Local Pickup at auction or in the Kensington store.

This painting took 2nd place in the South Shore Exhibition Frame Measures 31x45 inches

Acrylic Painting Jeannie Edmonds Hancock was born in Halifax in 1946 and showed a talent for painting and drawing while she was still a child. Following high school, she attended the Nova Scotia College of Art and Design. Shortly after graduating from NSCAD, Jeannie was appointed the official artist for the Canada Games, which was held in Halifax in 1969. She became a well-known local artist noted for her large-scale landscapes and studies of sports figures, which were executed in oil on board panels covered in fibreglass. In recent years, Jeannie has been living in the Annapolis Valley, working in oils and generally in a smaller format than when she was younger. She still paints actively and there is an active market for her work. Frame Measures 23x19 inches

Painted in 2023 this rising artist is appreciated by many art lovers in North America and beyond. Artist and home: Hika Wagner, Weymouth, Nova Scotia Background and Occupation: Day care worker, Dog walker, gardener, animal shelter worker, mink pelt co-op factory worker.? Artist Inspiration and Influence:I could always draw and always liked drawing. When I was 14 I started painting. It is something I like to do. One day went for a walk and saw a rabbit. I decided to paint the rabbit on a piece of driftwood. After that I started painting on wood all the time. ?Art Methods & Techniques: When I started painting I used oils now I use acrylic. I used to draw on the driftwood now I paint on it. When I started painting I only painted on canvas. Now most of my paintings are on wood. ? Artistic Recognition: People tell me my paintings make them happy. ?Frame Measures : 24x20 inches Online: www.facebook.com/hikas.folkart

Harris - Painting is of the Era Harris painted in however we have not been 100% able to attribute it to Robert Harris. Frame Measures 28.5 x 16.5 inches

From an August 16th 1952, article in The Charlottetown Guardian headlined “Visiting Artist Revels In Landscape Charm of Island”: Mr. Campbell Tinning, Montreal artist, is currently visiting Prince Edward Island doing a series of paintings… He has done water colour paintings of the Provincial Building, the Travel Bureau and old houses along Great George Street, Green Gables, Keppoch Beach and other places.” Mr. Tinning described Prince Edward Island as “the most paintable part of the country… The red soil contrasts with the green and blue of the sea… The scale of colours are extremely provocative to the imagination.” He added: “There is so much here for the landscape painter… The Island’s scenery is a more universally beautiful and quiet landscape than found elsewhere.” Source: http://www.gctinning.com/1950s/ Frame Measures 30x40 inches

William Hughes Taylor (1891-1978). Born in Port Stanley, Falkland Islands. He immigrated to Canada with his family in 1897. Taylor studied under William Brymner and Maurice Cullen at the school of Art Association of Montreal, and the Monument National Montreal. He worked mainly in Montreal, but also painted in Quebec City and the Gaspe, Nova Scotia and Massachusetts. Working in oil, pastels, watercolor and etching, his subjects include landscape, portraits, streetscapes, buildings and fishing scenes. He worked for a time as an illustrator with Imperial Tobacco. Taylor exhibited with the Royal Canadian Academy between 1918 and 1958. His work is in the National Gallery of Canada.

Jack was born in Canada in 1939. Self-taught, he has continued to make his living as a professional artist for the past 39 years. He has worked in many mediums including oils, acrylics, watercolours, print making, sculpture, video and music. He has gained the most recognition from his unique four-dimensional concepts and paper collage. His works have been featured on the cover of the Canadian Medical Association Journal (May 15, 1985); the cover of the book The Plastic Orgasm by Laverne Barnes; The Toronto Star's Canadian Magazine (April 29, 1972); and on the set of the popular T.V. series "Me and Max", created by Steve Smith of "The Red Green Show". Collage Measures 20x12 inches Frame Measures 27x19 inches

Juan González (January 12, 1942 – December 24, 1993) was an important twentieth-century Cuban-American painter who rose to international fame in the 1970s and remained active until his death in the 1990s. Born in Cuba, González launched his art career in South Florida during the early 1970s and quickly gained recognition in New York City, where he subsequently relocated in 1972. While in New York González won several fine art awards, including the National Endowment of the Arts, New York Foundation for the Arts grant, and the Cintas Fellowship. González's art known is for its distinctive hyperrealism and magical realism elements delivered in a highly personal style with symbolic overtones. His work has been widely exhibited throughout the United States as well as internationally in Europe, Latin America, and Japan. He is included in the permanent collections of The Metropolitan Museum of Art, Art Institute of Chicago, The Carnegie Museum of Art, and Hirshhorn Museum and Sculpture Garden.

Born in 1924 and renown for his paintings of American Indians. Acrylic on canvas. Signed. Frame Measures 30x26 in Titled - Wounded "Eagle" Comanche Warrior

Unsigned - artist unknown

BIOGRAPHY Nathalie Boissonnault was born in 1968 in New Richmond on the Gaspe´ Coast. Attracted to the arts from childhood, she registered for her first painting course at 11 years of age and painted her first canvas. A graphic artist by training, she nevertheless followed through on her natural penchant for painting and held her first exhibit in 1992. At that time, she was working as a graphic artist and cartographer at the Department of Natural Resources. In 2001 the desire to live fully the freedom offered by painting became stronger and stronger. She then made the giant leap to quit her job and devote all her time to painting. Nathalie Boissonnault's work has gone through several transformations. Today to a certain extent, she is returning to her roots where she explores a more intimate universe, sometimes surrealist. Introspective, she establishes a dialogue between two realities, emotional and timeless, full of theatricality and poetry. Using powerful symbols, she orients the viewer to her or his own internal dialogue. ARTISTIC APPROACH My current work takes its inspiration from the crossroads between the imagined and reality where numerous probabilities meet. Fed by profound introspection, the action takes place in the unconscious mind. A convergence develops between my pretences, my doubts, my ideas and my ambitions. By placing a figure in direct relation with an object or an animal of uncertain function, this playful universe becomes a place of exchange, a metaphorical mirror where the world of ambivalence is reflected. There, power and fragility, lucidity and innocence mix. Favouring symbolism from the beginning, each work expresses an idea, not immutable, a result of being conscious of the evolution of my own perception. This idea is subjective, since the object is never considered strictly as an object but as a sign perceived by the subject. The image therefore becomes a point of departure, never the point of arrival. Between the strange and the familiar, an internal dialogue is created that sends the viewer back to his or her own fiction, and therefore gives the work a very personal meaning.

20x15in ohn Henry De Rinzy was born in Brockville Ontario, raised in Merrickville Ontario and worked for the Public Works and Post Office Departments of the Canadian Government in Ottawa. He gifted many works to family and friends but sold some pieces through my Father’s Art Shop on the old Sparks Street (Confederation Square) in Ottawa. While mainly working in watercolours,Mr. De Rinzy did apparently dabble in oil. His watercolours followed a stream, woods, lane and often included ships, early peoples, hunters, etc. What remains is the vibrancy of his colours that survive in virtually all the works in the Public Archives, private homes and Galleries across Canada. Cir 1914

Measures 27.5 x 23.5 in

The transformation of the auditorium in the Charlottetown Centre into a performance hall would not have been possible without a significant gift from the late Florence Simmons, an alumna of the Prince of Wales College. Florence grew up in Charlottetown, and graduated with honours from the Teaching and Business programs at the Prince of Wales College at the age of 19. In those days, women’s employment options were limited, even for a Governor General’s award winner such as Florence. Teacher, nurse, or clerk were the paths many women followed, and Florence entered the work world as a clerk in an insurance company. Soon, she left the insurance company to work for the Bank of Nova Scotia in Charlottetown, where she stayed until her retirement 30 years later. Working at the bank may have paid her bills, but her love of music and the performing arts sustained her. Although Florence learned to play the piano as a young girl, it was some years later, at the behest of her church organist, that Florence began to play the pipe organ, eventually joining the Royal Canadian College of Organists and playing at weddings, funerals, community events and church services over the decades. Florence was also an accomplished artist. In addition to drawing and painting, she even took a silversmith course at Holland College and designed her own monogrammed brooch. The monogram has been used throughout the performance hall, on the ushers’ vests and on the music stand banners. Toward the end of her life, as she prepared to enter a seniors’ home, Florence donated her piano and sheet music to Holland College’s School of Performing Arts. Knowing that her beloved instrument would be played and well-cared for brought her a great deal of comfort. She also arranged a gift in her will to support the construction of a performance hall at Holland College and establish the Florence Simmons Memorial Fund at the Holland College Foundation. Florence passed away in her 100th year on June 21, 2014. She was the daughter of the late George Louis Simmons and Catherine Murchison, and the last surviving member of the Simmons family of Simmons Farm on Spring Park Road. An unassuming but astute woman, Florence remained interested in all aspects of her community right up until the end of her life. Her philanthropy benefited many important causes and initiatives both during her life and following her passing. The naming of the Florence Simmons Performance Hall honours her life and her legacy.

Fred, Randy & Frank the Farmer cir 1935 Nova Scotia Folk Art

on Board Frame Measures 43x32 in Note minor gauge on picture as photographed

Print 24x23in Pitseolak was one of the original inuit artists to start the Inuit craft movement in Cape Dorcet in the 1950's - well known and established artist

Board 15x19in Frame

21x17"

16x14"

original Acrylic on Board - Frame Measures 15 x 12 Titled After the Stom Darlene Strong is a painter, published author, musician and singer. The subjects of her expressionist paintings are the personalities and historical experiences of the Black community in Amherst, Nova Scotia

14x16"

winter scene

signed 17x14"

Winter scene

& Second watercolor similar scene measuing 24x20 "

22x17"

32x26"

"Bad Timing" Framed 25x30in

34x20.5"

Photogragphs signed 13x11in

Photo Framed 24x20"

painting frame measures 30x26in

16x13.5

22x10"

Landscape 26x21"

30x26" This was picked up from the estate of Doreen Huestis and was part of her personal collection. Needs to be cleaned - aging

original 24x9.5"

Bass Board measures 24x("

Print 22x17" Titled - At the Watering Hole

Huestis 24x36in From the Huestis estate

frame 23x19in

on canvas 21x16.5 frame Everyone in the Maritimes will remember his TV show that taught you how to paint in Guy’s folk style. He made use of some unique tools like ‘P de toilet.’ We were amazed at his technique and conversational style. I’d venture a few people tried painting due to his encouragement. Even for non-artists, his entertaining patter kept one glued to the set. Guy was part of the simpler, non-500 channel universe. Guy was a Maritime hero. It was my unexpected pleasure to spend an evening with him in Rustico a few years back. Chuck and Albert were polishing their act at the local hall. I had a supper invitation from a friend in West Prince. To my delight, I was seated with Maria Bernard, the charming sister of Leonce Bernard our last Lieutenant Governor, and Jean Guy Arbique. Guy had been off the air for some time but I knew the face and voice. I tenuously asked him if he was ‘Guy the Painter’. His congenial ‘yes’ started one of the most pleasant evenings in memory. Guy was still a charmer, a man of wit and a great raconteur. Talking with Jean Guy prepared me to enjoy myself. They must have thought me the silliest man in Rustico that night since I laughed uproariously at Chuck and Albert’s jokes. Most Maritimers remember Guy the Painter with fondness.

18x14

15.5x12.5 Frame

21x17.5"

20X17.5 This same photo is hung in the National Gallery of England

Stauderman Framed 15x12 in

Door" Framed 32x24"

26x22" Abraham Lincoln in a period framed watercolor original Pegi Nicol MacLeod, (17 January 1904 – 12 February 1949),[1] was a Canadian painter whose modernist self-portraits, figure studies, paintings of children, still lifes and landscapes are characterized by a fluidity of form and vibrant colour. Born Margaret Kathleen Nichol, she was a teacher, war artist and arts activist. In 1936 she became a member of the Canadian Society of Painters in Water Colour and one year later she joined the Canadian Group of Painters.

artist signature is not legible - Has some age to it. 23x17in

18x16" Believe this is an established Quebec artist

Peak 23 x28" artist signature unknown

41x28" His family had lost 20 paintings from his collection after his death adn they are now surfacing. This is a lovely landscape painting.

Frame 16 X 10

Frame measures 8.5 x 10"

With gilt 6 character Quianlong seal mark, likely early 20th century piece. Two noble ladies in an elegant interior surrounded by a yellow ground border of lotus flowers and leafy scrolls. Frame measures 19.5 x 14.5

Art Board - "Winter Brook" - Fresh to market painted in 1989

Sadly Kerras passed away in 2017 and was well respected in his community and known for taking different pieces of scrap and crafting creative Art from them. Was also featured on the Canadian Pickers television program when they visited PEI in 2017.

Titled Manitou KOO KOO KOO Canadian Aboriginal Manitou Animki Penashi (Spirit Thunder Bird)

"Like the Sum, The Moon and the Stars" 26x22 in frame

Unframed

Paintings Frame 9x11 & 12.5 x 14.5 in Believe the signature is Bernard however it is hard to make out

Photography lot Frames 7X9 & 10x12in roughly

Watercolors Frames measure 7.5x5.5in

Quality Frame 12x10in

painting 12x10in acrylic on artist board

Scene Frame 23x19 - Note - needs some touchup work

Niente Meaning "The Sweetness of Doing nothing" Framed 31x27in

Measures 24.5x20.5

Plate Etching Frame measures 24x29in

Papyrus Frame 24x36in

35x19" Includes - Shaman and Disciples - Sacred Bear Healer - Fish & Birds

19x15in

Lunker" Frame Measures 29x23in Original painting on canvas baord

by Lowell Huestis - Acrylic on Canvas Board - 27x15in

Africa to Protect youth from their First Initiation cycle 8 Horns for girls & 6 Horns for boys

Carved within Base 39 in tall also included is a Ceremonial Horn drinking cup Dayak Medicine

crack in baby carrier as pictured

print frame measures 26 x 21in