13" x 15". Condition: Loose in frame

Bowie, Frank Louville (American, 1857-1936). Still life of apples. Oil on canvas. 1896. Signed and dated l.r. Sight: 9 1/2" x 19 1/2". Frame: 16" x 26".

Beard, Mark (American, b. 1956) Standing male nude sketch. Charcoal and graphite on paper. 1998. Signed and dated l.l. Sight: 30" x 22" Frame: 38 1/2" x 30 1/2"

Beard, Mark (American, b. 1956) Sitting male nude sketch. Charcoal and graphite on paper. 1998. Signed and dated l.r. Sight: 30" x 22" Frame: 38 1/2" x 30 1/2"

Beard, Mark (American, b. 1956). Polaroid transfer of man getting dressed. Editioned 5/6. 1991. Signed, dated, and numbered along bottom. Sight: 4 1/4" x 3 1/4" Frame: 17" x 13"

A charcoal sketch of a nude man. Charcoal on paper. Late 20th century/Early 21st century. Unsigned. Attached to matte board. Sight: 18 1/2" x 12"

Day, Maurice (American, 1892-1982) "A Maine Coast Shack." Watercolor on paper. Signed l.r. Inscription on verso dates 1972. Sight: 11" x 15" Frame: 17 1/2" x 21 1/2"

Butts, Geof (American, active 20th/21st c.) Ambassador Strausz-Hupe's cabin in Newtown Square, Pennsylvania. Gouache on board. Signed l.l. Sight: 15 1/2" x 23 1/2" Frame: 22" x 30"

Ballowe, Marcia (American, b. 1950). "Morning Light on Bitterroot River." 1994. Watercolor and mixed media on paper. Signed l.r. Sight: 24 1/2" x 34 1/4". Frame: 39 1/4" x 48 1/2".

Ballowe, Marcia (American, b.1950). "Spring Bouquet." Watercolor on paper. 1994. Signed l.r. Sight: 19 1/2" x 16". Frame: 33" x 29".

A group of two mountain landscapes. Oil on board. ++ Wilma Lucile Van Slyck (Ohio, 1898-1982) Summer scene. Signed l.l. Sight: 9 1/2" x 7 1/4" Frame: 13" x 11" ++ L. Hanna. Winter scene. Signed l.r. Sight: 7 1/2" x 11 1/2" Frame: 11" x 15"

A group of two paintings by Wilma Lucile Van Slyck (Ohio, 1898-1982) Mountain landscapes of Montana in different seasons. Oil on board. Signed l.l. Sight: 7 1/2" x 9 1/4" Frame: 11" x 13"

Van Slyck, Wilma Lucile (Ohio, 1898-1982). Mountain landscape of Montana. Oil on canvas. Signed l.r. Sight: 15 13/4" x 19 1/2" Frame: 21 3/4" x 25 1/2"

A Ned Moulton (American, b. 1937). Portrait of a woman on formed plexiglass. Signed l.r. Mounted in a shadowbox. 26 1/2" x 12 1/2"

McCoy, Wilton Charles (American, 1902-1986), Desert landscape. Oil on board. Signed l.l. Sight: 7 1/2" x 9 1/2" Frame: 13 1/4"x 15 1/4"

Benedict, George (American, 1927-2010) Field landscape. Oil on board. Signed l.l. Sight:23 1/2" x 41" Frame: 32 1/2" x 50 1/2"

Theodore Seuss Geisel (American, 1904-1991) Pair of colored drawings - Cat in The Hat & The Grinch. Ink and crayon, both signed Dr. Seuss. Cat in the Hat inscribed "Best wishes" at the top. Label for Ace Gallery. Los Angeles. Institute of Contemporary art. Images: 17 1/2" x 5", frames: 21" x 8".

Charles Schulz (American, 1922-2000). Original marker on paper drawing depicting Snoopy. With "Schulz" and "Charles M. Schulz" autograph. Charles M. Schulz Museum label on reverse. Label affixed. Image: 5" x 5", frame: 12 3/4" x 12 3/4".

Peterson, Jane (American, 1876 - 1965) Watercolor of blooming hosta on paper. Signed in black l.l. Image; 30" x 22", frame: 32" x 24"

Peterson, Jane (American, 1876 - 1965) Zinnias. Watercolor on paper. Signed "Jane Peterson" l.l. Inscribed on reverse,"Burnham Ips". Possibly from the gardens of Burnham-Patch house on road to Ipswich, MA. 16" x 12".

Alan D. Singer (American, 1950-). Three color illustrations for America's Wild Woodlands by National Geographic Society. c.1985. Book illustrated by Singer, these are three of the illustrations. used in the book. Each has NGS info on the back. ++ Page 16 "Paper Birch" ++ Page 126 "Douglas Fir". ++ Page 25 "Black Walnut". Illustartions approx 5" x 7"

Yang, Hsien-Min (Chinese/American, 1932-2011). Ch'in Tomb "The Killing of the Scholars." Watercolor on paper. Copyright 1977 National Geographic Society. Unframed. Image 13 3/4" x 18 1/4".

Nichols, Henry Hobart (American, 1869-1962) Watercolor of farm in snow storm. Signed "Hobart Nichols" l.l. 15 3/4' x 23".

Bogdanovic, Bogomir ( New York, Maine / Yugoslavia (former),1923 - 2011) Watercolor of farmhouse in the winter. signed in red "Bogomir Bogdonovic, AW6" l.l. Unframed on paper. 14 1/4" x 20"

A group of four West African figures. Wood. Largest: 15 1/4" x 3".

A Benin style brass plaque of a figure with staff. 14 1/2" x 12 1/4". Condition: Verdigris, loss.

A group of three African figures. Wood. Largest: 16" x 4 1/2".

A wood model boat. 9 1/2" x 37 3/4".

A bronze figure of a standing male form on a stool. Cameroon. 25 1/4" x 9". Condition: Residue.

An ethnographic stone figure. 11" x 9".

A Baule style bronze figure of a seated female. Ivory Coast. 34" x 12". Condition: Abrasions, loss.

A Benin style brass leopard head. 15 3/4" x 5 1/4". Condition: Leopard on top is detached, previously repaired, and adhesive residue.

A group of two Benin style brass heads depicting obas. Nigeria. Largest: 11 3/4" x 6 1/4".

A Benin style brass plaque with figures. Nigeria. 14 1/2" x 11 3/4".

A Benin style brass figure holding a staff and riding a horse. With mount: 20 1/2" x 5 1/4".

A Benin style bronze standing figure. 17 1/4" x 7". Condition: Verdigris, cracks.

An Ife style bronze head. Nigeria. 15" x 7".

An Ife style bronze head. Nigeria. 12 1/2" x 6".

An Ife style standing figure holding a spear. Bronze. 46" x 12". Condition: Abrasions, loss.

A West African bronze figural vessel. 15" x 9".

A West African staff with rattle and an animal figure. Largest: 23 1/2" x 3".

A group of two Congo style figures. Wood. Largest: 21" x 6 1/2".

A group of two West African staffs. Wood and bronze. Largest: 37" x 3".

A Kenya Cape Buffalo taxidermy shoulder mount. 42" x 32" x 21" Condition: Damage to ears

A South African Black Springbok taxidermy shoulder mount. 26" x 12" x 12"

An East African Waterbuck taxidermy shoulder mount. 22" x 52" x 17" Condition: Damage to ears.

An Somali Grant Gazelle taxidermy shoulder mount. 17" x 45" x 10 1/2".

An African Gazelle taxidermy shoulder mount.12" x 28" x 9"

A South Africa Caracal taxidermy full body mount on faux rock. 34" x 34" x 13 1/2"

A Greater Kudu taxidermy shoulder mount. East Africa. 47 1/2" x 27" x 33". Condition: Damage to ears and body.

A group of six Lynn Chase glass dessert plates decorated with monkeys, fruit, and leaves. 8 1/4".

An eighteen piece Lynn Chase "Parrots of Paradise" partial porcelain service. Includes four 2 1/4" coffee cups with three saucers, two 2 3/8" teacups with two saucers, four 10 7/8" dinner plates, and three 8 1/4" dessert plates. 1989. Marked on bottom.

A group of seven Lynn Chase porcelain service pieces. ++ Two 1991 "Jaguar Jungle" candlestick holders. One has written message from Lynn Chase on bottom. 11 1/2" x 5". ++ 1988 "Jaguar Jungle" pieces. Includes teacup with saucer and dessert plate. Largest: 8 1/4". ++ 1991 "Tiger Raj" teacup and saucer. 2 3/8".

A Minton Ironstone dinner service. Pattern code C4961. English 20th century. Stamped on underside. Including nine dinner plates 10 1/4", twelve large soup bowls 10", twelve small soup bowls 8 3/4", eleven luncheon plates 9", twelve dessert plates 7 3/4", large tureen with lid 10" and underplate 14 3/4", two vegetable servers and lid 11 1/4", small tureen with lid 5 3/4" spoon, and underplate 9", gravy boat 4 1/4" and tray 7 1/4", oval tray 13 1/2", small bowl 6 3/4".

A Minton tea set in Cockatrice Green pattern. English, 20th century. Stamped on underside. Including six demitasse cups 2" and five saucers, open sugar bowl 2 1/2", teapot 7 1/4", creamer 6", and mini creamer 4".

A Lladro "Dancers from the Nile" porcelain figural group of two women. 2003. Marked on bottom. 20 1/4" x 12" x 9 1/2". Condition: Broken finger, pipe flute separated.

A Giuseppe Armani "Triumph of Venus" limited edition porcelain sculpture, 2001. Artist's Proof 500. Signed and marked on reverse. 21" x 26 1/2" x 12"

A Giuseppe Armani "Celestial Symphony" Limited Edition porcelain figural lamp bust, Circa 2001. Artist Proof 500. Includes shade. 40" x 24" x 24"

A Walter Bosse (Austrian, 1904-1979) ceramic child with accordion. 6 3/4" x 5 1/4" x 5 1/2"

A set of ninety-one Herend "Blue Garland," porcelain tableware pieces. Late 20th century. Hungary, Gilt trim accent. Shield mark and style code on base. twelve dinner plates 10 1/4", twelve soup bowls 9 1/2", eighteen salad plates 7 1/2", twelve bread and butter plates 6 1/4", round platter 14", 7 teacups and saucers 5 3/4", six demitasse cups and saucers 4 1/2", teapot with rose finial 6", 2 bud vases 3", bud vase 2 1/2", bud vase 2 1/2", trinket box with kitten finial 2 1/2", mini tureen and lid with pink lemon finial 4", open weave basket 1 1/2", leaf shaped small dish 1 1/2", small handled basket 1 1/2"

A set of Meissen "Blue Onion," partial service. Germany. 20th century. Blue crossed sword mark underglaze. Including six teacups 2 1/2" and saucers 5 1/4", five small dishes 3/4", six soup bowls 8 3/4", and a large square serving bowl 3 3/4". Condition: one teacup has crack in handle, residue, one small dish has chip in edge.

A Gustavsberg, Sweden Argenta ceramic bowl. Silvered fish and fish scale border. Blue green glaze. 6 7/8" x 2" Condition: Residue on one edge.

A partial set of seven Herend "Printemps" porcelain tableware pieces. Late 20th century. Hungary, Central floral spray, gilt trim edges. Shield mark and style code on base. Including large serving tray 16", vegetable bowl 4", creamer 3 3/4", two small creamers 2 1/4", open weave basket 1 1/2", open weave dish with handles 1 1/4",

A group of four Herend trinket boxes and bonbon boxes. Smallest: 2" Largest: 3 1/4" ++Egg shaped bonbon box with bunny finial.++ Leaf shaped "Rothschild Bird" bonbon box. ++Trinket box with kitten finial. ++ Rectangular box with pink and blue cornflower floral swags.

A Meissen "Pink Rose" pattern partial service. German, 20th century. Blue crossed sword mark underglaze, with second marks. Including twelve dessert plates 7 1/4", twelve saucers 5 3/4", five demitasse saucers 4 1/4", four demitasse cups 2" x 2 1/2", six teacups 2" x 3 3/4", six teacups with gilt trim 2" x 4", coffee pot 8 1/2", lidded pitcher 10", creamer 5", mini creamer 3 3/4", lidded sugar bowl 4" x 5", mini lidded sugar bowl 3/12" x 3 1/2", and bud vase 4".

A group of two Tiffany Studios Favrile glass tiles. 4" x 4" Condition: One has a break on two prongs.

Keith and Deanna Clayton (Pennsylvania, b. 1964). Pate-de-verre and copper bowl. 1998. Signed and dated "CC 98" on bottom. 4 3/4" x 6".

An Anglo-Indian rosewood bone inlaid box. 13" x 20 1/2" x 14 1/2".

A group of three Eva Zeisel (Hungarian, 1906-2011) for Zsolnay candleholders. Porcelain with Eosin glaze. . Marked and signed on base. Largest: 3 1/2" x 6" Smallest: 1 3/4" x 3 1/2"

An Edward Moulthrop (American, 1916-2003) turned tulipwood donut bowl. 217881-R. Signed and stamped on base. 4 3/4" x 8 1/2" Condition: some flaking and clouding

An Anglo Indian Sadeli micro mosaic travelling writing desk, 19th century. Lift up upper top with compartments over three drawers. 6 1/4" x 12" x 15" Condition: Lift up top separated. Damage to outside. Re felted.

Gunter, Lester (Jamaican, b. 1936) "Grace." Portrait of a woman. Oil on canvas. Signed l.r. Sight: 39 1/2" x 29 1/2" Frame: 45 1/2" x 35 1/2"

Gunter, Lester (Jamaican, b. 1936) "Nurturing." Scene of a mother and her baby. Oil on board. Signed l.r. Sight: 17 1/2" x 13 1/2" Frame: 23" x 18 3/4"

Gunter, Lester (Jamaican, b. 1936) "River bath." Two figures bathing in a river landscape. Oil on canvas. Signed l.r. Sight: 19 1/2" x 15 1/2" Frame: 24" x 19 3/4"

Gunter, Lester (Jamaican, b. 1936) "Gramps." Portrait of an elderly man. Oil on board. Signed l.r. Sight: 8 3/4" x 7 3/4" Frame: 12 3/4" x 11 1/2"

Gunter, Lester (Jamaican, b. 1936) "Bundling." Two workers in a field landscape. Oil on board. Signed l.r. Sight: 11" x 13 1/2" Frame:14 1/4" x 16 3/4"

Gunter, Lester (Jamaican, b. 1936) "Cornfield." Scene of a woman picking corn. Oil on board. Signed l.r. Sight: 15 1/2" x 11 1/2" Frame: 19 1/4" x 15 1/4"

Gunter, Lester (Jamaican, b. 1936) "Precious." Portrait of a young girl. Oil on board. Signed l.r. Sight: 11 1/2" x 9 1/2" Frame: 19 1/4" x 17 1/4"

Laurenceau, Lyonel (Haitian, b. 1942) Painting of a group of musicians. Oil on canvas. Signed l.r. Sight: 47 3/4" x 23 1/2". Frame: 49 1/2" x 25 1/2". Provenance: Gallery sticker on back of frame.

Carter, Benny (North Carolina, 1943-2014). "A Man from Another World." Paint on found panel. Signed and titled. 21" x 16 1/2". Provenance: The Pete Cecere Folk Art Collection.

Long, Woodie (Alabama, 1942-2009). Untitled, farmer and plow. Paint on metal sheet. Signed l.l. 16" x 26" Provenance: The Pete Cecere Folk Art Collection.

Long, Woodie (Alabama, 1942-2009). Untitled, lassoing a bull. Paint on canvas. Signed l.r. 14 1/2" x 18 1/2" Provenance: The Pete Cecere Folk Art Collection.

Long, Woodie (Alabama, 1942-2009). "Aunt Dorothy." Painted wood. Signed and titled. 15" x 5 1/2". Provenance: The Pete Cecere Folk Art Collection.

After Fritz Scholder (Luiseno/American, 1937-2005). "Super Indian 2." Oil on canvas. Original painting in Denver Art Museum's 2015 exhibition "Super Indian: Fritz Scholder, 1967-1980." Frame: 59 1/2" x 40". Provenance: The Pete Cecere Folk Art Collection.

Waddell, Peter (New Zealand/American, b.1955) "The Balcony." Oil on canvas. 2002. Unsigned. Sight: 48" x 47 1/2" Frame: 50" x 50"

Waddell, Peter (New Zealand/American, b.1955) "Benjamin Henry Latrobe and Betsy Bonaparte." Oil on canvas. 2002. Signed and dated c.r. Sight: 40" x 29 1/2" Frame: 42" x 31 1/2"

Waddell, Peter (New Zealand/American, b.1955). Untitled, landscape of the White House. Oil on board. 2008. Signed and dated l.r. 30 1/2" x 96".

A group of two Peter Waddell (New Zealand/American, b.1955) watercolors on paper. 2002. Signed, titled, and dated. ++ "Mantel Panel, Old Senate Chamber." Sight: 11 1/2" x 15" Frame: 17 1/2" x 21" ++ " Marble Bracket, Senate Staircase." Sight: 15 1/2" x 11 1/2" Frame: 21 1/4" x 17 1/2"

A trench art J. Willey (English, 1916-1917) oil painted airplane propeller of a French biplane. Signed l.r. "J. Willey/ 1917." 14 1/4" x 9" x 1" Condition: Crack along edge

A copper weathervane with directionals and a running fox. 37" x 26". Provenance: The Pete Cecere Folk Art Collection.

A Leica IIIc black and chrome film camera. 1946-47. Serial No. 439247. With two detachable Ernst Leitz Wetzlar Elmar 9cm lenses. Lens caps included. Also includes viewfinder. 3" x 5 1/4" x 4 1/4" Condition: damage to chrome

A Mill's Roman Head 25 cent slot machine. Late1930's/Early 1940's. With key. On wooden platform. 25 1/2" x 15" x 16".

An Edison Standard Phonograph and nineteen wax tubes .Includes "C" reproducer. Serial 616467. 12 1/2" x 13" x 9 3/4" Standard Metal horn. 28" x 22 1/2" Condition: Winds and runs. Working condition. Worn belt.

A 1988 Later Production NES Golf CGC graded 8.0 A H-Seam Type Sealed (Oval SoQ TM).

A group of three General Alfred M. Gray Jr commemorative paddles. ++ Paddle presented by men of the Marine Combatant Diver Course in 1991. 47" overall. += paddle presented by the U.S.M.C. Recruiting Station Harrisburg PA Birthday Ball 2002. ++ Paddle presented by the U.S.M.C. Force Reconnaissance in 1991. 60" overall. Provenance: From the estate of U.S.M.C. Four Star General Alfred M. Gray Jr (American, 1928-2024). General Gray was the 29th Commandant of the Marine Corps and served with distinction for 41 years. Provenance: From the estate of U.S.M.C. Four Star General Alfred M. Gray Jr (American, 1928-2024). General Gray was the 29th Commandant of the Marine Corps and served with distinction for 41 years.

A Waterford U.S. Capitol dome paperweight. Acid marked on bottom. 5 1/4 x 2 3/4". Provenance: From the estate of U.S.M.C. Four Star General Alfred M. Gray Jr (American, 1928-2024). General Gray was the 29th Commandant of the Marine Corps and served with distinction for 41 years.

A Tiffany & Co Sterling Silver Lapel Pin approx. 3/4" diameter engraved on front American Public University System and on back T&CO AG 925, single stem pin, gross weight approx. 3.95dwt, original presentation box and pouch included. Provenance: From the estate of U.S.M.C. Four Star General Alfred M. Gray Jr (American, 1928-2024). General Gray was the 29th Commandant of the Marine Corps and served with distinction for 41 years. Provenance: From the estate of U.S.M.C. Four Star General Alfred M. Gray Jr (American, 1928-2024). General Gray was the 29th Commandant of the Marine Corps and served with distinction for 41 years.

A Stainless Steel Marine Corps Watch by WRIST ARMOR, stainless steel approx. 45.0mm case, stainless steel link bracelet with depolyant clasp, uni-directional bezel in black and red, black dial with luminous hands and markers, water resistant to 10ATM, date window at 3:00 position, Japanese quartz movement. Condition: Quinn's does not warranty or guarantee the workings or condition of any watch or clock movement. Provenance: From the estate of U.S.M.C. Four Star General Alfred M. Gray Jr (American, 1928-2024). General Gray was the 29th Commandant of the Marine Corps and served with distinction for 41 years. Condition: Quinn's does not warranty or guarantee the condition or workings of any watch or clock movement Provenance: From the estate of U.S.M.C. Four Star General Alfred M. Gray Jr (American, 1928-2024). General Gray was the 29th Commandant of the Marine Corps and served with distinction for 41 years.

A General Alfred M. Gray Jr. U.S.M.C. victory and campaign medals. Created by Eugene C. Walworth. Presented to Gen. Gray in 2014. Includes bronze table medals, victory medals, and campaign medals of the U.S.M.C. through history. 31 1/4" x 41 1/2" x 3 1/4". Provenance: From the estate of U.S.M.C. Four Star General Alfred M. Gray Jr (American, 1928-2024). General Gray was the 29th Commandant of the Marine Corps and served with distinction for 41 years. Provenance: From the estate of U.S.M.C. Four Star General Alfred M. Gray Jr (American, 1928-2024). General Gray was the 29th Commandant of the Marine Corps and served with distinction for 41 years.

A Louis Vuitton monogram leather and canvas dog carrier with brass hardware. Dust bag included. 12" x 15 3/4". Condition: One section of the window is disconnected. Wear from use. Provenance: From the estate of U.S.M.C. Four Star General Alfred M. Gray Jr (American, 1928-2024). General Gray was the 29th Commandant of the Marine Corps and served with distinction for 41 years.

A 14k yellow gold Longines Manual Wind Watch approx. 5 3/4" x 1/2", stamped and tested 14K yellow gold, 17Jewel Swiss made movement stamped 52151883, gilt dial with black hands and markers, mesh style band, gross weight approx. 15.45dwt. Condition: One hand not attached but with watch. Provenance: From the estate of U.S.M.C. Four Star General Alfred M. Gray Jr (American, 1928-2024). General Gray was the 29th Commandant of the Marine Corps and served with distinction for 41 years.

A 10k yellow gold 1961 Fairbanks High school ring size 5, stamped and tested 10K yellow gold, enameled initials JG, gross weight approx. 2.40dwt. Provenance: From the estate of U.S.M.C. Four Star General Alfred M. Gray Jr (American, 1928-2024). General Gray was the 29th Commandant of the Marine Corps and served with distinction for 41 years.

A 14k yellow gold garnet bracelet approx. 6" with 16 prong set oval faceted garnets approx. 5.0mm x 4.0mm, stamped and tested 14K yellow gold, gross weight approx. 3.40dwt. Condition: missing an "o" ring at end of bracelet. Condition: Missing an "o" ring at end of bracelet. Provenance: From the estate of U.S.M.C. Four Star General Alfred M. Gray Jr (American, 1928-2024). General Gray was the 29th Commandant of the Marine Corps and served with distinction for 41 years.

A U.S. Distinguished Unit Insignia patches on denim. 154 patches including WWII era. 48" x 28"

A Siege of Vicksburg, Mississippi commemorative scrimshaw bone box. Late 19th century/20th century. Lid features crossed Beauregard battle flags over eagle and crossed swords with "VICKSBURG/ MISSISSIPPI" in banner. Etched steamships and harbor scenes. 3 3/4" x 7" x 5 1/2".

An English John Dunderdale, John Mason, and James Labron, Birmingham flintlock pistol, .60 caliber. Circa 1813-1832. 8 1/2" octagon iron barrel with small rear notch and front blade sights. Birmingham proof marks. Lock marked "DUNDERDALE/ MASON/ & LABRON." Iron triggerguard with pineapple finial. Walnut stock. Horn tipped wood ram rod with ball extractor. 14" overall. Condition: Good condition. Dark patina on metal. Light pitting on barrel, retaining bands, and trigger guard. Spots of pitting on lock and hammer. Moderate wear on stock and crack in front.

A Heinrich Girku of Kaufbeuren, Germany Peabody Martini Action Schuetzen rifle, 7.6mm. Circa 1891-1900. German Black Leaf engraving. Adjustable double set trigger. Blued 29" octagonal barrel with gold bands near breach and marked "Ed. Girku Kaufbeuren" in gold inlay on the top flat, "GUSS" on left and "STAHL" on right. Walnut stock with straight wrist and high comb stock. Checkered wrist and horn fore stock tip. Zeiss rail mount. Crown V proof on barrel flat and German Nitro proofs on underside. Engraved butt plate with lower hook. 47 1/2" overall. Serial 6032. CURIO AND FFL ELIGIBLE. Condition: Fine condition. 80% of original finish. Loss of nickel and discoloration on action from use with gouges on top of block. Light to moderate wear on stock with gouges and scratches consistent with use. Some loss on horn end cap. Wear on edges of barrel. Dark frosted bore.

Zimmerman, William. Waterfowl of North America. Intro by Olin Sewall Pettingill, Jr. Louisville: Frame House Gallery (1974). Oblong Elephant Folio. 1/2 fine green morocco & linen, with embossed gold medallion on cover bearing title. Very Fine. No. 597 of 1000 copies, signed by Zimmerman. 42 color plates, with an additional 2 color plates laid in, signed & numbered 36/100.

A group of seventeen yellowware bowls and plates. ++8 bowls. Largest: 3 1/4" Smallest: 2" Chips to glaze, crazing, one has chip in lip. ++9 plates with high edges. Largest: 11" Smallest: 8 3/4" Crazing

A group of eight yellowware ceramic mugs. Each with multiple white and brown band decoration. Largest: 3 7/8" Smallest: 3" Condition: Crazing, Condition consistent with age and use.

A group of thirteen yellowware kitchen items. Including bowls, cups, small pots and a miniature pitcher. Largest: 3" Smallest: 1 3/4" Condition: crazing and chips.

A group of eight yellowware mugs. Each with a large center white band and two small brown band decoration. Largest: 4" Smallest: 3" Condition: crazing, one has nick in rim

A group of eight yellowware mugs with large center white band and brown band decoration. Largest: 4" Smallest: 3" Condition: crazing, chip to glaze on slip

A group of eight yellowware mugs. Largest: 4" Smallest: 2 3/4" ++Four with large white band decoration. ++Two with brown band decoration. ++Two blank, one concave and one rouletted. Condition: crazing, one has chip in rim.

A group of eight yellowware mugs. Each with multiple white and brown band decorations. Largest: 4" Smallest: 2 3/4" Condition: crazing, one has chip in rim

A group of six yellowware miniature mugs. Each with blue bands and ridged sides. 2" Condition: crazing

A group of five yellowware mugs. Each with blue seaweed design on white band decoration. Largest: 3 3/4" Smallest: 2 3/4" Condition: crazing, cracks,

A group of six yellowware mugs. Largest: 3 3/4" Smallest: 3 1/4" ++ Four with blue seaweed design on white bands. ++ Two with blue stripes. Condition: crazing, cracks and chips, poor repair, one missing handle

A group of three yellowware mugs. Each with blue or green seaweed design on white bands. Largest: 3 1/4" Smallest: 3" Condition: crazing

A group of six yellowware mugs and creamer. Each with large central white band with smaller brown bands. Largest: 5" Smallest: 3" Condition: crazing

A group of eight yellowware mugs. Each with blue band decorations. Largest: 4" Smallest: 3 1/4" Condition: crazing

A group of six yellowware mugs and small pitcher. Each with multiple white bands. Pitcher with brown and white band decoration. Largest: 5" Smallest: 2 3/4" Condition: one with broken handle, crazing

A group of six yellowware mugs. Each with multiple white bands. Smallest: 3" Largest: 3 3/4" Condition: crazing

A group of three Yellowware creamers and pitchers. Each with dark brown and opaque white band decoration. Smallest: 4 1/4" Largest: 5 1/2" Condition: crazing

A group of three Yellowware pitchers. Each with brown or blue band decoration. Smallest: 4 1/2" Largest: 6" Condition: chip to spout, crazing, flaking

A group of two yellowware small pitchers. Each with slip band decoration. One with Green & Co. Gresley, England stamp on base. Larger: 6 1/2" Condition: crazing

A group of two yellowware pitchers. Each with white bands with blue seaweed design. Larger: 6 1/2" Condition: crazing, hairline cracks

A group of two yellowware pitchers. Each with white bands with blue seaweed design. Larger: 6 3/4" Condition: crazing, repair to spout

A yellowware pitcher with blue swirling decoration and blue, white, and brown bands.19th century. Multiple staple repairs, cracks, repair to handle. 8 1/4" Condition: crazing

A group of two yellowware pitchers. Each with white bands with blue seaweed design. Larger: 6" Condition: crazing, hairline crack, chip to spout

A group of two yellowware pitchers. Each with white bands with green seaweed design. Larger: 5 3/4" Condition: restored handle on smaller, chips to base. crazing

A yellowware pitcher with blue and brown seaweed decoration on white band. 7 1/2" Condition: crazing

A group of two yellowware pitchers. Each with white and brown band decoration. Larger: 8" Condition: glaze chips, cracks, crazing

A yellowware pitcher with unglazed spackled decoration. 8 3/4" Condition: repairs evident, chips, crazing

A group of two yellowware pitchers. Blue or brown and white band decoration. Larger: 7" Condition: crazing, chips

A yellowware pitcher with light blue brown and white slip band decoration. 7 1/2" Condition: chips throughout, crazing,

A large yellowware mug with green seaweed on white ground decoration. Condition: crazing, some flaking

A yellowware jug with white and dark brown decoration. 8 1/4" Condition: crazing, glaze skips. hairline crack

A yellowware pitcher with mocha slip decoration. crazing, hairline crack, restoration to spout. 8"

A group of three yellowware pitchers with blue seaweed on white band. One with missing handle, large chip to spout, discoloration Largest: Smallest:

A group of two yellowware pitchers. Each with white bands with blue seaweed design. Larger: 6 1/4" Condition: hairline cracks, chip to spout, crazing

Picasso, Pablo (Spain, 1881-1973). "Marie-Therese Kneeling, Studying a Sculpted Group" (Marie-Therese Agenouillee Contemplant Un Groupe Sculpte). From the Vollard Suite. (Suite Vollard.) Etching. 1933, published 1939 by Ambroise Vollard, printed by Lacouriere Paris. From edition of 260. Signed l.r. Vollard watermark on left edge of laid paper. Deckled edges on sheet. Vollard inventory number, 327, on l.l. Plate number, B 66 also l.l. Tipped onto matting. Framed. Leaf size: 17 1/2" x 13 3/8" ( 444.5mm x 342.13mm.) Late size: 17 7/16" x 11 3/4". ( 442.9mm x 298.45mm.) Frame size: 22 3/8" x 20 1/8". G. Bloch, Catalogue de l'oeuvre grave et lithographie 1904-1967, Bern, 1968, pp. 57-75, nos. 134-233. Condition: Toning on edges of plate impression. Two small foxing dots on back of paper. Very good to near fine.

After Pablo Picasso (Spanish, 1881-1973). "Le Cubisme: 1907-1914." 1953. Offset lithograph exhibition poster. Edition of 1000. Published for Musee National d'Art Moderne on Avenue du President Wilson, Paris,exhibit dated January 31-April 9, 1953. Condition: Pin holes on 4 corners. Fold mark on center.

Dali, Salvador (Spanish, 1904-1989). "Le Paradis Perdu." 1973. Lithograph. Signed in pencil l.r. Edition l.r. HC 40/50. Hors d'Commerce edition, "out of trade". Framed and matted. Frame size: 30 13/16" x 32 15/16". Sight sheet size: 18 1/4" x 20 1/4". Plate size: 17" x 17". Condition: Sight very good.

Herbin, Auguste (French, 1882-1960). "Fou." 1953. Serigraph. Signed and dated in pencil l.r. Editioned 199/300 l.l. in black pen. Sheet size: 16 3/8" x 21 7/8". Plate size: 13 1/4" x 19 1/4". Condition: Toning visible. Sheet has light creases on bottom left edge. Left over tape from previous mounting on verso.

Ivanjicki, Olja (Serbian, 1930-2009). "Andeo Mudrosti i Pravde." Lithograph. Signed and titled l.l. Framed and matted. Frame size: 23 1/4" x 45 1/2". Sight size: 26 3/4" x 38 7/8". Condition: Sight very good to near fine. Crack on glass, l.r.

Villion, Jacques (France, 1875-1963) after Metzinger, Jean (France, 1883-1956). "La Tasse De The." 1929. Color aquatint. Etching by Villion after Metzinger's cubist piece. Printed on wove paper. Published by Chalcographie du Louvre, Paris, blind stamp l.l. on edge of plate. Plate signed by Metzinger l.r. Sheet size: 19 7/8" x 25 1/2". Plate size: 17 1/2" x 18 5/8". Condition: Sheet trimmed. Light foxing.

Bhatt, Jyoti. [Jyotindra Manshankar] (Indian, b.1934). Two artist proof etchings. ++ "Scattered Forms." Artist Proof. 2/10. 1965. Written l.l. all in pencil, in English. Written in Gujarati in l.r. All in pencil. Printed on Arches paper. Folded in 2" on two sides. Sheet size: 30" x 22 1/2:. Plate size: 22 5/8" x 19". ++ "Double Self Portrait." A/P. 1965. Dated and signed l.r. Titled and editioned l.l. Printed on Rives. Sheet size: 29 1/2" x 20 5/8". Plate size: 27 1/2" x 18 1/2". Condition: Scattered foxing and toning. Residue from previous tipping.

Micah Schwaberow (b.1948) ''Russian River Moon''- woodcut in colors, 1993, signed, dated, titled and numbered 55/72 in pencil, very good condition. 9 7/8 x 7''

Dow, Arthur Wesley (American, 1857-1922), Ipswich Prints(from the first & second set. C.1901-1902. Three prints and title page from first set: Clover - Series D, Village Roofs (2 versions) Series K. ++ Two prints and title page from second set: Color scheme from hiroshige No. 1, Willow tree and Sunset Clouds. Prints 7" x 8". Portfolio cover reads "Ipswich Prints / Compostions and color / schemes Printed at Ipswich / Mass by Arthur W. Dow / Second Set 1902". 8 1/4" x 7 1/4".

Dow, Arthur Wesley (American, 1857-1922), Woodblock print of Artist's seal .

Martin Erich Philipp (MEPH), "Rote Aras I" coloor woodcut, mid-20th century, mirror inverted monogram "MEPH" at l.r. pencil signed and titled. "Rote Aras I" and "M E Phillipp." On laid Japan paper with embossing including "Berlin" Image: 9" x 6 1/2", paper: 14" x 10"

Lindenmuth, Tod (1885-1976) "The Riding Light'' linocut in colors, signed and titled in pencil. Image 15" x 12 1/2".

Mabel Alington Royds (British, 1874-1941) Color woodblock print of men steering a boat. Mostly in turquoise and brown. Pencil sign "M. A. Royds" l.r.

Groesbeck, Daniel Sayre (American, 1878-1950). Two monotype prints "Temple Dancer - Tibet" & "Charm Peddler - Tibet." On oatmeal paper laid down on board. Image with immediate border 14 1/2" x 14". Overall mat: 24" x 20". Signed and titled in lower margin, Dancer - in red crayon; Charm Peddler - in black crayon.

Baumann, Gustave (German/American, 1881-1971) Woodcut block for his print "Monterey Cyprus". C.1934. Block stuck with "CANCELLED / [hand-in-heart chop]". Label and writing on the reverse. Block 8 1/2" x 8 1/2", frame 9 1/2" x 9 1/2".

Remington, Frederick Sackrider (American, 1861-1909). "A Running Bucker." 1859. Photogravure on buff paper. Published by Davis & Sanford, NY. Publisher mark and blind stamp at lower edge of image. Permanent Print in Carbon. Signed in the plate. Sight: 20 1/2" x 27". Frame: 24 1/4' x 31". Condition: Sight good. Toned, with visible damp staining across the image. Not examined out of frame.

Calder, Alexander (American, 1898-1976). "La Petit Pyramids." ["Homage To The Pyramids".] Lithograph in colors. Signed l.r. Edition, E.A (epreuve d'artiste) l.l. All in pencil. Framed and matted. Frame size: 18 3/16" x 23 1/4". Sheet sight size: 12" x 16 1/2". Condition: Light mat burn. Good to very good.

Calder, Alexander (American, 1898-1976). Knoedler Gallery Exhibition Poster. 1960. Signed in blue pencil on right. Sheet size: 14" x 20". Condition: Light toning. Light fold mark visible on center left edge, approximately 3".

A group of two America: The Third Century Exhibit Posters. ++ "America Whistles." Edward Ruscha. (American b. 1937). Screen Print. 1976. Series commissioned by Mobil Oil Cooperation for the Bicentennial. Sheet size: 24" x 34.5". ++ "Yankee Flame." Ben Schonzeit ( American b. 1942). Collotype. 1976. Series commissioned by Mobil Oil Cooperation for the Bicentennial. Sheet size: 29 1/2" x 44 1/2". Condition: Posters previously rolled. Good to very good.

A poster for Exposition d'Aquarelles de Mme Laure Brouardel for Galerie Georges Bernheim Poster. 1916. Lithograph. Imp. Cornil & Serre, Paris. Unframed. 31" x 48". Condition: Good. Linen backed onto board. Edges folded over backing board. Toned.

Wengenroth, Stow. (American. 1906-1978.) "Deep Water." 1951. Lithograph. Not signed or editioned. Stuckey 110Sheet size: 21 1/8" x 16 5/8". Print size: 17 1/4" x 12 1/4". Condition: Light toning.

Kent, Rockwell (American, 1882-1971). "And Now Where?" 1936. Lithograph on wove paper. Burne-Jones 110. Sheet size: 12 1/4" x 16 3/16". Print size: 9 3/8" x 13 1/8". Condition: Light foxing. Tape residue l.l.

McCrady, John (American, 1911-1968). "Swing Low, Sweet Chariot." 1941. Lithograph. Early trial proof. Written on l.l. "Ok For Printing". Written on l.r. " Swing Low, Sweet Chariot." All written in pencil. Full margins. Sheet size: 19 3/16" x 14 9/16". Print size: 14 3/4" x 10 7/8". ++ Two black and white photographs of the original painting. One verso of photographs, l.l. stamp of the St. Louis Art Museum 1975, l.r. stamp outlining reproduction guidelines. The title, artist, medium, size, and accession number written on The St. Louis paper. Photograph sheet size: 10 x 8 1/4", image size: 9 1/4" x 7". Condition: Toning around the edges of sheet. Previous fold mark on bottom left corner. Sharpie writing on one copy of photograph.

Pereira, Irene Rice (American, 1902-1971). "Phospor". 1966. White ink on black paper. Written dedication l.r. continued on verso of paper. Signed and dated on verso in white ink. Sheet size: 8 7/16" x 12 3/4".

Steffen, Bernard Joseph ( American, 1907-1980). "Plowing Fields." Circa 1930. Lithograph. Signed l.r. in pencil. Sheet size: 19 3/8" x 12 5/8". Image size: 12 7/8" x 9 3/4". Published by Associated American Artists in an edition of 250. This piece is also attributed by the title "Upland." Condition: Very good. Not trimmed. Light toning on l.l.

Reed, Paul Allen (American 1919-2015). "Barcelona". 1969. Serigraph. Signed and dated l.r. Titled center. Editioned "Artist Proof 17/40" l.l. All in pencil. Sheet size: 28" x 22". Condition: Light wear and foxing on sheet.

Hebald, Milton (American, 1917-2015) and Ciardi, John (American, 1916-1986). "An Alphabestiary". 1965-1966. Lithographs and poetry. Twenty-six original lithographs by Hebald and twenty-six poems by Ciardi. Blind stamp "Il Tolcoliere" workshop l.r. on each lithograph sheet. Each lithograph is signed l.r. and editioned, 57/100. All in pencil. Lithographs are in individual portfolios with protective fly sheet. Poems are printed on inside cover of portfolio. House in green cloth clamshell folio. Gold gilt lettering on front board and spine. Clamshell size: 15" x 21". Lithograph sheet size: 14" x 20". Condition: Toning on edges of portfolios. Wear to clamshell cover. Spine and joints worn. Lithographs very good to near fine.

Stovall, Lou (American, 1937-2023). Stovall, "An Exanthema of Clouds." 1974. Serigraph. Signed l.r. Title center. Edition,46/70, l.l. All in pencil. Part of the series " Of the Land." Framed and matted. Image size: 22" x 22". Frame size: 31 1/4" x 31 1/4". Condition: Sight near fine. Light toning upper left. Some fading.

"She Comes In Colors." 1967. Offset lithograph. Photographed by Geoff Rosengarten. Body art by Roberta Weir. Printed by Overground Art Inc. NY. Sheet size: 22 7/89" x 35 3/4". Condition: Good to very good. Fold mark l.l. Pinhole marks top corners. Light foxing.

Strong, Brett-Livingstone. (Australian-American, b.1953). "Tango [In Night]." 1984. Serigraph. Signed l.r. Title, center. Edition, A/P 24/50. All written in pencil. Blind stamp l.l. "Homage A Henri Rousseau." l.l. Blind stamp artist signature l.r. Framed and matted. Used by Fleetwood Mac for their 1987 record of the same name. Frame size: 35 3/4" x 38 1/4". Sheet sight size: 25 1/2". Serigraph size: 23 13/16/' x 23 3/4". Condition: Sight Very good to fine. Light rippling top edge.

Strong, Brett-Livingstone. (Australian-American, b.1953). Untitled serigraph. Signed l.r. Edition, A/P 8/25, l.l. All in pencil. Framed and matted. Frame size: 54 1/8" x 39 5/8". Sheet sight size: 44 1/8" x 30 1/4". Serigraph size: 42 1/4 x 25 5/8". Condition: Sight good to very good. Light damp staining on left edge of matting.

D'Arcangelo, Allan (American, b. 1930). "Yield." 1968. Serigraph. For the National Collection of Fine Arts, Smithsonian Institution. Sheet size 45" x 29 1/2". Condition: Posters previously rolled. Chipping on left edge. Fold mark on bottom edge.

A Mobler cabinet. Open shelves with two sliding doors over lower section with four drawers astride a door. marked on reverse. 72 1/2" x 48" x 15"

A Mobler cabinet wall unit. Upper section with open cabinets including shelf, drop down desk, and two glass doors. Three sliding doors on lower section. marked on reverse. 72 1/2" x 48" x 19"

A sculptural iron and four woven leather chairs and glass topped table. Circa 1970. Iron frame with woven riveted leather seat and back. Table: 30 1/2" x 47 1/2". Chairs: 38" x 17" x 17".

A Thos. Moser cherry Oval Ring Four Leg Table. Including two leaves. All signed and dated 2002 on underside. Table: 30" x 72 x 42".

A group of six Thos. Moser cherry Harpswell side chairs. All signed and dated 2002 on underside. Chairs: 35" x 22" x 19".

A pair of Thos. Moser cherry Harpswell arm chairs. 35" x 22" x 23".

A Thos. Moser cherry sideboard. Four drawers with wood pulls. Finished back. Signed and dated 2002 on bottom. 36" x 62" x 21 1/2". Condition: Scratches on top.

A Pewter matchbox holder/cover from 1935 and was a Presidential Christmas gift to White House staff. One of 175 made. Measure from 1 3/4" x 1" x 1/2" to 2 1/4" x 1 3/4" x 3/4". Made at Val-Kill. Pewter letter opener, which was a 1936 Presidential Christmas gift to White House staff. One of 200 made. Measures 5 3/4" x 1 3/4". With Presidential Seal emblem. Made at Val-Kill. One pewter desk pad, which was a 1937 Presidential Christmas gift to White House staff. One of 175 made. Measures 5.25" x 3.25". With coin-style bust of the President.Made at Val-Kill and stamped on the verso. Accompanied by a pewter paperweight from 1938 which served as a Presidential Christmas gift to White House staff. One of 185 made. Made at Val-Kill with stamp mark on the bottom, the 3" x 2.5" x 1.25" paperweight features a bust of FDR stamped "President Franklin D. Roosevelt Hyde Park, NY" on the top. Val-Kill Industries was founded in 1927 by Eleanor Roosevelt and three other women so that local farming families could supplement their income by producing pewter objects, furniture, and textiles. Most Val-Kill objects were based on 18th century forms to reflect the popularity of the Colonial Revival style. Condition: Light scuffs and rubbing.

A group of four pieces from 1991 Collapse of the U.S.S.R. barricade pieces suspended in Lucite. Plaque "MOSCOW- PIECES FROM BARICADE/ SEPTEMBER 3-6, 1991." 10 1/2" x 13" x 4 1/4".

A group of two Framed Acts issuing Andrew Wyeth's Congressional Gold Medal by Act in 1989. H.R. 593, Signed and Enacted by President Reagan on Nov 9, 1988, here framed in facsimile. With original pencil drawing by Andrew Wyeth titled “Top of Brinton’s Mill.” With 3 bronze commemorative Andrew Wyeth medals as issued by the US Mint in replica of the original Gold Medal given to Wyeth in recognition of his artist achievements. Each signed by Andrew Wyeth to Richard Schulze, former Representative for Pennsylvania's 5th congressional district, who was the sponsor for this Bill. One signed with an original pencil drawing of Brinton's Mill titled "Top of Brinton's Mill", dedicated and signed "For Dick Schulze by Andrew Wyeth”. With 2 examples of the bronze commemorative Andrew Wyeth medal. The other is signed on the final page of the document "To Dick Schulze / With thanks / Andrew Wyeth. With an example of the bronze medal and with the original Parker pen used by Reagan to sign the original document. Brinton's Mill, a grist mill in Chester County, Pennsylvania, and adjacent buildings surrounded by leafless trees. Andrew and Betsy Wyeth purchased this property in 1958 and this mill appeared often in his work. Measurements of Reagan held pen and signed Wyeth note: 37" x 20". Measurements of Wyeth signed drawing: 37 3/4" x 26 1/2". With accompanying framed photograph of Andrew Wyeth and Representative Richard Schulze outside Brinton's Mill. Condition: Under glass, not examined out of frame. Provenance: The Estate of Richard Schulze.

A Collection of Andrew Wyeth Memorabilia including Personal letter to Representative Schulze thanking him for his recent painting. Collection contains: Andrew Wyeth ALS written on The Mill letterhead, dated 11/18/88, stamped 11/21/88. (after passing Congress and prior to being signed into law by President Reagan. Letter reads: Dear Richard / How wonderful of you to carry through so completely your feelings about my painting, I am deeply moved / Look forward to seeing you soon / Sincerely / Andrew. With original envelope marked on verso The Mills to Richard Schultze. ++ Royal Doulton Andrew Wyeth Porcelain Punch Bowl, 1973. With transfer printed fruit tree decoration, marked to underside. Measures: 5 1/2" x 13". ++ Andrew Wyeth Plate for Georg Jensen "The Kuerner Farm", 1971 with original box and pamphlet. ++ U.S. Mint Commemorative Bronze Andrew Wyeth Medal in original green felt box. ++ An American Vision: Three Generations of Wyeth Art. Oblong 4to. Softcover. Inscribed by author James Duff to Richard Schultze. Provenance: The Estate of Richard Schulze.

Menck, Clare (South African, b. 1969). "Absolut Voyeur." Oil on canvas. Titled upper center. Signed on title card. Sight: 6 1/4" x 4 3/4". Frame: 17" x 15 1/2".

Waddell, Peter (New Zealand/American, b.1955). "Walt Whitman's Solace, 1865." Oil on canvas. 2002. Signed and dated l.r. Sight: 48" x 24". Frame: 50" x 26".

Waddell, Peter (New Zealand/American, b.1955). "The Supreme Court Chamber." Oil on canvas. 2002. Signed and dated l.l. Signed: 29 1/2" x 23 1/2". Frame: 31 1/2" x 26".

Hazlewood, Duncan (1922-1994). Abstract. Oil on canvas. 1989. Signed and dated on verso. 30 1/2" x 40 1/2".

Hazlewood, Duncan (1922-1994). Vase of flowers. Ink and watercolor on paper. 1967. Signed and dated l.r. Sight: 21 1/2" x 17 1/4". Frame: 29" x 24 1/4".

Bunning, Mary (American, active late 20th c.). "Peach Iris." Acrylic on board. Signed l.r. Sight: 15 1/2" x 11 1/2". Frame: 26" x 21 1/2".

Baer, Howard (American, 20th Century), two abstracts, oil on paper. Both from the 1996 Society of illustrators Christmas Auction.

Tom Bennett (American, active late 20th century). "Autumn." A nude female bronze sculpture. Edition 152/250. 1988. Signed, dated, and editioned on foot. 9 1/4" x 18". Patina and marks, fingers bent.

A Brutalist metal sculpture. Unsigned. Mid 20th century. 27 1/2" x 16".

Cook, James K. (American, active 20th c.). Frog copper bronze sculpture. Signed and dated on base. 1983. 25 3/4" x 12".

A stone sculpture depicting the torso of a female form. Possibly alabaster. Signed "Yola '72." With mount: 13" x 9".

A stone sculpture depicting a horse with its head down. Possibly alabaster. Signed "Yola." With mount: 16" x 11 3/4".

A stone sculpture depicting a reclining female form. Possibly alabaster. Signed "Yola." With mount: 15 1/2" x 17".

A stone sculpture depicting the head of a male form. Possibly alabaster. Signed "Yola." With mount: 16 1/2" x 10".

Luke Anowtalik (Canadian, 1932-2006). "Faces." A stone sculpture with carved faces. 1990. Signed on bottom. 22" x 9". Provenance: Purchased from Lippel Gallery, Montreal in September 1990.

Laura Perry (Asheville, active 21st century). A sculpture of a baker. Porcelain, fiber, metal. Mounted in a shadowbox. 26 1/2" x 16 1/2".

Volckamer, Johann Christoph (German, 1644-1720). Two hand colored citrus fruit engravings from Nuremberg Hesperides, 1708-1714. Unsigned. "Limon Dolce Ordin" and " Limon Agotarol Da Portugal Dolce." Framed and matted. Frame size: 15" x 20". Sheet sight size: 8" x 12 1/2". Condition: Sight good. Scattered foxing. Loss of pigment to print border.

An Italian battle scene attributed to Jacques Courtois, or il Borgognone (French Comtois/Italian, 1621-1676). Oil on canvas. Unsigned. Sight: 29" x 41". Frame: 37" x 49". Condition: Craquelure, scratch l.r. Provenance: From the Collection of Vivian Cavalieri

An Italian battle scene attributed to Jacques Courtois, or il Borgognone (French Comtois/Italian, 1621-1676). Oil on canvas. Unsigned. Sight: 27 1/4" x 40 1/2". Frame: 35 1/2" x 48 1/2". Condition: discoloration, warping to canvas u.l. small chipping to paint on right side, loss to paint c.l. blue ink mark on central figure. Provenance: From the Collection of Vivian Cavalieri

A portrait of Mary. Unsigned. 17th/18th century. Oil on canvas. Sight: 26 1/4" x 22". Frame: 33 1/2" x 29 1/4". Condition: craquelure, discoloration, chipping to paint, restoration evident under blacklight Provenance: From the Collection of Vivian Cavalieri

Coccorante, Leonardo (Naples, 1680-1750). Classical scene of architectural ruins. Oil on canvas. Unsigned. Sight: 13" x 10 1/2". Frame: 16 1/4" x 13 1/2". Condition: craquelure, discoloration, loss. Provenance: From the Collection of Vivian Cavalieri

A pair of Dutch school paintings of harbor scenes. Oil on canvas. 18th century. Sight: 21 1/4" x 30 1/2". Frame: 25 1/2" x 34 1/2". Condition: discoloration Provenance: From the Collection of Vivian Cavalieri

After Antonio Amorosi (Italian, 1660-1738). "The Mother's Sermon." Late 19th century/early 20th century. Oil on canvas. Unsigned. Sight: 15 3/4" x 11 1/2". Frame: 23 1/2" x 19 1/2". Condition: Small puncture upper left.

A group of four paintings of scenes of the Crimean War. Oil on canvas. Late 19th century. Unsigned. Inscriptions on verso. Sight: 23 3/4" x 33 1/4". Frame: 25 3/4" x 35 1/4". Condition: repairs evident on verso.

A copy of a scene from Diego Velazquez (1599-1660) "The Triumph of Bacchus," also known as "The Drinkers." Oil on canvas. Late 19th century. Unsigned. Sight: 28 1/2" x 40 1/2". Frame: 35 1/2" x 47 1/2". Provenance: Diego Velazquez "The Triumph of Bacchus," (1628-1629) is currently held at the Museo del Prado, Madrid.

Cappell, Jose Montenegro (Spanish, 1865-1929) A group of two paintings of Spanish street scenes. Oil on board. 1892. Signed and dated l.r. Sight: 11 1/2" x 5 1/2" Frame:17" x 11"

Von Strelitz, "Grainhall in Munich." Oil on board. 1844. Signed l.r. Titled on verso. Sight: 13 3/4" x 16". Frame: 19" x 22". Condition: Repaired crack, multiple cracks to board.

de Nittis, Giuseppe (Italian, 1846-1884). "Dans le Bois de Boulogne." Horse drawn carriage. Oil on board. Signed l.r. Sight: 7 1/2" x 5 3/4". Frame: 12" x 10 1/4". Condition: Craquelure. Provenance: Purchased from Parke-Bernet Galleries in 1954. From the Collection of Vivian Cavalieri.

Charlton, John (English,1849-1917). Landscape with mountains in the background. Watercolor on paper. Initials l.l. Sight: 9" x 12 3/4". Frame: 17 1/2" x 21 3/4".

L. Stepano (European, active 20th century). Pastoral landscape. Oil on canvas. Signed l.r. Sight: 19 1/2" x 23 1/2". Frame: 28" x 32".

Cobelle, Charles (French, 1902-1994). French street scene. Oil on canvas. Signed l.r. Sight: 10 1/4" x 36". Frame: 11 1/4" x 37 1/4".

Gaspard, Leon Shulman (American, Taos/Russian, 1882-1964) Russian woman with basket of produce. C.1910. Watercolor, gouache and crayon on paper. Signed "Leon Gaspard Russie 1910" l.l. Inscribed in cyrillic on the reverse with 1910 date. 9 5/8" x 8 7/8".

Gaspard, Leon Shulman (American, Taos/Russian, 1882-1964) Mountain scene with river in the foreground. C.1951. Oil on canvas. Signed "Leon Gaspard 1951" l.l. also with signature on the reverse. Canvas: 16" x 20", frame: 21" x 25".

A Postwar Markneukirchen, Germany 4/4 Full size violin. Inside label "Antonius Stradivarius Cremonensis/ Faciebat Anno 1631" and "Made in Germany." 24" overall. Hard case. 30" x 9 3/4" x 3 1/2". Condition: Top crack. Loose dole rod in body.

A German 4/4 violin. Mid 19th century. Paper label "Paulus Alletsee/ fecit Munchen 171?." Label of importer Ferron and Kroeplin, Chicago reference number 1374. 23 1/2" x 7 1/4" x 2 3/4". ++ Otto A. Hoyer marked bow. 20th century. Stamped on right side "OTTO A HOYER" and "GERMANY" on underside. 29 1/2". Includes felt lined hard case. Condition: Violin has had neck grafe. Staining and wear.

A Russian Rigart Rubus 4/4 Full size violin with bow. Paper label "RIGART RUBIS/ ST. PETERSBURG" and "MADE IN RUSSIA." 23 1/2" x 8" x 2 1/2". Unmarked bow. Hard case. 31" x 10" x 5". Condition: Wear to body.

A marble mantle clock. Mercury pendulum. Enamel face with Roman Numerals. 18 1/2" x 15" x 6". Condition: Untested.

A Charles Anfie (French, 1833 1905). "La Terre" marble mantle clock. Circa 1900. Spelter figure of woman holding lithographed globe aloft with putti. Marble clock with gilt mounts. Unmarked movement 29 1/2" x 13" x 8". Condition: Broken hand with globe.

A group of five balloon back mahogany side chairs. Early 19th century. Turned legs. 34" x 17 1/2" x 18 1/2".

An American Empire buffet. Circa 1840. Crotch veneer walnut primary and pine secondary. Three drawers with filled pulls over four doors flanked by columns raised on acanthus leaf feet. 42 1/2" x 72" x 22 3/4". Condition: Filled pulls. Filled slots for back splash.

A Victorian china cabinet. Two glass doors over two drawers. Three shelves. 76" x 49 1/2" x 16 1/4". Condition: One broken pane on the side.

A bronze cupid glass topped table. 28" x 54"

An Empire rose marble topped oval center table. Walnut primary. 29" x 28".

An Empire white marble topped hall table. Mahogany primary. Mirrored back. 35 3/4" x 41 1/2" x 18 1/4".

An antique walnut chest. 18th/Early 19th century. Wrought iron mounts. Strap hinges. 24" x 59 3/4" x 20 3/4".

A Life-Time Furniture Grand Rapids Bookcase and Chair Company, Michigan Jacobean sideboard. 20th century. Label on reverse. Four drawers over open section with columns. 31" 81 1/2" x 23".

A Gilbert Islands shark tooth sword. 18 1/2". Condition: 4 missing teeth.

A Luristan, Persia type iron sword. Remnants of iron blade. Bronze hilt with double eared pommel. 10 1/2" x 2 1/2" x 1 1/2".

A Central European grip tongue sword. Circa 1500 BCE. 14 3/4" x 1 1/2".

An Archaic Period Eastern Woodland stone full grooved axe head. 7000-500 BCE. Marked "365/ Woodford/ Caroline Co./ Va." 4 1/4" x 3" x 1 1/2".

A group of two Neolithic Danish chipped and polished flint axe heads. 6 3/4" x 2 1/2" x 2" and 5 1/4" x 2 3/4" x 1".

A Mayan plate decorated with a central figure and geometric designs along the rim. Guatemala. 10 7/8". Condition: Abrasions. Provenance: From the collection of Kumiko Cross.

A Mayan footed vessel decorated with animals. Guatemala. 5 5/8" x 5 1/2". Condition: Abrasions. Provenance: From the collection of Kumiko Cross.

A Mayan vessel decorated with figures. Guatemala. 6 1/2" x 7". Condition: Abrasions, gouge on bottom. Provenance: From the collection of Kumiko Cross.

A Mayan bowl decorated with figures and animals. Guatemala. 2 3/4" x 6 7/8". Condition: Abrasions, gouge on bottom. Provenance: From the collection of Kumiko Cross.

A Mayan bowl decorated with animals along the body and rim. Guatemala. 3 1/2" x 7 5/8". Condition: Abrasions. Provenance: From the collection of Kumiko Cross.

A Mayan bowl decorated with a figure and an animal. Guatemala. 4 3/4" x 6 3/4". Condition: Repaired crack, abrasions. Provenance: From the collection of Kumiko Cross.

A Mayan bowl decorated with various figures and animals. Guatemala. 5 1/2" x 6". Condition: Abrasions. Provenance: From the collection of Kumiko Cross.

An Olmec style seated figure. Mexico. 8" x 6 1/8". Condition: Repaired breaks, loss.

An Olmec style seated figure with one hand in the mouth. Mexico. 6 3/8" x 4 1/2". Condition: Abrasions, gouges.

An Olmec style seated female figure wearing a headdress. Mexico. 4 3/4" x 3 5/8". Condition: Abrasions, gouges, and crack under leg.

An Olmec style seated figure. Mexico. 4 1/2" x 3 1/4". Condition: Repaired break, one arm broken, and abrasions.

A group of two East Mexico style seated figures. Largest: 5" x 4". Condition: Cracks, marked in pen on verso.

An Olmec style stone head. Mexico. 7" x 6 5/8". Condition: Cracks, loss, and abrasions.

A Teotihuacan style stone head. Mexico. 7 1/4" x 6 1/2". Condition: Repaired breaks, abrasions.

A Classic Mayan style molded stone frieze of figure. Mexico. 32 1/2" x 17 1/4".

A Chilean stirrup vessel with a figural face and geometric designs. Incised writing on bottom. 4" x 4 1/2". Condition: Abrasions.

A Moche blackware erotic stirrup vessel. Peru. 6 1/2" x 5". Condition: Repaired breaks, cracks, loss, and abrasions.

An Inca Kero cup decorated with various scenes. Wood, pigment. 7 3/8" x 6 1/2". Condition: Crack, adhesive residue. Provenance: From the collection of Kumiko Cross.

A pair of two Chancay bowls with bird figures and geometric lines. Peru. Largest: 6" x 5". Provenance: From the collection of Dale Spoor.

An owl stirrup vessel with geometric designs. Peru. 10 1/4" x 9". Condition: Repaired breaks, cracks, and loss. Provenance: From the collection of Dale Spoor.

A group of two Chimu vessels with figural and geometric designs. Peru. Largest: 6 1/4" x 4 1/2". Condition: Repaired cracks, loss. Provenance: From the collection of Dale Spoor.

A Chancay vessel of a figure holding a cup. Peru. 17" x 10". Provenance: From the collection of Dale Spoor.

A group of two Chimu blackware double spout vessels with figural decoration. Peru. Largest: 10" x 10". Condition: Repaired break, cracks, and loss. Provenance: From the collection of Dale Spoor.

A Chimu blackware vessel of a jaguar head. Peru. 7 1/2" x 6 1/2". Condition: Chipped rim, abrasions. Provenance: From the collection of Dale Spoor.

A Nasca vessel with figural faces and forms around the body with bands of geometric designs. Peru. 5" x 3 1/2". Condition: Repaired breaks, abrasions, some loss, and chipped rim. Provenance: From the collection of Dale Spoor.

A Moche bowl with animal forms and geometric designs. Peru. 4 1/2" x 7". Condition: Abrasions and wear. Provenance: From the collection of Dale Spoor.

A group of two Peruvian vessels. Includes a Moche vessel depicting a figural head and a Chimu vessel depicting a figural head. Largest: 8 3/4" x 6 1/4". Condition: Repaired breaks, loss, and chipped rim. Provenance: From the collection of Dale Spoor.

A group of two Peruvian vessels. Includes a Vicus animal spouted vessel and a bowl with geometric designs. Largest: 9" x 10 1/2". Condition: Repaired breaks, chipped rim. Provenance: From the collection of Dale Spoor.

A group of three Peruvian textiles. Includes two Chancay fabrics with looms and one Nasca woven bag. Largest: 12" x 20". Provenance: From the collection of Dale Spoor.

A framed woven Peruvian textile of pelicans. Frame: 29 3/4" x 29 3/4".

A Chancay male figure with painted face and hands. Peru. 10" x 6". Condition: Repaired cracks, new cracks, and loss. Provenance: From the collection of Kumiko Cross.

A group of two Pre-Columbian vessels decorated with geometric patterns. Largest: 3 1/2" x 5". Condition: Abrasions, surface dirt. Provenance: From the collection of Kumiko Cross.

A group of two Pre-Columbian vessels. Including a zoomorphic vase and a figural vase. Largest: 6 3/4" x 5". Condition: Cracks, loss. Provenance: From the collection of Kumiko Cross.

A group of two Pre-Columbian vessels decorated with geometric patterns. Largest: 4" x 3 3/4". Condition: Abrasions, loss. Provenance: From the collection of Kumiko Cross.

A group of two Pre-Columbian vessels. Including a bowl and a vase decorated with geometric patterns. Largest: 6 1/4" x 4 3/4". Condition: Abrasions, surface dirt, and loss. Provenance: From the collection of Kumiko Cross.

A group of three Pre-Columbian vessels. Ceramic. Largest: 3 5/8" x 4 3/4". Condition: Repaired breaks, cracks, surface dirt, and wax melted in bottom of one vessel. Provenance: From the collection of Kumiko Cross.

An assortment of ethnographic objects. Including eighteen fragments, four arrowheads, two fossils, and one ceramic beaded necklace. Necklace measures 14". Provenance: From the collection of Kumiko Cross.

A group of three Pre-Columbian head fragments. Largest: 3" x 2 5/8".

A group of two Pre-Columbian figural fragments. Largest: 6" x 4 1/4".

A Pre-Columbian rattle vessel. 5 1/4" x 14 1/2". Condition: Abrasions, gouges.

A group of four hand painted Persian miniatures on bone. Three scenes depicting single rider on horseback playing polo. One scene of a rider hunting. Signed l.r. M.Shahbaz, in Persian. Framed in gold frame and matted with blue velvet surround. All frames and miniatures are the same size. Frame size: 7 5/8" x 6 9/16". Miniature size: 3 3/8" x 2 3/8". Condition: Slippage of bone in frame. Light wear to paint. Wear to frames visible.

A group of four hand painted miniatures on bone. Two miniatures in mosaic frames with burgundy velvet surround. Some loss of paint visible. Frame sizes: 7 7/8" x 4 7/8". ++ Scene of polo players. Framed and laid on to tawny velvet. Wear to frame and velvet. Frame size: 8 3/8" x 6 3/8". Miniature bone size: 4 3/8" x 2 7/8". ++ Hunting scene in gold frame with tawny velvet matting. Hand painted border on miniature. Frame size: 10 1/8" x 7 1/4".

A group of three framed hand painted Persian style miniatures depicting everyday life scenes. All framed and matted with velvet matting. ++ Two miniatures behind glass. Labeled "Schwartz Freres" in French and Arabic verso. Frame sizes: 7 1/8" x 8 1/8". Miniature size: 2 1/2" x 3 3/4". Light loss of color pigment visible. ++ Miniature depicting various figures. Framed, not housed behind glass. Frame size: 9 7/8" x 5 3/8". Miniature size: 5 1/4" x 1 9/16".

Ottoman Qur'an Leaf written on buff paper in Muhaqqaq script. Mounted on archival matting and hinged on top corners with archival tape. Leaf size: 7 15/16" x 11 5/8". Condition: Toning due to age.

2 pages from illuminated Persian books, written in Classical Farsi, Nastiq calligraphy. All items are mounted on archival matting and hinged on top corners with archival tape. ++ 19th century chapter heading, written in two central columns of 16 lines with single column black script commentary. Decorated with triangular grounds and gold with flora's which is typical of Kashmira works. Leaf size: 5 1/2" x 9 1/4". ++ Unfinished illuminated manuscript, written in Nasta'liq script decorated with intricate flower patter and gold border details. Verso has outlines for script but is unfinished. Leaf size: 7 11/16" x 11 5/16". Condition: Minimal toning. Left edges lightly chipped from previous bindings.

2 Persian illuminated leaves written in naskhi calligraphy. All items are mounted on archival matting and hinged on top corners with archival tape. ++ Leaf from a Qajar Qur'an circa 1860's. Decorated with gold gilt border with gold ornamental detailing. Heading of the Surah is in red Tuluth script. Leaf size: 4 5/8" x 7 3/4". ++ Leaf from 19th century prayer book, possibly Qajar or Zand. Written in Naskh calligraphy with blue scrolling background. Leaf size: 3 3/16" x 6 1/8". Condition: Toning due to age.

18th century illuminated Qur'an leaf. Written in Naskh calligraphy with gold detailing. Small gold scroll and flower work on bottom left, with Allah written in white ink. Leaf size: 5 5/8" x 9 7/8". Some toning around edges. Mounted on archival matting and hinged on top corners with archival tape.

[Manuscript/Religion] 19th Century Qur'an Leaf in Arabic with Persian translation and commentary. Written in Naskh script, Arabic in black ink with the Persian written in red. Ornamental gold disks between verses. Surah heading is written in white ink with blue background. Leaf size: 8" x 12 3/8" Mounted on archival matting and hinged on top corners with archival tape. Condition: Small smudges can be seen on the ink. Toning around the edges of paper.

A group of two hand painted Indo-Persian miniatures depicting royalty on elephant back hunting. 19th century. Ink on glazed paper. Marginalia writings and gold gilt drawings. Matted and framed. Frame size: 16 1/4" x 12 7/8". Sheet sight size: 8 1/4" x 4 3/4". Condition: Sight very good. Light rippling.

2 illuminated Qur'an leaves with marginalia details. All items are mounted on archival matting and hinged on top corners with archival tape. ++ Manuscript leaf from Al-Sahifat Al-Sajjadiyya written by Imam Zayn al-'Abidin 'Ali ibn al-Husayn. The original Arabic is written in black ink Naskh script, Persian translation in red ink with. Originally translated in the Safavid Era of Persian history. Decorated with gold ink with meandering flower pattern usually used in books for nobleman or royalty. Leaf size: 5 1/2" x 8 1/2". ++ 19th century Qur'an leaf written in Naskh script with Persian translations and marginalia notes and gold roundels between verses. Leaf size: 7 1/2" x 12 1/8". Condition: Light toning on edges of both leaves.

Mughal miniature with Nastaliq calligraphy. In the style of Rajput School of Mughal miniatures. Tipped onto archival matting. Untrimmed. Leaf size: 8 1/4" x 12 3/4"/ Condition: Pinholes from previous binding visible. Light foxing.

Persian miniature with Nastaliq script, 19th century in Qajar School of Painting. Pink and gold flower motif border. Script in black ink. Script on verso separated by flowers on gold painted background. Leaf size: 5 3/8" x 8 1/4". Tipped onto archival matting. Condition: Toning around edges of leaf. Light damp staining on bottom edge.

A hand painted Indo-Persian miniature depicting court scene.19th century. Ink and gouache on paper. Marginalia detailing. Matted and framed. Frame size: 13 5/8" 17 3/8". Sheet sight size: 3 1/2" x 6 3/4". Condition: Sight very good. Light rippling.

A hand painted Indo-Persian portraits.19th century. Ink and gouache on paper. Fold mark from previous book binding visible. Matted and framed. Frame size: 20 7/8" x 17 5/8" . Sheet sight size: 12 1/2" x 9 1/4". Condition: Sight very good. Light rippling. Binding holes top, center and bottom of fold mark.

A group of two hand painted Mughal miniatures in the Rajput style.19th century. Ink and gouache on glazed paper with gold gilt detailing. Sheet one shows a hunting scene. Sheet two depicts a harem scene. Marginalia gold gilt details on both sheet, with black and red writing. Matted and framed. Frame size: 17 1/8" x 13 7/8". Sheet sight size: 10 1/2" x 7 1/2". Condition: Sight very good. Small worm hole on l.r. of sheet two.

A group of three hand painted Mughal miniatures in the Rajput style.19th century. Ink and gouache on glazed paper with gold gilt detailing. Sheets one and two show a hunting scenes. Sheet three depicts a harem scene. Marginalia gold gilt details on both sheet.. Matted and framed. Frame size: 27 3/4" x 17 1/8". Sheet sight size: 21" x 10 1/2". Condition: Sight very good. Light rippling.

A 19th century Mughal hand painted miniature. Ink and gouache on bone. Gold gilt detailing on boarder. Framed and matted. Frame size: 9 1/2" x 11 1/4". Miniature size: 3 1/2" x 5". Condition: Good. Paint lightly smudge on l.r. Bone lifting from backing.

A group of two Ottoman book leaves written in Naskh script, the leaves depict scenes from a hamam, both circa mid 1800's.. Both leaves are matted and framed. Smaller leaf, 4 3/4" x 7", shows women and a child by the washing basin. Hand drawn and painted. Larger leaf, 6 1/8" x 8", depicts a scene from a man's hamam. Marginalia notes written in addition to original text. Smaller leaf frame size: 10 1/2" x 13". Larger frame: 12" x 14". Condition: Sight good. Both leaves have wear on previous binding edge. Toning on edges. Tears chips visible.

An Indian miniature. Early 20th century. In the style of the Malwa Rajput School of panting. Painted with gouache on paper with gold gilt detailing. Writing on the back of the piece is possibly Gujarati. Tipped onto matting. Possible signature on l.r. Framed and matted. Sight size: 7" x 9 1/2". Paper size: 9 7/16" x 11 15/16". Frame size: 12 x 15 1/2". Condition: Very good. Slight toning on back of piece due to age. No chips, color loss, toning or foxing visible.

A marble topped walnut console table. Bird form legs and pierced skirt. 31 1/2" x 47 1/2" x 21".

A majolica jardiniere on pedestal with faux flower arrangement. 20th century. Jardiniere: 21" x 19". Pedestal: 37 1/2" x 15 1/2".

An Egyptian Revival wood crane marble topped pedestal. Early 21st century. 42 1/2" x 15".

A musicians wood figural group in the style of Richard MacDonald on pedestal. Early 21st century. 69" x 24" x 14".

A contemporary designer Venetian mirror. Early 21st century. 55" x 28".

A contemporary Baroque style ceramic jardiniere with wood mounts on faux gilt wood pedestal with an arrangement of artificial flowers. Early 21st century. Stand: 39 1/2" x 15".

A set of four Philip Craig (American) "Tuscan Minis" series I through IV for MLB Designs Associates, Delaware off set lithographs. Early 21st century. Gilt frame: 25 1/2" x 22 3/4". Sight 10" x 9".

A contemporary Egyptian Revival console table. Early 21st century. Glass topped. 34" x 43" x 14 1/4".

A large Mediterranean scene. Oil on canvas. Unsigned. Sight: 48" x 45". Gilt frame: 49 1/4" x 46 3/4".

A group of two contemporary R. Barrocal, Peru gilt frame. 29 1/4" x 25 1/4" 4".

A contemporary Egyptian Revival gilt wood mirror. Early 21st century. 51" x 37" x 2 1/4".

A male and female New Zealand Paradise Shelduck taxidermy in flight. Female: 12" x 41" x 21". Male: 16" x 43" x 24".

A pair of Wood Ducks and New Zealand Silvertail taxidermy. ++ Pair of male Wood Ducks on log. 14 1/2" x 38" x 12". ++ New Zealand Silvertail in flight. 9 3/4" x 20".

A group of two male Czech Republic Ring-Necked Pheasant taxidermy on wood bases. 16 3/4" x 32" x 8" and 16" x 28" x 8".

A walrus ivory tusk cribbage board. Double sided with polychrome decoration with walruses and seals. 21" x 2 1/2" x 1 3/4".

A French ivory carved lion's head trinket box. 1 3/4".

A group of five ivory personal objects. Including three English rulers, a baton, and a fly whisk. Largest: 14".

A group of five personal objects. Including an English carpenters ruler, two English mother of pearl silver pocket knives, an ivory pocket knife and pocket calendar. Largest: 3 3/4".

A group of three personal accessories. Including an ivory brooch, a horn hunting trophy brooch, and a tortoiseshell buckle. Largest: 3 1/4".

A Connecticut "Grallator cursorius" dinosaur footprint. 1 3/4" x 11 1/4" x 5 3/4".

An Alaskan Inuit Walrus ivory tusk cribbage board. High relief fish and seal decoration. 15" x 2" x 1 3/8".

A Louisiana American Alligator head mount. 13 1/2" x 14" x 9".

A sixteen-point New Zealand Royal Stag Red Deer taxidermy shoulder mount. 29 1/2" x 35" x 18".

An eight-point Eastern Shore, Maryland Whitetail Buck taxidermy shoulder mount. 21" x 35 1/2" x 17".

A New Zealand Catalina Goat taxidermy shoulder mount. 25" x 28 1/2" x 17".

A thirteen-point elk antler wall mounted crucifix. 38" x 25" x 19 1/2".

A pair of South Africa Cape Buffalo foot ash trays on wood bases. 5" 8" x 7".

A group of five ivory cradle medallions. With depictions of Christ, Mary, and angels. Largest: 3".

A group of five ivory and wood medallions. Three ivory cradle medallions and one filigree case on chain. Largest: 2 1/2".

A group of three miniatures. One in ivory medallion. One portrait miniature with sacred heart of Jesus. Largest: 5 1/4".

An ivory relief of Jesus in wood mount. 4 3/4" x 4 1/2"

A Japanese okimono bronze and ivory figure holding a pipe and tobacco pouch. Not marked. 8" x 4 1/2". Condition: Not securely attached to base. Abrasions, surface dirt.

A Japanese okimono bronze and ivory figure holding a chain. Marked on verso. 5 1/4" x 5 5/8". Condition: Cracked, adhesive residue, and previously repaired.

A Japanese lacquer inro with coral ojime and horn netsuke. 7" long. Inro: 2 3/4" x 2 1/8" x 1 1/2"

A plain Japanese lacquer inro with tooth ojime and netsuke. 6" long. Inro: 2 1/2" x 2" x 3/4".

A Japanese root ball inro with glass ojime and leather case with silver and bamboo Kiseru pipe. 11" overall. Inro: 4" x 3".

A Japanese wood inro with twisting pipe case and brass and reed Kiseru pipe. 9". Inro: 3 1/2" x 3 1/4".

A Japanese wood carved inro with netsuke and ojime. 10 1/2" x 3 1/2" x 1".

A Japanese lacquer inro in wood case, ivory disk netsuke, and coral ojime. Overall 6 1/2". Inro: 2 1/2" x 1 3/4" x 1/2".

A Japanese carved wood crab form inro, ojime, and netsuke. Signed on reverse. 8 1/2" long. 2 1/2" x 3 1/2" x 1 1/2".

A Japanese wood fish inro, bone ojime, and coral netsuke. Fish signed. 9" overall. 4 1/2" x 2 1/4" x 1 1/8".