Adam and Eve in the Garden of Eden, 1970s, basswood on a poplar base. Classic Tolson carving of Adam and Eve, with the painted snake in the apple tree. Not signed, but inscribed on the underside "James Earl Perry" and "James Edmund Tolson" in the same hand. 11" high. James Edmund Tolson is the son of Edgar and Hulda King Tolson. Born 1950, died 2014. James Earl Perry lived in Wolfe County also. He was born in 1950 too, so perhaps was a friend of the younger Tolson. Original surface, missing two apples, a stable crack in one of the lower branches.

Oil on canvas, unsigned. Half-length portrait of a dashing man wearing a green coat with a high collar, and a jaunty cap. In its original gilt frame. 17.25" high, 14.5" wide (canvas); 23" high, 20" wide (overall). Neville was born in Pittsburgh and attended the Pittsburgh Academy. When the school became the Western University of Pennsylvania (now the University of Pittsburgh), he was one of the first trustees. In 1806, Neville ventured to Blennerhassett Island to join Aaron Burr’s expedition, but they were captured and detained by a Virginia militia unit. He was admitted to the bar in Pittsburgh in 1808. He worked as a cashier of the Farmers’ and Mechanics’ Bank in 1818, as editor and part owner of the Pittsburgh Gazette, from 1818 to 1821, and as sheriff of Allegheny County, from 1819 to 1822. Neville moved west to Cincinnati in 1824 and became the secretary of an insurance company and the founder and editor of the Cincinnati Commercial Register, the first daily paper published west of Philadelphia. His first foray into the literary scene was in Pittsburgh, when he published poetry in the Pittsburgh Gazette. Later, his sketches of frontier life proved very popular, especially “The Last of the Boatmen,” a description of the legendary boatman Mike Fink. Canvas is sagging, losses long the bottom, crude repair (with inpainting) on his neck.

Waters and Barrett, c. 1880, mixed woods. Of typical form. 34" high. Old refinish, repairs and wear.

1820-1840, cherry, pine, and poplar. Two-piece construction, the upper section with a 12-pane door (the top panes are arched), and the lower section with paneled doors, all on French feet. 84.5" high, 47" wide, requires a 33" corner. Refinished, glass appears old/original, interior with old pale green paint.

Possibly 19th century. Silhouette of a gentleman, with elaborate inscription identifying the subject as Simon Kenton (1755-1836), "skillful pioneer" and "brave soldier" and that the image was made in 1812, when Kenton was 57. In an oval frame, 10.5" high, 8.5" wide (overall). This silhouette may be 19th century, but almost certainly later 19th century and a revival piece. Toned and water stained.

Jay Van Vleck, Gallia County, 1850s. Blue, purple, red, and white, with stars, and a building and peacock border. 82" BY 78". Some minor wear and fringe loss.

Marble, signed on the side and dated 1854. 19" high. Henry Stanbery Jr. (1836-1852) was the son of US Attorney General Henry Stanbery Sr. (1803-1881). The elder Henry Stanbery (1803-1881) was born in New York City, but his family moved to Zanesville, Ohio when he was a boy. After graduating from Washington College in Pennsylvania at the age of 16, he returned to Ohio to practice law in Lancaster, being admitted to the bar at 21. In 1846, he was elected as Ohio's first attorney general, and after serving in that position for five years, he then set up practice in Cincinnati, until 1866, when President Andrew Johnson would appoint him to serve as Attorney General of the United States. Stanbery would serve in this capacity for less than two years, much of it spent in asserting Johnson's rights as president to determine the path of Reconstruction, a stance which would lead to Johnson's impeachment in 1868. In March of that year, Stanbery resigned in order to serve as a member of Johnson's counsel during his impeachment. After the trial's conclusion, Johnsons renominated him to the position of Attorney General, but the Senate refused to confirm him. Stanbery returned to Cincinnati, where he was plagued by declining eyesight in the last years of his life. He was seeking treatment in New York when he died at 78. Sculptor Charles Ferreal Auguste Bullett (1820-1872) was born in Besançon, France. After studying art in France and Italy, he immigrated to the Ohio River Valley by the 1850s, finding work at local marble yards through commissioned pieces. Working in Cincinnati and Louisville, Kentucky, and living in Vevay, Indiana, he won major awards at the Ohio State Fair. During the building of the statehouse in Columbus, Ohio, he was head of the sculptural department, creating busts of Geo. D. Prentice, James S. Lithgow, and Archbishop Martin J. Spalding. By 1860, his arms had suffered major nerve damage from using mallets, and he moved to Carrara, Italy to manage the marble works of Kentucky-based Muldoon, Bullett, and Co. Some surface wear and scuffs/scratches.

Tuscarawas County, 19th century, walnut. Large cutter with high legs and stretcher, and a dovetailed box. 31" high (excluding box), 39" long. The Zoar items in this auction are all from one collection, and all were purchased at either the Hildegard Mead auction or the Hilda Morhart auction, both held in Zoar in the 1980s. Retains its original finish, some wear and loss.

Tuscarawas County, 19th century. 14" long. The Zoar items in this auction are all from one collection, and all were purchased at either the Hildegard Mead auction or the Hilda Morhart auction, both held in Zoar in the 1980s. Wear, chips.

Tuscarawas County, 19th century, wrought iron. Made to hang items from a corner. 18" long. The Zoar items in this auction are all from one collection, and all were purchased at either the Hildegard Mead auction or the Hilda Morhart auction, both held in Zoar in the 1980s. Expected wear and light corrosion.

Tuscarawas County, 19th century, poplar. Adjustable yoke and bar, and a steel spike. 34" high, 48" long. The seller was told that this was a baby walker/minder, though it would seem more likely that it was used for a goat or other small livestock. Ex Joe Irvin (Wayne County). The Zoar items in this auction are all from one collection, and all were purchased at either the Hildegard Mead auction or the Hilda Morhart auction, both held in Zoar in the 1980s. Expected wear.

Tuscarawas County, 1825-1850, paper. Template for one version of the Zoar plank chairs. Framed, 30.5" high, 16.5" wide (overall). Ex Jack Adamson (Zoar). The Zoar items in this auction are all from one collection, and all were purchased at either the Hildegard Mead auction or the Hilda Morhart auction, both held in Zoar in the 1980s. Toning.

Tuscarawas County, 19th century, walnut. Large, table-top cutter, with arched ends, dovetailed box, and adjustable legs. 36" long. Ex Sam Feller (Ohio). The Zoar items in this auction are all from one collection, and all were purchased at either the Hildegard Mead auction or the Hilda Morhart auction, both held in Zoar in the 1980s. Retains its original finish.

Tuscarawas County, 19th century, walnut. Large cutter with heart cutout and dovetailed box. 20" high (excluding box), 44" long. The Zoar items in this auction are all from one collection, and all were purchased at either the Hildegard Mead auction or the Hilda Morhart auction, both held in Zoar in the 1980s. Retains its original finish.

"FIFTH ANNUAL ANTIQUES SHOW" held at the Hotel Southern in Columbus in September 1947, managed by H.O. Wintermute. Framed, 20" high, 16" wide. Toning.

Probably Ohio, 1820-1840, cherry and poplar. Four drawers on nicely turned legs. Retains its original finish. 45.5" high, 42.5" wide, 19.5" deep. Original finish, period/original pulls.

Probably Ohio, 1820-1850, cherry. Rectangular leaves with shaped corners, and on turned legs. 29.25" high, 35.5" wide, 21" deep (closed), 47" deep (open). Refinished, reattached top.

Probably Ohio, 1820-1850, cherry. Rectangular leaves and turned legs. 27" high, 39.5" wide, 22.75" deep (closed), 46" deep (open). Refinished, top with spliced repair.

1830-1850, curly maple, cherry, and poplar. Two over four graduated, curly maple drawers, flanked by scrolled stiles and feet. 43.75" high, 43" wide, 21.5" deep. Refinished, replaced pulls (original holes), missing backsplash.

Oil on canvas, c. 1920. View of a charming cottage, with a fence and a barn. Unframed, 17.5" high, 28" wide. An old note affixed to the back indicates that the portrait was painted by Milton Wood. S40 - Milton Wood was born in Randolph County, Indiana, in July of 1882, according to the 1900 census, which shows him living at home, the oldest son at home and one of Sylvester and Julia Wood's nine children. "Charley," a younger brother, is also listed, four years of age and born in August of 1895. By 1920, Milton and Charles H., as he is listed, along with an unmarried older sister, are still at home. Charles lists his occupation as farmer, but Milton is identifed as "Artist." In 1940, Milton, now 57, is alone at home with his father Sylvester. His occupation is listed as "chores." In 1950, Milton is living alone and farming, and he died in 1962 after spending several years living with a younger sister. Meanwhile, by 1930, Charles is married to Lilie Mae, and they are living in Muncie, Indiana, where his occupation is listed as "draftsman." They have three children. In 1940, Charles and family are living in Niles Township, just north of Muncie, but in the months after the census was recorded, Charles died in Dunkirk, Indiana. Tragically, five years later, shortly after VE Day, Charles and Lilie Mae's only son, Bernard, would die at 19 in a bomber crash during training in Idaho. Lilie Mae spent the remainder of her life living with her daughters, Mary and Florence, both of whom were teachers and never married. Later in life, she moved to North Carolina for several years, where she died in 1983. She and Charles are buried in her hometown of Redkey, Indiana. Minor craquelure.

Bremen, Fairfield County, 1820-1840, cherry and poplar. The upper section with two eight-pane doors, the lower section with two panel doors and a shaped skirt. 90" h., 58" w. Requires a 36" corner. Purchased by the consignor in 1967 from the original family on the original family farm in Bremen. Refinished. Retains original glass (one pane is cracked). Replaced lock and lower pole.

Probably Ohio, mid-19th century, walnut and poplar. Two drawers over paneled front doors, and with star-punched tins on the sides. Retains an old gray/mulberry paint (depending on the light). 51" high, 41" wide, 16.5" deep. Old paint with great surface and wear, very minor losses, backsplash is detached. NOTE: the backsplash was held on simply by square nails, and all have broken (see added pic).

Oil on canvas, 1865-1870, unsigned. Half-length portrait of a lovely young lady wearing a gray dress and red cloak, and with gold jewelry. In its original gilt frame. 24" high, 20" wide (canvas); 30" high, 26" wide (overall). The young lady is identified as Alfretta Ronemus, who was the winner of the First Baby Contest in Springfield, Ohio. Laid down, cleaned, some inpainting, frame has been repainted.

Cincinnati, Ohio, late 19th century, poplar or cherry. Floral and foliate carvings in the Aesthetic manner. 24" high, 20" wide. Old or original finish, corners have been reinforced, glass appears to be a vintage replacement.

Oil on canvas, unsigned. Full-length portrait of an older Eckel, wearing a green dress and pearls, and holding a fan. In a period/original frame. 44" high, 29" wide (sight); 51.5" high, 37" wide (overall). According to tradition, this portrait was painted about 1940 by a New York artist "T.V. Talmadge" and based on an earlier photograph. Eckel (1876-1951) was born in Beverly, Washington County, Ohio, grew up in Zanesville, and later lived in Chicago and Buffalo. The dress she wears in the portrait was purchased at the close of the Columbian Exposition in Chicago in 1893 by Mrs. Ross Clement Long, Eckel's mother. Appears good, not removed from frame for examination.

Both by Josephine Fish Peabody (1890-1968) and dated 1961. One depicts the artist's father with his daughter, and the other depicts him at his typewriter. Each about 4" high. Williston Fish (1858-1939) was a noted Ohio-born attorney and an author who contributed to a number of books and magazines, including Harper's and Life. Good condition.

Includes a death mask of the artist's grandfather, Job Fish VI (1828-1923), 9" long; a sculpture of Job and his son, Williston, hoeing in the garden, dated 1961, 9" long; and a sculpture of Willison and his sister, Josephine, in a creek about 1864, 7" long. Williston Fish (1858-1939) was a noted Ohio-born attorney and an author who contributed to a number of books and magazines, including Harper's and Life. Good condition.

Milton, West Virginia, mid-20th century. Signed by Meyers. Colorless glass with applied bright green band and with a green stopper. 11.5" high. Good condition.

Milton, West Virginia, mid-20th century. Includes two vases, 15" and 8.75" high, together with a decanter with stopper, 13.25" high. The decanter is signed. Good condition.

Milton, West Virginia, mid-20th century. Cobalt with colorless air twist stem, 13.5" high; together with a ruby red with plain colorless stem, 13" high. The blue goblet has an unbroken blister; the red chalice has some residue at the rim.

Milton, West Virginia, 2nd half-20th century. Dark teal, with tangerine base and applied colorless handle. Retains sticker. 14.5" high. Good condition.

Milton, West Virginia, mid-20th century. 5830 by Winslow Anderson. Dark green, signed. 9" high. Good condition.

Milton, West Virginia, mid-20th century. Light blue with air twist stopper and with sticker, 14" high; together with a colorless crackle decanter with applied cobalt rings and cobalt stopper, 14.5" high. Good condition.

Includes a green pitcher (attr. to Empoli), 12.75" high, and two pieces of Blenko: a red Charisma decanter with swirled stopper, 13.25" high, and a blue and green crackle vase, 10.5" high. Good condition. The Charisma decanter has a few internal bubbles (none are burst) and a few scratches on the body (underside ofthe belly).

Includes a deep amethyst ice bucket with applied lion masks, 10" high; together with a Blenko blue and green fan vase with sticker, 12" high. Ice bucket with small open blister.

Milton, West Virginia, mid-20th century. Monumental 5929 "chess" decanter in red/orange, with stopper. 36.25" high. Good condition.

Milton, West Virignia, mid-20th century. Colorless glass with applied blue swirl, and with sticker. 18" high. Good condition.

Milton, West Virginia, mid-20th century. All signed. 597 vases in green, yellow, and cobalt. 5" high. Good condition.

Milton, West Virignia, mid-20th century. Tall, cylindrical, amber vase. 24.75" high. 3.5" scratch on one side.

Milton, West Viriginia, mid-20th century. Tangerine crackle, with stopper; signed and stickered. 29.25" high. Good condition.

Includes a blue decanter with asymmetrical handles, 12.75" high; together with a Blenko - Wayne Husted tangerine decanter with small spout, signed, 14" high. Husted decanter with crack to base; blue base is in good condition.

Milton, West Virginia, mid-20th century. Tapered teal vase. 29.25" high. Good condition.

Milton, West Virginia, mid-20th century. 5823, tangerine, signed and stickered, with small spout. Good condition.

Milton, West Virginia, mid-20th century. Squat, medium cobalt decanter with elongated colorless stopper, signed. Good condition.

Includes a Blenko pitcher, green with cobalt handle, 8" high; together with a cranberry vase with flared rim, 8" high. Good condition.

Milton, West Virginia, 2nd half-20th century. Includes a teal and colorless compote with a cobalt foot, 7" high, 13" diameter; together with a purple compote, 5" high, 14.5" diameter. Both with stickers. Some of the thin applied stringing appears missing (may be as-made).

Milton, West Virginia, mid-20th century. In an unusual opaque and variegated red glass, and thickly made. Both are etched "Blenko." 4.5" high, 8.5" long and 4.75" high, 8.5" long. Good condition.

Milton, West Virginia, mid-20th century. 5923, cobalt and colorless, with sticker. 11" high. Good condition.

Includes a possibly Empoli goblet or footed vase, 10.75" high; together with a Blenko 953 epergne with ruffled rims, 15" high. Good condition.

Oil on canvas, signed lower left and dated 1949, and titled on the back. View of ballplayers in the dugout. 28" high, 22" wide (canvas), 32.5" high, 25.5" wide (framed). On the back is the date 1939 scratched out, and on the stretcher is inscribed "The Coal Trucker." It may be that this work was painted over an earlier painting, something Singer is known to have done. This may also explain the craquelure that the surface paint has experienced. This work was exhibited in "Clyde Singer's America" at the Canton Museum of Art, 2008-2009, and is illustrated as figure 94 in the exhibition catalog by M.J. Albacete. Canvas is a bit loose on the stretcher, and the paint has some craquelure. From the collection of Pete Slates, Carrollton, Ohio. Pete’s paternal aunt was Peg Cranston. Peg and her husband Jack were very good friends with Clyde Singer. Jack Cranston obtained many paintings directly from Clyde Singer. Pete Slates purchased most of his Clyde Singer paintings (including all featured in this auction) from Jack Cranston.

Oil on canvas board, titled, signed, and dated 1966 on the back. View of a quiet afternoon in a tavern. 12" high, 9" wide (board), 17" high, 14" wide (framed). Includes two presentation inscriptions on the back dated 1969 and 1976. Good condition. From the collection of Pete Slates, Carrollton, Ohio. Pete’s paternal aunt was Peg Cranston. Peg and her husband Jack were very good friends with Clyde Singer. Jack Cranston obtained many paintings directly from Clyde Singer. Pete Slates purchased most of his Clyde Singer paintings (including all featured in this auction) from Jack Cranston.

Oil on artist board, signed lower left, and titled, signed, and dated 1970 in the back. A small view of a city street sweeper on his rounds. 8" high, 10" wide (board), 11.25" high, 13" wide (framed). Good condition. From the collection of Pete Slates, Carrollton, Ohio. Pete’s paternal aunt was Peg Cranston. Peg and her husband Jack were very good friends with Clyde Singer. Jack Cranston obtained many paintings directly from Clyde Singer. Pete Slates purchased most of his Clyde Singer paintings (including all featured in this auction) from Jack Cranston.

Oil on masonite, signed lower right, and signed/titled on back, and dated 1963. Woman in a white dress strolling down the street. 11.5" high, 8.5" wide (sight); 21.5" high, 18.5" wide matted and framed). Good condition. From the collection of Pete Slates, Carrollton, Ohio. Pete’s paternal aunt was Peg Cranston. Peg and her husband Jack were very good friends with Clyde Singer. Jack Cranston obtained many paintings directly from Clyde Singer. Pete Slates purchased most of his Clyde Singer paintings (including all featured in this auction) from Jack Cranston.

Giclee, after the original oil. According to the brass plaque, it's from an edition of 750. Framed, 44.5" high, 35.5" wide. Good condition.

Oil on canvas, signed and dated 1973 lower right, and titled, signed, and dated on the back. View of a crowded 34th Street New York subway station. 24" high, 30" wide (canvas), 29" high, 34.5" wide (framed). Good condition. From the collection of Pete Slates, Carrollton, Ohio. Pete’s paternal aunt was Peg Cranston. Peg and her husband Jack were very good friends with Clyde Singer. Jack Cranston obtained many paintings directly from Clyde Singer. Pete Slates purchased most of his Clyde Singer paintings (including all featured in this auction) from Jack Cranston.

Zanesville, Ohio, 1920s. Signed in the glaze. Scenic vase with trees and mountains. 6" high. Good condition.

American, 19th century, mixed woods including burl. Of typical form, with burl clamp and finial. 34" long. Functions properly, retains original finish.

American, 19th century, turned maple. Mortar retains much of its original red paint. 8" and 11.5" long. Age cracks, wear.

New York State or New England, late 18th century. Raised-paneled doors and ends, rat tail hinges, and bracket feet. Retains and older brown paint. 69.5" high, 56" wide, 23" deep. This cupboard was cut in half (horizontally) early in its life to make it a knock-down of sorts; it fits together neatly and retains early or original interior shelves.

Early 19th century, satinwood and pine. Chest with two faux drawers over two real drawers, and on high, bracket feet. 34.5" high, 37.5" wide, 19" deep. Refinished, period/original brasses, repairs to lid molding and feet.

Oil on canvas. View of a mountain valley with a classical building and stone bridge. Unframed. 36" high, 48" wide (overall). Tear in the upper-right sky, sagging canvas, needs cleaned.

American, late 19th century, oil on canvas. View of a lone boat along a rocky coast, and with cliffs looming in the background. 13" high, 18" wide (canvas), 17.5" high, 22" wide (period frame). Frame was cut down and has a splice.

Handcolored lithograph, New York, 1861. "The New era. Steam and Muscle," from the "Life of a Fireman" series. C3517. 19.5" high, 26.5" wide (sight), 30" high, 37" wide (matted and framed). Toning and mat burn, colors still pretty strong. UPDATE: removed from frame, sheet measures 22x30, see pics.

American, early-mid-19th century, poplar. Two-piece construction, with three drawers and six paneled doors. 74.75" high, 66" wide, 19.5" deep. Refinished, numerous repairs.

1800-1830, poplar. Dovetailed case with two drawers and bracket feet, and retaining its original salmon and green paint. Bear trap lock with key. 32.5" high, 51.5" wide, 26" deep. Salmon paint has worn to yellow across much of the chest, hinges and hinge rail have losses so the lid Is detached, original brasses.

Found in South Carolina, late 19th-early 20th century. Tall, tapered cylinder, with loop handles and a slightly domed lid. 25" high at the handle. Leans slightly, great original surface, a few minor breaks

Includes a set of seven colorless mugs and an amber three-mold decanter made at Hale Farm in Bath, Ohio, and a collection of green drinkware probably by Jamestown. Pitcher is 7.5" high. Minor wear.

Late 18th-early 19th century, pine. Small size, with one drawer and bootjack ends. 30.5" high, 37" wide, 18" deep. Old refinish, repaired hinge rail, replaced brasses.

New England, early 19th century, cherry and pine. Four graduated drawers and high bracket feet. 37" high, 41.5" wide, 21" deep. Refinished, replaced top and base.

Probably Connecticut, late 18th century, cherry and pine. Bonnet-top with carved rosettes and spiral finial, over two paneled doors with interior shelves, over three small drawers, over three graduated drawers, all resting on bandy legs with pad feet. 84" high, 43" wide, 20" deep. Refinished, numerous repairs, the hood of the bonnet is likely an early addition, the frame appears to be mostly old but with some later elements.

1st half-19th century, oil on canvas. Half-length portrait of a young officer. In a later frame. 27.5" high, 23" wide (sight); 36" high, 31" wide (overall). Lined, cleaned and revarnished, minor craquelure in the face (with some minor inpainting).

20th century, mahogany. Carved "rice bed," king size. 87" high. Original finish, retains original rails and slats, minor repair to the blocked foot of one post.

Pennsylvania, 1800-1815, walnut and poplar. Dovetailed case with four graduated drawers flanked by inlaid stiles, with drawers, cubbies, and a central prospect, all on French feet. 44.5" high, 40" wide, 21" deep, writing height is 33". Refinished, replaced pulls (second holes), age cracks, a few minor pieced repairs, minor height loss.

American, 1st half-19th century, pine. Dovetailed case, arched crest, and 28 compartments. 30" high, 18" wide, 10.5" deep. Retains early grain paint over original red, minor wear and expected paint loss from use.

West Troy Pottery, West Troy, New York, 3rd quarter-19th century. Stamped 2-gallon jug with cobalt leaf design. 14.5" high. Burst pot stone on the underside, minor fry to the cobalt.

Probably Baltimore, 3rd quarter-19th century. Marked 1.5 gallons, with lug handles and cobalt "feather" design. 12" high. Several nearly burst pot stones.

American, dated, 1901, appears to be maple. Carved bust of a balding gentleman, initialed "JRS" and dated 1901. Retains its original paint. 15" high. Expected wear, especially at the high points, stable age crack on the back.

Late 19th-early 20th century, made from salvaged packing crates. Small size, with seven-layered pyramids and retaining its original red, yellow, and black paint. Kickstand and hanging hardware. 11.25" high, 9.5" wide (overall). Very minor losses, great surface to the paint.

Benchmade, with an octagonal cherry top and a carved and painted base with drawers. 27.5" high, top is 36" diameter. Good condition.

American, late 19th century, walnut. Dovetailed case with sixteen drawers and shaped feet. 40" high, 21.5" wide, 17.5" deep. Original finish and pulls, minor wear.

Possibly New York State, 19th century, pine. Slanted writing surface and an interior with cubbies, on a frame with tapered legs. Interior retains newsclippings related to sewing, etc. 36.5" high, 30" wide, 21" deep. Old finish, wear, losses.

19th century. Includes an oval pantry box with original green paint and lady on the lid, 9" long; together with a basswood trinket box with shallow-carved floral and fence design that retains its original paint, 5.5" high, 14.5" wide, 9.5" deep. Both with wear, trinket box with replaced hinges.

Kalamazoo, Michigan, late 19th-early 20th century, pine. Handled carrier with stenciled label on both sides. 11" high, 19" long. Partially refinished (labels not touched), old tin repair to the handle.

Anchor, 1st half-20th century, copper and brass. Round lantern with Fresnel lense and interior lamp. Sensitively electrified and now has a light mounted in the lid. 13.5" high (excluding handle). Original patina, electrification involved a single small hole in the top.

New England, 3rd quarter-18th century, maple. Small size, with a round top over a shaped skirt and turned legs ending in pad feet. Retains an early surface. 27.5" high, 35.5" wide, 11.25" deep (closed), 34.75" deep (open). Wear, minor cracks and losses, hinges on one side have been moved (but appear original).

American, 19th century, pine. Of typical form, in old green paint. 27.25" high, 41.75" wide, 25.25" deep. Wear, some paint loss.

American, 1st half-19th century, butternut. Of small size, with a dovetailed case on a shaped bracket base. 18.75" high, 31" wide, 17.5" deep. Refinished.

New England, 1810-1830, basswood. Diminutive dome-top box retaining its original sponge-painted decoration. 6.5" high, 16.5" wide, 8" deep. Original paint with good surface, only minor wear/loss, replaced leather hinges.

New England, late 18th-early 19th century, pine. Tray top with adjusting height. Old/original red paint. 36" high (as photographed). Wratchet support may be an older replacement.

American, 19th century, turned poplar. Retains older red paint. 20" diameter (out of round). Nice surface, no cracks.

American, 19th century, turned poplar. Retains older red paint, and has a make-do leather repair to an old crack. 22" diameter (out of round). Wear and some minor age cracks.

American, late 19th-early 20th century, cast iron and brass. Includes a National Scale Co. (Beaver Falls, PA) with a removable bowl, 18" long; together with an unmarked scale with two fixed trays, 19.5" long. Both with original paint, expected wear.

American, 2nd quarter-19th century, oil on poplar panel. Half-length portrait of a lady wearing a black dress and lace bonnet. In a later 19th-century frame. 28.5" high, 23.5" wide (sight); 35.5" high, 29.5" wide (overall). Age crack.

Early 19th century, pine. Dovetailed box with a flat top with original brass pull, and original tin lock. 11.5" high, 24" wide, 12" deep. Refinished, original hinges, pieced repair to lid.

American, 1770-1790, mahogany. Single-board top over a baluster standard, and on cabriole legs with pad feet and C-scroll carvings. 29.25" high, 36.5" diameter. Refinished.

New England (possibly Rhode Island), 3rd quarter-18th century, maple and chestnut. Small size, with a round top over a shaped skirt and cabriole legs ending in pad feet. 27.5" high, 44" wide, 15" deep (closed), 46" deep (open). Refinished.

American, 2nd half-19th century. Tongue, groove, and panel construction typically seen on cabinetmaker's and carpenter's chests. With applied corner turnings and a star on the lid. Retains its original red, white, and blue paint. 23" high, 49" wide, 20" deep. Ex Fred Giampietro (Connecticut). Paint has been lightly cleaned (the paint on the back was left untouched).

American, mid-19th century, oil on canvas. Large, full-length portrait of two children sitting on a sofa in front of a classical landscape. The oldest is feeding a bird and the youngest is holding a sprig while a black squirrel perches on the sofa crest. In its original gilt frame. 49" high, 35" wide (sight), 59" high, 45" wide (overall). Lined, sagging on the stretcher a bit, there is some canvas separation along some of the edge (mostly at the top) where the canvas has torn along the fold around the stretcher corner, would benefit from a light cleaning, wear and loss to frame.

American or English, late 19th century, oak. A whimsical table with a variety of turnings, including barley twist, and an interesting mechanism for supporting the leaves. 27.75" high, 32.5" wide, 7.25" deep (closed), 32.5" deep (open). Refinished.

American, 2nd quarter-20th century. Stars, drunkard's path, and baskets, in pastel colors. Minor toning, some wear and a few holes and stains.

Watercolor on paper, signed lower left and dated 1937, and retains original gallery label on the back. Dramatic view of a ship in rough seas. 17" high, 23.5" wide (sight), 26.5" high, 32.5" wide (matted and framed). Light toning, mat burn; not removed from frame for examination.

American, early 20th century. Bouquet, 82" by 66"; and wedding ring, 87" by 87". Some toning, staining, and wear.

American, early 20th century. Crazy quilt, 79.5" by 72"; and Dresden plate, 86.5" by 69". Losses, staining, wear, holes.

American, early 20th century. Light green diamonds. 82.5" by 79.5". Some fading, staining, wear, and minor holes.

American, late 19th century. Red, green, and cheddar, central medallions surrounded by swag border. 88" by 87". Some fading, staining, wear, and minor holes.

Retains partial maker's label in the upper drawer, probably Pennsylvania, c. 1825, mahogany, pine, and poplar. Two-piece construction; the upper case with a broken-arch pediment, bookcase doors with gothic arches, and two central pigeonholes flanked by stacks of two drawers; the lower section with three drawers flanked by columns, all on turned feet. 70" high, 40.25" wide, 18.25" deep. Refinished, minor veneer damage.

American, 2nd quarter-19th century. Colorless and opalescent, in two sizes, as well as two mercury glass. Largest is 4" diameter. Some minor chips.

American, 1830-1860, all colorless. Includes 2 three-mold decanters, three pressed candlesticks, and a flint compote. Sticks are 10" high. A few chips, one decanter badly cracked.

American, 19th century, turned maple. Retains an old, dark patina on the exterior. 17" diameter (out of round). Good surface, a couple of small cracks.

American, 19th century, pine and tin. Minute hand is 50" long. Old finish, losses.

English or American, late 18th century, pastel on paper. Bust-length portrait of a man in a brown suit. In an eglomise mat and decorated frame. 11" high, 8.5" wide (sight), 16" high, 13.5" wide (overall). Appears quite clean and good, glass is old but reverse painting is later, frame is later, not removed from frame for examination.

American, 1st half-19th century, pine. Rectangular tilting top over a lift-lid compartment. Retains old or original chrome yellow paint. 28" high, 56.75" wide, 36.5" deep. No pins, minor losses (including the scroll-cut pin hole surround on one side).

American, 19th century, pine and poplar. Two over two doors, scroll-cut returns, and retaining old/original red paint. 62.5" high, 40.5" wide, 19" deep. Expected wear and minor losses, one door latch is missing the porcelain knob.

American, late 19th century, cherry and poplar. Two drawers flanked by brackets, and over two shelves, and with a curly cherry top. 32.5" high, 40.5" wide, 25.5" deep. Refinished.

American, 19th century, poplar. Small cupboard with a paneled door and interior folio slots (horizontal and vertical). Retains old red and green paint. 36" high, 23.5" wide, 17" deep. Worn paint, some losses.

American, mid-19th century, pine. Desk compartment with two drawers, over two paneled doors, and resting on bootjack ends. 41.5" high, 38.25" wide, 15.5" deep, writing surface is 31" high. Refinished, wear, minor losses. Found in Ravenna, Ohio.

Initialled "NAN" and dated "Aug 1876." Carved with numerous animals, such as frogs, snakes, dogs, big cats, anteater, giraffe, fish, birds, elephant, and more, with an eagle holding a banner reading "US of A" at the top, and an eagle head handle. 33" long. Minor age splits, loss to eagle's beak at handle, never had a ferule.

Bristol, Connecticut, 1828-1845, mahogany. Ebonized crest and columns and a mirror tablet. 34.5" high. Original finish, mirror is cracked.

New England, early 19th century, maple and birch. Turned posts are 78" high, outside dimensions are 51.5" wide, 75.5" long. Refinished, minor wear, original rails, replaced tester. NOTE: a custom-made mattress is available to the buyer of this bed.

American, 19th century. Includes two teapots and a plate, all unmarked. Tallest pot is 8" high. Each with some wear and damage.

American, 19th century, tin, steel, iron. Tallest is 9.5" high. All with wear and some damage.

English, mid-19th century. Includes two paneled sugar bowls with peafowls, 5.5" high; together with a schoolhouse cup plate, 3.25" diameter. Bowls missing lids and with staining and damage.

American, 1st half-19th century, poplar. Nailed construction, and with old blue paint. Wear and losses.

American, mid-19th century, oil on canvas. Half-length portrait of a lady with long, curly hair, and wearing a fur collar. Oval format, unframed, 29.5" high, 24.5" wide. Good condition.

Pennsylvania, late 18th century, walnut. Two-board top, birdcage tilter, and cabriole legs ending in pad feet. 28" high, 32" diameter. Old/original finish, some later screws in the battens, some wear and minor losses.

American, 1st half-20th century. Charming depiction of three named cats playing with a ball of yarn. Mounted. 22" high, 34" wide (overall). Some wear.

American, 19th century. Includes an apple butter kettle, 25" diameter; together with a water carrier, 14" high. Expected dents, dings, and wear.

American, mid-20th century. Both with floral decoration. 24.5" by 39" and 26.5" by 53". Generally good, but each with a few spots of wear and loss.

American, 19th century, iron and brass. And includes a small sailor-made punch ladle with a twisted baleen handle, 12" long. All with wear and some damage.

Late 19th-early 20th century. Appears to be for making 60 chocolate coins, each with a cat tipping a cauldron or bucket. 16.75" by 10.75". Minor corrosion at the bottom.

American, 19th century. Includes a stoneware handled jug with cobalt, two glazed earthenware pitchers, and a glazed handled jug. 10" to 11" high. Stoneware jug and smaller pitcher with damage.

American, late 19th-early 20th century, watercolors. Pastoral views of rivers, with livestock. Matted and framed, each 9.25" high, 12.25" wide (overall). Light toning; not removed from frame for examination.

American, early 19th century, cherry and poplar. With geometric panes. 45" high, 42.5" wide, 14.5" wide. Old/original finish, original glass, original adjustable shelves.

American, mid-20th century, copper. With directionals and ,mounting pole. 39" long, 59" high (with mounting pole). Weathered, and with some damage.

English, late 19th century. Transfer-print with overglaze enamel decoration. A highly colorful set, including a 18" by 23" turkey platter and nine 10.5" dinner plates featuring various game birds, including wild ducks, California quail, grouse, woodcock, partridge, and plover. Minimal wear, no apparent chips or cracks.

American, late 19th-early 20th century, sheet iron. Silhouette of a native drawing his bow. On a modern stand, 26.5" high. Old black paint, with some weathering and corrosion, good age to the edges, if he ever had a bow, it's been gone for a long time.

Bronze, 20th century. On a marble base with plaque. 25" high. Later clear coat finish.

American, 2nd quarter-19th century, pine. Dovetailed case, with seven drawers over an interior with drawers and cubbies over two paneled doors. 66" high, 48" wide, 17" deep, writing surface is 29" high. Refinished, some repairs.

American, early 20th century. Colorless glass, in two sections, with hollow stoppers. Good condition.

American, late 19th-mid-20th century. Includes tins, molded bottles, and milk bottles. Tallest is 9.5" high. Various condition.

American, early 20th century, cast iron and tin. Includes two cars, a truck, a train, and two horse-drawn vehicles (one is a McCormick Deering). Tin touring sedan is 6.5" long. All with some wear and damage.

American, late 19th-early 20th century. Includes an 1897 issue of Judge Quarterly, an early die-cut valentine, a chromolithograph postcard, and a trade card for Dixon's Stove Polish, all with racist caricatures. Magazine is 15.5" high, 12.5" wide (framed). All with toning, magazine is included, but the cover only is framed.

20th century. Includes iron cannon with detachable barrel, and two tubes of calcium carbide, and with original box. Box is 18.5" long. Not tested.

American, 2nd half-19th century. Single-sided, panel-constructed, and retaining its original paint. Made by Johnson and Birdsall for "Buchanan the Tailor." 25.5" high, 81" long. Two tailors by the name of Buchanan could be found in the geneaological record, one in Nebraska and one in Augusta, Georgia. Unfortunately, the sign painters could not be located. Original paint with some minor craquelure and losses, the upper-left corner joint is loose.

American, late 19th-early 20th century. Double-sided sign for "Christine Harrel Real Estate Phone 622w", painted by "Meeker." 19.5" high, 32" wide. Original paint with sanded surface, wear and losses, some reinforcing to the frame.

E.V. Brewer, 1923. In a period/original frame. 23.5" high, 19.5" wide. Light toning, not removed from frame for examination.

Late 19th century. White-enameled scenes (mostly children) on colored glass. Includes a green water set (pitcher and tumblers), cobalt vase, colorless tumblers, and a large ruby red charger. Charger is 14" diameter. Green pitcher has a crack at the handle base, some roughness to the charger rim

Late 19th-early 20th century. Includes a pitcher, bowl, and a pair of diminutive tazzas. Pitcher is 6" high. Bowl has a rim chip.

Mostly late 19th century with a few later examples. A variety of colors and types, incuding thumbprint, hobnail, favrile-type, etc. 3.5" to 5.5" high. A few with chips.

19th-20th century. Various forms and colors, including Burmese and Fenton. Basket is 6.5" high. A few minor chips.

Includes a 19th-century cobalt pitcher with enameled decoration, 4" high; together with a small Lalique opalescent dish, 3.5" diameter. Wear to gilt decoration on the cobalt piece.

Includes a coraline vase, 5.5" high; a favrile-type vase with 1911 company logo, 3.5" high; and a whimsical (and later) millefiori glass hat dish, 6" long. Favrile piece has an internal crack.

19th-20th century. All cased glass. Includes a Stevens and Williams oak leaf vase, a basket with ruffled rim and amber handle, a squared vase with a quilted pattern (possibly Phoenix), and a large, ovoid vase with ruffled rim. Largest is 11" high. No apparent damage.

19th-20th century. Includes an amythest epergne, two vases, and a white tray. Tray is 10.75" diameter. No apparent damage.

American, 19th century. Etched font and an enameled milk glass stem. 12.5" high. Good condition.

Late 19th-early 20th century. 39" by 17" and 48" by 10". NOTE: THIS LOT CANNOT BE SHIPPED AND MUST BE PICKED UP. All with minor damage, some with significant damage.

19th-20th century. Vase, creamers, rose bowl, compote, and various small dishes. Various sizes. Some have chips or flakes.

19th-20th century. Cruet, pitcher, and two bowls. Cruet is 7.25" high. A few flakes.

19th-20th century. Various low dishes, and an unusual dresser box with a filagre brass lid inset with semi-precious stones. Box is 9" long. Some minor chips.

19th-20th century. Includes two decanters (one labeled Waterford), a pitcher, and a large cruet. Tallest (Waterford) is 13.25" high. A few minor chips.

19th-20th century. Includes trumpet vase, covered jar, larger bowl, and various assorted smaller pieces. Vase is 10" high. Some minor chips.

English, late 19th century. Includes a pair of standing dogs in rust and white, and a single, seated, black and white spaniel. 11.5" and 7.5" high. One standing dog and the seated dog with hairlines.

English, late 19th century. Seated spaniels with black glaze on redware, with gilt accents. 9" high. Some (as-made) minor fry to the glaze along the bottom.

English, late 19th-early 20th century. With elves, fairies, and bats. 2.5" high, 4" diameter. Rim chip with associated hairline.

20th century, various materials including iron, pottery, porcelain, and more. Includes Goebels. Largest is 6.5" high. Mostly good, a few chips.

European, early 20th century, brass and glass. Five-arm candelabra with elaborate floral decoration. 22" high. One is missing a bracket at the base.

French, 19th century. In the Famille Rose manner, with a coat of arms. 5" high. Each has a small hairline at the rim.

19th-early 20th century. Various makers, mostly ironstone, and in the Imari palette. Pitcher is 10" high. A few chips and hairlines.

19th-early 20th century. Includes lustre, enameled, gaudy-type, and others. The Mariner's Compass soap scuttle is 4" high. A few chips and hairlines.

19th century, brass. Molded brass crest over an enameled dial. Includes weights. 15" high, 10" wide. Wear and minor losses.

Denmark, early 20th century. Teapot is 5" high. A few chips and hairlines.

19th-20th century. Including Staffordshire, Royal Worcester, and Royal Doulton. Tallest is 9" high. A few chips.

English, 19th century. Includes a spill vase, two figures, a whippet inkwell, a hunting whippet, and two small figures (dog and sheep). Tallest is 13" high. A few chips and losses.

English, mid-19th century. Pitchers, mugs, and cups. 2.75" to 7.75" high. Some have damage.

Late 19th-20th century. Three are faience- or Barbotine-type, with applied roses (one is marked "LEAR," 5" high; together with a small frog vase with a mat blue glaze, 3.5" high. A few minor losses to the roses.

Germany and Japan, late 19th-early 20th century. Includes RS Prussia and Nippon. Large pitcher is 6" high. Some with chips.

Europe, late 19th-early 20th century. Includes Pickard and Royal Bayreuth. Tankard is 5.5" high. RB creamer is printed not handpainted, a few chips.

Late 19th-early 20th century. Includes a floral and swag set by RS Prussia; together with a floral Nippon set. Pots are 9" and 10.5" high. Some with chips.

Includes two botanical prints by William Curtis, one botanical by Verschaffel, and an early map of Greece. All framed. Greece is 12" high, 8" wide (overall). All with toning, none removed from frame for examination.

English, late 19th century, transfer-printed ironstone. 21" high. A few hairlines at the base.

Probably England, c. 1830, mahogany. Figured veneer on the headboard, footboard, and rails, with blocked feet, carved finials, and ormolu mounts. 42.75" high, 66" wide, 78.5" long. With wall-mounted cornice and tiebacks, and reproduction bolster and hangings in red silk. Refinished.

European, late 19th-early 20th century. Two-piece construction, the desk with a galleried interior and a well, the chest with lid support drawers over four drawers, and all on stout ball and claw feet. 45" high, 49" wide, 28" deep; 33" writing height. Old finish.

Late 19th century, mahogany. Coin-operated player in a mahogany case with original floral decoration. Plays 25" disks and includes 9 disks. 46" high, 29.5" wide, 14" deep. Original finish, plays with a nickel, some case wear.

20th century, brass. With lion masks and rings. 22" high. Very good condition, hardly used.

20th century. Includes a Meissen vase with applied berries, 5" high; an Asian vase with cranes, 4.5" high; a Belleek vase with handpainted flowers, 10.25" high; and a Roseville Rozane vase, 12.5" high. Only light wear, no visible damage.

Possibly antique. Large collection of relics purportedly from various Catholic saints, all mounted in small lockets, and most displayed in gold-toned or cruciform reliquaries. Accompanied by several certificates. Various sizes. Various condition, we opened some, but not all, and found wax seals intact.

Early 20th century. Bronze-patinated spelter. 29" high. Grappling hook rope broken, patination chip to the back, later clear coat finish.

Early 20th century. Bronze-patinated spelter. 36" high. Upper tip of bow missing, later clear coat finish.

Early 20th century. Bronze-patinated spelter. Rencontre à la Fontaine, after Ernest Rancoulet (1870-1915). With a favrile-style glass shade. 24" high. Later clear coat finish.

French, early 20th century. Bronze-patinated spelter. After Julien Causse (1869-1914). 15.5" high. Later clear coat finish.

French, early 20th century. Bronze-patinated spelter. After L & F Moreau. 15.5" high. Later clear coat finish.

French, early 20th century. Bronze-patinated spelter. 33" high. Later clear coat finish.

French, early 20th century. Bronze-patinated spelter. 22" high. Later clear coat finish.

Japanese, late 19th-early 20th century. Includes a small caster, 2.75" high; together with a dish and a plate in the Thousand Faces pattern, 8.5" diameter each. Wear, dish has rim chips.

C. 1900. Figure of a woman holding a fan, with painted highlights. 14" high (on base). NOTE: THIS MUST BE PICKED UP IN PERSON AT OUR GALLERY. NO SHIPPING ON THIS LOT. Missing pinky on her left hand.

C. 1900. Elaborately carvded fishing scene. On a base. 23" long (overall). NOTE: THIS MUST BE PICKED UP IN PERSON AT OUR GALLERY. NO SHIPPING ON THIS LOT. No apparent damage.

C. 1900. Includes a pair of foo dogs with inset eyes, a lady with a flower, and a horse. Horse is 6" high. NOTE: THIS MUST BE PICKED UP IN PERSON AT OUR GALLERY. NO SHIPPING ON THIS LOT. Loss to horse's ears.

Chinese, 19th-20th century. Tureen is 11.5" long. Some with chips and cracks.

Chinese, 19th-20th century. Charger is 14.5" diameter. A few chips and hairlines.

Chinese, 19th-20th century. Mostly canton. Oblong charger is 15" long. A few chips and hairlines.

Asian, 20th century. Covered boxes and urns, and vases. Cobalt vase is 7.25" high. A few minor flakes.

American, early 20th century, oak. Round top and cross stretcher. 30" high, 30" diameter. Old or original finish, minor wear, one of the glued joints in the top has separated about 1/8".

German, early 20th century, oak. Two-piece, the upper section with beveled-glass doors, the lower section with two drawers over two carved doors. 80" high, 55" wide, 24.5" deep. Retains its original fumed finish and hardware, some minor wear, one piece of cornice is reglued, one upper door pull has the U-shape broken off, but it's still present, upper interior shelves are both cracked and separated longitudinally, the left shelf is missing a support.

Signed, titled, and numbered 35/200. Matted and framed. 36" high, 44" wide (overall). One frame has a damaged corner.

Mostly Heisey, Newark, Ohio, early-mid-20th century. Tallest is 5.5" high. No apparent damage.

Oil on canvas, signed lower left, and the sitter is identified on the back. 29" high, 20" wide (canvas), 34.5" high, 25" wide (framed). Nazimova (1879-1945) was a Russian-American actress, director, producer and screenwriter. Craquelure, nail hole at the top of the frame.

Walter Feldman (1925-2017), Counter Event, woodcut, signed and numbered 91/200, 1960, 16.5" high, 21" wide (overall); together with Lawrence Beall Smith (1909-1995), Party Chutes, signed, 16" high, 19" wide (overall). Each toned; not removed from frame for examination.

New York, early 20th century, bronze. Marked "TIFFANY STUDIOS NEW YORK 531." 25" high (to the support ring, excluding the bolt). Together with an associated stained glass shade in the Tiffany style. Base appears to retain its original, untouched surface.

20th century. Includes a small silk mat, 18" by 27", a mat with pale colors, 20" by 36", and a 39" by 55" rug with reds and blues. All with some wear.

Mid-20th century. Floral pattern. 72" by 51". Fringe loss, needs cleaned.

20th century. Both are approx. 48" by 26". Both with replaced fringe, need cleaned.

20th century. 59" by 32" and 51" by 30". One with replaced fringe, both need cleaned.

20th century. 64" by 43" and 60" by 35". One with replaced fringe, one with damage to binding, both need cleaned.

20th century. Center medallion on an ivory ground. 80" by 53". Needs cleaned.

Late 20th century. Roses on an ivory ground. 104" by 69". Needs cleaned.

20th century. Approx. 9' by 12'. Needs cleaned.

Various makers, 20th century. Includes a European 835 silver cream pitcher and seven pieces of weighted sterling. Candlesticks are 11.25" high. Total weight is 205g (835 creamer) and 1525g (weighted). All with some wear.

Various makers, 20th century. Includes three brushes, a comb, and a hand mirror. The mirror is 15.5" long. Wear and dents.

20th century. Various makers/retailers, including Towles, Gorham, Duhme, and others. Total weight approx. 700g (excluding 2 hollow-handled pieces and 2 pieces of coin silver). All with some wear.

20th century. Mary II pattern, 100 pcs., approx. 2930g (excluding hollow-handled knives). Some wear.

20th century. Includes teapot, coffee pot, hot water urn, covered creamer, open sugar, and waste bowl, and an associated tray. Urn is 12.5" high. Some wear and minor damage.

Late 19th century, silver plate. 16" and 10" high. Wear.

Late 19th century. Includes a revolving cruet set, an oblong cruet set, and a pickle caster. 15", 10", and 10" high. Wear, the oblong cruet set has a loose handle.

20th century. Mexican tray and sombrero dish, and a larger Peruvian tray. The larger tray is 17.5" long. Total weight approx. 1340g. All with some wear.

Various makers, 20th century. Includes a larger dish, 9.75" diameter, and six smaller pieces. Total weight approx. 730g. All with some wear.

Early 20th century. With foliate and grape decoration. 7.5" diameter, 450g. Good condition.

Hollow ware marked for London, 1953, maker Cooper Brothers and Sons, and with the coronation mark; tray marked for same year and maker, no coronation mark, and for Sheffield, where CB&S was based. Includes teapot, coffee pot, lidded sugar bowl, open sugar or waste bowl, open cream pitcher, and an oval tray. Coffee pot is 7.5" high, tray is 28" long. Total weight approx. 7,330g.

American, early 1st half-20th century. Includes Dayton and Wellington, Ohio, Pittsburgh, Pennsylvania, Washington, D.C., Arkansas (one enameled), Honolulu, Hawaii, and more. 4" to 5.5" long, total weight 200g. Good condition.

American, mid-19th century, cotton. Large size, with foot post cut-outs, and in a wide variety of printed cottons. Embroidered initials on the back. 103" by 83". Expected toning and some staining; significant damage that has been stabilized via the addition of muslin patches.

American, mid-19th century, cotton. Central field of pieced squares, and a floral border, with post cut-outs. 84.5" by 92". Expected toning and staining, floral border has scattered losses.

American, mid-19th century, cotton. Geometric design in printed cottons, with foot post cut-outs. 103" by 116". Expected toning and some staining, a few scattered losses.

American, 1st half-19th century. Whole-cloth quilt with floral design, and unusual pleated/ruffled sides and foot. 93.5" by 86". Expected toning and some staining, and a few scattered losses.

American, 1st half-19th century. Bold floral design on a light blue ground. 82" by 94.5". Expected toning, some scattered staining and fading, fold-line staining on the back.

American, early 20th century, cotton. Hand-and machine-sewn, in red and white, with 56 blocks, each with embroidered pictures, and an embroidered border. 75.5" by 67.5". Light toning and a few minor stains.

Republic, Iowa, dated 1899, cotton. 36 blocks, each with a fan design containing numerous names and sayings. 81" by 79.5". Lightly toned, just a few minor stains and a few minor holes.

American, early 20th century, cotton. 36 blocks, each with embroidered pictures. 84" by 82.5". Lightly toned with just a few stains.

Mostly Wayne and Summit Counties, late 19th century, cotton. Red and white, with triangular piecing forming 25 reserves in which are ink-signed many names, with additional names at the corners. 80" by 78". "Signature quilt" is probably a misnomer. All the names were written by the same person, but we do not know the specific reason the quilt was made. Many of the names were geneaologically traced to Wayne and Summit Counties. Among the most interesting family name to appear is Seiberling. Mr. and Mrs. J.H. Seiberling, and their appear, and he husband was among the the Western Star, Ohio Seiberlings. James H.'s cousins were Frank A. (1859-1955) and Charles W. (1861-1946) Seiberling, the founders of Goodyear Tire and Rubber. Lightly toned, a few minor stains, some ink bleed/burn.

American, early 20th century, cotton. Eye-dazzling design of red and white octagons. 69" by 62.5". Lightly toned, a few small stains, some fading.

Attributed to Wooster, Wayne County, Ohio, mid-19th century, cotton. Nine rings of flowers with a vining floral birder, in red, green, and cheddar. 81" by 80". Purchased in Medina, Ohio in 1989. Lightly toned, scattered minor staining, a patch on the back; has hanging pocket.

American, mid-19th century, cotton. Tulip pattern, with a vining border, in green, red, and cheddar. Machine binding. 79" by 73. Purchased in Mansfield, Ohio in 1993. Lightly toned, scattered minor staining.

American, mid-19th century, cotton. Floral wreath pattern, with vining floral border, in light green, dark green, red, and cheddar. Machine binding. 85" by 82.5". Purchased in Sugar Creek, Ohio in 1989. Lightly toned, scattered minor staining, some losses to the red.

American (found in Michigan), dated 1868, cotton. Stylized tulip pattern in red and green, with a barber pole border, and stitched in the corners: "M. JANE", "1868", "ARTZ", and "LTDC". 91" by 90". Bright and clean, only very minor staining.

Found in Belmont County, mid-19th century, cotton. Large floral medallion at center, with elaborate floral and foliate border. The flower have tiny stiched filaments at center. 88" square. Purchased from Jane Woodring (Ohio) at the 2008 Western Reserve Academy Show. Bright and clean, minor staining, hanging sleeve.

Attributed to Medina County, mid-19th century, cotton. 13 small floral wreaths, with a vining floral border, in red, green, blue, and cheddar. "WR" in ink on the back. 84" square. Purchased at the 2000 Western Reserve Academy Show. Lightly toned, minor staining, a few patches on the back.

American, 1st half-19th century, cotton. Field with a grid of yellow stars and floral chintz blocks, and the same chintz is used for the borders, with foot post cut-outs. 89.5" by 90". Heavily stained and worn, chintz is detriorating.

American, 1st half-19th century. Red whole-cloth, with elaborate quilting. 84.5" by 71.5". Wear, losses to binding and a few holes.

Attribued to Wayne County, mid-19th century, cotton. Nine blocks with floral motifs, in red and green. 80.5" by 79". Wear, some red deterioration, scattered stains, has hanging pocket.

American, dated 1843 and 1844, cotton. Ohio Star pattern, in printed cottons, grid of 42, each with an inked signature, all from Ohio, New Jersey, and Pennsylvania, including the Bradway and Fogg families. Dr. Gunn's tag reads " FOREST HOME." 95" by 84". This quilt and the quilt offered as lot 297 are from the same extended families, many of whom came west to Ohio and Indiana. Both quilts are also likely related to a quilt block with the names of John and Clarissa Bradway that is the collection of the Philadelphia Museum of Art. Lightly toned, some scattered staining, minor damage.

Isabella McMillan McKibben, 1850s, cotton. Nine floral medallions and a vining flora border. 82" by 83". Lightly toned, some scattered staining and wear, hanging pocket.

American, late 19th century, cotton. Constructed in the Log Cabin manner, with an overall design of large acid green diamonds, against a gray/brown (faded from purple) ground and green and brown (purple) border, with red and blue ties. 74" by 69". Fading, wear, and a few losses.

American, 3rd quarter-19th century. A variety of printed fabrics in a 7 by 8 grid; summer weight, with a printed brown backing. 90" by 82". Wear and losses.

Late 19th century. Large repeating diamond pattern of both solid and printed fabrics. 72" by 73". Purchased at the Zoar Antiques Show in 2013. Wear, with some holes and stains.

Late 19th century. A 10 by 10 grid where the colors create a diamond pattern. With an unusual patchwork backing. 77" by 75". Wear, some damage and patches.

American, late 19th-early 20th century, cotton. Large size, made from a variety of printed cottons. 105" by 103". Purchased at the Hudson Show in 2013. Lightly toned, some staining and wear.

American, late 19th century, cotton. Large size, made from a wide variety of printed cottons. 100.5" by 99". Purchased in Bolivar, Ohio in 2011. Lightly toned, some wear and damage.

Myton family, Petersburg, late 19th century, cotton. Large central star and sawtooth surround, made from printed cottons. 84.5" by 81.5". Lightly toned and stained, some edge wear, hanging pocket.

Signed Lucinda Ann Hollen, 1850s, cotton. Swirling leaves at center, with a vining grape border, in yellow, red, and green. 87" by 85". Lucinda Hollen appears in the 1850 census records in Patoka (Crawford County), Indiana, living at home at seventeen years of age. In 1851, shortly after what some records suggest would have been her eighteenth birthday, she married George Washington Patton/Patten. She and George had at least ten children over twenty-two years, and the family spent some of the 1860s and early 1870s in Missouri, but the 1880 records show them to be back among family in Crawford County, where Lucinda remained until her death in 1892. Worn, faded, and with losses, hanging pocket.

Attributed to Leetonia, Columbiana County, 3rd quarter-19th century, cotton. Four large floral medallions with a vining floral border, in green, red, pink, and cheddar. 89" by 86". Purchased in Medina in 2006. Worn, faded, and with losses, hanging pocket.

Attributed to St. Clairsville, Belmont County, initialed "MS" and dated 1856, cotton. Nine floral medallions with an enclosed vining flower border. 89" by 85". Purchased on eBay in 2018. Worn, faded, and with losses.

Ashland County, dated May 2, 1867, cotton. Green and white geometric design. Many of the crosses are signed, and at center is an inked presentation inscription to Rev. David Koshi(?). 89.5" by 78.5". Purchased on eBay in 2005. Worn, faded, and with losses.

American, late 19th century, cotton. Geometric pattern of yellow and printed blue, with an acid green border. 85" by 72". Worn, faded, and with losses.

American, mid-late 19th century, cotton. Princess Feather pattern in yellow, brown, and black. 88" by 85". Purchased on eBay in 2005. Needs cleaned, some fading and staining.

Attributed to Shiloh, Richland County, c. 1868, cotton. Princess Feather pattern in red and green. 69.5" by 69". Purchased on eBay in 2018. Some fading, staining, and loss, hanging pocket.

Attributed to Coshocton County, late 19th century, cotton. Nine open diamonds with a sawtooth surround, in blue and white. Machine binding. 76.5" square. Minor fading, staining, and damage.

Found in Smithville, Wayne County, late 19th century, cotton. Blue diamond pattern with a swag border. 79.5" by 81". Purchased form a resident of Smithville in 2014. Minor wear and staining.

Found near Bellville, Richland County, late 19th century. Blue and white grid of 16 stars. 88" by 86.5". Light staining, wet cleaned in 2019.

American, late 19th century, cotton. Bold design with two different printed blue cottons. 83" by 82". Some staining, wear to binding.

American, mid-19th century, cotton. Folksy floral design with a vine and leaf border, in red and green. 92" square. Purchased from Julie Silber in 2014. Bright and generally clean, with some minor staining, has hanging pocket.

American, mid-19th century, cotton. Simple design with 18 flowers in red, pink, and green, and with foot post cut-outs. Stitched in are illegible initials. 85.5" by 68". Minor staining and toning.

Found in Pennsylvnia, mid-19th century, cotton. Diminutive floral wreaths at center, and with a bold floral border, in red and green. 95" by 92.5". Purchased at Seville Antiques (Ohio) in 2014. Minor staining and toning, has hanging pocket.

American, 3rd quarter-19th century, cotton and velvet. Geometric design with printed brown velvet and yellow, and with foot post cut-outs. 85" by 75". Some wear, including worn velvet, a few spots of damage.

American, mid-19th century, cotton. Various printed fabrics in a 9 by 4 grid, the narrow size suggesting a single-size or so-called "hired man's" bedstead. 89" by 57". Minor wear and stains.

American, mid-19th century, cotton. Pieced triangles of printed cottons in a geometric pattern. 85" by 83". Wear, stains, some losses.

Attributed to New Jersey, mid-19th century, cotton. Stripes of printed cotton and triangles. 90" by 69.5". Toning, some staining.

American, mid-19th century, cotton. 6 by 7 grid of geometric designs, of printed cottons. 84" by 73". Toning, stains, and some losses.

American, mid-19th century, cotton. Dazzling design of pieced stars and zigzags of a bold blue printed cotton. 79" by 63.5". Some toning and minor staining.

American, 2nd half-19th century, cotton. Stripes of printed cotton triangles and a printed purple. 75.5" by 72". Minor toning and fading, a few scattered stains, small hole.

American, 2nd half-19th century, cotton. Central field with 42 pieced diamonds, and with a border of printed green, and a dazzling printed backing. 92" by 83". Stains, losses.

Connecticut, mid-19th century, cotton. Pattern of white crosses inset in an array of printed cottons, and each cross with an inked signature. 93.5" by 77". Purchased in Medina, Ohio in 1998. A number of the names on the quilt can be traced to Connecticut. Among the names listed are numerous members of the Skilton family of Watertown, Litchfield County, Connecticut. Some toning and staining.

American, 2nd half-19th century. Constructed of strips like a Log Cabin, but in an unusual pattern and with an almost Modernist aesthetic. 82.5" by 82". Purchased at the Medina Antique Mall in 1999. Crisp, clean, and bright, hanging pocket.

American, late 19th century. Log Cabin variant, with large red diamonds. Machine binding. 76" by 66". Purchased from Joe Irvin, Wayne County, Ohio, in 2004. Minor wear and stains.

Found in the Youngstown, Ohio area, late 19th century. Log Cabin variant, with purple diamonds and black stars. 81" by 69". Some fading, staining, and wear.

American, mid-19th century, cotton. 16 simple floral medallions in a sawtooth border, in red and printed green. 84.5" by 83.5". Some wear and stains, hanging pocket.

American, mid-19th century, cotton. Nine elaborate floral medallions surrounded by a vining flower border. 83" square. Some toning, light staining, and soiling, small hole.

Steubenville, Jefferson County, c. 1862, cotton. Complex floral applique design in printed red and greens, and with numerous inked signatures, mostly including Steubenville but some with variations, such as Holidays Cove, Virginia (now West Virginia), Sugar Hill, Ohio, and Happy Retreat, Ohio. 100" square. Purchased from Frank and Susan Swala (Pennsylvania) at the Zoar Antiques Show. Generally pretty crisp, with some toning and a few stains.

American, mid-19th century, cotton. All-over vining floral design in green, red, and cheddar. 51" by 38". Purchased at the 2011 Western Reserve Academy Show. Some staining and loss.

American, 1851-3, cotton. Unusual design with four urns with elaborate flowers, and a vining flower border. Stitched in are names/dates, including "W. Robb 1851", "E. Robb 1853", "J. Bain 1852" and "EBB[?] 1853". 86.5" by 86". Purchased on eBay in 2000. Fading, toning, a few stains, a hole, some patching, hanging pocket.

Mary Evert Tharp Bradley,DeKalb County, 1877-8, cotton. Large foliate design at center, surrounding by vining flowers and berries, and with geometric border, in red, green, and yellow. 79" by 76". G61 - Mary Evert Tharp Bradley was born in Mahoning Township (Columbia County), Pennsylvania, in 1819, the oldest of eight children, most of whom were born after the family moved to Wayne County, Ohio. In 1838, she married Joseph Bradley, with whom she had at least nine children. In the early 1850s, the family moved to DeKalb County, Indiana, where Joseph died in 1865. Mary seems to have managed to maintain the farm, perhaps with the help of her teenage sons, as the 1870 census shows her as the head of household, keeping house, on a farm of some value. By 1880, one of her daughters and her son-in-law are living with her. Mary died in Newville, Indiana, in 1897. Some toning and staining,has hanging sleeve.

American, mid-19th century, cotton. Whimsical design comprised of a variety of printed cottons. 39" by 38". Some staining.

Miss A. Watson, dated 1850, cotton. Somewhat abstract design of a wide variety of printed cottons, with a vibrant printed purple border. Stamped on the back "Miss A. Watson 1850." 84" by 82". Some toning and staining, spots of damage.

American, late 19th century, cotton. Nine large stars and 36 smaller stars, all of various printed cottons. 104" by 98". Some toning and minor staining, minor losses.

Caroline Bonn, Erie County, late 19th-early 20th century, various fabrics including silk. Star pattern. 65.5" by 52.5". This quilt contains 1,180 pieces and was made by Caroline (Mrs. William J.) Bonn (b. 1858) either with or for Christina (Mrs. Frank) Kerber (b. 1856), also of Sandusky. Expected wear and loss.

American, 1st half-20th century. Each with six large stars of various fabrics, with a pink and black ground, and with orange/aqua ties. 96" by 78". Some fading, wear, and losses.

American, late 19th-early 20th century, various fabrics. Abstract design with various embroidered symbols, letters, and numbers. 73" by 72". Some wear, small hole.

American, early-mid-20th century, various fabrics. Randomly pieced, with numerous embroidered figures, and signed "Eleanor rose 1945 Born Kuhn 1886", "Lee 1948", "Skipper 1940", and Jan. 3rd 1951 Feb. 9 1893 CGR." 102" by 78.5" Expected wear and loss.

American, 1843-4, cotton. Grid of 30 squares with geometric designs, all comprised of a variety of printed fabrics, and most squares with an inked or stamped signatures and date (either 1843 or 1844). 95" by 85". Purchased on eBay in 2002. Toning, staining, some loss.

1840s, cotton. Pieced in a grid of colored squares, with numerous inked and stamped signatures, variously, dated 1842, 1843, and 1847, and locations in Ohio, New Jersey, and Pennsylvania, including the Fogg and Bradway families. 92.5" by 91". Purchased on eBay in 2005. This quilt and the quilt offered as lot 248 are both from the same extended families, many of whom came west to Ohio and Indiana. Both quilts are also likely related to a quilt block with the names of John and Clarissa Bradway that is the collection of the Philadelphia Museum of Art. Minor staining and soiling.

2nd half-19th century, cotton. Printed blue and white pieced quilt with central star motifs and a vining border. 87" by 75". Dr. Gunn noted that this was from the Edgerton family of Quakers in Ohio. The Edgerton family were among the earliets Quakers to settle in eastern Ohio. Light toning, a few minor stains, hanging pocket.

Henry Wolf for Margaret Thompson, 1855. Red and white with wreaths and stars, with a flower and star border. 88" by 76". Minor fringe loss, wear, and toning.

Benjamin Lichty, Bristol, Wayne County, 1845. Blue, red, and white, with wreaths, with a foliate and steamboat border. 85" by 76". The town of Bristol is now known as Marshallville. Only a handful of these steamboat coverlets are known, and why a weaver far away from any major lake or river chose that motif is unknown. Toning, some fading and minor damage.

Possibly Ohio, mid-19th century. Red and blue, with a repeating floral motif and a floral border. 90" by 79.5". Bright and clean, with full fringe, has hanging pocket.

Daniel King, 1856. Red, blue, and white, with strawberries and a bird border. 80" by 67". King moved to Stark County from Tuscarawas County in 1854. He later served in the 163rd OVI during the Civil War. Dr. Gunn identified this strawberry pattern as common in various counties in Ohio in a 2018 lecture at the Coverlet College. Bright and clean, good fringe, center seam restitched.

American, 1854. Red, blue, and white, with wreaths, a comples border, and corner blocks that read "LADYS FANCY." 90" by 86". For an excellent discussion of "fancy" in 19th-century America, see Sumpter Priddy, American Fancy. Light toning, some fringe loss and wear.

Benjamin Lichty, Stark County, c. 1860. Blue, red, green, and white, with eagles, flowers, and grapes. 85" by 81". Due to anti-German sentiment during World War I, in 1918, the village of New Berlin changed its name to North Canton. Lichty moved there in 1860 from Wayne County. Clean and bright, good fringe, minor wear.

Belmont County, mid-19th century. Blue and white with vining oak leaves and flowers. 86" by 69". It is not know of G. McLeran was the weaver or owner. There was a James McLeran weaving in nearby Columbiana County. Fringe loss, some toning, minor wear and damage.

Peter Burkerd, 1844. Blue and white with large flowers and a bird and flower border. 79" by 76". Being an area heavily settled by German immigrants, the spelling of "wove" as "whofe" in the corner block suggests that Burkerd spoke with, or was at least very use to, a German accent. Generally bright and clean, some fringe loss, light toning, and minor wear.

William Stroud, Harrison County, 1836. Blue and white, with roses, and with a shield-breasted eagle border. 79" by 69". Stroud's coverlets are among the earliest jacquard coverlets made in Ohio. Some toning/staining, fringe loss, damage.

Possibly Ohio, mid-19th century. Red and blue, with flowers, and a border with buildings and palm trees. 88" by 87". Minor fading, wear, and fringe loss, a few very small holes.

Sarah and John LaTourette, Fountain County, 1858. Blue and white, with floral medallions and butterflies, and a floral border and the distinctive floral corner block used by the LaTourette family. 88" by 75". Light toning and staining, some fringe loss.

Josiah and Samuel Slaybaugh, Crawford County, 1846, for George Hallman. Blue, red, ochre, and white, with medallions, and a border with trees and eagles. 84" by 74". Wear, fringe loss, some holes.

Josiah Slaybaugh, Kosciusko County, 1863. Dark blue, light blue, red, and white, with floral medallions and a border with birds and vining flowers. 82" by 78". Josiah moved to Indiana after dissolving the partnership with his brother, Samuel, in Ohio. Some wear and fringe loss.

Jacob Kleindinst, 1853. Black, purple/mauve, red/pink, medium green, and white, with wreaths, and a border of grapes and birds. 89" by 79". This weaver is not listed in American Coverlets and Their Weavers. It is illustrated in "Yarns," the newsletter of the National Museum of the American Coverlet, in its coverage of Coverlet College 2018. Bright and clean, good fringe.

William Fasig, 1846. Blue and white, with star wreaths, and borders with birds and urns. 90" by 72". Some staining, wear, and fringe loss.

Unidentified weaver, for Aura K. Palmer, 1848. Green, red, and white, with wreaths, and borders with double rows of buildings and stylized flowers, and the corner block with a "USA" eagle. 84" by 81". Some toning, staining, and loss.

Possibly Ohio, unidentified weaver, for Ernest Gwytsch, 1846. Blue and white, with flowers, and a vining floral border. 90" by 79". Wear, losses, and some toning.

Probably Ohio, mid-19th century. Blue, dark red, medium red, and white, with turkeys and peacocks. 87" by 72". Nearly identical peacocks appear on coverlets by Daniel Bury, but peacocks are known elsewhere in Ohio. Only a few examples with peacocks and turkeys could be found, and none of them signed. Significant losses.

Adam Henning, Stark County, 1845. Dark blue, pink, ochre, and white, with floral design, and building and eagle borders. 85" by 69". Possibly some fading, some fringe loss and wear.

Philip Bysel, Middletown, 1839. Blue and white, with floral wreaths, and borders with birds. 84" by 70". Middletown is now known as Mt. Hope. Some toning, fraying, and fringe loss.

Possibly Ohio, 1856. Green, red, and white, with large urns and birds of paradise, and with unusual corner blocks with flower pots, the date, and "MAD." 85" by 70". Bright and clean, fringe with minor loss, some seam separation.

William Craig Jr., Greensburg, Decatur County, 1852. Black and white, with a geometric pattern, and borders with trees and urns. 90" by 73.5". Some toning and fringe loss, a few stains.

Jacob Saylor, Salt Creek Township, 1857. Black, light red, yellow, and white, with medallions, and with a grape border. 80" by 73". Saylor also worked in Knox and Stark Counties. Some wear and fringe loss.

John Klinhinz (Klinhouse), Erie Township, 1850. Blue and white, with medallions, and borders with flowers and birds. 88" by 74". Bright and clean, good fringe.

Daniel Bury, probably Cornersburg, Mahoning County, c. 1850. Blue, red, gold, and white, with medallions, and borders with flowers and peacocks, as well as "North America" and "E Pluribus Unum.", 84" by 71". American Coverlets and Their Weavers suggests that Bury's undated coverlets were woven when he was in Cornersburg. Light wear, minor fringe loss.

Peter Grimm, Ashland County, 1868. Dark blue, light red, and white, with unusual floral medallions, and borders with flowers and grapes. 79" by 70". Some staining and minor damage.

Troy Township, 1851. Blue, red, green, and white, with patchwork-style field and borders with buildings and birds. 89" by 76". E.J. Dannels was likely the original owner, not the weaver. Dr. Gunn purchased this in 2019 at Conestoga Auctions (10/12/2019, lot 489). Bright and clean, with minor wear.

Possibly Hancock County, Ohio, mid-19th century. Dark blue, light blue, red, and white, with feather-like medallions, borders with berries, stars, and flowers, and eagle corner blocks with "LIBERTY." 83" by 71". Light staining, minor wear.

Jacob Stephen, Springville, 1853. Blue, red, and white, with stars and flowers, and borders with flower baskets and grapes. 90" by 76". Toning, some fading and fringe loss.

William Fleck, Hancock County, 1860. Blue, light green, and red, with the same feather and checkered medallions as in the "Liberty" coverlet in this sale, and with floral borders. 84" by 68". Some wear and fringe loss.

Daniel King, 1856. Red, blue, and white, with floral medallions, and the borders with birds and berries. 75.5" by 35". King moved to Stark County from Tuscarawas County in 1854. He later served in the 163rd OVI during the Civil War. Dr. Gunn identified this strawberry pattern as common in various counties in Ohio in a 2018 lecture at the Coverlet College. Wear and losses.

Francis J. Sholl, Stark County, 1848. Blue and coral floral pattern with a grapevine border. 84" by 75" . Some yellowing and staining.

Franklin D. Sheaffer, 1849. A scarlet and gray pattern of plants (possibly buckeyes). 83" x 82". Sheaffer is mentioned on p. 211 of Anderson's American Coverlets and Their Weavers. He is likely related to Issac Sheaffer of Stark County, Ohio. Some fading.

Isaac Sheaffer, Plain Township, Stark County, 1839. Red and blue with floral and heart medallions, and the border with birds and flowers. 83" x 82". A small tear is present and some staining.

Isaac Sheaffer, Stark County, 1843. Red, blue, and green with centerfield of floral urns and an architectural border of a large four-story building and a smaller building with a cupola. 90" by 90". Isaac Sheaffer worked in Lancaster County, Pennsylvania and two other locations in Stark County, Ohio before working in New Berlin (now North Canton). Hanging sleeve attached for display.

William McClellan, 1834. Red, white, and blue with centerfield of alternating rows of floral medallions, including tulips, and a border of eagles with shields, trees, and the word "UNION". Corner blocks include the name of the owner, Eliza Thomas, 82" by 75". Some yellowing.

Unidentified weaver, Franklin Township, Richland County, State of Ohio, 1845. Red and white with centerfield of floral medallions, and a border of birds and flowers, 95" by 77". Some fringe loss.

Chesterville, Ohio, Morrow County, 1858. Red, green and blue, full loom width, with centerfield of laurel wreaths surrounding floral medallions, the longs sides with grapevine borders, a floral foot border ,a cornerblock with eagle for Chesterville, Ohio and the date, and a second corner block "MANUFACTURED EXPRESSLY FOR" and left blank with the date, 93" by 82". Coverlets with this wording are possibly attributed to Peter Colman or an unidentified weaver working in Thornville, Perry County. Some light stains.

Ohio. Red, blue, and green, with centerfield of laurel wreaths surrounding floral medallions, double architectural borders, and large sailing ship corner blocks with "I.V., OHIO" at bottom and an eagle flying above the ship, 78" by 68". Fringe loss, large hole.

Possibly Ohio, mid-19th century. Two piece coverlet in red, blue, and green with centerfield of large laurel wreaths surrounding floral medallions with divided heart centers, floral borders including tulips, and large tulip corner blocks with "C. HEFNER" , 88" by 76". Bright and clean with minor wear.

1840. A two-piece coverlet in coral, blue, and gold with centerfield of rose medallions, bird and tree borders with roses, corner blocks with floral urns and "COLUMBIANA 1840", 89" by 76". Minor wear with good fringe.

American, Mid-19th century. Navy blue and red with centerfield of alternating rows of floral medallions and a wavy floral border on all four sides, 90" by 82". Fringe loss. Has hanging sleeve.

Mid-19th century. Dark blue, black, and white doubleweave jacquard coverlet with rose wreaths and a star pattern, initials "AM" are included in one medallion, 88" by 78". This coverlet is unsigned, but descended in the family of Albert McFadden, East Union Township, Wayne County, Ohio. Excellent condition.

American, mid-19th century. Blue, red, and green with floral centerfield, bird and flower side borders, bird and draping vine foot border, corner blocks with "GOD BE THANK", 90" by 75". Fringe loss, numerous repairs.

Frederick E. Hesse, 1862. Red, green, and blue with centerfield design of stars and large tulips, architectural border with corner blocks signed "F.E. HESSE WEAVER LOGAN, OHIO 1862", 87" by 78". Hesse was born in 1827. He was one among three known weavers in his family: Frederick A. (b. 1801) and L. (b. 1809) are also known. The Hesse weavers were Saxon immigrants that settled in Ohio and worked in Perry, Hocking, and Somerset counties. Their works span from the late 1830s to the early 1860s. Some staining, minor fringe loss.

American, 1857. Dark blue and white with centerfield of floral medallions and a floral border, corner blocks with stars, vines, and flowers, dated 1857, 93" by 83". Some fringe loss and holes.

Adam Yearous, 1859. Red, white, and blue with centerfield of laurel wreaths surrounding floral medallions, side borders of flowers and baskets, architectural foot border, corner blocks with eagles signed "KNOX COUNTY OHIO ADAM YEAROUS 1859", 83' by 73". German born Yearous was producing coverlets in Jackson Township, Knox County, by 1847 and is listed in the 1850 census as a 23 year-old weaver. Fringe loss, some yellowing.

Ohio, 1849. Two piece coverlet with dark blue and white centerfield with stars and large floral medallions, with floral upper border and lower border of tulips and a garland, corner blocks "LOUISA LOCKWOOD OHIO 1849", 80" by 74.5". Geneaological research found a Louisia Lockwood, born in Trumbull County in 1820 and died in Ashtabula County in 1877. Fringe loss, some yellowing, some edge damage.

American, 1876. Two piece coverlet with red, white, and blue floral centerfield, flower basket borders, floral corner blocks "ELIZABETH C SMITH 1876", 94" by 77". Yellowing on one edge.

Westminster, Allen County, Ohio, 1848. Red, blue, and gold floral centerfield that includes tulips and stars, flanked by a border of roses, corner blocks with a chicken and signed "W:MINSTER ALLEN CO: 1848", 89" by 74". Wear on edge.

American, mid-19th century, cotton. Nine flower baskets and a swag border, in yellow, red, and green. 85.5" by 84". Purchased in Chillicothe, Ohio in 1994. Lightly toned, scattered minor staining.

Philip H. Anshutz, probably Carroll County, Ohio, mid-19th century. Two piece coverlet with pink, purple, and blue figured and fancy floral medallion design, floral borders, corner blocks signed "P H ANSHUTZ", 84" by 81". A similar coverlet by Anshutz, but in blue and white, is in the collection of the Smithsonian's National Museum of American History (1989.0270). They provided the following biographical information about Anshutz: Philip Anshutz was born in 1802 in Germany and emigrated to Baltimore about 1833. In the 1840 census he was listed as the head of a household in Baltimore engaged in manufactures and trades—likely in one of Baltimore’s large industrial textile mills. He left Baltimore in 1842 with his wife, whose name we only know as the initial W., and moved to Carrollton, Carroll, Co, Ohio. In the 1850 Federal Census, Anshutz was listed as a weaver. It is likely that Anshutz came to American as a trained, industrial weaver or machinist in a factory, worked in Baltimore long enough to raise the capital needed to move west and attempt to establish his own regional mill in Carroll County. This was a common practice for coverlet weavers. Minor staining.

Philip H. Anshutz, Carrollton, Carroll County, Ohio, mid-19th century. Two piece coverlet with dark blue and white centerfield which includes birds, flowers, and grapes along meandering vines, medallion borders, corner blocks signed "P H ANSHUTZ Y N CARROLTON", 77" by 77". Anshutz's coverlets are included in the collections of the Smithsonian's National Museum of American History and the Henry Ford Museum of American Innovation. See previous lot for more detailed biographical information about Anshutz. Damaged with holes, fringe loss, and yellowing.

New Berlin, Stark County, Ohio, 1858. Mauve and blue with centerfield of tulip medallions surrounded by wreaths, tulip side borders, bird and floral foot border, corner blocks signed and dated "BARTELE MY JACOB COVERLET WEAVER. NEW BERLIN 1858", 76" by 64". Edge damage and fringe loss.

Jacob M. Slusser, Canton, Stark County, Ohio, 1842. Red, white, and blue centerfield with floral medallions, double side borders of buildings, tulip and basket foot border with lower row of small stars, corner blocks signed and dated "JM.SLUSSER CANTON STARK COUNTY OHIO 1842", 89" by 77". Slusser's coverlet in the collection of Colonial Williamsburg (1991.609.2) dates to the same year and features the same side borders of double buildings and similar corner blocks. Old repairs with satin edge added, patches, yellowing, and inconsistent alignment.

Henry Petry, Canton, Stark County, Ohio, 1843. Red and gold floral centerfield with eagle, tree and star side borders, foot border with parrots and flowers, corner blocks signed and dated "H. PETRY CANTON STARK COUNTY OHIO 1843" with "A.J. SWVAB" and "M. SWVAB", 83" by 80". Petry was born in Pennsyvania c. 1806, but was known to be weaving in Canton by 1832 and is listed in the 1850 Stark County census as a coverlet weaver. Old repairs with fringe damage and loss, seam damange, and yellowing.

American, mid-19th century. Blue and white centerfield of large floral medallions, side borders of buildings alternating with eagles and stars, floral corner blocks, 86" by 72". Center seam has inconsistent alignment.

George W. Lashels, Huntington, Lorain County, Ohio, 1850. Salmon and blue centerfield of stars surrounded by thick wreathes, bird and floral side borders, floral foot border, corner block with client name, signed and dated "MARY . E SHEPARD WOVE BY G.W LASHELS HUNTINGTON 1850", 85" by 71". Fringe has damage and losses. Seam has puckering.

Cuyahoga County, Ohio, 1849. Two piece coverlet with red and blue centerfield with starbursts and rose medallions, flower basket side borders, willow tree and tulip foot border, corner blocks with client name "REBECCA WIRT EUCLID OHIO 1849", 83" by 77". Some holes, stains, and yellowing.

American, mid-19th century. Two piece coverlet with blue and white floral centerfield, side double borders of buildings, floral foot border, and geometric corner blocks, 84" x 75". Some yellowing and stains.

American, mid-19th century. Two piece coverlet with blue and white centerfield of urns with flowers and birds, double side borders of meandering grapevines, and double foot border of flower baskets and a small house with a flower rising from the roof, 87" by 78". Some yellowing at edge.

American, 1845. Red and gold centerfield of floral medallions and starbursts, eagle and willow tree borders, corner blocks with client name and date "SARAH B RATHBONE 1845", 89" by 36" and 90" by 36". Center seam has detached.

American, 1840. Two piece coverlet with center seam, red, blue, and gold centerfield of floral medallions, double borders of buildings, trees and birds holding tulips in their beaks, and border along the foot which repeats "WOVE BY G.S. FOR", corner blocks of four flower baskets and double dated 1840, 87" by 75". No fringe. Yellowing and wear on top edge.

John Kittinger, Springfield, Portage County, Ohio. Blue and tan centerfield of floral medallions and rose borders, corner blocks signed and dated "JOHN KITTINGER SPRINGFIELD PORTAGE COUNTY OHIO 1839", 83" by 69". Some damage, fringe loss, and stains.

North Lima, Mahoming County, Ohio, 1855. 85" by 77". Blue and tan with a large central medallion surrounded by a wreath of tulips within a laurel wreath , floral cornucopias, the borders with columns on either side of floral medallions with an urn of flowers at the center of each border, corner blocks "NORTH LIMA OHIO 1855", 85" by 77". Some stains, yellowing, and fringe loss.

John Wunterlich, Norton Township, Summit County, Ohio, 1868. Pink and blue centerfield of floral medallions with a bird and rose border, corner block signed and dated "JOHN. WUNTERLICH. NORTON. TOWNSHIP OHIO. 1868.", 84" x 77". A patch, some yellowing, and repairs at top corner.

Emanuel Meily, Lebanon, Pennsylvania, 1844. Seamless, red, dark blue, and light blue with a centerfield of floral medallions with starbursts, surrounded by intersecting floral rings, the borders with flowers, urns, and grapes, corner blocks signed and dated "EMANUEL MEILY LEBANON 1844", 93" by 86". Some fringe loss and stains.

American, mid-19th century. Seamless, rust red, dark blue, and light blue centerfield of alternating rows of floral medallions, double borders of vining flowers, 92" by 79". Dr. Gunn acquired this coverlet from the Estate of Anna Koff Ross of Wooster, Ohio. Some yellowing on edge.

Bainbridge, Geauga County, 1854. Two-piece coverlet in blue and white with centerfield of alternating floral and heart medallions, three sides bordered by patriotic eagles with spread wings and shields, one short side with floral border, corner blocks "CYNTHIA M HASKINS AGE 26 BAINBRIDGE OHIO 1854", fringe on two sides, 86" by 69". It is ususual to see an age with an owner on a coverlet. Cynthia Haskins was born in Meigs County, but moved north about 1847 to marry Commodore Perry Haskins (he was named after Oliver Hazard Perry and wasn't in the Navy). Some yellowing.

American, mid-19th century. Two piece coverlet in dark blue, white and red geometric design, 101" by 80". Fringe loss, some wear.

American, mid-19th century. Two piece coverlet in blue and red geometric design, fringe on one side, 93" by 71". Binding damage on corner.

American, mid-19th century. Two piece coverlet in red, blue, and white geometric design, 102" by 89". Wear on top edge.

American, mid-19th century. A single coverlet in red, green, blue, and white geometric star design, fringe on two sides, 79" by 39". Some wear.

American, mid-19th century. Two piece coverlet in red, blue, and white geometric design, 100" by 82". Fringe sewn on with gap at top, some yellowing.

American, mid-19th century. Two piece coverlet in red and tan geometric design, 91" by 73". Some fringe loss, stains, edge wear.

Charles Young, Mechanicsburg, Cumberland County, Pennsylvania, 1841. Two piece coverlet in red, green and blue with centerfield of rose medallions and leafy vine and diamond borders, corner blocks signed "CHARLES YOUNG MECHANICKSBURG" above date "1841" in diamond border, above smaller block with client's name "ELIZABETH MILLER", 91" by 84". Dr. Gunn purchased this coverlet in Shelby, Ohio, but a very similar coverlet by Young with identical design (but without a client name) sold at Skinner Auctions on March 6, 2011 (lot 485). Some fringe loss, staining on top edge, wear.

Jacob and Michael Arnder, Mt. Vernon, Knox County, Ohio, 1857. Two piece coverlet in blue, red, and gold with floral centerfield and bird and swag border with "BB" , corner blocks signed and dated "W. IN. MT VERNON. KNOX COUNTY. OHIO. BY. JACOB. AND. MICHAEL. ARDNER", 87" by 81". Both Michael and Jacob Ardner were born in Germany, immigrated to the United States with their father Jacob, and the 1850 census lists all three Ardner men working as weavers in Mount Vernon. Jacob and Michael wove coverlets together from 1851 to 1859. Some holes, wear, and fringe loss.

American, 1843. Two piece coverlet in blue, red, and green floral medallions with flowering vine side borders, bird and floral foot border, corner blocks "JOSEPH NURRE 1843", 87" by 83". Bright and clean.

American, 1858. Single piece coverlet in blue, red, and green with centerfield of stars and floral designs, double border with vining flowers and tulips , corner blocks "M.B. 1858", 96" by 85". A handwritten note is attached to the coverlet reading "Ned Wilson Bright". Good condition, with only minor wear.

J.J.Heilbronn, Basil, Fairfield County, Ohio, 1841. A two piece coverlet in blue, red, and mauve with floral and star centerfield, bird and flower basket borders, corner blocks with client's name "GEORGE SHELLY" and signed and dated "FANCY COVERLET WOVE BY J.J. HEILBRONN BASIL, OHIO 1841", 90" by 77". A coverlet by Heilbronn, dated 1840, is in the collection of the Smithsonian's National Museum of American History (accession no. 280847) and they provide the following biographical information on Heilbronn: John Jacob Heilbronn, was born June 15, 1815 in Alsace, France. He married January 9, 1840, Phebe Weaver in Fairfield, OH. He died July 8, 1887. Some fringe loss, yellowing, and wear.

Henry Miller, McCutchenville, Seneca County Ohio, 1844. Two piece coverlet in red, green, and blue with floral and geometric interior, double side borders of flowering vines and stars, foot border of birds and flowers, corner blocks signed and dated "HENRY. MILLER. MCCUTCHENVILLE. SENECA. .OHIO. 1844", 81" by 73". Minor wear, some stains, toning, and fringe loss.

John Bick, Rome, Seneca County, Ohio, 1854. Two piece coverlet in dark blue, green, light blue, and red with floral and star designs on interior, bird and tree border, corner blocks signed and dated "JOHN BICK IN ROME. S.C. OHIO 1854.", 81" by 67". Fringe loss and wear to top edge.

Unidentified American weaver, mid-19th century. Purple, pink, and blue with alternating rows of floral medallions, each piece with a side border of buildings, a corner block of a soldier on horseback, and a foot border of birds and urns, 81" by 38" and 82" by 38". Fringe loss, yellowing and stains, center seam detached.

William H. Van Gordon, Covington, Ohio, 1853. A coverlet in blue, green, and red with large floral medallions encircled by leafy wreaths on the interior and vining floral borders, corner block signed and dated "COVERLET WM. H. VAN GORDON. WEAVER. COVINGTON MIAMI. CO. OHIO. 1853", 90" by 77". Van Gordon worked as a weaver over the course of three decades. He is listed in the 1850 census as a weaver in Covington, Ohio. Wear, hole, yellowing.

Unidentified American weaver, possibly Stark County, Ohio, 1842. Two piece coverlet in red, gray, and green with floral centerfield, border of alternating floral urns and trees with birds, corner blocks with church and "STA. CO: 1842", 84 by 72". Yellowing, fringe loss.

Daniel King, 1849. Two piece coverlet in blue and tan with strawberry medallion interior, bird and fruit tree border with lower border of stars and diamonds, corner blocks signed and dated "DANIEL. KING. TUSCARAWAS. CO. OHIO 1849", 86" by 71". King lived in Tuscarawas County until he moved to Stark County in 1854. He later served in the 163rd OVI during the Civil War. Dr. Gunn identified this strawberry pattern as common in various counties in Ohio in a 2018 lecture at the Coverlet College. Some yellowing, stains, fringe loss, and fabric loss at the seam separation.

Columbiana County, Ohio, 1842. A two-piece coverlet in red, blue, and tan with rose medallion interior and borders of birds with roses and trees, corner blocks with floral urn and "COLUMBIA N A 1842", 72" by 87". Some yellowing and fringe loss . Center seam is misaligned in places.

Possibly Holmes or Wayne County, mid-19th century. Blue, dark red, medium red, and white, with peacocks and turkeys. 87" by 78". A file of genealogical information accompanies this coverlet, and presumably came with from the family when Dr. Gunn acquire it (on eBay in 2001). According to family tradition, this coverlet was acquired by Eve Gorsuch (Holmes County, Ohio) when she married Caleb Shreve (Wayne County, Ohio) when they married in 1845. Caleb's father, Thomas, is who Shreve, Ohio was named after. Minor wear.

P. Breidenthal, Wayne County, 1839. Blue, red, and white, with medallions and double building border. 79" square. Some toning and wear.

American, mid-19th century. Red, blue, and white, with urns of flowers and nests with birds feeding their young. 80" by 76". Fringe loss, wear, stains, some other losses.

Possibly Holmes or Wayne County, mid-19th century. Blue, dark red, medium red, and white, with peacocks and turkeys. 81" by 38". This is nearly the same design as the Shreve family coverlet offered in this auction. Wear and fringe loss.

American, mid-19th century. Red, blue, and white, with stars, medallions, grapes, and tiny houses. 89" by 80". Some toning and staining.

Daniel Lehr, Wayne County, 1845. Blue and white, with foliate medallions and bird borders. 90" by 74". Some fringe loss and staining.

Emanuel Meily, Lebanon, Pennsylvania, 1848. Seamless, black, light green, red, and white, with large wreaths, and flowers and berries on the borders. 97" by 87". Some fabric and fringe loss, wear.

Peter Hartman, Wayne County, 1842. Red and olive/tan, with repeating floral pattern, and border with eagles and grapes. 89" by 85". Minor wear and fringe loss; attached is a tag indicating that this was "moth proofed."

American, mid-19th century. Pink and white, with medallions and eagles. 85" by 79". Minor staining and toning, fringe loss.

John Hartman, Ashland County, 1846. Blue, red, gold, and white, with mediallions and the borders with eagles and grapes. 88" by 77". Lafayette is now Red Haw in Perry Township. Minor fringe loss.

Peter Hartman, Wayne County, 1843. Red, blue, and aqua, with repeating floral pattern, and border with eagles and grapes. 89" by 85". Some damage and fringe loss.

American, 1881. Purple/burgundy, with stars, and flowers, and with a zig-zag border. 79" square. Some fringe loss, staining, and wear.