1 of 2. Single red wine goblet, c.1930. 6 1/2". Small area of discoloration in the glass at lip. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

2 of 2. Single red wine goblet, c.1930. 6 1/2". EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Bruning, Peter (Dutch/American, 1923-2018). Untitled landscape with water and mountain, acrylic on canvas, undated. Signed PBruning lower left and identified on stretcher verso. 12" x 16" (Stretchers). Unframed. Wired and ready to hang. Lovely landscape with evocative colors. Peter Bruning was born and raised in Amsterdam, The Netherlands. He loved to draw and play the piano as a child and was influenced by the fine art museums and concert halls in Amsterdam. After graduation from the Montessori High School in Amsterdam, he chose a teaching career and completed his doctorate in Germanic studies with minor studies in art history and sociology at the University of Amsterdam in 1949. He also studied art in Amsterdam, and then, after WW2, in Bern, Switzerland and in Paris, France. He came to Terre Haute as a visiting instructor at Indiana State in 1950 where he met his future wife Margaret Jones, an art major. Peter taught German and Dutch languages at Indiana University Bloomington, University of California Berkley, and German Language and Literature at Rice University Houston, where he became a U.S. citizen in 1955. In 1956, Peter accepted a position in the Foreign Language Department at Indiana State in Terre Haute where he taught until his retirement in 1990, all while pursuing his art career. Having grown up on the Dutch coast of the North Sea, Peter was intrigued by the subtle nuances of color, shape and feelings evoked by the juxtaposition of land, sky, and water. He was drawn to visit and paint at many coastal locations, such as the Cote d'Azur, the Caribbean, the Greek isles, and Cape Cod. Many of the landscapes and cityscapes he painted were also the subjects of earlier artists, but Peter made a consistent effort to view and depict those subjects from different, unexpected, and novel vantage points. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Moran, Kelly (American 20th century - current). Protection. Collage assemblage, framed. Identified with the artist's card verso, and includes original purchase receipt from the 2018 Texas Contemporary show. 7" x 6 3/4" (Sight). 12 1/2" x 12 1/2" (Frame). Matted in a wood frame. Stored in unknown conditions. Not examined out of frame. Wired and ready to hang. Houston TX based artist Kelly Moran creates mixed media collages in combinations of intaglio, digital printing, found imagery, and carved wood surfaces. Moran offers a mixed bag of happy urban myth and late American pop culture. She takes advantage of an omnipotent time frame while jumping gender fences, and looking back at "the way we were" just far enough in the past to clue us into the fact that the human chemistry found in her works is universal. Her images are gleaned from the internet junk heap, vintage magazines and advertising, adding in woodcuts, lino-cuts, and some parts created with the latest digital technology and archival digital printing. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

8" x 6 3/8" oval, 3 3/4"H. Lovely light blue glass Swedish Sven Palmqvist Orrefors bowl. Incised marked on flat bottom Orrefors P 4166-136. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Matte black/dark grey glaze, unglazed base rim, slip poured figures. Mark on bottom is filled in and indecipherable. 11 1/2"H and 9 3/4"H. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Eichenberg, Fritz (German American 1901-1990) The Lord's Supper, 1955, Photoengraving, Portfolio No. 2: Eight Prints from The Drawings Appearing in "The Catholic Worker". Signed in print lower right. 13 3/4" x 11" (Sheet). 15 1/2" x 12 3/4" (Frame). Float mounted against glass in a vinyl covered black frame. Stored in unknown conditions. Not examined out of frame. Wired and ready to hang. Fritz Eichenberg was a German-American illustrator and arts educator who worked primarily in wood engraving. His best-known works were concerned with religion, social justice and nonviolence. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Bowen (20th-21st century). Untitled mountain landscape. Signed Bowen and dated '02 in ink lower right. 5 1/2" x 8 3/4" (Sight). 11 1/2" x 14 1/2" (Frame). Matted in a gilt surfaced wood frame. Stored in unknown conditions. Not examined out of frame. Wired and ready to hang. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

88 1/4"H, 46"W, 22 1/2"D - 37 1/2"D with writing surface down. Lower cabinet with 3 full drawers below pull out / drop down writing / desk surface. Inset leather writing surface with tooled and gilt border, some wear at seam. Multiple drawers and cubbyholes at interior of desk - note some repairs on interior, one drawer sticks, some veneer loss at edges. Hardwood drawers with dovetail construction, bookmatch figured veneer drawer face with wood frame. Locks intact, 1 replacement, 2 keys present. Upper cabinet with old glass panes, divided with fine mullions, lock and key present - key appears to be newer. Single fixed shelf, evidence of vertical divider removed, adjustable shelf brackets above - shelf missing. There are a few repairs, dings and losses particularly at the molding which holds the upper cabinet. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Oldenburg, Claes (Swedish 1929-2022). Untitled (Ex Libris for Printed Matter), 1991 lithograph. Unsigned. 5" x 3 1/8" (Sight). 13" x 10 1/2" (Frame). Double matted in a wood frame. Stored in unknown conditions. Not examined out of frame. Wired and ready to hang. Since the 1960s, Claes Oldenburg has worked at the forefront of the Conceptual and Pop art movements, and he's best known for his monumental public sculptures of everyday objects. These include Lipstick (Ascending) on Caterpillar Tracks (1969, reworked 1974) in New Haven, Connecticut; Clothespin (1976) in Philadelphia; Shuttlecocks (1992) in Kansas City; and Cupid's Span (2002), a gigantic archer's bow in San Francisco. These pieces epitomize Oldenburg's irreverent sense of humor and fascination with American consumerism, qualities which have also pervaded his performances, drawings, writings, and famous "soft sculptures"-cushiony, unserious objects that resemble diner foods and other symbols of Americana. Oldenburg's work can be found in the collections of the Museum of Modern Art, the Guggenheim Museum, the San Francisco Museum of Modern Art, Moderna Museet, and the Centre Pompidou. Oldenburg often collaborated with his late wife, Coosje van Bruggen, who died in 2009. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Richards, Ella (American, current). Untitled portrait in cut paper. Signed and dated 2013 in ink lower edge of sheet. COA verso. 4" x 3" (Sheet). 15" x 12" (Frame). Float mounted on black in a painted wood frame. Stored in unknown conditions. Not examined out of frame. Wired and ready to hang. https://www.scissorsdrawings.com/ EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

9 3/4"H swirled orange and yellow vase cased in clear glass. Lavorazione Arte Murano foil sticker on side. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

8"H green and white jack in the pulpit vase cased in clear glass. Pontil on bottom. Fleabite on end of one foot. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Calder, Alexander (American 1898-1976). Untitled abstract composition (Flowers). Lithograph on paper circa 1972. "EA" (artist's proof), and signature in pencil below image. 15" x 10" (Sight). 22" x 16" (Frame). Matted in a wood frame with brass facing. Minor scuffs to frame surfaces. Small spot in margin. Stored in unknown conditions. Not examined out of frame. Wired and ready to hang. Alexander Calder was an American sculptor known for his innovative mobiles (kinetic sculptures powered by motors or air currents), his static "stabiles", and his monumental public sculptures. Calder enrolled at the Art Students League in New York, studying briefly with George Luks, Boardman Robinson, and John Sloan. In 1926, Calder moved to Paris, enrolled in the Académie de la Grande Chaumière, and established a studio. While in Paris, Calder befriended a number of avant-garde artists, including Fernand Léger, Jean Arp, and Marcel Duchamp. Calder and his wife Louisa returned to America in 1933 to a farmhouse they purchased in Connecticut. In 1963, Calder settled into a new workshop, overlooking the valley of the Lower Chevrière to Saché in Indre-et-Loire (France). Throughout his artistic career, Calder named many of his works in French, regardless of where they were destined for eventual display. Calder died in 1976 shortly after the opening of a major retrospective show at the Whitney Museum in New York. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

8"H bird form crystal vase with removeable flower frog. Incise signed on flat bottom Lalique France. Applied felt discs on bottom. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

4 1/4"L each. Some minor roughness at top edges. Unmarked. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

8 1/4"H. Marked on unglazed bottom, 1986 retired figurine of a young girl with flowers. No chips or cracks observed. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Hoi Lebadang (Vietnamese / French 1922-2015). Untitled scene with boats, color lithograph. Numbered 143/150 and signed in pencil below the image. 10 1/2" x 14 1/2" (Sight). 12 1/2" x 16 1/2" (Frame). In a wood frame. Bright colors. Not examined out of frame. Papered, wired and ready to hang. Lebadang (Hoi) was born in Quang Tri, Vietnam in 1922. He moved to France in 1939 to pursue an art career at Ecole de Beaus Arts de Toulouse. While studying there he was awarded prizes for painting, drawing, and sculpture and won his first commission. By 1950 the Paris art community had recognized his work, appreciating the blend of European and Far Eastern culture and philosophies reflected in it. The director of the Far Eastern Department at UNESCO commissioned him to illustrate a book of poetry. Lebadang was first represented in the United States, in 1966, with an exhibition of his paintings at the Cincinnati Art Museum. His work is owned in permanent private and public collections including: Rockefeller Collection, New York; Loo Collection in Tokyo; Verkerke Collection, Holland; Phoenix Art Museum, USA; Cincinnati Museum, USA; Columbia Art Institute, USA; Lund University Museum, Sweden; Foundation Museum, Kenya; and the Museum of Arts and Letters, France. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs.

Anderson, Carl Thomas (American 1865-1948). Henry cartoon original drawing. Ink on paper, signed Carl Anderson upper edge of 4th panel. 5 1/2" x 19 3/4" (Sight). 11 1/2" x 25 3/4" (Frame). Triple matted in a silvered wood frame. Some bumps to frame. Minor foxing observed on paper. Dislodged framing point on bottom right conrner of mat. Not examined out of frame. Papered, wired, ready to hang. Carl Thomas Anderson was an American cartoonist best remembered for his comic strip Henry. Readers followed the pantomime adventures of the mute, bald-headed Henry in strips which he signed with his familiar signature displaying an enlarged "S": In 1932, he sold his first Henry cartoon to The Saturday Evening Post for $50, and it became a regular weekly feature in that magazine. Eventually Henry was being published in 50 American newspapers. Anderson continued to work on the strip until arthritis made him retire in 1942. The strip continued with other artists, finally being discontinued in 2018. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs.

4 1/2" to 5"L, 3 1/4"H. Two bird / sparrow figurines Incise signed on flat bottoms Lalique France. Smaller also has foil label on bottom of tail feathers. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

8 1/2"H, 4 1/2"Dia at mouth. Marked under glaze Wedgwood of Etruria, Embossed Queen's Ware, and press marked Wedgwood 4S67 on bottom. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Geisert, Arthur (American b. 1941). Tower of Babel #2, 1973 etching. Titled, numbered 20/30 and signed in pencil below platemark. Identified on a tag verso, provenance Amoco Corp. Arts Collection. 18 1/4" x 9" (Sight). 25 3/4" x 15 3/4" (Frame). Double matted in a wood frame. No visible foxing or spots. Scratches on frame surface. Stored in unknown conditions, not examined out of frame. Wired, ready to hang. Arthur Geisert was born in Dallas, Texas in 1941 and grew up in Los Angeles. He received his Bachelor of Science degree from Concordia University in Nebraska, which later awarded him an honorary doctorate, and his Master of Arts degree from the University of California, Davis. He also studied at the Chouinard Art Institute (later CalArts) and Otis Art Institute (later Otis College of Art and Design) in Los Angeles, and the Art Institute in Chicago. Geisert has won numerous awards including The New York Times Best Illustrated Children's Book Award for Pigs from A to Z (1986), Roman Numerals I to MM (1996), and Ice (2011), and a Boston Globe Horn Book Award and Society of Illustrators Silver Medal for Haystack (2003). His children's books have been translated into French, German, Latin, Spanish, Japanese, Chinese, and Korean. He has had five cartoons published in the New Yorker. His work has been exhibited at the Art Institute of Chicago, San Francisco Museum of Modern Art, The Print Center in Philadelphia, Society of American Graphic Artists, Society of Illustrators Museum of American Illustration, Figge Art Museum, and the Cedar Rapids Museum of Art. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Geisert, Arthur (American b. 1941). Tower of Babel #1, 1973 etching. Titled, numbered 20/30 and signed in pencil below platemark. Identified on a tag verso, provenance Amoco Corp. Arts Collection. 18" x 9" (Sight). 26" x 15 3/4" (Frame). Double matted in a wood frame. No visible foxing or spots. Scratches on frame surface. Stored in unknown conditions, not examined out of frame. Wired, ready to hang. Arthur Geisert was born in Dallas, Texas in 1941 and grew up in Los Angeles. He received his Bachelor of Science degree from Concordia University in Nebraska, which later awarded him an honorary doctorate, and his Master of Arts degree from the University of California, Davis. He also studied at the Chouinard Art Institute (later CalArts) and Otis Art Institute (later Otis College of Art and Design) in Los Angeles, and the Art Institute in Chicago. Geisert has won numerous awards including The New York Times Best Illustrated Children's Book Award for Pigs from A to Z (1986), Roman Numerals I to MM (1996), and Ice (2011), and a Boston Globe Horn Book Award and Society of Illustrators Silver Medal for Haystack (2003). His children's books have been translated into French, German, Latin, Spanish, Japanese, Chinese, and Korean. He has had five cartoons published in the New Yorker. His work has been exhibited at the Art Institute of Chicago, San Francisco Museum of Modern Art, The Print Center in Philadelphia, Society of American Graphic Artists, Society of Illustrators Museum of American Illustration, Figge Art Museum, and the Cedar Rapids Museum of Art. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

48"L x 24"W x 29"H. Kneehole to left, 2 horizontal drawers and 1 vertical file size drawer right. Open legs with metal feet. Solid oak drawers with dovetail construction. Lane Altavista, VA stamp mark in each drawer. Wood top with rounded edge, fishtail detail. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

4 1/2" to 5"L, 3 1/4" to 3 3/4"H. Two bird / sparrow figurines Incise signed on flat bottoms Lalique France. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

de la Vega, Roberta (American 1930-2023), Untitled mixed media on board (Mother and Child). Undated. Signed lower right. 23 1/2" x 17 3/8" (Sight). 32" x 26" (Frame). In a carved wood frame with a linen wrapped liner. No foxing or spotting observed. Minor bumps to frame. Stored in unknown conditions, Not examined out of frame. Papered, wired, ready to hang. Roberta De La Vega painted since her early childhood in West Texas. Self-taught, she traveled to Mexico and studied the Mexican muralists. She worked in many mediums, and often combined oil, tempera and encaustics in the same painting. She and her husband Robert Farrington met and married in Taos, New Mexico, while both were there painting, and the two artists lived and worked in Venice, California. Roberta De La Vega is considered to be one of the prominent early Hispanic artists in California. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Cebe, J. Manley (American / Chicago 20th century). Woomjook, 1973 silkscreen. Titled, numbered 5/45, and signed below image in pencil. 25 1/2" x 19 1/2" (Sheet). 31" x 25" (Frame). Mounted against glass in a metal sectional frame. Amoco Corp Art Collection tag on right rail. Some scuffs on frame. Not examined out of frame. Wired, ready to hang. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Beckley, Connie (American b. 1951). To Faust: A Footnote (Sir Isaac Newton), from the portfolio: The Artsounds Collection, offset lithograph, 1986. Numbered 135/200 and signed lower center in pencil. 12" x 12" (Sheet). 21 1/2" x 21 1/2" (Frame). Matted in a painted carved wood frame with a wood liner. Spotting and residue visible on mat. Stored in unknown conditions, Not examined out of frame. Papered and wired, ready to hang. Connie Beckley is an American composer and installation artist. She is currently a professor at SVA - The School of Visual Arts in New York City. She has exhibited widely including at P.S.1 Contemporary Art Center; De Appel, Holland; Museum of Modern Art; Neuberger Museum, Purchase, NY; Musée d'Art Moderne, Paris; Venice Biennale; Artists Space; American Opera Projects; Paris Biennale; Whitney Museum of American Art; Lincoln Center Festival and others. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Hirschfeld, Al (American 1903-2003). Leonard Bernstein 1975 etching. Numbered 81/150 and signed Hirschfeld below image in pencil. 14 3/4" x 11 3/4" (Sight). 22 1/4" x 18 3/4" (Frame). Double matted in a painted and stained wood frame. Minor foxing visible in margins. Stored in unknown conditions, Not examined out of frame. Papered and wired, ready to hang. https://www.alhirschfeldfoundationshop.org/stage/product/leonard-bernstein-1975/ Al Hirschfeld was an American caricature artist known especially for drawings of show-business personalities that appeared in The New York Times. His drawings appeared in the newspaper up until his death. Beginning in the 1940s, Hirschfeld illustrated books and authored numerous books. His drawings, watercolors, lithographs, etchings, and sculptures are found in many private and museum collections. Although his caricatures were noted for their wit, Hirschfeld was not malicious, and it became something of an honor to be drawn by him. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Cast bronze sculpture with a green patina. Undated, late 20th century after a Chinese form. Integral base, lacking label on bottom. 6"H including base. 6"W. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Unknown Artist (illegibly signed S. Lasic?). Still Life, 1969, color lithograph. Signed, numbered 144/200, and titled below image, along with the annotation "litho." 11" x 16" (Sight), 17 1/2" x 21 1/8" (Frame). Matted in a silver metal frame. Evidence of prior moisture on mat and visible edge of litho margins with some color migration at left edge. Toning at mat edges. Not examined out of frame. Wired and ready to hang. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

1 1/4" to 3 3/8"H. Jellyfish is incise signed on bottom. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

8 3/4"H with a wide base and narrow mouth. Blenko style, unmarked. Rough pontil on bottom. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

48"L x 18"W x 30"H. 3 drawers, solid oak with dovetail construction. Top drawer with dividers and felt lining, Lane, Altavista, VA. stamp mark. 2 door cabinet with woven lattice overlay panels, piano hinges. All with wood finger pulls. Cabinet is framed on a wood base. Classic mid-century modern design. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Perfect Mid Century design by Fran Taylor, Lancaster, Ohio, designer of Gay Fad Studio c.1935-1962. Glass c.1945-1962. 8"H pitcher and 3"H glasses. AH mark. Pieces marked Gay Fad in design. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

8 1/2"H with ruffled top edges. Opalescent glass over cranberry and clear. Unmarked, presumed Fenton. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

12"W hand blown amber glass dish with 2"H to 8"L fruit. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

14"Dia, 4 3/4"H hand blown glass dish. Pontil on bottom. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Boehler, F. Untitled etching of peasants tilling a field with oxen, 1911. Identified / signed on paper mount lower right. Glued at left edge to a toned backing sheet. Tear along left margin. 7 3/8" x 13 7/8" (Trimmed Etching). 10" x 15 3/8" (Paper Mount). Backing sheet is brittle with chipped edges and toning. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Hyde, Kristina (20th century). Untitled Op Art, circles on paper. Lithograph, numbered 1/375, signed HYDE with a blind stamp. 4 3/4" x 4 3/4" (Sight). Unframed in a mat. Not examined out of mat. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Washington, Earl Marshawn (American b. 1962). 4 contemporary prints signed or initialed, with early 20th century dates. Created to deceive, signed EM Washington or initialed and dated 1924-1936. Wood engravings, 11 3/4" x 9", 9" x 10 1/2", 12" x 9" and 12" x 10" (Sheets). Unframed. Earl Marshawn Washington (born 1962) is an American entrepreneur, printmaker, woodcut artist and art forger. Beginning in 1998, woodcut prints from Washington began appearing on eBay and elsewhere; Washington claiming variously that the woodcuts were originals by famous artists, that they had been made by a great-grandfather whom he identified as named "Earl Mack Washington" and as having lived from 1862 until 1952, or that this alleged great-grandfather had rescued the associated blocks from a fire-bombed Manhattan print shop in the 1880s. E.M. Washington is an African American artist and reported his great-grandfather as such, which led to increased interest in the work. It was estimated by September 2004 that as many as 60,000 prints had been sold, at prices ranging from $20 to a $350. Washington himself has since admitted to creating over 1700 wood engravings. https://en.wikipedia.org/wiki/E._M._Washington EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Hirschfeld, Al (American 1903-2003). Limited Edition Lithograph "The Four Chiefs", accompanying 40th Anniversary of the United Nations Postal Administration, 1991. Numbered AP XXIII/LV and signed along bottom edge, with blind stamps. Includes Documentation Certificate. Lithograph. 11" x 8 1/2" (Sheet). Unframed. Good conditions. Al Hirschfeld was an American caricature artist known especially for drawings of show-business personalities that appeared in The New York Times. His drawings appeared in the newspaper up until his death. Beginning in the 1940s, Hirschfeld illustrated books and authored numerous books. His drawings, watercolors, lithographs, etchings, and sculptures are found in many private and museum collections. Although his caricatures were noted for their wit, Hirschfeld was not malicious, and it became something of an honor to be drawn by him. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

2 3/4"Dia, 2 3/4"H heavy glass dish / ashtray. Unmarked. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Bruning, Peter (Dutch/American, 1923-2018). Untitled - 3 seated female nudes on a colorful ground, acrylic on canvas, undated. Unsigned. 20" x 24" (Stretchers). 21" x 25" (Frame). In a painted wood frame. Wired and ready to hang. Peter Bruning was born and raised in Amsterdam, The Netherlands. He loved to draw and play the piano as a child and was influenced by the fine art museums and concert halls in Amsterdam. After graduation from the Montessori High School in Amsterdam, he chose a teaching career and completed his doctorate in Germanic studies with minor studies in art history and sociology at the University of Amsterdam in 1949. He also studied art in Amsterdam, and then, after WW2, in Bern, Switzerland and in Paris, France. He came to Terre Haute as a visiting instructor at Indiana State in 1950 where he met his future wife Margaret Jones, an art major. Peter taught German and Dutch languages at Indiana University Bloomington, University of California Berkley, and German Language and Literature at Rice University Houston, where he became a U.S. citizen in 1955. In 1956, Peter accepted a position in the Foreign Language Department at Indiana State in Terre Haute where he taught until his retirement in 1990, all while pursuing his art career. Having grown up on the Dutch coast of the North Sea, Peter was intrigued by the subtle nuances of color, shape and feelings evoked by the juxtaposition of land, sky, and water. He was drawn to visit and paint at many coastal locations, such as the Cote d'Azur, the Caribbean, the Greek isles, and Cape Cod. Many of the landscapes and cityscapes he painted were also the subjects of earlier artists, but Peter made a consistent effort to view and depict those subjects from different, unexpected, and novel vantage points. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Geisert, Arthur (American b. 1941). Dandelion Head, 1973 etching. Titled, numbered 25/30 and signed in pencil below platemark. Identified on a tag verso, provenance Amoco Corp. Arts Collection. 11 3/4" x 13 1/4" (Sight). 17 1/2" x 18 3/4" (Frame). Double matted in a wood frame. Minor toning at mat edge. Scratches on frame surface. Stored in unknown conditions, Not examined out of frame. Papered, wired, ready to hang. Arthur Geisert was born in Dallas, Texas in 1941 and grew up in Los Angeles. He received his Bachelor of Science degree from Concordia University in Nebraska, which later awarded him an honorary doctorate, and his Master of Arts degree from the University of California, Davis. He also studied at the Chouinard Art Institute (later CalArts) and Otis Art Institute (later Otis College of Art and Design) in Los Angeles, and the Art Institute in Chicago. Geisert has won numerous awards including The New York Times Best Illustrated Children's Book Award for Pigs from A to Z (1986), Roman Numerals I to MM (1996), and Ice (2011), and a Boston Globe Horn Book Award and Society of Illustrators Silver Medal for Haystack (2003). His children's books have been translated into French, German, Latin, Spanish, Japanese, Chinese, and Korean. He has had five cartoons published in the New Yorker. His work has been exhibited at the Art Institute of Chicago, San Francisco Museum of Modern Art, The Print Center in Philadelphia, Society of American Graphic Artists, Society of Illustrators Museum of American Illustration, Figge Art Museum, and the Cedar Rapids Museum of Art. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Deckard, John Silk (American 1938-1994). Siren's Song, lucite engraving on a shaped plate. Published by Ferdinand Roten Galleries 1975. Numbered 23/75 imp, titled, and signed in pencil below image. 13 1/4" x 18 1/4" (Sheet). Unframed. Roten Galleries inventory number in pencil at bottom edge, pencil price notation verso bottom. 1975 Roten catalogue p 14. Light wear at edges. John Silk Deckard was born in Erie in 1940 and studied locally with renowned painter and teacher Joseph Plavcan. He attended the Pennsylvania Academy of Fine Arts, Edinboro State College and Carnegie-Mellon University. In 1965 Deckard was selected by the Associated American Artists in New York City to take part in his first major exhibition, A New Generation of American Printmakers. His work was also included in the Whitney Museum of American Art's Annual Exhibition 1966: Contemporary Sculpture and Prints. He was invited to show in the 1965 and 1967 Annual Exhibitions at the Pennsylvania Academy of the Fine Arts, and in the 1965 and 1966 Boston Printmakers Annual Print Exhibitions at the Museum of Fine Arts in Boston. These years mark Deckard's most active period, during which he exhibited his work widely, including at the Brooklyn Museum, De Cinque Gallery, the Museum of Art at Penn State University, and the Mickelson Gallery in Washington, DC. Though early on he demonstrated facility with the different media of drawing, painting, printmaking and sculpture, by the 1970's sculpture had become his primary means of expression. His work is in several private and public collections including the National Gallery of Art, Ackland Art Museum-University of North Carolina at Chapel Hill, Rose Art Museum-Brandeis University, PPG Industries, Cincinnati Art Museum, Sheldon Swope Art Museum, DePauw University, The Free Library of Philadelphia, Wichita Art Museum, and Erie Art Museum. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Long, Jay (American 20th-21st Century). Giclee reproduction "Chat Botte". Titled and signed below image in pencil. Tag verso. 9 1/4" x 7" (Sight). 19 1/4" x 16" (Frame). Matted in a wide wood frame. Bumps and scratches on frame. Stored in unknown conditions. Not examined out of frame. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Bruning, Peter (Dutch/American, 1923-2018). The Jamaican. Acrylic on Canvas, 2012. Signed and dated PBruning 2012 lower right and identified on a tag verso. 24" x 20" (Stretchers). 25" x 21" (Frame). In a painted wood frame. Scuffs to frame surfaces. Wired and ready to hang. One from a series of Bruning's fractured views and portraits. Peter Bruning was born and raised in Amsterdam, The Netherlands. He loved to draw and play the piano as a child and was influenced by the fine art museums and concert halls in Amsterdam. After graduation from the Montessori High School in Amsterdam, he chose a teaching career and completed his doctorate in Germanic studies with minor studies in art history and sociology at the University of Amsterdam in 1949. He also studied art in Amsterdam, and then, after WW2, in Bern, Switzerland and in Paris, France. He came to Terre Haute as a visiting instructor at Indiana State in 1950 where he met his future wife Margaret Jones, an art major. Peter taught German and Dutch languages at Indiana University Bloomington, University of California Berkley, and German Language and Literature at Rice University Houston, where he became a U.S. citizen in 1955. In 1956, Peter accepted a position in the Foreign Language Department at Indiana State in Terre Haute where he taught until his retirement in 1990, all while pursuing his art career. Having grown up on the Dutch coast of the North Sea, Peter was intrigued by the subtle nuances of color, shape and feelings evoked by the juxtaposition of land, sky, and water. He was drawn to visit and paint at many coastal locations, such as the Cote d'Azur, the Caribbean, the Greek isles, and Cape Cod. Many of the landscapes and cityscapes he painted were also the subjects of earlier artists, but Peter made a consistent effort to view and depict those subjects from different, unexpected, and novel vantage points. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

42" x 33"-65" (w/2 - 32"W Leaves in up position) x 29 1/4"H table with solid mortise joint legs. Pull out metal braces. Very nice condition with minor finish wear. Includes table pads. Matching set of 5 chairs lot 2090f. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Gauguin, Paul (French 1848-1903). Death Mask of Aristotle / Gauguin after Paul Gauguin. Plaster with bronzed surface. Lacks wood and dowel mount; hanging loop inset verso. Stamp along bottom edge. 10 1/2"H x 9"W. Paul Gauguin was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements. He was also an influential practitioner of wood engraving and woodcuts as art forms. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Deckard, John Silk (American 1938-1994). Power Struggle, lucite engraving on a shaped plate. Published by Ferdinand Roten Galleries 19725. Numbered 7/75 imp 1972, titled, and signed in pencil below image. 13 1/2" x 20 3/4" (Sheet). Unframed. Roten Galleries inventory number in pencil at bottom edge, with Roten blind stapm lower left. Pencil price notation verso bottom. Handling wear with light creases in margins and a 2" crease in image likely formed during printing. John Silk Deckard was born in Erie in 1940 and studied locally with renowned painter and teacher Joseph Plavcan. He attended the Pennsylvania Academy of Fine Arts, Edinboro State College and Carnegie-Mellon University. In 1965 Deckard was selected by the Associated American Artists in New York City to take part in his first major exhibition, A New Generation of American Printmakers. His work was also included in the Whitney Museum of American Art's Annual Exhibition 1966: Contemporary Sculpture and Prints. He was invited to show in the 1965 and 1967 Annual Exhibitions at the Pennsylvania Academy of the Fine Arts, and in the 1965 and 1966 Boston Printmakers Annual Print Exhibitions at the Museum of Fine Arts in Boston. These years mark Deckard's most active period, during which he exhibited his work widely, including at the Brooklyn Museum, De Cinque Gallery, the Museum of Art at Penn State University, and the Mickelson Gallery in Washington, DC. Though early on he demonstrated facility with the different media of drawing, painting, printmaking and sculpture, by the 1970's sculpture had become his primary means of expression. His work is in several private and public collections including the National Gallery of Art, Ackland Art Museum-University of North Carolina at Chapel Hill, Rose Art Museum-Brandeis University, PPG Industries, Cincinnati Art Museum, Sheldon Swope Art Museum, DePauw University, The Free Library of Philadelphia, Wichita Art Museum, and Erie Art Museum. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Hoi Lebadang (Vietnamese / French 1922-2015). Two Horses, bronze patinated composite sculpture, signed along lower edge and identified with a paper label affixed to bottom. 5 1/2"H, 7"L, 2 3/4"D. Lebadang (Hoi) was born in Quang Tri, Vietnam in 1922. He moved to France in 1939 to pursue an art career at Ecole de Beaus Arts de Toulouse. While studying there he was awarded prizes for painting, drawing, and sculpture and won his first commission. By 1950 the Paris art community had recognized his work, appreciating the blend of European and Far Eastern culture and philosophies reflected in it. The director of the Far Eastern Department at UNESCO commissioned him to illustrate a book of poetry. Lebadang was first represented in the United States, in 1966, with an exhibition of his paintings at the Cincinnati Art Museum. His work is owned in permanent private and public collections including: Rockefeller Collection, New York; Loo Collection in Tokyo; Verkerke Collection, Holland; Phoenix Art Museum, USA; Cincinnati Museum, USA; Columbia Art Institute, USA; Lund University Museum, Sweden; Foundation Museum, Kenya; and the Museum of Arts and Letters, France. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Milshtein, Zwi (Romanian / Israeli 1934-2020). Untitled color etching. Published by Ferdinand Roten Galleries 1969. Signed and numbered 4/50, titled in pencil below image. 20 3/4" x 15" (Sheet). Unframed. Roten Galleries inventory number and price in pencil at bottom edge, Roten blind stamp lower left. 1969 Roten catalogue p 55. Minor wear and toning at edges, light plate impressions in margins. Zwi Milshtein was born in Romania in 1934 but fled Europe prior to the Nazi invasion in World War II. He studied in Tbilisi and Bucharest, leaving for Israel in 1947 where he briefly studied sculpture in Cyprus with Asaf Ben Zvi. In 1952, he participated in the Likrat Review with Nathan Zach and David Avidan to represent poetry in Hebrew. In 1956, Milshtein received a scholarship from the Norman Foundation, which allowed him to study in Paris. In 1965, he published MICROCOSME, his first artistic book. In 1966, he received the Prix de la critique for his engravings. In 1991, Roland Topor invited Milshtein to participate in his last Panic Movement exhibition. In 2007, Milshtein moved to Gleize, in the Rhône Department of France EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Blackshear, Kathleen (American 1897-1988). Head. Mixed media / collagraph on paper, titled and block print signed below image in pencil. 9 1/2" x 6 3/4" (Sight). 15 1/2" x 12 1/2" (Frame). Matted in a wood frame. No visible foxing or spots. Stored in unknown conditions, Not examined out of frame. Papered and wired, ready to hang. Kathleen Blackshear was born in the Texas cotton belt. She attended the School of the Art Institute of Chicago studying painting and graphic arts. She taught art history for much of her career, introducing modernist ideas in her courses. She did not teach the standard history of classical through Renaissance art, but included a wide variety of non-western, pre-Renaissance, and progressive, twentieth-century art in her classes. She sent students to explore not just the galleries of the Art Institute, but the Field Museum of Natural History, the Shedd Aquarium, the Oriental Institute, and the local zoos for inspiration. In this way, she influenced generations of students at SAIC to discover idiosyncratic sources and connections with cultures other than their own, laying the groundwork for later Chicago artists of the Monster Roster and Imagist movement. Blackshear was particularly influential in inspiring and supporting the careers of the African American students in her classes, such as Margaret Burroughs. She also made two dioramas for the 1933 Century of Progress Exposition in Chicago, and illustrated Art Has Many Faces by Katherine Kuh. Blackshear frequently depicted African Americans, often inspired by her summer visits to Texas and her childhood memories but also by her experiences in Chicago. Blackshear maintained a studio in Houston and spent many summers at her home in Navasota, where she retired in 1961, with her partner, Ethel Spears. Blackshear's work was exhibited at the Art Institute of Chicago, Chicago Society or Artists; Witte Memorial Museum, San Antonio, TX; Museum of Fine Arts, Houston; Museum of Fine Arts, Dallas; among others. Her works also are held in the Art Institute of Chicago. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Mayer (?), Vivian (20th-21st century). Bird Nesting, relief print. Titled and signed in pencil below image. 6 1/4" x 8 1/2" (Sight). 12 1/4" x 14" (Frame). Matted in a wood frame. A few spots visible on mat. Stored in unknown conditions. Not examined out of frame. Papered, wired, and ready to hang. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

4"H orb shaped vase with small opening. Paper Made in Holland label on bottom. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Bruning, Peter (Dutch/American, 1923-2018). April. Acrylic on canvas, undated. Signed Peter Bruning lower left and identified with a tag verso. 36 1/4" x 24 1/4" (Frame). In a stained wood slat frame. Minor bumps at frame corners. Abstracted female sitter against a bold ground. Wired and ready to hang. Peter Bruning was born and raised in Amsterdam, The Netherlands. He loved to draw and play the piano as a child and was influenced by the fine art museums and concert halls in Amsterdam. After graduation from the Montessori High School in Amsterdam, he chose a teaching career and completed his doctorate in Germanic studies with minor studies in art history and sociology at the University of Amsterdam in 1949. He also studied art in Amsterdam, and then, after WW2, in Bern, Switzerland and in Paris, France. He came to Terre Haute as a visiting instructor at Indiana State in 1950 where he met his future wife Margaret Jones, an art major. Peter taught German and Dutch languages at Indiana University Bloomington, University of California Berkley, and German Language and Literature at Rice University Houston, where he became a U.S. citizen in 1955. In 1956, Peter accepted a position in the Foreign Language Department at Indiana State in Terre Haute where he taught until his retirement in 1990, all while pursuing his art career. Having grown up on the Dutch coast of the North Sea, Peter was intrigued by the subtle nuances of color, shape and feelings evoked by the juxtaposition of land, sky, and water. He was drawn to visit and paint at many coastal locations, such as the Cote d'Azur, the Caribbean, the Greek isles, and Cape Cod. Many of the landscapes and cityscapes he painted were also the subjects of earlier artists, but Peter made a consistent effort to view and depict those subjects from different, unexpected, and novel vantage points. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Teemer, Jack D. (American 1948-1992). Cleveland, 1982-84. Dye Coupler Photograph, from set of 5. Identified with a tag verso from VIART Corporation; BP Arts Collection tag on side of frame. 12 1/2" x 16" (Sight). 22 1/4" x 28 1/4" (Frame). Matted in a silver metal sectional frame. Scratches on plexiglas. Stored in unknown conditions, not examined out of frame. Wired, ready to hang. Jack D. Teemer (1948-1992) photographed working-class neighborhoods in cities like Cincinnati, Columbus, Cleveland, and Dayton, often focusing on residential backyards. In the early 1980s, Teemer joined an expanding group of practitioners who embraced color photography, and challenged the notion that it was somehow subservient to black-and-white photography. His work was presented alongside several preeminent color photographers such as Joel Meyerowitz, Stephen Shore, and William Eggleston in the important survey, American Independents: Eighteen Color Photographers (Eauclaire, Abbeville, 1987). Two decades later, after Teemer's death, it was featured in, Where We Live: Photographs from the Berman Collection (Getty Trust Publications, 2006). This group exhibition and subsequent book placed Teemer's work within a meaningful dialog with other photographers who have described aspects of the American social landscape. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Brand new, in box. 20 1/2"W x 36"H. Opened for photography, not removed. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Dickson, Jennifer (South African / Canadian b. 1936). Dreams and Illusions, photo etching, 1977. Numbered 3/75, titled and signed in pencil below image, with artist's chop in red. 15" x 225" (Sheet). Unframed. Inventory number in pencil at bottom edge. Handling wear and creases. Born in the Republic of South Africa in 1936, Dickson studied at Goldsmith's College School of Art (University of London, England) from 1954-59 and from 1960 - 65 was an Associate of the prestigious graphic workshop, Atelier 17 in Paris, studying under the late S.W Hayter. She has lived and worked in England France, Jamaica and the United States. In 1974 she became a Canadian citizen and currently lives in Ottawa, ON. Since 1962, Dickson has had more than 60 one-person exhibitions in six countries and has participated in more than 400 group exhibitions. She has been a guest lecturer in nine universities in the United States and has been invited to speak across Canada at art schools and universities. Her best-known work consists of hand-tinted photo etchings, black and white silver gelatin and cibachrome prints with subject matter ranging from Italian landscape, sculpture, architecture and mythology. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Grant, Alastair (British 1925-1997). Agincourt IIII, 1965. Color etching with aquatint, Numbered 32/50, titled and signed in pencil below image. 15" x 22 3/4" (Sheet). Unframed. Inventory number in pencil at bottom edge and verso, with Editions Alecto blind stamp lower right. Marginal tears, handling wear and creases. Bright colors, full margins. Alastair Grant was a painter, printmaker, collage artist and teacher born in London, where he settled. He attended Birmingham School of Art, spent four years in the Royal Air Force, then was at Royal College of Art, 1947-51. From 1955 on Grant taught printmaking for many years at Royal College of Art, where he became head of the department in 1970, taking the chair of printmaking in 1984, and retiring in 1990. Grant had a keen, painterly sense of color in works that were at first figurative, later abstract. His dexterity as a draughtsman was exhibited in John Huston's film Moulin Rouge, based on the life of Toulouse-Lautrec, made in 1953, where Grant drew on camera. Grant showed at RA, AIA, NEAC, at Redfern, Piccadilly and Zwemmer Galleries and was a prizewinner at the Cracow Print Biennale in 1972. After 1995, Grant lived partly in France, partly in England, showing in both. Grant's work is held by the Victoria & Albert Museum, British provincial and many overseas galleries. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Parker, Karen (aka Karen Chamber Parker. American b. 1947). Triangle, shaped plate color etching,1977. Numbered 22/75, titled, signed and dated below image. 15 3/4" x 15" (Sheet). Unframed. Roten Gallery inventory number in pencil at bottom, with additional price notations verso. Minor handling wear and creases - good conditions. Karen Parker, nee Chambers, was born in Montgomery, Alabama in 1947. Parker studied printmaking at Atelier 17 in Paris in the early 1970s, creating abstract intaglios of great elegance. By the early 1980s Parker had evolved artistically, and the few prints from that time are influenced by Chinese and Japanese landscape painting and printmaking. She moved to Menton in Southern France circa 1995. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Jansem, Jean (French / Armenian 1920-2013). Exterior Door, undated circa 1970s. Color lithograph, signed lower right. 12 1/2" x 9" (Sheet). Unframed. Roten Gallery inventory number in pencil at bottom verso, with additional price notations. Minor handling wear - good conditions. Hovhannes "Jean" Semerdjian, also known as Jean Jansem, was a French-Armenian painter. Known for his washy representational paintings of nude women, still lifes, and figures, Jansem painted with a variety of media that included gouache, watercolor, ink, and oil in a stylized and textural aesthetic. Jansem's work received critical attention throughout his career, garnering honors like induction into the Ordre des Arts et des Lettres in 1953, knighthood by the French Legion of Honour in 2003, and reception of a Medal of Honor from the President of Armenia in 2010. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Bruning, Peter (Dutch/American, 1923-2018) or Bruning, Margaret (American: 1932 (?) - current). Untitled painting on canvas. Undated - circa 1960s (?), unsigned. 20 3/4" x 14 3/4" (Frame). In a slat wood frame. Staining visible on canvas verso. Some marks on painting surface. Peter Bruning was born and raised in Amsterdam, The Netherlands. He loved to draw and play the piano as a child and was influenced by the fine art museums and concert halls in Amsterdam. After graduation from the Montessori High School in Amsterdam, he chose a teaching career and completed his doctorate in Germanic studies with minor studies in art history and sociology at the University of Amsterdam in 1949. He also studied art in Amsterdam, and then, after WW2, in Bern, Switzerland and in Paris, France. He came to Terre Haute as a visiting instructor at Indiana State in 1950 where he met his future wife Margaret Jones, an art major. Peter taught German and Dutch languages at Indiana University Bloomington, University of California Berkley, and German Language and Literature at Rice University Houston, where he became a U.S. citizen in 1955. In 1956, Peter accepted a position in the Foreign Language Department at Indiana State in Terre Haute where he taught until his retirement in 1990, all while pursuing his art career. Having grown up on the Dutch coast of the North Sea, Peter was intrigued by the subtle nuances of color, shape and feelings evoked by the juxtaposition of land, sky, and water. He was drawn to visit and paint at many coastal locations, such as the Cote d'Azur, the Caribbean, the Greek isles, and Cape Cod. Many of the landscapes and cityscapes he painted were also the subjects of earlier artists, but Peter made a consistent effort to view and depict those subjects from different, unexpected, and novel vantage points. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

6" scissors with gold plated handles. Original presentation case. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Pozo, Carlos (American, active 21st century). Untitled silver geometric op art silkscreen on black paper, 2014. Unsigned. 14 1/2" x 10 1/2" (Sight). 15 3/4" x 11 3/4" (Frame). In a silver faced painted wood frame. Minor scratches and scuffs to frame. Stored in unknown conditions. Not examined out of frame. Papered, wired and ready to hang. Carlos Pozo is an artist and designer whose work is heavily influenced by architecture and geometric forms. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Seagle, Jerry V. (American 1941-2016). Untitled drawing with colored media on paper with bird, undated. Signed in pencil lower right. 11 5/8" x 8 3/4" (Sight). 18 3/8" x 15 3/8" (Frame). Matted in a wood frame. Bright colors, expressive drawing. Not examined out of frame. Papered,. wired, ready to hang. Jerry V. Seagle was born on July 31, 1941 in Corpus Christi, TX and passed away on June 24, 2016 in Austin, Texas. Jerry was a contemporary artist and graduated with honors and a BFA from the University of Texas. He received a graduate fellowship to further his studies at the University of the Americas in Mexico City. He had extensive teaching experiences with workshops in Texas and New Mexico and received more than 250 awards in national and regional exhibitions. He continued painting until his death. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Gelabert, Rosa B. (Spain 20th century). Figure Study, color etching,1975. Numbered 16/100 and signed in pencil below image. 19 5/8" x 14 5/8" (Sheet). Unframed. Roten Gallery inventory number in pencil at bottom, with additional price notations verso. Handling wear and creases. Handmade paper with watermark knot and BARKER visible. Work appears in Ferdinand Roten Galleries 1975 catalog p. 18. Full margins. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Yvaral / Vasarely, Jean-Pierre (French 1934-2002). Blue Velvet. Circa 1990s silkscreen. Numbered 154/200 and signed below image. 29 1/2" x 29 1/2" (Sheet). Minor edge toning and creases. Unframed. Jean-Pierre Vasarely, professionally known as Yvaral, was a French artist working in the fields of op-art and kinetic art from 1954 onwards. He was the son of Victor Vasarely, who was a pioneer of op-art. Yvaral studied graphic art and publicity at the Ecole des Arts Appliques in Paris between 1950 and 1953. In 1960, Yvaral co-founded the Groupe de Recherche d'Art Visual (GRAV) with Julio Le Parc, François Morellet, Francisco Sobrino, Horacio Garcia Rossi and Joel Stein, seeking to develop a coherent abstract visual language composed of simple geometric elements. In 1975 he coined the phrase 'Numerical Art' to describe artwork composed (or programmed) according to numerical rules or algorithms. From this time onwards he used computers to digitally process and manipulate images, although the final images were always hand painted. He used this technique to produce several series of portraits starting from instantly recognizable images, such as the face of Marilyn Monroe, and processing them to the point where they become abstract compositions, while the original image remains recognizable. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Vasarely, Victor (Hungarian / French, 1906-1997). Mexico City. 1982 Silkscreen. Numbered 159/250 and signed in pencil below image. 31 1/2" x 29 7/8" (Sheet). Minor creases and dents. Unframed. Victor Vasarely (Vasarhelyi Gyozo) (1906 -1997) was a French Hungarian-born artist often acclaimed as the father of Op-art. Working as a graphic artist in the 1930s he created what is considered the first Op-art piece Zebra, consisting of curving black and white stripes, indicating the direction his work would take. Over the next two decades, Vasarely developed his style of geometric abstract art and gained international renown. Born in Pecs, Hungary on April 9, 1906 Vasarely was raised in Budapest, and took up medical studies ay Budapest University in 1925. Two years later, he abandoned medicine to study painting at Polini-Volkmann Academy, and later at the Mülheny, where he expanded his studies in graphic art. He married fellow student Claire Spinner in 1930 and they had two sons; around this time they left Hungary and moved to Paris, where he worked as a creative consultant in advertising. At the end of the Second World War, he opened an atelier in Arcueil, and began to focus on his more geometric paintings and prints, beginning to refine his spatial problem-solving on both flat surfaces and in three dimensional sculpting. He would later evolve his style to include optical illusion based on the research of constructivist and Bauhaus pioneers. Mathematical elements played throughout his pieces as well as his techniques, and he was eventually dubbed the inventor and creator of Op-Art. Vasarely received the Guggenheim Prize, French Chevalier de L’Ordre de la Legion d’Honneur, Art Critics Prize (Brussels), and the Gold Medal at the Milan Trienalle. His works are found at the Vasarely Museums in Hungary and France, as well as various collections throughout the world. He died in Paris on March 15, 1997. www.annexgalleries.com/artists/biography/2436/Vasarely/Victor EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Noyer, Philippe (French 1917-1985). Woman on Swing (La Balancoire). From the 1969 series Femmes. Lithograph. Numbered 144/180 and signed in pencil below image. 35" x 25" (Sheet). Light toning along margins, minor spotting. Unframed. Philippe Henri Noyer was born in 1917 in Lyons, France. After a traditional education at the Ecole des Roches, Noyer enrolled in the Ecole des Beaux Arts in Lyon. He moved to Paris, where he worked in decorative arts and advertising. It was during this time, he discovered his talent for oil painting, officially starting his painting career in 1943. That same year, Noyer met the famed Parisian art dealer, Emmanuel David, who would promote his work and career. Noyer produced many portraits, for which he quickly gained an international reputation, but he also painted dream figures in rural or maritime settings, compositions that were classical in technique but surreal in concept. In 1947, Noyer held his first one-man show at the prestigious Drouant-David Gallery in Paris. In 1949 the gallery consigned twenty of Noyer's paintings to an American art dealer who had agreed to organize an exhibition of them in the United States. However, the American dealer sold the paintings at cost, in order cover a gambling debt, to Robert Goldstein, the former President of the 20th Century Fox movie company. Goldstein was so pleased with his purchase that he distributed the art to his friends, including Samuel Goldwyn, who, in turn, made Philippe Noyer's name known on the West Coast. These events led to a lifelong friendship between Noyer and Goldstein. In the years that followed, Noyer was commissioned to paint portraits of many celebrities including Elizabeth Taylor, Dinah Shore, and Jean Wallace. In the sixties, Noyer put aside portraiture in favor of painting delicately stylized, sophisticated, slim, long-limbed ladies who were his favorite subject. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Noyer, Philippe (French 1917-1985). Lady with Butterflies (Les Papillons). From the 1969 series Femmes. Lithograph. Numbered EA 22/40 and signed in pencil below image. 35" x 25" (Sheet). Unframed. Philippe Henri Noyer was born in 1917 in Lyons, France. After a traditional education at the Ecole des Roches, Noyer enrolled in the Ecole des Beaux Arts in Lyon. He moved to Paris, where he worked in decorative arts and advertising. It was during this time, he discovered his talent for oil painting, officially starting his painting career in 1943. That same year, Noyer met the famed Parisian art dealer, Emmanuel David, who would promote his work and career. Noyer produced many portraits, for which he quickly gained an international reputation, but he also painted dream figures in rural or maritime settings, compositions that were classical in technique but surreal in concept. In 1947, Noyer held his first one-man show at the prestigious Drouant-David Gallery in Paris. In 1949 the gallery consigned twenty of Noyer's paintings to an American art dealer who had agreed to organize an exhibition of them in the United States. However, the American dealer sold the paintings at cost, in order cover a gambling debt, to Robert Goldstein, the former President of the 20th Century Fox movie company. Goldstein was so pleased with his purchase that he distributed the art to his friends, including Samuel Goldwyn, who, in turn, made Philippe Noyer's name known on the West Coast. These events led to a lifelong friendship between Noyer and Goldstein. In the years that followed, Noyer was commissioned to paint portraits of many celebrities including Elizabeth Taylor, Dinah Shore, and Jean Wallace. In the sixties, Noyer put aside portraiture in favor of painting delicately stylized, sophisticated, slim, long-limbed ladies who were his favorite subject. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Noyer, Philippe (French 1917-1985). Owl (La Chouette). From the 1969 series Femmes. Lithograph. Numbered 100/180 and signed in pencil below image. 35" x 25" (Sheet). Small spot at edge of left margin. Unframed. Philippe Henri Noyer was born in 1917 in Lyons, France. After a traditional education at the Ecole des Roches, Noyer enrolled in the Ecole des Beaux Arts in Lyon. He moved to Paris, where he worked in decorative arts and advertising. It was during this time, he discovered his talent for oil painting, officially starting his painting career in 1943. That same year, Noyer met the famed Parisian art dealer, Emmanuel David, who would promote his work and career. Noyer produced many portraits, for which he quickly gained an international reputation, but he also painted dream figures in rural or maritime settings, compositions that were classical in technique but surreal in concept. In 1947, Noyer held his first one-man show at the prestigious Drouant-David Gallery in Paris. In 1949 the gallery consigned twenty of Noyer's paintings to an American art dealer who had agreed to organize an exhibition of them in the United States. However, the American dealer sold the paintings at cost, in order cover a gambling debt, to Robert Goldstein, the former President of the 20th Century Fox movie company. Goldstein was so pleased with his purchase that he distributed the art to his friends, including Samuel Goldwyn, who, in turn, made Philippe Noyer's name known on the West Coast. These events led to a lifelong friendship between Noyer and Goldstein. In the years that followed, Noyer was commissioned to paint portraits of many celebrities including Elizabeth Taylor, Dinah Shore, and Jean Wallace. In the sixties, Noyer put aside portraiture in favor of painting delicately stylized, sophisticated, slim, long-limbed ladies who were his favorite subject. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Picasso, Pablo (Spanish 1881-1973). Erotic Series II (SP.8.68.II). Signature in plate lower right, numbered 71/350 lower left corner. 22" x 27 3/4" (Sheet). Unframed. Minor toning along edges; 2236 in pencil verso. Perhaps the most influential artist of the 20th century, Pablo Picasso is known for pioneering Cubism and fracturing the two-dimensional picture plane in order to convey three-dimensional space. Inspired by African and Iberian art, he also contributed to the rise of Surrealism and Expressionism. Picasso's sizable oeuvre grew to include over 20,000 paintings, prints, drawings, sculptures, ceramics, theater sets, and costume designs. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

11 3/4"H, 5"Dia stoneware jug or pitcher with handle and spout. Applied slab formed elements on body. Green brown glaze. Incise signed KING on unglazed bottom. Roughness at spout and fleabite on rim. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Bruning, Peter (Dutch/American, 1923-2018). Antibes, Cote d'Azur, acrylic on canvas, 1997. Signed PBruning lower right and identified on labels verso. 14" x 18" (Stretchers). Unframed. Wired and ready to hang. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS. Peter Bruning was born and raised in Amsterdam, The Netherlands. He loved to draw and play the piano as a child and was influenced by the fine art museums and concert halls in Amsterdam. After graduation from the Montessori High School in Amsterdam, he chose a teaching career and completed his doctorate in Germanic studies with minor studies in art history and sociology at the University of Amsterdam in 1949. He also studied art in Amsterdam, and then, after WW2, in Bern, Switzerland and in Paris, France. He came to Terre Haute as a visiting instructor at Indiana State in 1950 where he met his future wife Margaret Jones, an art major. Peter taught German and Dutch languages at Indiana University Bloomington, University of California Berkley, and German Language and Literature at Rice University Houston, where he became a U.S. citizen in 1955. In 1956, Peter accepted a position in the Foreign Language Department at Indiana State in Terre Haute where he taught until his retirement in 1990, all while pursuing his art career. Having grown up on the Dutch coast of the North Sea, Peter was intrigued by the subtle nuances of color, shape and feelings evoked by the juxtaposition of land, sky, and water. He was drawn to visit and paint at many coastal locations, such as the Cote d'Azur, the Caribbean, the Greek isles, and Cape Cod. Many of the landscapes and cityscapes he painted were also the subjects of earlier artists, but Peter made a consistent effort to view and depict those subjects from different, unexpected, and novel vantage points. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

LE Print featuring Eastenders character names from 1985-2009. Initialed TLV in print lower left, and numbered 157/1000 with script initials in pencil. 5" x 17" (Sheet). 10" x 22" (Frame). Float mounted on a fabric backing in a painted wood frame. Stored in unknown conditions. Not examined out of frame. Wired and ready to hang. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Van Brunt, Willa Bowen (American 1928 – 2014). As the Land Lies, Mixed Media 1982. Signed and dated lower right with a gallery tag affixed verso. 3 1/2" x 4 1/2" (Sight). 14 1/2" x 17 1/2" (Frame). Triple matted in a painted wood frame. Good conditions. Not examined out of frame. Wired and ready to hang. Willa Bowen Van Brunt studied at the University of Illinois, where she received a Bachelor of Fine Arts and Butler University, where she received a Master of Science degree. She also studied at Indiana University, the John Herron Art School, the University of Indianapolis, I.U.P.U.I., and the Indiana polis Art League. Van Brunt had many solo shows, received many prizes and was selected to take part in many juried regional and national art exhibitions for her work in watercolor, mixed media and photography. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs.

Noyer, Philippe (French 1917-1985). Le Tigre / Tiger. From the 1969 series Femmes. Lithograph. Numbered 180/180 and signed in pencil below image. 35" x 25" (Sheet). Unframed. Philippe Henri Noyer was born in 1917 in Lyons, France. After a traditional education at the Ecole des Roches, Noyer enrolled in the Ecole des Beaux Arts in Lyon. He moved to Paris, where he worked in decorative arts and advertising. It was during this time, he discovered his talent for oil painting, officially starting his painting career in 1943. That same year, Noyer met the famed Parisian art dealer, Emmanuel David, who would promote his work and career. Noyer produced many portraits, for which he quickly gained an international reputation, but he also painted dream figures in rural or maritime settings, compositions that were classical in technique but surreal in concept. In 1947, Noyer held his first one-man show at the prestigious Drouant-David Gallery in Paris. In 1949 the gallery consigned twenty of Noyer's paintings to an American art dealer who had agreed to organize an exhibition of them in the United States. However, the American dealer sold the paintings at cost, in order cover a gambling debt, to Robert Goldstein, the former President of the 20th Century Fox movie company. Goldstein was so pleased with his purchase that he distributed the art to his friends, including Samuel Goldwyn, who, in turn, made Philippe Noyer's name known on the West Coast. These events led to a lifelong friendship between Noyer and Goldstein. In the years that followed, Noyer was commissioned to paint portraits of many celebrities including Elizabeth Taylor, Dinah Shore, and Jean Wallace. In the sixties, Noyer put aside portraiture in favor of painting delicately stylized, sophisticated, slim, long-limbed ladies who were his favorite subject. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Noyer, Philippe (French 1917-1985). Monkey (Le Singe). From the 1969 series Femmes. Lithograph. Numbered 22/180 and signed in pencil below image. 35" x 25" (Sheet). Unframed. Philippe Henri Noyer was born in 1917 in Lyons, France. After a traditional education at the Ecole des Roches, Noyer enrolled in the Ecole des Beaux Arts in Lyon. He moved to Paris, where he worked in decorative arts and advertising. It was during this time, he discovered his talent for oil painting, officially starting his painting career in 1943. That same year, Noyer met the famed Parisian art dealer, Emmanuel David, who would promote his work and career. Noyer produced many portraits, for which he quickly gained an international reputation, but he also painted dream figures in rural or maritime settings, compositions that were classical in technique but surreal in concept. In 1947, Noyer held his first one-man show at the prestigious Drouant-David Gallery in Paris. In 1949 the gallery consigned twenty of Noyer's paintings to an American art dealer who had agreed to organize an exhibition of them in the United States. However, the American dealer sold the paintings at cost, in order cover a gambling debt, to Robert Goldstein, the former President of the 20th Century Fox movie company. Goldstein was so pleased with his purchase that he distributed the art to his friends, including Samuel Goldwyn, who, in turn, made Philippe Noyer's name known on the West Coast. These events led to a lifelong friendship between Noyer and Goldstein. In the years that followed, Noyer was commissioned to paint portraits of many celebrities including Elizabeth Taylor, Dinah Shore, and Jean Wallace. In the sixties, Noyer put aside portraiture in favor of painting delicately stylized, sophisticated, slim, long-limbed ladies who were his favorite subject. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Dali, Salvador (Spanish 1904-1989). Crucifixion (Corpus Hypercubicus). Etching after a painting with an unverified signature lower right. Grave et imprime par les Ateliers Martinez a Paris. Edite par International Multiples LTD in print along bottom edge. Numbered MP 35/35 with a blind stamp lower left corner. 30" x 22" (Sheet). Unverified thumbprint verso, 2716931 in ink. Unframed. Salvador Dali, was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship, and the striking and bizarre images in his work. Born in Catalonia Spain, Dali received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance masters from a young age he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents. Dali lived in France throughout the Spanish Civil War before leaving for the United States in 1940 where he achieved commercial success. He returned to Spain in 1948 where he announced his return to the Catholic faith and developed his "nuclear mysticism" style, based on his interest in classicism, mysticism, and recent scientific developments. Dali's artistic repertoire included painting, graphic arts, film, sculpture, design, and photography, at times in collaboration with other artists. He also wrote fiction, poetry, autobiography, essays, and criticism. Major themes in his work include dreams, the subconscious, sexuality, religion, science, and his closest personal relationships. To the dismay of those who held his work in high regard, and to the irritation of his critics, his eccentric and ostentatious public behavior often drew more attention than his artwork. His public support for the Francoist regime, his commercial activities and the quality and authenticity of some of his late works have also been controversial. There are two major museums devoted to Salvador Dali's work: the Dali Theatre-Museum in Figueres, Spain, and the Salvador Dali Museum in St. Petersburg, Florida. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Noyer, Philippe (French 1917-1985). Young Lady with Parrots. From the 1969 series Femmes. Lithograph. Numbered 97/180 and signed in pencil below image. 35" x 25" (Sheet). Minor handling creases along top margin. Unframed. Philippe Henri Noyer was born in 1917 in Lyons, France. After a traditional education at the Ecole des Roches, Noyer enrolled in the Ecole des Beaux Arts in Lyon. He moved to Paris, where he worked in decorative arts and advertising. It was during this time, he discovered his talent for oil painting, officially starting his painting career in 1943. That same year, Noyer met the famed Parisian art dealer, Emmanuel David, who would promote his work and career. Noyer produced many portraits, for which he quickly gained an international reputation, but he also painted dream figures in rural or maritime settings, compositions that were classical in technique but surreal in concept. In 1947, Noyer held his first one-man show at the prestigious Drouant-David Gallery in Paris. In 1949 the gallery consigned twenty of Noyer's paintings to an American art dealer who had agreed to organize an exhibition of them in the United States. However, the American dealer sold the paintings at cost, in order cover a gambling debt, to Robert Goldstein, the former President of the 20th Century Fox movie company. Goldstein was so pleased with his purchase that he distributed the art to his friends, including Samuel Goldwyn, who, in turn, made Philippe Noyer's name known on the West Coast. These events led to a lifelong friendship between Noyer and Goldstein. In the years that followed, Noyer was commissioned to paint portraits of many celebrities including Elizabeth Taylor, Dinah Shore, and Jean Wallace. In the sixties, Noyer put aside portraiture in favor of painting delicately stylized, sophisticated, slim, long-limbed ladies who were his favorite subject. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Hilson, Harry (American 1935-2004). Pink Landscape. Abstract acrylic painting on paper, circa 1980s-90s. 22" x 30" (Sheet), unframed. Signed lower right, and titled and identified verso. Good conditions, never framed. Harry Hilson was active 1957-2000's working originally in oil on canvas and wood, mixed media and Wax Painting. In the 1960-70 studying the work of G.I.Gurdjieff and Maharish Mahesh Yogi and beginning to work in sculptural forms in wood, fiberglass, welded steel and concrete with studios in New York, Los Angeles and Aspen with work included in public exhibits at The High Museum, Delgado Museum, Norton Gallery of Art, Butler Institute of American Art, Georgia State Museum and others - collected and commissioned by private citizens and public corporations. Beginning in 1970 Hilson developed a wool tapestry technique creating commissions for the Hallmark Corp., Crown Center Hotels, Hilton, Motorola and others as well as monumental graphic and banner projects while continuing to work in oil on canvas and paper, wax-painting and wool tapestries as well as beginning to produce black and white video. Hilson's work has been stored for approximately 15 years, as many condition issues as possible are recorded, however, bidder is responsible for final assessment. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Assortment of unframed mid 20th century hand pulled prints includes: Unsigned etching with scorpering, 11 3/4" x 18" (Plate). Brittle and toned paper, wear at edges with creases, fingerprints, folds Illegibly signed etching, Spring Beauty, 1st Trial Proof. 11 3/4" x 8 1/2" (Plate). Titled and signed in pencil below plate. Tape at edges, smudges. Blind stamp in upper right corner. Scheller, Raymond. At the Park 1/15. Relief print on Japanese paper. Titled, numbered, and signed below image. 8 1/8" x 12 3/4" (Plate). Stains, folds and creases to paper. Illegibly signed etching. Untitled, dated '64. 4" x 11 3/4" (Plate). Signed and dated in pencil below plate. Creases and smudges, with several folds. Illegibly signed relief print. Untitled, undated. 11 3/4" x 7 3/4" (Plate). Signed in pencil below plate. Creases and smudges, corner folds. From the collection of Indiana artist Peter Bruning (1923-2018). EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Bruning, Peter (Dutch/American, 1923-2018). Vox Populi, oil on canvas, 2003. Signed PBruning lower right and identified on a tag verso. 20" x 24" (Stretchers). 25" x 29" (Frame). In a painted wood frame with bumps and scuffs to the surface. Wired and ready to hang. Peter Bruning was born and raised in Amsterdam, The Netherlands. He loved to draw and play the piano as a child and was influenced by the fine art museums and concert halls in Amsterdam. After graduation from the Montessori High School in Amsterdam, he chose a teaching career and completed his doctorate in Germanic studies with minor studies in art history and sociology at the University of Amsterdam in 1949. He also studied art in Amsterdam, and then, after WW2, in Bern, Switzerland and in Paris, France. He came to Terre Haute as a visiting instructor at Indiana State in 1950 where he met his future wife Margaret Jones, an art major. Peter taught German and Dutch languages at Indiana University Bloomington, University of California Berkley, and German Language and Literature at Rice University Houston, where he became a U.S. citizen in 1955. In 1956, Peter accepted a position in the Foreign Language Department at Indiana State in Terre Haute where he taught until his retirement in 1990, all while pursuing his art career. Having grown up on the Dutch coast of the North Sea, Peter was intrigued by the subtle nuances of color, shape and feelings evoked by the juxtaposition of land, sky, and water. He was drawn to visit and paint at many coastal locations, such as the Cote d'Azur, the Caribbean, the Greek isles, and Cape Cod. Many of the landscapes and cityscapes he painted were also the subjects of earlier artists, but Peter made a consistent effort to view and depict those subjects from different, unexpected, and novel vantage points. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

9"H hand thrown stoneware jar with lid. Floral glaze decoration. Incise signed and dated PEJEAU 1987 on unglazed bottom. No chips or cracks observed. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Bruning, Peter (Dutch/American, 1923-2018). The Red Coat #VI, oil on board, 1968-9. Signed and dated PBruning 69 lower left and identified on stretcher verso. 26 1/4" x 19" (Sight). 34 3/4" x 27 1/2" (Frame). Matted with a linen wrapped liner in a wood float frame. Some dirt on surfaces. A sweet and direct portrait of a young girl. Peter Bruning was born and raised in Amsterdam, The Netherlands. He loved to draw and play the piano as a child and was influenced by the fine art museums and concert halls in Amsterdam. After graduation from the Montessori High School in Amsterdam, he chose a teaching career and completed his doctorate in Germanic studies with minor studies in art history and sociology at the University of Amsterdam in 1949. He also studied art in Amsterdam, and then, after WW2, in Bern, Switzerland and in Paris, France. He came to Terre Haute as a visiting instructor at Indiana State in 1950 where he met his future wife Margaret Jones, an art major. Peter taught German and Dutch languages at Indiana University Bloomington, University of California Berkley, and German Language and Literature at Rice University Houston, where he became a U.S. citizen in 1955. In 1956, Peter accepted a position in the Foreign Language Department at Indiana State in Terre Haute where he taught until his retirement in 1990, all while pursuing his art career. Having grown up on the Dutch coast of the North Sea, Peter was intrigued by the subtle nuances of color, shape and feelings evoked by the juxtaposition of land, sky, and water. He was drawn to visit and paint at many coastal locations, such as the Cote d'Azur, the Caribbean, the Greek isles, and Cape Cod. Many of the landscapes and cityscapes he painted were also the subjects of earlier artists, but Peter made a consistent effort to view and depict those subjects from different, unexpected, and novel vantage points. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Bruning, Peter (Dutch/American, 1923-2018). Kaleidoscope One, acrylic on canvas, 2013. Signed PBruning lower right date, and titled on a tag verso. 20" x 16" (Stretchers). 21" x 17" (Frame). In a painted wood frame. Colorful fractured view. Peter Bruning was born and raised in Amsterdam, The Netherlands. He loved to draw and play the piano as a child and was influenced by the fine art museums and concert halls in Amsterdam. After graduation from the Montessori High School in Amsterdam, he chose a teaching career and completed his doctorate in Germanic studies with minor studies in art history and sociology at the University of Amsterdam in 1949. He also studied art in Amsterdam, and then, after WW2, in Bern, Switzerland and in Paris, France. He came to Terre Haute as a visiting instructor at Indiana State in 1950 where he met his future wife Margaret Jones, an art major. Peter taught German and Dutch languages at Indiana University Bloomington, University of California Berkley, and German Language and Literature at Rice University Houston, where he became a U.S. citizen in 1955. In 1956, Peter accepted a position in the Foreign Language Department at Indiana State in Terre Haute where he taught until his retirement in 1990, all while pursuing his art career. Having grown up on the Dutch coast of the North Sea, Peter was intrigued by the subtle nuances of color, shape and feelings evoked by the juxtaposition of land, sky, and water. He was drawn to visit and paint at many coastal locations, such as the Cote d'Azur, the Caribbean, the Greek isles, and Cape Cod. Many of the landscapes and cityscapes he painted were also the subjects of earlier artists, but Peter made a consistent effort to view and depict those subjects from different, unexpected, and novel vantage points. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Walnut frame and curved back, black vinyl seats. Excellent condition. 20 1/2" x 15 1/2" seat, 30 1/2"H at back. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

5 1/2"Dia, 9 1/4"H Michael Hieber black clay vase or jug with blue craquelure glaze. Incise signed, dated, and titled HIEBER 1990 BAMBOO on unglazed bottom. Subtle shaped spout. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

12 1/4"Dia, 4"H glazed hand thrown stoneware bowl. Incised initial KB on bottom. 3 subtle shaped spouts, swirled and dripped glazes. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Bruning, Peter (Dutch/American, 1923-2018). Kaleidoscope Three. Acrylic on Canvas, undated. Signed PBruning lower right and titled on a label verso. 24" x 18" (Stretchers). 25" x 19" (Frame). In a painted wood frame. Scuffs to frame surfaces. Wired and ready to hang. One from a series of Bruning's fractured views and portraits. Peter Bruning was born and raised in Amsterdam, The Netherlands. He loved to draw and play the piano as a child and was influenced by the fine art museums and concert halls in Amsterdam. After graduation from the Montessori High School in Amsterdam, he chose a teaching career and completed his doctorate in Germanic studies with minor studies in art history and sociology at the University of Amsterdam in 1949. He also studied art in Amsterdam, and then, after WW2, in Bern, Switzerland and in Paris, France. He came to Terre Haute as a visiting instructor at Indiana State in 1950 where he met his future wife Margaret Jones, an art major. Peter taught German and Dutch languages at Indiana University Bloomington, University of California Berkley, and German Language and Literature at Rice University Houston, where he became a U.S. citizen in 1955. In 1956, Peter accepted a position in the Foreign Language Department at Indiana State in Terre Haute where he taught until his retirement in 1990, all while pursuing his art career. Having grown up on the Dutch coast of the North Sea, Peter was intrigued by the subtle nuances of color, shape and feelings evoked by the juxtaposition of land, sky, and water. He was drawn to visit and paint at many coastal locations, such as the Cote d'Azur, the Caribbean, the Greek isles, and Cape Cod. Many of the landscapes and cityscapes he painted were also the subjects of earlier artists, but Peter made a consistent effort to view and depict those subjects from different, unexpected, and novel vantage points. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

La Dell, Thomas Edwin, ARA (British 1914 - 1970). Centaurea Americana, 1967 etching. Numbered 30/50, titled, and signed below image in pencil. 21" x 15 1/2" (Sight). 32" x 25" (Frame). Double matted in a metal sectional frame. Toning visible on print near edge of mat. Amoco Corp Art Collection tag on right rail. Some scuffs on frame. Chip visible on glass along bottom edge. Not examined out of frame. Framed behind glass; heavy. Wired, ready to hang. Edwin La Dell was a British printmaker, lithographer, illustrator and painter active during the 1940s, 1950s and 1960s. After attending Sheffield School of Art, in 1935 he won a scholarship to study at the Royal College of Art under John Nash; he later became head of the Department of Lithography at the college from 1948 until his death in 1970. He was elected to the Royal Academy of Arts in 1969. La Dell was appointed as an official war artist during the Second World War, working on both public murals and camouflage, but his best known works are those from the post-war era, in particular the lithographs he created for the coronation of Queen Elizabeth II, for the School Prints scheme, for Lyons Tea Rooms and his own series of Oxford, Cambridge, Kent and New York. His work was exhibited throughout the world during this period under the auspices of the British Council. La Dell's work is held in many collections, including those of the Royal Academy and the Government Art Collection. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Overall 75"H, 35"W x 20"D. Four carved cabriolet legs and figured apron, full bonnet top with open case, 3 twist carved finials (remove). Lower cabinet w 1 full width drawer, 3 small drawers with shell carving center, drop pulls. Upper cabinet with 4 full width drawers, 3 small upper drawers with center shell carving, drop pulls. Oak drawers with dovetail construction. Provenance Towne Antiques & Custom Furniture, Brookline, MA. Valued at $2,800, undated. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

11"Dia, 4"H glazed hand thrown stoneware bowl. Incised initial CR on bottom. One area of as made glaze crawl along rim. Lovely glaze. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Bardone, Guy (French 1927-2015). Untitled still life, color lithograph. Numbered 115/210 and signed in pencil below the image. 27 1/2" x 21 1/4" (Sight). 29 3/4" x 23 1/2" (Frame). In a wood frame against plexiglas. Bright colors. Not examined out of frame. Papered, wired and ready to hang. Guy Bardone was born in 1927 in Saint-Claude, France. He studied at the Ecole National Superieure des Arts Decoratifs in Paris where he trained under Brianchon, Cavailles and Desnoyer. Bardone was awarded the prestigious Prix Felix Feneon in 1952, which gave him an introduction into the Paris art market. In 1953 he was selected to the all-important group exhibitions "celebrities and revelations of contemporary painting" at Musee Galliera in Paris. In 1957, he received the Foundation Award Greenshields where Vlaminck and Dunoyer de Segonzac Villon were part of the jury. His works are regularly exhibited in France and abroad including the United States. In 1986 a major retrospective was held at the Chateau de Chenonceau. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs.

Includes 5"Dia. silverplated Gorham Paul Revere Bowl, 5 1/4" x 3 3/4" repousse soap dish and 4 3/4"W shell dish. Utensils include various makers and marks: 6 matching forks, shell shape serving spoon, sugar shells, butter knife, child's spoon and salt spoons (one marked Steiff Pewter, 2 7/8".) EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Unweighed, marked Sterling Weighted. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Rosenquist, James (American 1933-2017). For Artists (from Artist's Rights Today portfolio), 1975. Mixed media with original belt buckle. Artist's proof 41/50 (XLI/L) apart from the edition of 125 published by Styria Studios. Numbered, titled lower left, signed and dated lower right in pencil. Publisher's blind chop lower right. Auction tag verso. 29 1/2" x 22" (Sheet). 45 1/2" x 37 3/4" (Frame). Floated in a mat with a metal sectional frame. BP Amoco Art Collection sticker bottom of right rail. Minor toning at paper edges. Foxing and spots on backing board. Stored in unknown conditions. Not examined out of frame. Oversized. Wired, ready to hang. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Gregory (20th century). Untitled textural oil on canvas, abstract. Undated, circa 1960s. Signed Gregory lower right. 23 3/4" x 30 1/4" (Stretchers). 29" x 35 1/4" (Frame). In a wood frame with a metal liner. Some bumps to frame, cracking and minor sagging from weight of paint addittives. Minor scuffs and scratches on frame. Amoco Corp Art Collection tag on right rail. Not examined out of frame. Stored in unknown conditions. Wired, ready to hang. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Set of sterling utensils marked Gorham with hallmark and P in diamond. c.1870 plain, English Tipt pattern (c.1870-2007). Includes 9 dinner knives with sterling handles with monogram and stainless steel blades (not weighed), 8 Dinner forks (500gr) and 7 teaspoons (298gr). Used with surface scratches. Felt lined utensil case, no key, with removable knife tray. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

150gr. 6"Dia. dish with finger hold. Marked Wallace Sterling 3997. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Max, Peter (American b. 1937). Heart (Orange) Silkscreen / Serigraph on paper circa 1973. Numbered 171/300 and signed MAX below image in pencil. 24 3/4" x 18 3/4" (Sight). 30 1/2" x 24" (Frame). Double matted in an orange metal sectional frame. A few small spots on mat and in margins, and minor foxing on backing board. Stored in unknown conditions. Not examined out of frame. Wired, ready to hang. Artist Peter Max was born in Berlin in 1937 and spent his childhood in Shanghai. From China, the family lived in Tibet, Israel, Paris, and finally, the United States. Max began his art studies in New York at the Art Student's League and continued at the Pratt Institute and School of Visual Arts. He is known for his new age style, cosmic imagery and multi-colored blends. During the late 1960's and early 70's, Peter Max's colorful art reached millions of people and he won numerous major awards for his work. His paintings, drawings, sculptures, and graphics have been exhibited in major museums throughout the world. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Bruning, Peter (Dutch/American, 1923-2018). Cowboy's Blues, acrylic on canvas, undated. Signed Peter Bruning lower left and identified on a tag verso. 36 1/2" x 24 1/2" (Frame). In a painted slat wood frame. Minor scuffs to frame surfaces, light foxing present on back of canvas. Wired and ready to hang. Bold abstract image. Peter Bruning was born and raised in Amsterdam, The Netherlands. He loved to draw and play the piano as a child and was influenced by the fine art museums and concert halls in Amsterdam. After graduation from the Montessori High School in Amsterdam, he chose a teaching career and completed his doctorate in Germanic studies with minor studies in art history and sociology at the University of Amsterdam in 1949. He also studied art in Amsterdam, and then, after WW2, in Bern, Switzerland and in Paris, France. He came to Terre Haute as a visiting instructor at Indiana State in 1950 where he met his future wife Margaret Jones, an art major. Peter taught German and Dutch languages at Indiana University Bloomington, University of California Berkley, and German Language and Literature at Rice University Houston, where he became a U.S. citizen in 1955. In 1956, Peter accepted a position in the Foreign Language Department at Indiana State in Terre Haute where he taught until his retirement in 1990, all while pursuing his art career. Having grown up on the Dutch coast of the North Sea, Peter was intrigued by the subtle nuances of color, shape and feelings evoked by the juxtaposition of land, sky, and water. He was drawn to visit and paint at many coastal locations, such as the Cote d'Azur, the Caribbean, the Greek isles, and Cape Cod. Many of the landscapes and cityscapes he painted were also the subjects of earlier artists, but Peter made a consistent effort to view and depict those subjects from different, unexpected, and novel vantage points. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

92gr sterling dish with beaded and pierced rim edge, S monogram center. WCo with arrow hallmark, Sterling 1305. Webster Company, North Attleboro, Massachusetts. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Groups and individual spoons and other utensils, napkin rings and broken spoons. Also includes unmarked broken spoon (not included in weight). EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Dieschbourg, Tom (?) (20th-21st century). Untitled mixed media painting, signed T. Dieschbourg lower left. 18" x 12 3/4" (Sheet). 26" x 21" (Frame). Double matted behind glass in a metal sectional frame. A small spot on mat, bumps and scratches to frame surface. Stored in unknown conditions, Not examined out of frame. Wired, ready to hang. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Framed art piece from Manifestations Inc, Home of Optical Illusionary Art. Undated, circa mid to late 20th century. Information sheet affixed verso. 12 3/4" x 12 3/4" (Sight). 18" x 18" (Frame). Matted in a metal sectional frame. Not examined out of frame. Papered,. wired, ready to hang. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Buchholz, Wolff (German 1935-2010). Untitled abstract figural lithograph, 1966. Numbered 18/100, signed and dated 1966 in pencil below image. Artist biography affixed verso. 18" x 12" (Sight). 23 1/2" x 17 1/4" (Frame). In a gilt and painted wood frame against plexiglas. Not examined out of frame. Wired and ready to hang. Wolff Buchholz was a printmaker and painter, born in Hamburg, Germany. Buchholz studied art both in Berlin and Munich. Since the late 1950s he worked primarily in the media of lithography, silkscreen, aquatint and etching. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs.

Candle holder marked Watrous Sterling Weighted Reinforced 12E, 3 7/8"Dia. x 3 1/8"H. Empire Sterling Weighted 244 salt and pepper shakers, 3 1/4"H with glass receptacles. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

14" long oval mirror with beveled glass, 11" long hair brush with natural bristles mounted in plastic, 7 1/4" long comb with faux tortoise teeth. R W & Son Sterling 500-21, with buck's head in mark. Classical Revival style, S monogram in shield. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Mesches, Arnold (American 1923-2016). Untitled oil on canvas, scene with house at water's edge. Signed Mesches and dated '62. Dated 3/14/62 verso. 35 1/2" x 29 1/2" (Sight). 39" x 45" (Frame). In a wood frame with a linen wrapped liner. BP Amoco inventory sticker lower edge of right rail. Painting in good conditions. Not examined out of frame. Wired, ready to hang. NOTE: LOCAL PICKUP ONLY. Arnold Mesches was born in 1923 in the Bronx, New York and was raised in Buffalo, New York. Mesches moved to Los Angeles in 1943 on a scholarship at the Art Center School. In 1945, the FBI opened a file on him targeting him as a subversive communist. He was inspired to create works during the Republican Senator Joseph McCarthy era of the 1950s. He created many series of provocative, layered collages composed from his personal FBI file plus news clippings, 1950s magazine cutouts, personal photographs, and hand written scripts. Mesches has explored contemporary social and historical issues, informed by world history and his life during the Depression, which also reflect his art. Mesches began teaching when his art career went into decline. In 1984, he moved to New York City and taught at New York University. He also taught at Parsons College and Rutgers University. He eventually ended up teaching at University of Florida in Gainesville. He has had over 125 solo exhibitions and is represented in the collections of the Metropolitan Museum of Arts, the Los Angeles County Museum of Art, the Brooklyn Museum, and the Museum of Modern Art in Sydney, Australia, among others. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Booth, D. (20th century). Blossoms in the Sun, A/P signed D. Booth. Titled, and signed below image. 21 1/2" x 29 1/2" (Sight). 32" x 40" (Frame). Double matted in a metal sectional frame. BP Amoco Art Collection sticker verso. Foxing and spots on backing board. Stored in unknown conditions. Not examined out of frame. Heavy, framed with glass. Wired, ready to hang. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

27"W x 30"D x 26"H frame. 2 clean, newer upholstered cushions and 2 loose throw pillows. Very good condition with some surface finish wear and marks on legs. See similar lot 2120f tables and 2135f rocking chair. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Bruning, Peter (Dutch/American, 1923-2018). Sunshine in Provence, oil on canvas, 2006. Signed PBruning lower right and identified on stretcher verso. 20" x 24" (Stretchers). 26 3/4" x 29 1/2" (Frame). In a pickled wood frame with linen liner. Bumps to the frame surface. Wired and ready to hang. Peter Bruning was born and raised in Amsterdam, The Netherlands. He loved to draw and play the piano as a child and was influenced by the fine art museums and concert halls in Amsterdam. After graduation from the Montessori High School in Amsterdam, he chose a teaching career and completed his doctorate in Germanic studies with minor studies in art history and sociology at the University of Amsterdam in 1949. He also studied art in Amsterdam, and then, after WW2, in Bern, Switzerland and in Paris, France. He came to Terre Haute as a visiting instructor at Indiana State in 1950 where he met his future wife Margaret Jones, an art major. Peter taught German and Dutch languages at Indiana University Bloomington, University of California Berkley, and German Language and Literature at Rice University Houston, where he became a U.S. citizen in 1955. In 1956, Peter accepted a position in the Foreign Language Department at Indiana State in Terre Haute where he taught until his retirement in 1990, all while pursuing his art career. Having grown up on the Dutch coast of the North Sea, Peter was intrigued by the subtle nuances of color, shape and feelings evoked by the juxtaposition of land, sky, and water. He was drawn to visit and paint at many coastal locations, such as the Cote d'Azur, the Caribbean, the Greek isles, and Cape Cod. Many of the landscapes and cityscapes he painted were also the subjects of earlier artists, but Peter made a consistent effort to view and depict those subjects from different, unexpected, and novel vantage points. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

"Peter Sowerwine" engraved sterling silver cup, marked with W Sterling C353 on bottom. 2 7/8"H. Others engraved with "Joe" and "Julie Sowerwine". All dinged. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Both with dings, 4 1/8"Dia bowl A7376, 2 7/8"Dia x 2"H A3427 cup. Both with Gorham marks, engraved "Joe Geddes Sowewine". Also 6"Dia plate with same engraving. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

2 piece cast iron / metal sculpture with a dark brown patina. Undated, late 20th century after earlier Asian forms. Incise marked JAPAN under saddle. 18"H, 17 3/4"L, 7 1/4"W. Surface scratches and losses to patinated surface on figure and horse. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces.

23 3/4" square and 11 3/4" x 23 3/4" rectangular top tables, 19 3/4"H with matching laminate surfaces. Some edge nicks, minimal surface finish wear. See similar lot 2115f armchair and 2135f rocking chair. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Gerard, Max. Dali. New York: Harry N. Abrams 1968, unpaginated. Cloth over boards with a heavy paper dust jacket. Jacket wear and rubbing. Toned page edges. Heavily illustrated in color and black and white. Includes a letter to Dali returned with his permission for use of an image along with his signature in ink. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Tinterow, Gary. Master Drawings by Picasso. New York: George Braziller 1981, 269 pp. Cloth over boards. LIght smudges on cover; cracked but intact front and rear spine. Signed in ink on title page by Tinterow. Illustrated in color and black and white. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Wray, Dick (American 1933-2011) "Done in Jim Love's Studio in Houston 1965-66". Ink on paper, details and date verso in pencil. 7" x 5" (Sheet). 9" x 7" (Frame). In a repurposed photographic wood contact frame. Also includes a copy of Dick Wray, Paintings: 1960-2000, signed and dedicated on title page. Minor bumps and scuffs to cover and edges. Richard "Dick" Wray was an American abstract expressionist painter whose work had an influence on the art scene in Houston, Texas. After an art career spanning over 50 years, he died at age 77. His work continues to be showcased by art institutions and organizations. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Ceramic lamp bases with original harps and shades. Overall 8 1/2"W x 22 3/4"H with shades on. Felted base, unknown maker. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Collier, E. (20th century). Untitled Supremacist style painted composition with stencil and collage on canvas. Undated. 35 1/4" x 35 1/4" (Sight). 37" x 37" (Frame). In a painted wood frame. Printed name E. Collier on top rail. Foxing and spotting on surface. Some scratches on frame. Stored in unknown conditions, Not examined out of frame. Wired and ready to hang. NOTE: LOCAL PICKUP ONLY. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Mesches, Arnold (American 1923-2016). Untitled oil on canvas, industrial / shore landscape. Signed Mesches and dated '63. 29 3/4" x 39 3/4" (Sight). 39" x 49" (Frame). In a wood frame with a linen wrapped liner. Painting in good conditions. Not examined out of frame. Papered, wired, ready to hang. NOTE: LOCAL PICKUP ONLY. Arnold Mesches was born in 1923 in the Bronx, New York and was raised in Buffalo, New York. Mesches moved to Los Angeles in 1943 on a scholarship at the Art Center School. In 1945, the FBI opened a file on him targeting him as a subversive communist. He was inspired to create works during the Republican Senator Joseph McCarthy era of the 1950s. He created many series of provocative, layered collages composed from his personal FBI file plus news clippings, 1950s magazine cutouts, personal photographs, and hand written scripts. Mesches has explored contemporary social and historical issues, informed by world history and his life during the Depression, which also reflect his art. Mesches began teaching when his art career went into decline. In 1984, he moved to New York City and taught at New York University. He also taught at Parsons College and Rutgers University. He eventually ended up teaching at University of Florida in Gainesville. He has had over 125 solo exhibitions and is represented in the collections of the Metropolitan Museum of Arts, the Los Angeles County Museum of Art, the Brooklyn Museum, and the Museum of Modern Art in Sydney, Australia, among others. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Hayter, Stanley William (British 1901-1988). Shoal Green, color etching 1967. Numbered 13/50, titled, signed and dated in pencil below image. Includes 1987 purchase receipt along with biographical and appraisal details regarding the artist and the piece. 16 3/4" x 19 1/2" (Sight), 22 1/2" x 25 1/2" (Frame). Matted in a gold metal frame. Bright colors, some residue under glass. Not examined out of frame. Wired and ready to hang. Stanley William Hayter was an English painter and master printmaker associated in the 1930s with surrealism and from 1940 onward with abstract expressionism. Regarded as one of the most significant printmakers of the 20th century, in 1927 Hayter founded the influential Atelier 17 studio in Paris. Among the artists who frequented the atelier were Pablo Picasso, Alberto Giacometti, Joan Miro, Alexander Calder, Marc Chagall, Jackson Pollock, Mark Rothko, Wassily Kandinsky, Mauricio Lasansky, and many others. He is noted for his innovative work in the development of viscosity printing (a process that exploits varying viscosities of oil-based inks to lay three or more colors on a single intaglio plate). Hayter was equally active as a painter, continuing to develop painting alongside printmaking. His interest in automatism led him to associate with the Surrealists, and in the United States he was an innovator in the Abstract Expressionism movement. His legacy in printmaking, which came to dominate its instruction in the American academy. In 2005 the Tate Archive acquired Hayter's papers. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Bruning, Peter (Dutch/American, 1923-2018). Untitled still life, oil on canvas, 1994. Signed PBruning lower left and identified on stretcher verso. 18" x 24" (Stretchers). 29 1/2" x 23 1/2" (Frame). In a pickled wood frame with a linen liner. Wired and ready to hang. Peter Bruning was born and raised in Amsterdam, The Netherlands. He loved to draw and play the piano as a child and was influenced by the fine art museums and concert halls in Amsterdam. After graduation from the Montessori High School in Amsterdam, he chose a teaching career and completed his doctorate in Germanic studies with minor studies in art history and sociology at the University of Amsterdam in 1949. He also studied art in Amsterdam, and then, after WW2, in Bern, Switzerland and in Paris, France. He came to Terre Haute as a visiting instructor at Indiana State in 1950 where he met his future wife Margaret Jones, an art major. Peter taught German and Dutch languages at Indiana University Bloomington, University of California Berkley, and German Language and Literature at Rice University Houston, where he became a U.S. citizen in 1955. In 1956, Peter accepted a position in the Foreign Language Department at Indiana State in Terre Haute where he taught until his retirement in 1990, all while pursuing his art career. Having grown up on the Dutch coast of the North Sea, Peter was intrigued by the subtle nuances of color, shape and feelings evoked by the juxtaposition of land, sky, and water. He was drawn to visit and paint at many coastal locations, such as the Cote d'Azur, the Caribbean, the Greek isles, and Cape Cod. Many of the landscapes and cityscapes he painted were also the subjects of earlier artists, but Peter made a consistent effort to view and depict those subjects from different, unexpected, and novel vantage points. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

17"H chalk bust of President Abraham Lincoln with bronze finish, separate wood stand 8" x 7 3/4" x 2 1/4"H with inset. Overall good condition with some small areas of finish loss/scratches. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Dine, Jim (American b. 1935). Art in Science exhibition poster at Albany Institute of History an Art. Silkscreen, 1965. Signed, dated, ed 100 below image in pencil. 40" x 25 1/4" (Frame). Framed against glass in a metal sectional frame. Foxing and spotting visible on print and on backing board. Some scratches on frame. Stored in unknown conditions, Not examined out of frame. Papered, wired and ready to hang. In over four decades, American artist Jim Dine has adopted an impressive range of media--painting, performance, drawing, poetry, printmaking, book design, sculpture, photography, and more. He is among America's greatest living draftsmen, and his images of tools, large-scale nudes, self-portraits, and studies from nature and after antiquity are among the most beautiful and accomplished drawings of our time. His art has been the subject of numerous individual and group shows and is in the permanent collections of museums around the world. Dine rose to fame in the early sixties, when his name--nationally and internationally--came to be linked with pop art. Yet his relationship to pop's cool demeanor was an uneasy fit. He persistently chose imagery with which he had a personal connection favoring the expressive and handmade over the impassive and mechanical. His work is in the collections of the Art Institute of Chicago, the Metropolitan Museum of Art, the Centre Pompidou, the Museum of Modern Art, the Tate, the Tokyo Metropolitan Art Museum, the Whitney Museum of American Art, the Museum of Fine Arts, Boston, and the National Gallery of Art in Washington, D.C. among others. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Picasso, Pablo (Spanish 1881-1973). Owl, durastone bronze patinated sculpture by Austin Productions (AP-36) on an integral base. 13 1/4"H including base. 12 1/2"L sculpture, 7 1/2" x 6 1/2" base. Minor surface chips along owl's face and tail feathers, and at corners of base. Incised AUSTIN PROD. INC, 1965 on back of base. Perhaps the most influential artist of the 20th century, Pablo Picasso is known for pioneering Cubism and fracturing the two-dimensional picture plane in order to convey three-dimensional space. Inspired by African and Iberian art, he also contributed to the rise of Surrealism and Expressionism. Picasso's sizable oeuvre grew to include over 20,000 paintings, prints, drawings, sculptures, ceramics, theater sets, and costume designs. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces.

Unknown artist, untitled figure study, graphite on paper, undated. Initialed SMW (?) 100 lower center left. 9 1/2" x 12 1/2" (Sight). 22" x 25" (Frame). Double matted with a thick linen wrapped mat in a wood frame. Linear mark on drawing surface, minor bumps to frame. Stored in unknown conditions, Not examined out of frame. Papered, wired, ready to hang. Simple and elegant figure drawing. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

132gr International Sterling tray, 8" x 6". Weighted sterling 3 arm candle holder, 9"W x 6 1/2"H. 5"Dia x 2 3/4"H sterling footed bowl with weighted base.36 1/2" each side front to back, 51" W across face, 35 1/2"H. Top center drawer, solid wood, dovetail construction with fabric lined divided silverware storage. Lower drawer with finger pull detail. Solid brass drop handles. Mahogany stained finish. Surface wear and scratches. Reed detailing on legs with Hepplewhite style feet. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Hirschfeld, Al (American 1903-2003). Jackie Gleason, 1975 etching. Numbered 64/150 and signed Hirschfeld below image in pencil. 14"Dia (Round Mat). 25 1/2" x 24 1/2" (Frame). Matted in a silver washed wood frame. 2 small spots on mat - stored in unknown conditions, but no foxing or spotting visible on etching. Not examined out of frame. Papered and wired, ready to hang. https://www.alhirschfeldfoundationshop.org/stage/product/jackie-gleason/ Al Hirschfeld was an American caricature artist known especially for drawings of show-business personalities that appeared in The New York Times. His drawings appeared in the newspaper up until his death. Beginning in the 1940s, Hirschfeld illustrated books and authored numerous books. His drawings, watercolors, lithographs, etchings, and sculptures are found in many private and museum collections. Although his caricatures were noted for their wit, Hirschfeld was not malicious, and it became something of an honor to be drawn by him. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

29"W x 34"D x 34"H frame. 2 clean, newer upholstered cushions and 2 loose throw pillows. Very good condition, minimal surface finish wear and marks on legs. See similar lot 2115f armchair and 2120f tables. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Hirschfeld, Al (American 1903-2003). Lucille Ball, 1975 etching. Numbered 36/150 and signed Hirschfeld below image in pencil. 16 1/2" x 13" (Sight). 24 1/2" x 20 1/2" (Frame). Double matted in a silver surfaced carved wood frame. Minor foxing visible in margins. Stored in unknown conditions, Not examined out of frame. Papered and wired, ready to hang. https://www.alhirschfeldfoundationshop.org/stage/product/lucille-ball/ Al Hirschfeld was an American caricature artist known especially for drawings of show-business personalities that appeared in The New York Times. His drawings appeared in the newspaper up until his death. Beginning in the 1940s, Hirschfeld illustrated books and authored numerous books. His drawings, watercolors, lithographs, etchings, and sculptures are found in many private and museum collections. Although his caricatures were noted for their wit, Hirschfeld was not malicious, and it became something of an honor to be drawn by him. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

101"L x 53 3/4"W x 32 1/4"H table with heavily carved apron and legs. 10 matching chairs - 8 side chairs and 2 arm chairs with frames 23 3/4"W x 22"D x 41 1/2"H, loose white silk seat cushions. Custom made Thailand. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Martin, Luke. (American 20th-21st century). All Sounds Considered (Second Edition), from the NPR Poster Series. Silkscreen, numbered 64/100, signed and dated 2019 under image. 19" x 15" (Sight). 24" x 19 3/4" (Frame). Double matted in a wood frame. Bright colors, no visible foxing or spotting. Stored in unknown conditions, not examined out of frame. Papered, wired, ready to hang. The NPR Poster Series showcased talented artists from around the world who interpreted the phrase, "NPR is the home for storytelling across America." The first artist selected for the poster series was Luke Martin. Martin is an illustrator based in Baltimore who owns a small artists' space called Suburban Avenger Studios. He specializes in screen printing, his preferred medium. His work has been featured at our 2018 All Crafts Considered event and he has been an NPR fan for years. Martin has done work for several clients including Childish Gambino, Foo Fighters, Nine Inch Nails and NPR. The poster depicts a city constructed of listening devices that transcend time. He wanted to emphasize the different ways NPR has connected listeners across America and the world. Martin's poster titled "All Sounds Considered" sold out in the NPR Shop within weeks of its release. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

24"W x 18"D x 31"H. Good condition, some fading and wear to surfaces. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Osgood, Ginger (American 1918-2000). Floating City, circa 1960s. Silkscreen / serigraph on paper, edition of 30. Titled with edition and signature in pencil below image; also signed in pencil lower left on image. 23" x 35" (Sheet). Unframed. Toning in margin with mat burn. Born in Yokohama, Japan in 1918, Ginger Osgood and her husband, R. Freeman Worthley, helped develop the art form known as serigraphy. She specialized in paintings, collages, watercolors, collagraphs, and serigraphs, and exhibited widely in galleries and juried shows nationwide. She took on numerous public and private art commissions in the Thousand Oaks area of California, including a cast-stone monument in Westlake Village, welded iron gates for Northgate Townhouses, a sculptural mosaic fountain for Fairgreen Townhouses, and 15 stoneware symbols of the "Way of the Cross" for St. Patrick's Episcopal Church in Thousand Oaks. She served as exhibition director and president of the Western Serigraph Institute, as Arts Commissioner for the Ventura County Arts Council, and as exhibit director for the Conejo Valley Art Museum. Her work is represented in print collections in the Metropolitan Museum of Art, the Chicago Institute of Art, the Library of Congress, the Los Angeles Museum of Art, and museums in Philadelphia, Boston and Denver. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Osgood, Ginger (American 1918-2000). Twilighting, circa 1960s. Silkscreen / serigraph on paper, edition of 30. Titled with edition and signature in pencil below image; also signed in pencil lower right on image. 24" x 36" (Sheet). Unframed. Crazing on heavy ink surface. Toning in margin with mat burn and other stains. Born in Yokohama, Japan in 1918, Ginger Osgood and her husband, R. Freeman Worthley, helped develop the art form known as serigraphy. She specialized in paintings, collages, watercolors, collagraphs, and serigraphs, and exhibited widely in galleries and juried shows nationwide. She took on numerous public and private art commissions in the Thousand Oaks area of California, including a cast-stone monument in Westlake Village, welded iron gates for Northgate Townhouses, a sculptural mosaic fountain for Fairgreen Townhouses, and 15 stoneware symbols of the "Way of the Cross" for St. Patrick's Episcopal Church in Thousand Oaks. She served as exhibition director and president of the Western Serigraph Institute, as Arts Commissioner for the Ventura County Arts Council, and as exhibit director for the Conejo Valley Art Museum. Her work is represented in print collections in the Metropolitan Museum of Art, the Chicago Institute of Art, the Library of Congress, the Los Angeles Museum of Art, and museums in Philadelphia, Boston and Denver. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Hirschfeld, Al (American 1903-2003). Shibaraku, from the Kabuki Suite, 1976 lithograph. Numbered 191/275 and signed Hirschfeld lower right in pencil. 30" x 21 1/2" (Sheet). Unframed. Minor creases, spots, toning at edges. Stored rolled. https://www.alhirschfeldfoundationshop.org/stage/product/kabuki-shibaraku/ Al Hirschfeld was an American caricature artist known especially for drawings of show-business personalities that appeared in The New York Times. His drawings appeared in the newspaper up until his death. Beginning in the 1940s, Hirschfeld illustrated books and authored numerous books. His drawings, watercolors, lithographs, etchings, and sculptures are found in many private and museum collections. Although his caricatures were noted for their wit, Hirschfeld was not malicious, and it became something of an honor to be drawn by him. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Dali, Salvador (Spanish 1904-1989). Homage to America. Lithograph after a painting with an unverified signature lower right. Numbered 104/125 with a blind stamp lower left corner. 30" x 21" (Sheet). Verso stamped A La Spadem with 2510867 in pen and an unverified thumbprint. Unframed. Minor bump to top left corner in margin. Salvador Dali, was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship, and the striking and bizarre images in his work. Born in Catalonia Spain, Dali received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance masters from a young age he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents. Dali lived in France throughout the Spanish Civil War before leaving for the United States in 1940 where he achieved commercial success. He returned to Spain in 1948 where he announced his return to the Catholic faith and developed his "nuclear mysticism" style, based on his interest in classicism, mysticism, and recent scientific developments. Dali's artistic repertoire included painting, graphic arts, film, sculpture, design, and photography, at times in collaboration with other artists. He also wrote fiction, poetry, autobiography, essays, and criticism. Major themes in his work include dreams, the subconscious, sexuality, religion, science, and his closest personal relationships. To the dismay of those who held his work in high regard, and to the irritation of his critics, his eccentric and ostentatious public behavior often drew more attention than his artwork. His public support for the Francoist regime, his commercial activities and the quality and authenticity of some of his late works have also been controversial. There are two major museums devoted to Salvador Dali's work: the Dali Theatre-Museum in Figueres, Spain, and the Salvador Dali Museum in St. Petersburg, Florida. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Hilson, Harry (American 1935-2004). Field by the Hill. Abstract landscape, acrylic painting on paper, circa 1980s-90s. 22" x 30" (Sheet), unframed. Signed lower right, titled lower left, SP286 in pencil verso. Good condition - never framed. Harry Hilson was active 1957-2000's working originally in oil on canvas and wood, mixed media and Wax Painting. In the 1960-70 studying the work of G.I.Gurdjieff and Maharish Mahesh Yogi and beginning to work in sculptural forms in wood, fiberglass, welded steel and concrete with studios in New York, Los Angeles and Aspen with work included in public exhibits at The High Museum, Delgado Museum, Norton Gallery of Art, Butler Institute of American Art, Georgia State Museum and others - collected and commissioned by private citizens and public corporations. Beginning in 1970 Hilson developed a wool tapestry technique creating commissions for the Hallmark Corp., Crown Center Hotels, Hilton, Motorola and others as well as monumental graphic and banner projects while continuing to work in oil on canvas and paper, wax-painting and wool tapestries as well as beginning to produce black and white video. Hilson's work has been stored for approximately 15 years, as many condition issues as possible are recorded, however, bidder is responsible for final assessment. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Boat shape top with wood veneer surface, visible laminated edge, geometric polished steel rod base. Very nice, top surface and edges show wear. 47 3/4"L x 27 3/4"W x 17"H. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Upton, Richard T., (American 1931-2013). Girl with Headdress II, undated, etching. Titled, numbered 6/10 and signed lower edge. 5 3/4" x 5" (Sheet), 15 1/4" x 13 1/4" (Frame). Float mounted with a mat in a gilt and painted wood frame. Papered, wired, ready to hang. Not examined out of frame. Born in Hartford, Connecticut, Richard was a U.S. Navy veteran who served during the Korean War. He received formal training in painting and printmaking at the College of San Mateo in California; at the University of Connecticut, where he earned a B.F.A. degree; and at Indiana University, where he earned an M.F.A. He was a Fulbright Scholar in Paris, where he studied at the École des Beaux Arts and the Académie de la Grande Chaumiere, and also studied at the Provincetown Workshop. Richard joined the Skidmore faculty as an assistant professor of art in 1966 and retired in 1995 as a full professor, having taught painting and printmaking. Richard’s paintings are included in such prestigious private and public collections as the Metropolitan Museum of Art and the Museum of Modern Art in New York City; the Art Institute of Chicago; the Smithsonian in Washington, D.C.; the Library of Congress; Bibliotheque Nationale, Paris; and the Victoria and Albert Museum in London. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Assortment of unmarked colorful glass includes 3 blue and 1 violet vases 5 1/2" to 7 1/2"H, a green glass pitcher 8 1/2"H, a red pitcher 5"H, and an amber pitcher 4"H. Blue with smooth bottoms, else with rough pontils. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Akiyama, Iwao (Japanese, 1921-2014). Flute, woodcut on rice paper. 1976. Numbered 67/100, dated, and sized in pencil and with red stamp mark below image. Identified on a tag verso. 8 1/4" x 7 1/2" (Sight), 15" x 13 3/8" (Frame). Matted in a gilt surfaced wood frame. Papered, wired, and ready to hang. Not examined out of frame. Iwao Akiyama was a Japanese woodblock printmaker and artist known for distinctive prints of owl and other animals. Akiyama was born in 1921 in Takeda, Oita Prefecture, on the island of Kyushu. At the age of 8 he received drawing lessons by a Buddhist monk, later graduating from the school of Taiheiyogakai in 1956. Trained in oil painting, the young artist turned to woodblock printmaking when he met Shiko Munakata. Akiyama studied with him from 1959 to 1965. The influence of his master on his style is evident. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Richards, Ella (American, current). 3 untitled drawings in cut paper. Artist's labels verso. 4 1/4" x 5 1/2" (Sheets). 7 3/4" x 9" (Frames). Float mounted on black in matched painted wood frames. Stored in unknown conditions. Not examined out of frames. Wired and ready to hang. https://www.scissorsdrawings.com/ EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

59"L x 33"W x 40"H. Originally from Kittles Furniture store, purchased 2018. Wood frame in excellent condition. 2 back cushions and removable seat cushion (discoloration/staining). EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Hilson, Harry (American 1935-2004). Kafka's Penal Colourist 3.28.88. Acrylic painting on paper, 1988. 30" x 22" (Sheet), unframed. Signed lower right and identified and signed verso. Good condition - never framed. Harry Hilson was active 1957-2000's working originally in oil on canvas and wood, mixed media and Wax Painting. In the 1960-70 studying the work of G.I.Gurdjieff and Maharish Mahesh Yogi and beginning to work in sculptural forms in wood, fiberglass, welded steel and concrete with studios in New York, Los Angeles and Aspen with work included in public exhibits at The High Museum, Delgado Museum, Norton Gallery of Art, Butler Institute of American Art, Georgia State Museum and others - collected and commissioned by private citizens and public corporations. Beginning in 1970 Hilson developed a wool tapestry technique creating commissions for the Hallmark Corp., Crown Center Hotels, Hilton, Motorola and others as well as monumental graphic and banner projects while continuing to work in oil on canvas and paper, wax-painting and wool tapestries as well as beginning to produce black and white video. Hilson's work has been stored for approximately 15 years, as many condition issues as possible are recorded, however, bidder is responsible for final assessment. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Picasso, Pablo (Spanish 1881-1973). Erotic Series II (SP.8.68.II). Signature in plate lower right, numbered 75/350 lower left corner. 22" x 27 3/4" (Sheet). Unframed. Minor toning along edges; 2236 in pencil verso. Perhaps the most influential artist of the 20th century, Pablo Picasso is known for pioneering Cubism and fracturing the two-dimensional picture plane in order to convey three-dimensional space. Inspired by African and Iberian art, he also contributed to the rise of Surrealism and Expressionism. Picasso's sizable oeuvre grew to include over 20,000 paintings, prints, drawings, sculptures, ceramics, theater sets, and costume designs. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Hilson, Harry (American 1935-2004). A Visit to the City, abstract acrylic painting on paper, circa 1980s-90s. 30" x 22" (Sheet), unframed. Signed and titled lower right. Good condition - never framed. Harry Hilson was active 1957-2000's working originally in oil on canvas and wood, mixed media and Wax Painting. In the 1960-70 studying the work of G.I.Gurdjieff and Maharish Mahesh Yogi and beginning to work in sculptural forms in wood, fiberglass, welded steel and concrete with studios in New York, Los Angeles and Aspen with work included in public exhibits at The High Museum, Delgado Museum, Norton Gallery of Art, Butler Institute of American Art, Georgia State Museum and others - collected and commissioned by private citizens and public corporations. Beginning in 1970 Hilson developed a wool tapestry technique creating commissions for the Hallmark Corp., Crown Center Hotels, Hilton, Motorola and others as well as monumental graphic and banner projects while continuing to work in oil on canvas and paper, wax-painting and wool tapestries as well as beginning to produce black and white video. Hilson's work has been stored for approximately 15 years, as many condition issues as possible are recorded, however, bidder is responsible for final assessment. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Nameri, E. (American 20th century). Poster for Art Expo NY 1980, lithograph. 34" x 22 1/2" (Sheet). Event and printing details along bottom margin. Printed by IGAL M Atelier. Unframed. Minor creases and toning at edges. Stored rolled. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Miro, Joan (Catalan 1893-1983). Composition aux Mains, facsmilie lithograph numbered and signed in plate. 23” x 19 1/2” (Sheet). Unframed. Stamped verso: “EXCUISITE (sic) RECREATIONS IN A LIMITED EDITION LITHOGRAPHIC PRINT BEARING A FACSMILIE SIGNATURE”. Tape stain along top edge verso and minor spotting at edges. With a wide-ranging oeuvre of paintings, prints, ceramics, sculptures, metal engravings and murals, Catalan modernist Joan Miró was a critical force in moving 20th-century art toward complete abstraction. Although often considered an early Surrealist because of his nonobjective imagery and evocation of the subconscious, he defies neat categorization. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

7 5/8"H. 1998 blue stamp mark on unglazed bottom. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

3 illegibly signed collagraphs on paper (Boria, Bosia?). Dated 1972, 1975, 1977. 6 3/4" x 8 1/2" to 7 3/4" x 10 3/4" (Sights). 13" x 16" to 15 1/2" x 17 1/2" (Frames). All matted in metal sectional frames. Visible foxing and spotting throughout. Frames and surfaces bumped. Stored in unknown conditions. Not examined out of frames. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Picasso, Pablo (Spanish 1881-1973). Kinesias and Myrrhina (Cinésias et Myrrhine) from Lysistrata. Special Edition to Commemorate the 80th Anniversary of the Eiffel Tower, 1969. Lithograph on cream colored paper, printed by Montmartre-lithograph et Gravure, signed in print upper right, signed in pencil lower right, publisher's chop mark lower left, edition details bottom margin. 10" x 7 3/4" (Sight). 16 3/8" x 13 3/4" (Frame). Doubled matted in a silvered wood frame. No visible foxing or spots. Stored in unknown conditions, Not examined out of frame. Papered and wired, ready to hang. Perhaps the most influential artist of the 20th century, Pablo Picasso is known for pioneering Cubism and fracturing the two-dimensional picture plane in order to convey three-dimensional space. Inspired by African and Iberian art, he also contributed to the rise of Surrealism and Expressionism. Picasso's sizable oeuvre grew to include over 20,000 paintings, prints, drawings, sculptures, ceramics, theater sets, and costume designs. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the responsibility of the winning bidder to arrange and communicate to EDS.

Picasso, Pablo (Spanish 1881-1973). Vertumne Poursuit Pomone de son Amour. Special Edition to Commemorate the 80th Anniversary of the Eiffel Tower, 1969. Lithograph on cream colored paper, printed by Montmartre-lithograph et Gravure, signed in print upper right, signed in pencil lower right, publisher's chop mark lower left, edition details bottom margin. 10" x 7 3/4" (Sight). 16 3/8" x 13 3/4" (Frame). Doubled matted in a silvered wood frame. No visible foxing or spots. Stored in unknown conditions, Not examined out of frame. Papered and wired, ready to hang. Perhaps the most influential artist of the 20th century, Pablo Picasso is known for pioneering Cubism and fracturing the two-dimensional picture plane in order to convey three-dimensional space. Inspired by African and Iberian art, he also contributed to the rise of Surrealism and Expressionism. Picasso's sizable oeuvre grew to include over 20,000 paintings, prints, drawings, sculptures, ceramics, theater sets, and costume designs. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Pair of black cat cruets with corked heads 6 1/4"H each. Unmarked, painted features, light wear. 5 1/4" square tiled trinket dish with aluminum back. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Carved from solid blocks of wood, faux ivory tusks remove, inset eyes. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

8 3/4"L x 4 3/4"W. Stand with pen holder and central recepticle, 2 faceted glass inkwells with hinged lids. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

51 1/2"L x 22"W x 41"H overall marble top with backsplash. Nice carved details on upper drawers and cabinet door medallions. Some paint splatter on top. Knobs have been replaced and 3 of the 4 original knobs are included - missing 1 backplate. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Zapata, Julio Herrera (Spanish 1932-2001). Untitled seated figure, 1969 lithograph. Signed, dated, and numbered 72/100 below image in pencil. 23" x 18" (Sheet). 32" x 27" (Frame). Double matted in a gilt surfaced wood frame. Foxing and spotting on mat and some on print. Some scratches and rubbed areas on frame. Stored in unknown conditions, Not examined out of frame. Papered, wired and ready to hang. Julio Herrera Zapata was a Spanish postwar and contemporary artist who was active in France. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

36 1/2" each side front to back, 51" W across face, 35 1/2"H. Top center drawer, solid wood, dovetail construction with fabric lined divided silverware storage. Lower drawer with finger pull detail. Solid brass drop handles. Mahogany stained finish. Surface wear and scratches. Reed detailing on legs with Hepplewhite style feet. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Geisert, Arthur (American b. 1941). Ark Interior I, 1973 etching. Titled, numbered Sec. Ed. 22/30 and signed in pencil below platemark, and identified on a sticker and tag verso. Provenance Amoco Corp. Arts Collection. 11 1/4" x 18 1/4" (Sight). 19 3/4" x 25 1/2" (Frame). Double matted in a wood frame. No visible spots or foxing. Minor bumps to frame. Stored in unknown conditions, Not examined out of frame. Wired, ready to hang. Arthur Geisert was born in Dallas, Texas in 1941 and grew up in Los Angeles. He received his Bachelor of Science degree from Concordia University in Nebraska, which later awarded him an honorary doctorate, and his Master of Arts degree from the University of California, Davis. He also studied at the Chouinard Art Institute (later CalArts) and Otis Art Institute (later Otis College of Art and Design) in Los Angeles, and the Art Institute in Chicago. Geisert has won numerous awards including The New York Times Best Illustrated Children's Book Award for Pigs from A to Z (1986), Roman Numerals I to MM (1996), and Ice (2011), and a Boston Globe Horn Book Award and Society of Illustrators Silver Medal for Haystack (2003). His children's books have been translated into French, German, Latin, Spanish, Japanese, Chinese, and Korean. He has had five cartoons published in the New Yorker. His work has been exhibited at the Art Institute of Chicago, San Francisco Museum of Modern Art, The Print Center in Philadelphia, Society of American Graphic Artists, Society of Illustrators Museum of American Illustration, Figge Art Museum, and the Cedar Rapids Museum of Art. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Geisert, Arthur (American b. 1941). Ark, 1973 etching. Titled, numbered Sec. Ed. 12/30 and signed in pencil below platemark, and identified on a sticker and tag verso. Provenance Amoco Corp. Arts Collection. 11 1/4" x 18 1/4" (Sight). 19 3/4" x 25 1/2" (Frame). Double matted in a wood frame. No visible spots or foxing. Minor scratches and bumps to frame. Stored in unknown conditions, Not examined out of frame. Wired, ready to hang. Arthur Geisert was born in Dallas, Texas in 1941 and grew up in Los Angeles. He received his Bachelor of Science degree from Concordia University in Nebraska, which later awarded him an honorary doctorate, and his Master of Arts degree from the University of California, Davis. He also studied at the Chouinard Art Institute (later CalArts) and Otis Art Institute (later Otis College of Art and Design) in Los Angeles, and the Art Institute in Chicago. Geisert has won numerous awards including The New York Times Best Illustrated Children's Book Award for Pigs from A to Z (1986), Roman Numerals I to MM (1996), and Ice (2011), and a Boston Globe Horn Book Award and Society of Illustrators Silver Medal for Haystack (2003). His children's books have been translated into French, German, Latin, Spanish, Japanese, Chinese, and Korean. He has had five cartoons published in the New Yorker. His work has been exhibited at the Art Institute of Chicago, San Francisco Museum of Modern Art, The Print Center in Philadelphia, Society of American Graphic Artists, Society of Illustrators Museum of American Illustration, Figge Art Museum, and the Cedar Rapids Museum of Art. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Yohe, Kittie (American 20th century - current). Untitled watercolor (Hollyhocks), no date. Signed Kittie Wilson Yohe lower left). 29" x 17 3/4" (Sight), 35" x 24" (Frame). Matted in a metal sectional frame. Tidemark visible lower right corner of mat - does not appear to impact image, but the piece has not been examined out of the frame. Personal note from artist on backing cardboard. Wired and ready to hang. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs.

Dorn, Kristen (20th-21st century). Fruitful, silkscreen on paper #15/22. Signed, titled, and numbered in pencil below image. 10 1/2" x 13 1/2" (Sight). 17 1/4" x 20 1/4" (Frame). Double matted in a painted wood frame. Minor bumps to frame surfaces. Stored in unknown conditions. Not examined out of frame. Papered, wired, and ready to hang. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Stern, Bert (American 1929-2013). 1962 Avant Garde Collector's Proof XXX (Marilyn). Silkscreen, signed and identified along left edge in pencil. 9 3/4" x 6 1/2" (Sight). 20 3/4" x 14 1/2" (Frame). In a fabric covered mat with a gilt liner in a gilt surfaced and painted wood frame. No visible foxing or spots. Stored in unknown conditions, Not examined out of frame. Papered and wired, ready to hang. Bert Stern was an American fashion and celebrity portrait photographer whose career exemplified the concept of the commercial photographer as a cultural hero. Money, power, and celebrity made him almost as much of an icon as the famous faces he has photographed. He has become the prototype of the fashion photographer as the embodiment of glamour. His best-known work is arguably a collection of 2,500 photographs, some nude or semi-nude, taken of Marilyn Monroe, American idol's, in three sittings over a three day period, six weeks before her death. As they were the last posed photographs taken of Monroe, the portfolio has come to be known as The Last Sitting. The photographs were taken for Vogue, who published several of them following Monroe's death. Bert Stern's photography has been exhibited all over the world, including Toyko, London, and New York. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Dehner, Dorothy (American, 1901-1994). Formulation. Foundry-stone cast sculpture with a gray cast-iron patina, 1969. Artist's signature and date incised lower back.. Mounted on a wood base, with purchase information taped to bottom. 8 3/4"H including base. 13 5/8"W. Dorothy Dehner danced, acted, and painted as an adolescent in Pasadena, California. In the mid-1920s, she studied at the Art Students League in New York and met the artists Stuart Davis, Arshile Gorky, and David Smith. Dehner later studied printmaking at Atelier 17, where she developed a lifelong friendship with Louise Nevelson. She began to experiment with bronze casting at age 54 and developed a reputation for curvilinear and geometric abstract sculptures constructed from rudimentary shapes such as arcs, wedges, and stars. Dehner often assembled her wood sculptures from discrete individual forms. Dehner's earliest solo exhibitions were of her biomorphic paintings; she was recognized almost immediately for her sculptural work and had a solo exhibition at the Art Institute of Chicago in 1955, the same year she began sculpting. She has had significant solo exhibitions at the Jewish Museum, the Katonah Museum of Art, and the Cleveland Museum of Art. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

7"Dia. x 4"H with independent marble pestle. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Illegibly signed etching, titled Old Gentle(?)Men. Numbered AP, titled, and signed in pencil below platemark. 11" x 14" (Sight). 17 1/4" x 20 1/2" (Frame). Matted in a metal sectional frame. Bumps and surface losses on frame. A few small spots on mat and in margins, with hazing on underside of acrylic. Stored in unknown conditions. Not examined out of frame. Wired, ready to hang. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

6 pcs each: 10 1/2" dinner plate, 7 1/2" salad plate. 4 pcs each: 6 1/2" saucers and coffee cups. "Marie Antoinette" pattern. Overall good, minor surface scratches. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

3 pieces marked Barbour Silver Co. Quadruple Plate with fine, incised floral design on bowls and repousse band above: cream pitcher, covered sugar bowl and open spooner / vessel - pattern #1015. Brittania Metal Co. Triple Plate #355 butter dish with knife holder, cover and removable interior tray above ice reservoir. Incised floral on cover. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Pair of front lamps, embossed caps "The Neverout Insulated Kerosene Safety Lamp Patented Rose Mfg. Co. Philadelphia U.S.A." Caps remove, front lens opens to light. Reservoir at base. One has wick in place, one has a bent wick holder. Side post attachment, original convex clear glass face with thick red glass side medallion and smaller back prism. Overall 8 3/4"H. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

145"L x 104"W. Newer cut pile machine made rug in very good condition except for the fringe which is sewn on. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Bruning, Peter (Dutch/American, 1923-2018). Untitled hill view, Oil on canvas, undated. Unsigned. 18" x 24" (Stretchers). 29" x 23" (Frame). In a pickled wood frame with a linen liner. Minor rubbed areas on frame surface. Wired and ready to hang. Peter Bruning was born and raised in Amsterdam, The Netherlands. He loved to draw and play the piano as a child and was influenced by the fine art museums and concert halls in Amsterdam. After graduation from the Montessori High School in Amsterdam, he chose a teaching career and completed his doctorate in Germanic studies with minor studies in art history and sociology at the University of Amsterdam in 1949. He also studied art in Amsterdam, and then, after WW2, in Bern, Switzerland and in Paris, France. He came to Terre Haute as a visiting instructor at Indiana State in 1950 where he met his future wife Margaret Jones, an art major. Peter taught German and Dutch languages at Indiana University Bloomington, University of California Berkley, and German Language and Literature at Rice University Houston, where he became a U.S. citizen in 1955. In 1956, Peter accepted a position in the Foreign Language Department at Indiana State in Terre Haute where he taught until his retirement in 1990, all while pursuing his art career. Having grown up on the Dutch coast of the North Sea, Peter was intrigued by the subtle nuances of color, shape and feelings evoked by the juxtaposition of land, sky, and water. He was drawn to visit and paint at many coastal locations, such as the Cote d'Azur, the Caribbean, the Greek isles, and Cape Cod. Many of the landscapes and cityscapes he painted were also the subjects of earlier artists, but Peter made a consistent effort to view and depict those subjects from different, unexpected, and novel vantage points. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Group includes 6 Dinner Plates, 1 berry / dessert bowl, 1 cup and 1 saucer. Stamp mark underglaze with number, some items include overstamp with Bavaria Magill & Co., Flint, Mich. Mistletoe. Overall good / very good condition, some surface scratches. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

For fitted caddy, 9 1/2"H with stoppers. Base in very good condition, stoppers have some edge nicks and scratches. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Very nice, early candlestick, 6 1/8"Dia at base, cast / turned in 2 pieces. 12 3/8"Dia. copper tray with brass and wood handles. Discoloration on copper, wax residue on candlestick. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Bruning, Peter (Dutch/American, 1923-2018). Untitled twilight street scene. Oil on canvas, undated. Signed PBruning lower right. 18" x 24" (Stretchers). 23" x 29" (Frame). In a pickled wood frame with a linen wrapped liner. Wired and ready to hang. Peter Bruning was born and raised in Amsterdam, The Netherlands. He loved to draw and play the piano as a child and was influenced by the fine art museums and concert halls in Amsterdam. After graduation from the Montessori High School in Amsterdam, he chose a teaching career and completed his doctorate in Germanic studies with minor studies in art history and sociology at the University of Amsterdam in 1949. He also studied art in Amsterdam, and then, after WW2, in Bern, Switzerland and in Paris, France. He came to Terre Haute as a visiting instructor at Indiana State in 1950 where he met his future wife Margaret Jones, an art major. Peter taught German and Dutch languages at Indiana University Bloomington, University of California Berkley, and German Language and Literature at Rice University Houston, where he became a U.S. citizen in 1955. In 1956, Peter accepted a position in the Foreign Language Department at Indiana State in Terre Haute where he taught until his retirement in 1990, all while pursuing his art career. Having grown up on the Dutch coast of the North Sea, Peter was intrigued by the subtle nuances of color, shape and feelings evoked by the juxtaposition of land, sky, and water. He was drawn to visit and paint at many coastal locations, such as the Cote d'Azur, the Caribbean, the Greek isles, and Cape Cod. Many of the landscapes and cityscapes he painted were also the subjects of earlier artists, but Peter made a consistent effort to view and depict those subjects from different, unexpected, and novel vantage points. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Hilson, Harry, (American 1935-2004). Untitled abstract painted dye on fabric, circa 1970s-1980s. 22" x 22 1/2" (Irregular, Sheet), 30" x 30" (Frame). Mounted to a board in a metal sectional frame. Signed lower right, and identified with a tag verso. Not examined out of frame. Harry Hilson was active 1957-2000's working originally in oil on canvas and wood, mixed media and Wax Painting. In the 1960-70 studying the work of G.I.Gurdjieff and Maharish Mahesh Yogi and beginning to work in sculptural forms in wood, fiberglass, welded steel and concrete with studios in New York, Los Angeles and Aspen with work included in public exhibits at The High Museum, Delgado Museum, Norton Gallery of Art, Butler Institute of American Art, Georgia State Museum and others - collected and commissioned by private citizens and public corporations. Beginning in 1970 Hilson developed a wool tapestry technique creating commissions for the Hallmark Corp., Crown Center Hotels, Hilton, Motorola and others as well as monumental graphic and banner projects while continuing to work in oil on canvas and paper, wax-painting and wool tapestries as well as beginning to produce black and white video. Hilson's work has been stored for approximately 15 years, as many condition issues as possible are recorded, however, bidder is responsible for final assessment. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

11"H. Etch mark on bottom, recessed and polished pontil. Cut and polished surface, original stopper. Residue. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Badge on one side: Perko De-Lit Perkins M.L. Co., Brooklyn, Minnesota. Remnants of old red paint visible. Brasse cover frame with molded red glass face - missing upper frame and hanger on one side. Overall 5" sides, 11 1/2"H. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Unsigned untitled graphite on paper. Undated. 9 1/2" x 6 3/4" (Sight). 18 1/4" x 15 1/4" (Frame). Double matted with a fabric covered upper mat in a painted wood frame. Minor spotting on backing board. Stored in unknown conditions. Not examined out of frame. Wired and ready to hang. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Dali, Salvador (Spanish 1904-1989). Pegasus in black and white. Likely a lithograph after an etching, with an unverified signature lower right. 9 1/2" x 7" (Sight). 16 1/4" x 12 1/4" (Frame). Double matted in a metal sectional frame. Some spotting on mat and acrylic. Stored in unknown conditions. Not examined out of frame. Wired and ready to hang. Salvador Dali, was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship, and the striking and bizarre images in his work. Born in Catalonia Spain, Dali received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance masters from a young age he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents. Dali lived in France throughout the Spanish Civil War before leaving for the United States in 1940 where he achieved commercial success. He returned to Spain in 1948 where he announced his return to the Catholic faith and developed his "nuclear mysticism" style, based on his interest in classicism, mysticism, and recent scientific developments. Dali's artistic repertoire included painting, graphic arts, film, sculpture, design, and photography, at times in collaboration with other artists. He also wrote fiction, poetry, autobiography, essays, and criticism. Major themes in his work include dreams, the subconscious, sexuality, religion, science, and his closest personal relationships. To the dismay of those who held his work in high regard, and to the irritation of his critics, his eccentric and ostentatious public behavior often drew more attention than his artwork. His public support for the Francoist regime, his commercial activities and the quality and authenticity of some of his late works have also been controversial. There are two major museums devoted to Salvador Dali's work: the Dali Theatre-Museum in Figueres, Spain, and the Salvador Dali Museum in St. Petersburg, Florida. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Petronzio, Santino (20th century). Seated Man, composite sculpture initialed and signed lower back. 9 1/4"H. Dust in crevices. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

6 1/4"H. Remnant of foil label on base of one owl. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

13 1/2"H, in original box. Retired. Excellent condition. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

13 1/2"H, in original box. Retired. Excellent condition. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

48"L x 28"W wood frame. Surface with pennies under acrylic. Paint residue. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

12"H, in original box with base. Retired. Excellent condition. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

10"H, in original box (old tape and wear to box surfaces) with base. Retired. Excellent condition. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

12"H, in original box with base. Retired. Excellent condition. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

42"L x 27"W x 29"H. Inset white marble, very nice wood frame with Eastlake style detailing. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Ezell, Sandra (Sandy) (American b. circa 1941). Untitled View of a Mill. Undated watercolor on paper, signed Sandy Ezell lower right. 21 3/4" x 28 3/4" (Sight). 33" x 41" (Frame). Matted in a barnwood frame. Colors remain fresh. Not examined out of frame. Papered, wired, ready to hang. Watercolorist Sandra Ezell was born in Lacrosse, WI and resides in Indianapolis. She is past president of the Indiana Artists Club and the Watercolor Society of Indiana and taught at the Indianapolis Art Center. She was the director of the Arts & Crafts Center at Fort Benjamin Harrison for 17 years. Her work is included in corporate and private collections in the United States, Denmark, Norway, England and Australia. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

1 of 7: Russel Wright prototype design 7 pc flatware placesetting. Reproduction produced for the Metropolitan Museum of Art, NY with mark on side: MMA 1987. Dinner Knife, Butter Knife, Tea Spoon, Dessert Spoon, Soup Spoon, Salad Fork, Dinner Fork. In original wrappers and box. Stamped brass and nickel silver plated. Dinner knife with st.st. blade. See "Mary and Russel Wright Guide to Easier Living", lot 2217. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

2 of 7: Russel Wright prototype design 7 pc flatware placesetting. Reproduction produced for the Metropolitan Museum of Art, NY with mark on side: MMA 1987. Dinner Knife, Butter Knife, Tea Spoon, Dessert Spoon, Soup Spoon, Salad Fork, Dinner Fork. In original wrappers and box. Stamped brass and nickel silver plated. Dinner knife with st.st. blade. See "Mary and Russel Wright Guide to Easier Living", lot 2217. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

3 of 7: Russel Wright prototype design 7 pc flatware placesetting. Reproduction produced for the Metropolitan Museum of Art, NY with mark on side: MMA 1987. Dinner Knife, Butter Knife, Tea Spoon, Dessert Spoon, Soup Spoon, Salad Fork, Dinner Fork. In original wrappers and box. Stamped brass and nickel silver plated. Dinner knife with st.st. blade. See "Mary and Russel Wright Guide to Easier Living", lot 2217. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Hirschfeld, Al (American 1903-2003). Ringo Starr in the Magic Christian, 1975 etching. Numbered 100/150 and signed Hirschfeld below image in pencil. 11 1/4"Dia. (Sight). 21 1/2" x 20 1/2" (Frame). Double matted with a round mat in a painted and carved wood frame. Minor spotting visible in margins and some foxing on mat. A few bumps to frame. Stored in unknown conditions, Not examined out of frame. Papered and wired, ready to hang. https://www.alhirschfeldfoundationshop.org/stage/product/duke-ellington/ Al Hirschfeld was an American caricature artist known especially for drawings of show-business personalities that appeared in The New York Times. His drawings appeared in the newspaper up until his death. Beginning in the 1940s, Hirschfeld illustrated books and authored numerous books. His drawings, watercolors, lithographs, etchings, and sculptures are found in many private and museum collections. Although his caricatures were noted for their wit, Hirschfeld was not malicious, and it became something of an honor to be drawn by him. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

12 Scroll cut cartoon figures, painted and mounted to panel in a painted frame.17 1/2" x 36" (Frame). Charming handmade folk piece. Hangers attached to top. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS. v

4 of 7: Russel Wright prototype design 7 pc flatware placesetting. Reproduction produced for the Metropolitan Museum of Art, NY with mark on side: MMA 1987. Dinner Knife, Butter Knife, Tea Spoon, Dessert Spoon, Soup Spoon, Salad Fork, Dinner Fork. In original wrappers and box. Stamped brass and nickel silver plated. Dinner knife with st.st. blade. See "Mary and Russel Wright Guide to Easier Living", lot 2217. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

5 of 7: Russel Wright prototype design 7 pc flatware placesetting. Reproduction produced for the Metropolitan Museum of Art, NY with mark on side: MMA 1987. Dinner Knife, Butter Knife, Tea Spoon, Dessert Spoon, Soup Spoon, Salad Fork, Dinner Fork. In original wrappers and box. Stamped brass and nickel silver plated. Dinner knife with st.st. blade. See "Mary and Russel Wright Guide to Easier Living", lot 2217. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Adams, Dawn and Steffey, Dale (American, current - Bloomington, IN). By the Waterfall. Fused glass sheet mounted to a panel in a painted frame, 1995. 10 1/4" x 8" (Glass). 13 1/2" x 11 1/2" (Frame). Signed and dated lower left, and titled, dated, and signed verso. Not examined out of frame. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

6 of 7: Russel Wright prototype design 7 pc flatware placesetting. Reproduction produced for the Metropolitan Museum of Art, NY with mark on side: MMA 1987. Dinner Knife, Butter Knife, Tea Spoon, Dessert Spoon, Soup Spoon, Salad Fork, Dinner Fork. In original wrappers and box. Stamped brass and nickel silver plated. Dinner knife with st.st. blade. See "Mary and Russel Wright Guide to Easier Living", lot 2217. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Noyer, Philippe (French 1917-1985). Woman on Swing (La Balancoire). From the 1969 series Femmes. Lithograph. Numbered 131/180 and signed in pencil below image. 35" x 25" (Sheet). Unframed. Philippe Henri Noyer was born in 1917 in Lyons, France. After a traditional education at the Ecole des Roches, Noyer enrolled in the Ecole des Beaux Arts in Lyon. He moved to Paris, where he worked in decorative arts and advertising. It was during this time, he discovered his talent for oil painting, officially starting his painting career in 1943. That same year, Noyer met the famed Parisian art dealer, Emmanuel David, who would promote his work and career. Noyer produced many portraits, for which he quickly gained an international reputation, but he also painted dream figures in rural or maritime settings, compositions that were classical in technique but surreal in concept. In 1947, Noyer held his first one-man show at the prestigious Drouant-David Gallery in Paris. In 1949 the gallery consigned twenty of Noyer's paintings to an American art dealer who had agreed to organize an exhibition of them in the United States. However, the American dealer sold the paintings at cost, in order cover a gambling debt, to Robert Goldstein, the former President of the 20th Century Fox movie company. Goldstein was so pleased with his purchase that he distributed the art to his friends, including Samuel Goldwyn, who, in turn, made Philippe Noyer's name known on the West Coast. These events led to a lifelong friendship between Noyer and Goldstein. In the years that followed, Noyer was commissioned to paint portraits of many celebrities including Elizabeth Taylor, Dinah Shore, and Jean Wallace. In the sixties, Noyer put aside portraiture in favor of painting delicately stylized, sophisticated, slim, long-limbed ladies who were his favorite subject. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Noyer, Philippe (French 1917-1985). Lady with Butterflies (Les Papillons). From the 1969 series Femmes. Lithograph. Numbered EA 27/40 and signed in pencil below image. 35" x 25" (Sheet). Unframed. Philippe Henri Noyer was born in 1917 in Lyons, France. After a traditional education at the Ecole des Roches, Noyer enrolled in the Ecole des Beaux Arts in Lyon. He moved to Paris, where he worked in decorative arts and advertising. It was during this time, he discovered his talent for oil painting, officially starting his painting career in 1943. That same year, Noyer met the famed Parisian art dealer, Emmanuel David, who would promote his work and career. Noyer produced many portraits, for which he quickly gained an international reputation, but he also painted dream figures in rural or maritime settings, compositions that were classical in technique but surreal in concept. In 1947, Noyer held his first one-man show at the prestigious Drouant-David Gallery in Paris. In 1949 the gallery consigned twenty of Noyer's paintings to an American art dealer who had agreed to organize an exhibition of them in the United States. However, the American dealer sold the paintings at cost, in order cover a gambling debt, to Robert Goldstein, the former President of the 20th Century Fox movie company. Goldstein was so pleased with his purchase that he distributed the art to his friends, including Samuel Goldwyn, who, in turn, made Philippe Noyer's name known on the West Coast. These events led to a lifelong friendship between Noyer and Goldstein. In the years that followed, Noyer was commissioned to paint portraits of many celebrities including Elizabeth Taylor, Dinah Shore, and Jean Wallace. In the sixties, Noyer put aside portraiture in favor of painting delicately stylized, sophisticated, slim, long-limbed ladies who were his favorite subject. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Noyer, Philippe (French 1917-1985). Owl (La Chouette). From the 1969 series Femmes. Lithograph. Numbered 52/180 and signed in pencil below image. 35" x 25" (Sheet). Small stains at edge of right margin. Unframed. Philippe Henri Noyer was born in 1917 in Lyons, France. After a traditional education at the Ecole des Roches, Noyer enrolled in the Ecole des Beaux Arts in Lyon. He moved to Paris, where he worked in decorative arts and advertising. It was during this time, he discovered his talent for oil painting, officially starting his painting career in 1943. That same year, Noyer met the famed Parisian art dealer, Emmanuel David, who would promote his work and career. Noyer produced many portraits, for which he quickly gained an international reputation, but he also painted dream figures in rural or maritime settings, compositions that were classical in technique but surreal in concept. In 1947, Noyer held his first one-man show at the prestigious Drouant-David Gallery in Paris. In 1949 the gallery consigned twenty of Noyer's paintings to an American art dealer who had agreed to organize an exhibition of them in the United States. However, the American dealer sold the paintings at cost, in order cover a gambling debt, to Robert Goldstein, the former President of the 20th Century Fox movie company. Goldstein was so pleased with his purchase that he distributed the art to his friends, including Samuel Goldwyn, who, in turn, made Philippe Noyer's name known on the West Coast. These events led to a lifelong friendship between Noyer and Goldstein. In the years that followed, Noyer was commissioned to paint portraits of many celebrities including Elizabeth Taylor, Dinah Shore, and Jean Wallace. In the sixties, Noyer put aside portraiture in favor of painting delicately stylized, sophisticated, slim, long-limbed ladies who were his favorite subject. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Noyer, Philippe (French 1917-1985). Le Tigre / Tiger. From the 1969 series Femmes. Lithograph. Numbered 112/180 and signed in pencil below image. 35" x 25" (Sheet). Unframed. Philippe Henri Noyer was born in 1917 in Lyons, France. After a traditional education at the Ecole des Roches, Noyer enrolled in the Ecole des Beaux Arts in Lyon. He moved to Paris, where he worked in decorative arts and advertising. It was during this time, he discovered his talent for oil painting, officially starting his painting career in 1943. That same year, Noyer met the famed Parisian art dealer, Emmanuel David, who would promote his work and career. Noyer produced many portraits, for which he quickly gained an international reputation, but he also painted dream figures in rural or maritime settings, compositions that were classical in technique but surreal in concept. In 1947, Noyer held his first one-man show at the prestigious Drouant-David Gallery in Paris. In 1949 the gallery consigned twenty of Noyer's paintings to an American art dealer who had agreed to organize an exhibition of them in the United States. However, the American dealer sold the paintings at cost, in order cover a gambling debt, to Robert Goldstein, the former President of the 20th Century Fox movie company. Goldstein was so pleased with his purchase that he distributed the art to his friends, including Samuel Goldwyn, who, in turn, made Philippe Noyer's name known on the West Coast. These events led to a lifelong friendship between Noyer and Goldstein. In the years that followed, Noyer was commissioned to paint portraits of many celebrities including Elizabeth Taylor, Dinah Shore, and Jean Wallace. In the sixties, Noyer put aside portraiture in favor of painting delicately stylized, sophisticated, slim, long-limbed ladies who were his favorite subject. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Dali, Salvador (Spanish 1904-1989). Crucifixion (Corpus Hypercubicus). Etching after a painting with an unverified signature lower right. Grave et imprime par les Ateliers Martinez a Paris. Edite par International Multiples LTD in print along bottom edge. Numbered HC 10/65 with a blind stamp lower left corner. 30" x 22" (Sheet). Unverified thumbprint verso, 4921839 in ink. Unframed. Salvador Dali, was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship, and the striking and bizarre images in his work. Born in Catalonia Spain, Dali received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance masters from a young age he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents. Dali lived in France throughout the Spanish Civil War before leaving for the United States in 1940 where he achieved commercial success. He returned to Spain in 1948 where he announced his return to the Catholic faith and developed his "nuclear mysticism" style, based on his interest in classicism, mysticism, and recent scientific developments. Dali's artistic repertoire included painting, graphic arts, film, sculpture, design, and photography, at times in collaboration with other artists. He also wrote fiction, poetry, autobiography, essays, and criticism. Major themes in his work include dreams, the subconscious, sexuality, religion, science, and his closest personal relationships. To the dismay of those who held his work in high regard, and to the irritation of his critics, his eccentric and ostentatious public behavior often drew more attention than his artwork. His public support for the Francoist regime, his commercial activities and the quality and authenticity of some of his late works have also been controversial. There are two major museums devoted to Salvador Dali's work: the Dali Theatre-Museum in Figueres, Spain, and the Salvador Dali Museum in St. Petersburg, Florida. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

7 of 7: Russel Wright prototype design 7 pc flatware placesetting. Reproduction produced for the Metropolitan Museum of Art, NY with mark on side: MMA 1987. Dinner Knife, Butter Knife, Tea Spoon, Dessert Spoon, Soup Spoon, Salad Fork, Dinner Fork. In original wrappers and box. Stamped brass and nickel silver plated. Dinner knife with st.st. blade. See "Mary and Russel Wright Guide to Easier Living", lot 2217. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Russel Wright prototype design 5 pc flatware placesetting. Reproduction produced for the Metropolitan Museum of Art, NY with mark on side: MMA 1987. Dinner Knife, Butter Knife, Tea Spoon, Salad Fork, Dinner Fork. In original wrappers and box. Stamped brass and nickel silver plated. Dinner knife with st.st. blade. NOTE: No dessert or soup spoon. See "Mary and Russel Wright Guide to Easier Living", lot 2217. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Wright, Mary & Russel. Guide to Easier Living. New York: Simon & Schuster, 1950-1951. 199 pp. 8 3/4" x 7 1/8". Paper over boards with cloth spine. Minor sun fade to cover and light page toning. Numerous illustrations. Lacks jacket. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

19" x 37 3/4". Leaded stained art glass panel with turquoise Egyptian Revival winged scarab center. Small fissures in a few panels. No frame. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

4 1/2"H, 5 1/2"Dia crystal bowl with foil label and original box. Designed by Allan Schaff. 4341612. Wear to box, bowl like new. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Noyer, Philippe (French 1917-1985). Monkey (Le Singe). From the 1969 series Femmes. Lithograph. Numbered 20/180 and signed in pencil below image. 35" x 25" (Sheet). Unframed. Philippe Henri Noyer was born in 1917 in Lyons, France. After a traditional education at the Ecole des Roches, Noyer enrolled in the Ecole des Beaux Arts in Lyon. He moved to Paris, where he worked in decorative arts and advertising. It was during this time, he discovered his talent for oil painting, officially starting his painting career in 1943. That same year, Noyer met the famed Parisian art dealer, Emmanuel David, who would promote his work and career. Noyer produced many portraits, for which he quickly gained an international reputation, but he also painted dream figures in rural or maritime settings, compositions that were classical in technique but surreal in concept. In 1947, Noyer held his first one-man show at the prestigious Drouant-David Gallery in Paris. In 1949 the gallery consigned twenty of Noyer's paintings to an American art dealer who had agreed to organize an exhibition of them in the United States. However, the American dealer sold the paintings at cost, in order cover a gambling debt, to Robert Goldstein, the former President of the 20th Century Fox movie company. Goldstein was so pleased with his purchase that he distributed the art to his friends, including Samuel Goldwyn, who, in turn, made Philippe Noyer's name known on the West Coast. These events led to a lifelong friendship between Noyer and Goldstein. In the years that followed, Noyer was commissioned to paint portraits of many celebrities including Elizabeth Taylor, Dinah Shore, and Jean Wallace. In the sixties, Noyer put aside portraiture in favor of painting delicately stylized, sophisticated, slim, long-limbed ladies who were his favorite subject. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Dali, Salvador (Spanish 1904-1989). Homage to America. Lithograph after a painting with an unverified signature lower right. Numbered 105/125 with a blind stamp lower left corner. 30" x 21" (Sheet). Verso stamped A La Spadem with 2440862 in pen and an unverified thumbprint. Unframed. Minor bump to top left corner in margin. Salvador Dali, was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship, and the striking and bizarre images in his work. Born in Catalonia Spain, Dali received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance masters from a young age he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents. Dali lived in France throughout the Spanish Civil War before leaving for the United States in 1940 where he achieved commercial success. He returned to Spain in 1948 where he announced his return to the Catholic faith and developed his "nuclear mysticism" style, based on his interest in classicism, mysticism, and recent scientific developments. Dali's artistic repertoire included painting, graphic arts, film, sculpture, design, and photography, at times in collaboration with other artists. He also wrote fiction, poetry, autobiography, essays, and criticism. Major themes in his work include dreams, the subconscious, sexuality, religion, science, and his closest personal relationships. To the dismay of those who held his work in high regard, and to the irritation of his critics, his eccentric and ostentatious public behavior often drew more attention than his artwork. His public support for the Francoist regime, his commercial activities and the quality and authenticity of some of his late works have also been controversial. There are two major museums devoted to Salvador Dali's work: the Dali Theatre-Museum in Figueres, Spain, and the Salvador Dali Museum in St. Petersburg, Florida. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Noyer, Philippe (French 1917-1985). Young Lady with Parrots. From the 1969 series Femmes. Lithograph. Numbered 170/180 and signed in pencil below image. 35" x 25" (Sheet). Minor smudges in bottom margin. Unframed. Philippe Henri Noyer was born in 1917 in Lyons, France. After a traditional education at the Ecole des Roches, Noyer enrolled in the Ecole des Beaux Arts in Lyon. He moved to Paris, where he worked in decorative arts and advertising. It was during this time, he discovered his talent for oil painting, officially starting his painting career in 1943. That same year, Noyer met the famed Parisian art dealer, Emmanuel David, who would promote his work and career. Noyer produced many portraits, for which he quickly gained an international reputation, but he also painted dream figures in rural or maritime settings, compositions that were classical in technique but surreal in concept. In 1947, Noyer held his first one-man show at the prestigious Drouant-David Gallery in Paris. In 1949 the gallery consigned twenty of Noyer's paintings to an American art dealer who had agreed to organize an exhibition of them in the United States. However, the American dealer sold the paintings at cost, in order cover a gambling debt, to Robert Goldstein, the former President of the 20th Century Fox movie company. Goldstein was so pleased with his purchase that he distributed the art to his friends, including Samuel Goldwyn, who, in turn, made Philippe Noyer's name known on the West Coast. These events led to a lifelong friendship between Noyer and Goldstein. In the years that followed, Noyer was commissioned to paint portraits of many celebrities including Elizabeth Taylor, Dinah Shore, and Jean Wallace. In the sixties, Noyer put aside portraiture in favor of painting delicately stylized, sophisticated, slim, long-limbed ladies who were his favorite subject. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Hilson, Harry (American 1935-2004). Island & Sky. Abstract waterscape, acrylic painting on paper, circa 1980s-90s. 22" x 30" (Sheet), unframed. Signed lower right, titled lower left, SP321 in pencil verso. Some crazing and cracking to paint surfaces. Never framed. Harry Hilson was active 1957-2000's working originally in oil on canvas and wood, mixed media and Wax Painting. In the 1960-70 studying the work of G.I.Gurdjieff and Maharish Mahesh Yogi and beginning to work in sculptural forms in wood, fiberglass, welded steel and concrete with studios in New York, Los Angeles and Aspen with work included in public exhibits at The High Museum, Delgado Museum, Norton Gallery of Art, Butler Institute of American Art, Georgia State Museum and others - collected and commissioned by private citizens and public corporations. Beginning in 1970 Hilson developed a wool tapestry technique creating commissions for the Hallmark Corp., Crown Center Hotels, Hilton, Motorola and others as well as monumental graphic and banner projects while continuing to work in oil on canvas and paper, wax-painting and wool tapestries as well as beginning to produce black and white video. Hilson's work has been stored for approximately 15 years, as many condition issues as possible are recorded, however, bidder is responsible for final assessment. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Williams, Richard (R.J.) (American, 20th Century). Sentinal (sic). 54/150. Shaped plate color etching with aquatint. Titled, numbered, and signed in pencil below image. 30" x 22 1/4" (Sheet). Toning and spotting on surface and in margins. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Living Room for Mr. & Mrs. Donald Porth, 1309 Western, Prepared by Marshall Field & Company. Ink and watercolor on illustration board. Identified lower left. 20" x 30" (Board). Minor spotting and bump at right edge in margin. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Kolton, Edith (German 1935-2010). The Fisherman, composite sculpture initialed EK in base and identified with a paper tag on bottom. 7 1/2"H including base. Base 14"W x 5 1/2"D. Dust in crevices. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Fabric backed needlepoint furniture cover or floor covering, 41" x 65". Excellent condition with very minor fading - lovely art nouveau inspired pattern. Some light pet hair. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

40"W x 19 1/2"D x 72"H. Keys for locks on all drawers and cabinet doors. 1 case with 3 lower drawers and 3 upper shelves (2 on adj. supports.) Matching bases and cornices on front and back, flat sides. See lot 2230f for matching pair. 1 case with upper and lower cabinets, open center shelf. Note: some paint spatter on back of cabinets. Custom made in Thailand, beautifully carved panels matching lot 2137f. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

40"W x 19 1/2"D x 72"H. Keys for locks on all drawers and cabinet doors. 2 cases with 3 lower drawers and 3 upper shelves (2 on adj. supports. Matching bases and cornices on front and back, flat sides. See lot 2230f for matching pair. 2 cases with upper and lower cabinets, open center shelf. Note: some paint spatter on back of cabinets. Custom made in Thailand, beautifully carved panels matching lot 2137f. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

La Dell, Thomas Edwin, ARA (British 1914 - 1970). Board Walk, Staten Island, 1967/68 lithograph. Numbered 36/50, titled, and signed below image in pencil. 18 3/4" x 26" (Sight). 26" x 33" (Frame). Double matted in a metal sectional frame. Minor toning on print near edge of mat. Stains on backing board. Minor scuffs and scratches on frame. Amoco Corp Art Collection tag on right rail. Not examined out of frame. Framed behind glass; heavy. Wired, ready to hang. Edwin La Dell was a British printmaker, lithographer, illustrator and painter active during the 1940s, 1950s and 1960s. After attending Sheffield School of Art, in 1935 he won a scholarship to study at the Royal College of Art under John Nash; he later became head of the Department of Lithography at the college from 1948 until his death in 1970. He was elected to the Royal Academy of Arts in 1969. La Dell was appointed as an official war artist during the Second World War, working on both public murals and camouflage, but his best known works are those from the post-war era, in particular the lithographs he created for the coronation of Queen Elizabeth II, for the School Prints scheme, for Lyons Tea Rooms and his own series of Oxford, Cambridge, Kent and New York. His work was exhibited throughout the world during this period under the auspices of the British Council. La Dell's work is held in many collections, including those of the Royal Academy and the Government Art Collection. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

La Dell, Thomas Edwin, ARA (British 1914 - 1970). Central Park, 1967/68 lithograph. Numbered 29/50, titled, and signed below image in pencil. 18" x 27 1/4" (Sight). 24" x 33" (Frame). Double matted in a metal sectional frame. Minor toning on print near edge of mat. Stains on backing board, minor scuffs and scratches on frame. Amoco Corp Art Collection tag on right rail. Not examined out of frame. Framed behind glass; heavy. Wired, ready to hang. Edwin La Dell was a British printmaker, lithographer, illustrator and painter active during the 1940s, 1950s and 1960s. After attending Sheffield School of Art, in 1935 he won a scholarship to study at the Royal College of Art under John Nash; he later became head of the Department of Lithography at the college from 1948 until his death in 1970. He was elected to the Royal Academy of Arts in 1969. La Dell was appointed as an official war artist during the Second World War, working on both public murals and camouflage, but his best known works are those from the post-war era, in particular the lithographs he created for the coronation of Queen Elizabeth II, for the School Prints scheme, for Lyons Tea Rooms and his own series of Oxford, Cambridge, Kent and New York. His work was exhibited throughout the world during this period under the auspices of the British Council. La Dell's work is held in many collections, including those of the Royal Academy and the Government Art Collection. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

La Dell, Thomas Edwin, ARA (British 1914 - 1970). The Battery, 1967/68 lithograph. Numbered 25/50, titled, and signed below image in pencil. 18 3/4" x 26" (Sight). 26" x 33" (Frame). Double matted in a metal sectional frame. Minor toning on print near edge of mat. Stains on backing board. Amoco Corp Art Collection tag on right rail. Broken glass with chip upper left corner and loss along bottom edge, some scuffs on frame. Not examined out of frame. Framed behind glass; heavy. Wired, ready to hang. Edwin La Dell was a British printmaker, lithographer, illustrator and painter active during the 1940s, 1950s and 1960s. After attending Sheffield School of Art, in 1935 he won a scholarship to study at the Royal College of Art under John Nash; he later became head of the Department of Lithography at the college from 1948 until his death in 1970. He was elected to the Royal Academy of Arts in 1969. La Dell was appointed as an official war artist during the Second World War, working on both public murals and camouflage, but his best known works are those from the post-war era, in particular the lithographs he created for the coronation of Queen Elizabeth II, for the School Prints scheme, for Lyons Tea Rooms and his own series of Oxford, Cambridge, Kent and New York. His work was exhibited throughout the world during this period under the auspices of the British Council. La Dell's work is held in many collections, including those of the Royal Academy and the Government Art Collection. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

7" Dia. glazed dish with abstract design. Press marked Plymouth Products on unglazed bottom. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

10"L and 12"L with abstract glazes. Raised marks on bottoms plus R1663, 135. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Set of 4 glass lamp globes, amber glass over white base. 2"Dia. at connection; 3 3/8"Dia. at opening; 5"H. Some residue on surfaces. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Hirschfeld, Al (American 1903-2003). Jane Fonda in Klute, 1975 etching. Numbered 125/150 and signed Hirschfeld below image in pencil. 12" x 10 3/4" (Sight). 22 1/2" x 20" (Frame). Double matted in a black painted wood frame. Tiny specks of foxing visible in margins. Stored in unknown conditions, Not examined out of frame. Papered and wired, ready to hang. https://www.alhirschfeldfoundationshop.org/stage/product/jane-fonda-1975/ Al Hirschfeld was an American caricature artist known especially for drawings of show-business personalities that appeared in The New York Times. His drawings appeared in the newspaper up until his death. Beginning in the 1940s, Hirschfeld illustrated books and authored numerous books. His drawings, watercolors, lithographs, etchings, and sculptures are found in many private and museum collections. Although his caricatures were noted for their wit, Hirschfeld was not malicious, and it became something of an honor to be drawn by him. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Pair of black and white scotty dogs sewn to a vintage pincushion. Some residue on surfaces, wear to fabric with losses on bottom. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Hirschfeld, Al (American 1903-2003). Duke Ellington, 1991 etching. Numbered 37/150 and signed Hirschfeld below image in pencil. 12 3/4" x 13 1/2" (Sight). 21 3/4" x 22 1/4" (Frame). Double matted in a painted wood frame. Spotting and foxing visible in margins and on mat. Stored in unknown conditions, Not examined out of frame. Papered and wired, ready to hang. https://www.alhirschfeldfoundationshop.org/stage/product/duke-ellington/ Al Hirschfeld was an American caricature artist known especially for drawings of show-business personalities that appeared in The New York Times. His drawings appeared in the newspaper up until his death. Beginning in the 1940s, Hirschfeld illustrated books and authored numerous books. His drawings, watercolors, lithographs, etchings, and sculptures are found in many private and museum collections. Although his caricatures were noted for their wit, Hirschfeld was not malicious, and it became something of an honor to be drawn by him. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

10 vintage pincushion half ladies with skirts, various styles. Residue on surfaces, wear to fabric throughout, with some rubbed areas of paint, worn fabric, and other condition issues. Also includes an additional crazed torso. A great start or addition to a collection. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Hirschfeld, Al (American 1903-2003). Fuji from the Kabuki Suite, 1976 lithograph. Numbered 201/275, signed Hirschfeld lower right in pencil, and identified on a tag verso. 27" x 20 1/2" (Sight). 36 1/2" x 28 1/4" (Frame). Double matted in a metal sectional frame without glass. Minor scuffs and scratches on frame. Amoco Corp Art Collection tag on right rail. Not examined out of frame. Lacks glass in frame. Stored in unknown conditions. Wired. https://www.alhirschfeldfoundationshop.org/stage/product/kabuki-fuji/ Al Hirschfeld was an American caricature artist known especially for drawings of show-business personalities that appeared in The New York Times. His drawings appeared in the newspaper up until his death. Beginning in the 1940s, Hirschfeld illustrated books and authored numerous books. His drawings, watercolors, lithographs, etchings, and sculptures are found in many private and museum collections. Although his caricatures were noted for their wit, Hirschfeld was not malicious, and it became something of an honor to be drawn by him. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

3 walking sticks with wood shafts. Includes: 36"L lacking the tip, with a hallmarked sterling hollow head. Compressed and dented areas to sterling. 37 1/2"L with a rubber tip, bone handle with marked 14K fittings. Some splits to edges of fittings, crack through bone. 36"H with a brass wrapped tip and brass handle. Unmarked. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Stangl Wildrose pattern plates, marked under glaze on bottoms: 8 dinner plates 10"Dia. 8 plates 6"Dia. Also includes 2 3/4"H Barnyard mug. Minor wear to surfaces - overall very good conditions. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Marked on back, plus Royal badge on front. Black steel body. Keys strike, installed ribbon is broken. Solid piece in need of light restoration. Includes original vinyl cover. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Bruning, Peter (Dutch/American, 1923-2018). Lent, Acrylic on canvas, undated. Signed PBruning lower left, and identified with a tag and on stretcher verso. 20" x 24" (Stretchers). 21" x 25" (Frame). In a painted wood frame. Wired and ready to hang. Peter Bruning was born and raised in Amsterdam, The Netherlands. He loved to draw and play the piano as a child and was influenced by the fine art museums and concert halls in Amsterdam. After graduation from the Montessori High School in Amsterdam, he chose a teaching career and completed his doctorate in Germanic studies with minor studies in art history and sociology at the University of Amsterdam in 1949. He also studied art in Amsterdam, and then, after WW2, in Bern, Switzerland and in Paris, France. He came to Terre Haute as a visiting instructor at Indiana State in 1950 where he met his future wife Margaret Jones, an art major. Peter taught German and Dutch languages at Indiana University Bloomington, University of California Berkley, and German Language and Literature at Rice University Houston, where he became a U.S. citizen in 1955. In 1956, Peter accepted a position in the Foreign Language Department at Indiana State in Terre Haute where he taught until his retirement in 1990, all while pursuing his art career. Having grown up on the Dutch coast of the North Sea, Peter was intrigued by the subtle nuances of color, shape and feelings evoked by the juxtaposition of land, sky, and water. He was drawn to visit and paint at many coastal locations, such as the Cote d'Azur, the Caribbean, the Greek isles, and Cape Cod. Many of the landscapes and cityscapes he painted were also the subjects of earlier artists, but Peter made a consistent effort to view and depict those subjects from different, unexpected, and novel vantage points. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

145"L x 103"W. Added fringe. Contemporary machine made. Bright colors and clean with exception of fringe. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Bruning, Peter (Dutch/American, 1923-2018). Duet, Acrylic on canvas, 2012. Signed PBruning lower right with date. 20" x 24" (Stretchers). 21" x 25" (Frame). In a painted wood frame. Wired and ready to hang. Peter Bruning was born and raised in Amsterdam, The Netherlands. He loved to draw and play the piano as a child and was influenced by the fine art museums and concert halls in Amsterdam. After graduation from the Montessori High School in Amsterdam, he chose a teaching career and completed his doctorate in Germanic studies with minor studies in art history and sociology at the University of Amsterdam in 1949. He also studied art in Amsterdam, and then, after WW2, in Bern, Switzerland and in Paris, France. He came to Terre Haute as a visiting instructor at Indiana State in 1950 where he met his future wife Margaret Jones, an art major. Peter taught German and Dutch languages at Indiana University Bloomington, University of California Berkley, and German Language and Literature at Rice University Houston, where he became a U.S. citizen in 1955. In 1956, Peter accepted a position in the Foreign Language Department at Indiana State in Terre Haute where he taught until his retirement in 1990, all while pursuing his art career. Having grown up on the Dutch coast of the North Sea, Peter was intrigued by the subtle nuances of color, shape and feelings evoked by the juxtaposition of land, sky, and water. He was drawn to visit and paint at many coastal locations, such as the Cote d'Azur, the Caribbean, the Greek isles, and Cape Cod. Many of the landscapes and cityscapes he painted were also the subjects of earlier artists, but Peter made a consistent effort to view and depict those subjects from different, unexpected, and novel vantage points. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Pair of antique painted porcelain cream, lidded sugar 3 1/2" and 4 1/2"H with raised flower mark on bottom. Northwood Klondyke blue opalescent footed pressed glass candy dish. 3 1/2"H, 7"Dia. with ruffled edge. Floral at bottom center. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Bruning, Peter (Dutch/American, 1923-2018). Girl in Grey IV #3. Undated, circa 1960s. Oil on canvas panel signed Peter Bruning lower right and identified on stretcher verso. 24" x 18" (Stretchers). Unframed. Foxing visible on canvas verso. Another masterful portrait with a direct gaze from the sitter. Peter Bruning was born and raised in Amsterdam, The Netherlands. He loved to draw and play the piano as a child and was influenced by the fine art museums and concert halls in Amsterdam. After graduation from the Montessori High School in Amsterdam, he chose a teaching career and completed his doctorate in Germanic studies with minor studies in art history and sociology at the University of Amsterdam in 1949. He also studied art in Amsterdam, and then, after WW2, in Bern, Switzerland and in Paris, France. He came to Terre Haute as a visiting instructor at Indiana State in 1950 where he met his future wife Margaret Jones, an art major. Peter taught German and Dutch languages at Indiana University Bloomington, University of California Berkley, and German Language and Literature at Rice University Houston, where he became a U.S. citizen in 1955. In 1956, Peter accepted a position in the Foreign Language Department at Indiana State in Terre Haute where he taught until his retirement in 1990, all while pursuing his art career. Having grown up on the Dutch coast of the North Sea, Peter was intrigued by the subtle nuances of color, shape and feelings evoked by the juxtaposition of land, sky, and water. He was drawn to visit and paint at many coastal locations, such as the Cote d'Azur, the Caribbean, the Greek isles, and Cape Cod. Many of the landscapes and cityscapes he painted were also the subjects of earlier artists, but Peter made a consistent effort to view and depict those subjects from different, unexpected, and novel vantage points. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Stangl Thistle pattern dishware, marked under glaze on bottoms. Includes: 1 plate 10"Dia. 4 plates 9 1/4"Dia. 10 plates 8"DIa. 2 plates 6"Dia. 8 bowls 2"H, 6 bowls 1 1/4"H. 6 coffee cups, 7 saucers. Serving pieces include 2 bowls 7 1/2" and 9 1/4"Dia., gravy boat, 2 creamers, 1 lidded sugar, 2 sets of salt and pepper shakers, divided bowl 10 1/2"L, and irregularly shaped platter 13 1/4"L. Minor wear and staining on some faces. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Secunda, Arthur (American 1927-2022). Untitled mixed media painting on paper. Signed and dated 1973 in ink lower left. 26" x 19 3/4" (Sheet). 34 1/4" x 28 1/4" (Frame). Float mounted in an acrylic frame against the plexiglas. Museum materials per framer's note verso. Minor scratches and scuffs to frame and plexiglas. Amoco Corp Art Collection tag lower right rail. Stored in unknown conditions. Not examined out of frame. Wired and ready to hang. Arthur Secunda's career in art was marked by international recognition in many fields - painter, sculptor, teacher, critic and printmaker. He attended New York University and the Art Students League in New York, and later continued his education in Paris, Rome, and in Mexico where he learned the art of woodcarving and woodcut printing. Throughout his dynamic career Secunda cultivated his art connoisseurship through interesting jobs which included museum curator of education at the Santa Barbara Art Museum, university instructor and lecturer at UCLA, the Pasadena Art Museum, Otis Art Institute and the Palm Springs Desert Museum. In addition, he produced a weekly TV program entitled "Arts of All Times," and was the founding editor of Artforum magazine in Los Angeles in 1963. His works are in the permanent collections of the Museum of Modern Art in New York; the Library of Congress in Washington D.C.; the Chicago Art Institute; the Honolulu Academy of Fine Arts and the Detroit Art Institute in the U.S. In addition to the Tel Aviv Museum, his art has been acquired by European museums in Aries, Geneva, Stockholm, Choler, Ostend, Brussels, Zurich, and elsewhere. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Exhibition poster for works by Edie, Brett, and Charles Harper at Frame House Gallery, 1977. Signed in pencil by all three artists lower right corner, and a second time by Charley Harper along lower right edge. 28" x 20" (Frame). Copyright Charles Harper 1977 printed lower left corner. In a black metal sectional frame. Small area of foxing left edge. Glass break visible lower right corner. Not examined out of frame. Wired and ready to hang. Charley was born Charles Burton Harper in 1922. He graduated from, and taught art at, the Art Academy of Cincinnati. In the 1950’s Harper gained acclaim as a commercial illustrator with “The Golden Book of Biology” and “Betty Crocker’s Dinner for Two cookbook.” Over the ensuing two decades he contributed to the Ford Motor Company’s magazine, Ford Times. The response to this work was so positive, it led to his silkscreen print business reproducing those images. Charley’s paintings have appeared in nature-oriented magazines and on posters for many conservation-minded organizations, among them the National Park Service, Cincinnati Zoo, Cincinnati Nature Center, Hamilton County (Ohio) Park District, the Michigan Audubon Society, and Hawk Mountain Sanctuary in Pennsylvania. Besides “The Golden Book of Biology” he has illustrated “The Animal Kingdom”, Birds & Words”; and “Beguiled by the Wild; The Art of Charley Harper.” When once asked to describe his art style, Harper replied, “When I look at a wildlife or nature subject, I don’t see the feathers in the wings, I just count the wings. I see exciting shapes, color combinations, patterns, textures, fascinating behavior and endless possibilities for making interesting pictures. I regard the picture as an ecosystem in which all the elements are interrelated, interdependent, perfectly balanced, without trimming or unutilized parts; and herein lies the lure of painting; in a world of chaos, the picture is one small rectangle in which the artist can create an ordered universe.” EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs.

16"H, 9 1/2"W x 7 1/2"D. Has been hung in an exterior environment, some drebris present. Wire loop through back for hanging. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

16"H, 9 1/2"W x 7 1/2"D. Has been hung in an exterior environment, some drebris present. Wire loop through back for hanging. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Rauch, Georg (Austrian 1924-2006), Untitled portrait of a woman with an umbrella, oil on canvas. Undated. Signed lower right. Assorted numeric notations verso. Inventory sticker on side of frame from Amoco Arts Collection. 29 1/2" x 23 1/2" (Sight). 32 1/4" x 26 1/4" (Frame). In a wood frame. A few minor spots and scuffs on painting surface and on frame. Stored in unknown conditions, Not examined out of frame. Wired, ready to hang. Artist and writer Georg Rauch was born in Austria in 1924. Following the events detailed in his memoir, "The Jew with the Iron Cross," he spent two years in an alpine sanatorium recovering from bone tuberculosis that he contracted in the Russian POW camp. He learned to sketch by watching his fellow patients struggle to regain their physical strength. Disabled by his illness, his mother encouraged him to become an artist. Rauch exhibited his early work in Vienna, followed by shows in Paris, London, Germany and Scandinavia, firmly establishing what would be his lifelong career as a professional artist. Strongly influenced by his fellow Viennese painters Egon Schiele, Gustav Klimt and Oskar Kokoschka, he held his first one-man show in 1952 in Vienna and became a member of the prestigious "Wiener Secession." Since then he has had shows in Europe and on the American continent; Paris, London, Duesseldorf, Munich, New York, Toronto, Los Angeles and Mexico City among others. His work is in museums and private and corporate collections. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Henze, Fred (German 1904-late 20th century). Glazed tile assemblage with image of a saint on horseback with a reptile. Gold overpainting. 16 tiles, 4" x 4" each. Artist biography from Storck Art Studio affixed verso. 16" x 16" (Sight). 25" x 25" (Frame). Mounted on a wood backing in a gilt faced wood frame. Bumps to frame surfaces. Not examined out of frame. Wired and ready to hang. Fred Henze was born in Germany in 1904 and came to the US in 1923. He was active in St Louis, Mo. between 1936-1971. His mosaic work can be found in churches and convents across the US, and at the Black Madonna Shrine, in Eureka, Mo. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs.

Slaughter, R. (20th century). He Just Doesn't Know, woodcut, 1930. 4ed. Titled, numbered, signed and dated in pencil below image. 14 3/8" x 11 3/4" (Sight), 20 1/2" x 16 1/2" (Frame). Matted in a black metal frame. Some rubbing or lightened areas at bottom and right edge, with some toning to edge of mat. Not examined out of frame. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Estate collection of Dennis & Nancy Garrett of Bloomington, Indiana. Pulp paper body with over paint of an owl standing on a plinth, 14 1/2"H. "Clear Heads Choose Calvert" on base and Calvert banner across the chest. Surfaces have losses and splitting on side with discoloration to paint. Great atmospheric patina. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis & Nancy Garrett of Bloomington, Indiana. Possibly Cuda Chroma #303 Saturn. Working, corrosion on chrome surface. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis & Nancy Garrett of Bloomington, Indiana. 9 1/2"L. Covered dish, nicely molded with raised mark on bottom: Patd March, 9-1886. and I over G symbol/mark. Very good condition, hairline fissure on interior of base. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Downs, Susan (Sterling). (American b. circa 1960). Untitled Fancy Rooster, oil on canvas. Signed mid-right along edge of poultry S. Downs, with artist's card verso. Commissioned piece in large size 40 1/2" x 60 1/2" (Stretchers). A few minor scratches on surface. Wired and ready to hang. NOTE: LOCAL PICKUP ONLY. Susan Sterling (nee Downs) is a graphic designer, illustrator, and artist who has lived and worked in Bloomington and Indianapolis Indiana. She graduated from Heron School of Art in 1983, and produces oil paintings of her own fowl along with commissioned chicken portraits for those that love their poultry. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Huertas Aguiar, Segundo (Argentine 1923-2010). Untitled Landscape with tree, undated. Oil on canvas, signed S. Huertas lower right. CE 36672 hand written on canvas verso. 23 1/2" x 47 1/2" (Sight). 31 3/4" x 55 3/4" (Frame). In a painted carved wood frame with a linen wrapped liner. Minor foxing visible verso. Not examined out of frame. Wired, ready to hang. NOTE: LOCAL PICKUP ONLY. Midcentury impressionist Segundo Huertas Aguiar was born in San Juan, Argentina, in 1923. While growing up on a farm, he spent most of his spare time painting landscapes from nature. In 1965, Aguiar moved to the United States, where he eventually became a naturalized citizen. He settled in the Chicago area, where he lived for twenty- five years. During this period, Aguiar traveled extensively across America capturing virtually every region in his paintings. Collectors have described Huertas Aguiar as the Ansel Adams of painting. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Stirratt, Betsy (American b. 1958). Untitled (for Pegram). Linocut, pochoir, lithograph with hand additions. 2003, Paris Review Print Series, PP 1/5, Ed 100. Titled, numbered, signed and dated in pencil along bottom, edge. 17” x 14” (Sheet). Unframed. Good conditions. In 1965, The Paris Review launched a series of prints by major contemporary artists designed to encourage works in the print medium while also publicizing and providing financial support for the magazine. Among the initial contributors were Helen Frankenthaler, Ellsworth Kelly, Robert Motherwell, and Andy Warhol. Relaunched in 2022, the Paris Review Print Series has grown to include the work of more than sixty-five artists and has garnered consistent critical acclaim. Over the years, the Museum of Modern Art has purchased over two dozen editions for its permanent collection, and the series has been exhibited at galleries in New York and Paris, as well as in many other American and European cities. (https://store.theparisreview.org/products/betsy-stirrat) Exploring natural and social histories through photographs, books, paintings, objects and film, Betsy Stirratt creates multiple layered narratives about the interactions of humans and nature. She is Director Emeritus of the Grunwald Gallery of Art at Indiana University Bloomington where, since 1987, she curated exhibitions and published catalogs. Exhibiting her own work widely since 1983, solo exhibitions include La Maladie at The Mütter Museum in Philadelphia and the International Museum of Surgical Science in Chicago and Veiled Taxonomies at the Center for Book Arts in New York among others. Her work has been included in group exhibits at the National Museum of Women in the Arts, Indianapolis Museum of Art, and White Columns and Art in General in New York. She is the recipient of several grants, including a Visual Artist Fellowship from the National Endowment for the Arts and awards from the Indiana Arts Commission and the American Craft Council. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis & Nancy Garrett of Bloomington, Indiana. 12 1/2"H. Octagonal base with rippling at lip. Clear and bright canary yellow, fluoresces under UV light. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Holley, Lonnie (American b. 1950). The Music Lives, 2013. Sugarlift aquatint, published by Paulson Fontaine Press. Numbered 4/25, signed and dated below plate mark in pencil. 14" x 17" (Sheet). 19 1/2" x 22 1/4" (Frame). Float mounted in a painted wood frame. Minor scuffs to frame surfaces. Stored in unknown conditions. Not examined out of frame. Paper, wired, and ready to hang. Born in 1950 in Alabama, Holley has devoted his life to the practice of improvisational creativity. His art and music, born out of struggle, hardship, but perhaps more importantly, out of furious curiosity and biological necessity, has manifested itself in drawing, painting, sculpture, photography, performance, music, and filmmaking. Holley's sculptures are constructed from found materials in the oldest tradition of African American sculpture. Objects, already imbued with cultural and artistic metaphor, are combined into narrative sculptures that commemorate places, people, and events. His work is now in collections of major museums throughout the world (The Museums of Fine Arts, San Francisco; The Metropolitan Museum of Art; The Philadelphia Museum of Art; The Smithsonian American Art Museum; The National Gallery of Art, Washington, DC, and many others), on permanent display in the United Nations, and been displayed in the White House Rose Garden. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Oldenburg, Claes (Swedish 1929-2022). Sailboat Thinking of Q. Offset lithograph and silkscreen 1976, signed in pencil and numbered PP 3/25 along bottom edge, with printed titled and copyright details. Published by the Collegiate School, New York.15 7/8" x 11 7/8" (Sight). 24" x 19 1/2" (Frame). Double matted in a painted wood frame. No visible foxing or spotting. Stored in unknown conditions. Not examined out of frame. Papered, wired and ready to hang. Since the 1960s, Claes Oldenburg has worked at the forefront of the Conceptual and Pop art movements, and he's best known for his monumental public sculptures of everyday objects. These include Lipstick (Ascending) on Caterpillar Tracks (1969, reworked 1974) in New Haven, Connecticut; Clothespin (1976) in Philadelphia; Shuttlecocks (1992) in Kansas City; and Cupid's Span (2002), a gigantic archer's bow in San Francisco. These pieces epitomize Oldenburg's irreverent sense of humor and fascination with American consumerism, qualities which have also pervaded his performances, drawings, writings, and famous "soft sculptures"-cushiony, unserious objects that resemble diner foods and other symbols of Americana. Oldenburg's work can be found in the collections of the Museum of Modern Art, the Guggenheim Museum, the San Francisco Museum of Modern Art, Moderna Museet, and the Centre Pompidou. Oldenburg often collaborated with his late wife, Coosje van Bruggen, who died in 2009. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Estate collection of Dennis & Nancy Garrett of Bloomington, Indiana. 14 1/2"H. Molded and swung with star pattern base, textured and molded stem base morphing into reeded body, shaped lip. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Indiana, Robert (American, 1928-2018). Skid Row 69, lithograph 1969. Edition of 1500. No signature visible. 9" x 9" (Sight). 20" x 20" (Frame). In a shaped mat with a wood liner and metal sectional frame. Stored in unknown conditions. Not examined out of frame. Wired, and ready to hang. Robert Indiana is most famous for his iconic “LOVE” imagelmThroughout his career, Indiana reconfigured the aesthetics of American advertisements, slogans, and commercial logos into bright, pared-down works that comment on national identity and the power of language. Indiana studied at the School of the Art Institute of Chicago, Skowhegan School of Painting and Sculpture in Maine, and Edinburgh College of Art in Scotland before moving to New York. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Stonehouse, Fred (American b. 1960). Oso Negro (Black Bear). Acrylic on Panel, 1999. 16 1/2" x 13 1/2" (Sight). 22 1/4" x 19 1/2" (Frame). In a wood frame. Signed and dated verso, and identified with 2 gallery tags: Tory Folliard Gallery Milwaukee, and a partially removed tag from Carl Hammer Gallery Chicago. Wired and ready to hang. Evocative piece from this well listed contemporary artist. A major figure in Wisconsin art, Fred Stonehouse is nationally recognized for his beautifully executed artwork and witty sense of rebellion. His style has a sophistication that reflects his diverse, cross-cultural interests, and outsider and folk art influences. Often encompassing religious or surreal contexts, his paintings are a materialization of his nostalgia for familiar cartoon figures of the past, blended with the artist’s own delicate balance of humor, beauty and derangement. The artist, a Milwaukee native, has enjoyed over fifteen museum exhibitions across the country including a retrospective at the Madison Museum of Contemporary Art and has been featured in Blab and Juxtapose magazines. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Kalina, Richard (American b. 1946). Sea Level. Lithograph, photolithograph, woodcut, collage, 1993, Echo Press. EP 1/2, ed size 20. Titled, numbered, signed and dated along lower edge. Publisher's inventory in pencil along bottom edge verso. 41 3/4" x 18" (Sheet). Unframed, good conditions. Echo Press, Bloomington IN, was established by Rudy Pozzatti (American 1925-2021) as an independent fine print workshop for visiting artists. Over sixteen years the press produced 191 editions and 400 monotypes by 47 artists. Richard Kalina studied at the University of Pennsylvania. He began exhibiting in 1969 and has regularly shown his work in museums and galleries, both nationally and internationally. Kalina exhibited with Ivan Karp during the early years of OK Harris Gallery, Tibor de Nagy Gallery, Piezo Electric, and Diane Brown. He has been included in several important survey exhibitions of abstract painting, including both exhibitions titled Conceptual Abstraction, first at Sidney Janis Gallery in 1991 and in the exhibition that revisited that show, and which was held at the Hunter College Art Gallery in 2012. In addition to his work in painting and drawing, Richard Kalina is a well-known art critic, serving as a Contributing Editor at Art in America and regularly publishing articles in that magazine and others. Richard Kalina is Professor of Art at Fordham University in New York, where he teaches studio art and art history. He is a member of the National Academy. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis & Nancy Garrett of Bloomington, Indiana. 10 1/2"H. Pulled loop opalescent, 3 part mold lines. Area of staining on interior. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Max, Peter (American b. 1937). Orange Heart Poster, October 1973. Printed Peter Max name and date at top, and printed signature at bottom. 27" x 19 1/2" (Sight). 32 1/4" x 24 1/4" (Frame). Double matted in an orange metal sectional frame. A few spots on mat at edges, and foxing on backing board. Some minor creases visible on poster. Stored in unknown conditions. Not examined out of frame. Wired, ready to hang. Artist Peter Max was born in Berlin in 1937 and spent his childhood in Shanghai. From China, the family lived in Tibet, Israel, Paris, and finally, the United States. Max began his art studies in New York at the Art Student's League and continued at the Pratt Institute and School of Visual Arts. He is known for his new age style, cosmic imagery and multi-colored blends. During the late 1960's and early 70's, Peter Max's colorful art reached millions of people and he won numerous major awards for his work. His paintings, drawings, sculptures, and graphics have been exhibited in major museums throughout the world. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Max, Peter (American b. 1937). Three Lords and a Runner, silkscreen 1973. Numbered 203/300 and signed in pencil below image. 17 3/4" x 24" (Sight). 23 1/2" x 29 1/2" (Frame). Double matted in a silvered wood frame. Minor stains on backing paper. Stored in unknown conditions, not examined out of frame. Papered, wired, ready to hang. Bright colors - no visible spotting or foxing. Artist Peter Max was born in Berlin in 1937 and spent his childhood in Shanghai. From China, the family lived in Tibet, Israel, Paris, and finally, the United States. Max began his art studies in New York at the Art Student's League and continued at the Pratt Institute and School of Visual Arts. He is known for his new age style, cosmic imagery and multi-colored blends. During the late 1960's and early 70's, Peter Max's colorful art reached millions of people and he won numerous major awards for his work. His paintings, drawings, sculptures, and graphics have been exhibited in major museums throughout the world. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Good condition. Measures are from shortset to longest pipes and do not include the protruding pipes, which each measure 6". 54 1/2"L x 4"W x 3 1/2" H 51 1/2"L x 2 3/4"W x 3"H 30 1/4"L x 4 3/4"W x 5 1/2"H 15 1/4"L x 3 1/4"W x 2 1/4"H EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Borofsky, Jonathan (American b. 1942). Untitled (2965794) from the portfolio: The Artsounds Collection, offset lithograph, 1986. Numbered 135/200 lower left and signed along right margin in pencil. 12" x 12" (Sheet). 21" x 20 3/4" (Frame). Double matted in a painted wood frame. Spotting and residue visible on mat. Minor scuffs on frame. Stored in unknown conditions, Not examined out of frame. Papered and wired, ready to hang. Trompe l'oeil doodle print of a notebook page on paper by a well regarded contemporary artist. Jonathan Borofsky is a contemporary American artist best known for his site-specific sculptures, colored lithographs, and screenprints. Known for combining media and juxtaposing seemingly contrasting imagery, the artist's works engage in esoteric ideas surrounding dreams, labor, tragedy, and numbers as catalysts for his ambitious projects. In his public sculpture Walking to the Sky (2004), a 100-foot steel pole slants upwards with figures striding vertically towards the sky in a poetic depiction of humanity's desire to explore and understand the universe. Born on December 24, 1942 in Boston, MA, Borofsky received his BFA from Carnegie Mellon University in 1964 and his MFA from Yale University in 1966 before moving to New York. There, he met the Conceptual artist Sol Lewitt, who served as a mentor and lasting influence on Borofsky's practice. His works are in the collections of The Museum of Modern Art in New York, the Tate Gallery in London, the National Gallery of Art in Washington, D.C., and the Kunstmuseum Basel, among others. Borofsky lives and works in Ogunquit, ME. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Max, Peter (American b. 1937). Profile Poster 1970. Peter Max name, empty banner at bottom. Copyright details bottom right. 24" x 19" (Sight). 29" x 23 1/2" (Frame). Double matted in a purple metal sectional frame. A few small spots on mat and back of glass, and foxing on backing board. Stored in unknown conditions. Not examined out of frame. Wired, ready to hang. Artist Peter Max was born in Berlin in 1937 and spent his childhood in Shanghai. From China, the family lived in Tibet, Israel, Paris, and finally, the United States. Max began his art studies in New York at the Art Student's League and continued at the Pratt Institute and School of Visual Arts. He is known for his new age style, cosmic imagery and multi-colored blends. During the late 1960's and early 70's, Peter Max's colorful art reached millions of people and he won numerous major awards for his work. His paintings, drawings, sculptures, and graphics have been exhibited in major museums throughout the world. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Sorman, Steven (American b. 1948). Castle Danger. Woodcut, intaglio, lithograph, collograph with hand additions, 1995 Echo Press, edition size 28. Numbered, PP4/4, titled, dated and signed along lower edge. Publisher's blind stamp plus inventory details in pencil visible lower edge verso. 38” x 37” (Sheet). Unframed. Good conditions. Echo Press, Bloomington IN, was established by Rudy Pozzatti (American 1925-2021) as an independent fine print workshop for visiting artists. Over sixteen years the press produced 191 editions and 400 monotypes by 47 artists. Steven Sorman was born in Minneapolis, Minnesota. Internationally known as a painter and printmaker, Sorman earned his Bachelor of Fine Arts degree from University of Minnesota in 1971. He is best known for his multimedia, complex paintings, drawings and prints, and is considered a master at orchestrating theme, line, layer, media, and color into challenging images that demand a rhythm of eye movement throughout his artwork. His work can be found in the collections of the Stedkijk Museum in Amsterdam, The Museum of Modern Art and the Whitney Museum of American Art in New York, the Art Institute of Chicago, and Walker Art Center, among others. Commissions include the Springhill Foundation, Prudential Insurance, IBM, Honeywell and Hyatt Regency. Sorman won the Bush Foundation Artist's Fellowship in 1979, the San Francisco Museum of Modern Art Merit World Print III Award in 1980, the Rockefeller Foundation American Center Artist in Residence in Paris in 1982 and the 2nd Bhrat Bhavan International Biennial of Prints Merit Award in 1991. Numerous one-artist exhibitions have featured his work in galleries worldwide. Sorman lives and works in Red Wing, Minnesota. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

40 1/2"L x 21 1/2"W x 48"H. Surface wear and scratches. 1 knob has been replaced with a mismatching knob. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

22"L x 22 1/2"W x 34"H. Very nice pair of matching armchairs with black lacquer frames, caned backs and upholstered seats. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Calder, Alexander (American 1898-1976). Vertical Flags. Lithograph, 1970. Numbered 34/100 with signature in pencil below image. 30 3/4" x 24" (Sheet). Unframed. Spotting and foxing on image, especially at lower edge, with toned ground. Tape residue from prior matting top edge verso. Will benefit from cleaning and conservation. Alexander Calder was an American sculptor known for his innovative mobiles (kinetic sculptures powered by motors or air currents), his static "stabiles", and his monumental public sculptures. Calder enrolled at the Art Students League in New York, studying briefly with George Luks, Boardman Robinson, and John Sloan. In 1926, Calder moved to Paris, enrolled in the Académie de la Grande Chaumière, and established a studio. While in Paris, Calder befriended a number of avant-garde artists, including Fernand Léger, Jean Arp, and Marcel Duchamp. Calder and his wife Louisa returned to America in 1933 to a farmhouse they purchased in Connecticut. In 1963, Calder settled into a new workshop, overlooking the valley of the Lower Chevrière to Saché in Indre-et-Loire (France). Throughout his artistic career, Calder named many of his works in French, regardless of where they were destined for eventual display. Calder died in 1976 shortly after the opening of a major retrospective show at the Whitney Museum in New York. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Yvaral / Vasarely, Jean-Pierre (French 1934-2002). Blue Velvet. Circa 1990s silkscreen. Numbered 155/200 and signed below image. 29 1/2" x 29 1/2" (Sheet). Minor edge toning and creases. Unframed. Jean-Pierre Vasarely, professionally known as Yvaral, was a French artist working in the fields of op-art and kinetic art from 1954 onwards. He was the son of Victor Vasarely, who was a pioneer of op-art. Yvaral studied graphic art and publicity at the Ecole des Arts Appliques in Paris between 1950 and 1953. In 1960, Yvaral co-founded the Groupe de Recherche d'Art Visual (GRAV) with Julio Le Parc, François Morellet, Francisco Sobrino, Horacio Garcia Rossi and Joel Stein, seeking to develop a coherent abstract visual language composed of simple geometric elements. In 1975 he coined the phrase 'Numerical Art' to describe artwork composed (or programmed) according to numerical rules or algorithms. From this time onwards he used computers to digitally process and manipulate images, although the final images were always hand painted. He used this technique to produce several series of portraits starting from instantly recognizable images, such as the face of Marilyn Monroe, and processing them to the point where they become abstract compositions, while the original image remains recognizable. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Vasarely, Victor (Hungarian / French 1906-1997). Mexico City. 1982 Silkscreen. Numbered 163/250 and signed in pencil below image. 31 1/2" x 29 7/8" (Sheet). Minor creases and dents. Unframed. Victor Vasarely (Vasarhelyi Gyozo) (1906 -1997) was a French Hungarian-born artist often acclaimed as the father of Op-art. Working as a graphic artist in the 1930s he created what is considered the first Op-art piece Zebra, consisting of curving black and white stripes, indicating the direction his work would take. Over the next two decades, Vasarely developed his style of geometric abstract art and gained international renown. Born in Pecs, Hungary on April 9, 1906 Vasarely was raised in Budapest, and took up medical studies ay Budapest University in 1925. Two years later, he abandoned medicine to study painting at Polini-Volkmann Academy, and later at the Mülheny, where he expanded his studies in graphic art. He married fellow student Claire Spinner in 1930 and they had two sons; around this time they left Hungary and moved to Paris, where he worked as a creative consultant in advertising. At the end of the Second World War, he opened an atelier in Arcueil, and began to focus on his more geometric paintings and prints, beginning to refine his spatial problem-solving on both flat surfaces and in three dimensional sculpting. He would later evolve his style to include optical illusion based on the research of constructivist and Bauhaus pioneers. Mathematical elements played throughout his pieces as well as his techniques, and he was eventually dubbed the inventor and creator of Op-Art. Vasarely received the Guggenheim Prize, French Chevalier de L’Ordre de la Legion d’Honneur, Art Critics Prize (Brussels), and the Gold Medal at the Milan Trienalle. His works are found at the Vasarely Museums in Hungary and France, as well as various collections throughout the world. He died in Paris on March 15, 1997. www.annexgalleries.com/artists/biography/2436/Vasarely/Victor EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

2 illegibly signed graphite drawings on paper, Max Mustan (?), 1972. 25 1/2" x 30 1/2" (Sheets). Unframed. Handling creases, small marginal creases and tears, and spots. Inventive and evocative large drawings of seated figures. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Hilson, Harry (American 1935-2004). 2 paneled abstract acrylic landscape painting on paper, 1986. 30" x 22" (Each Sheet), unframed. Signed lower right in both sheets, and numbered 1, 2. Dated 1986 in panel 2. Good conditions, never framed. Harry Hilson was active 1957-2000's working originally in oil on canvas and wood, mixed media and Wax Painting. In the 1960-70 studying the work of G.I.Gurdjieff and Maharish Mahesh Yogi and beginning to work in sculptural forms in wood, fiberglass, welded steel and concrete with studios in New York, Los Angeles and Aspen with work included in public exhibits at The High Museum, Delgado Museum, Norton Gallery of Art, Butler Institute of American Art, Georgia State Museum and others - collected and commissioned by private citizens and public corporations. Beginning in 1970 Hilson developed a wool tapestry technique creating commissions for the Hallmark Corp., Crown Center Hotels, Hilton, Motorola and others as well as monumental graphic and banner projects while continuing to work in oil on canvas and paper, wax-painting and wool tapestries as well as beginning to produce black and white video. Hilson's work has been stored for approximately 15 years, as many condition issues as possible are recorded, however, bidder is responsible for final assessment. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Bonomi, Maria (Italian b. 1935, lives and works in Brazil). Turva. Lithograph on paper, 1976. Titled, numbered PE, signed and dated in pencil below image. 19 3/4" x 28" (Sheet). Unframed. A few creases and dents plus some minor foxing. Pencil notations verso. The engraved matrix of the woodblock print is the keystone of Maria Bonomi’s practice as a printmaker and sculptor. To deepen her knowledge of woodblock printing in the 1960s and 1970s, Bonomi trained at the Pratt Institute with Seong Moy. She also travelled to Japan and Maoist China, and studied the techniques practiced in the Amazon. Pedra Robat (1974) is part of a series made in the period after these transformative journeys. Departing from conventional woodblock printing methods, she used two unusually large and heavy wooden matrices. These were engraved using techniques inspired by jade stone carvings she observed in Beijing, which were the product of skills honed across generations of stonecutters. The print is achieved by layering each matrix’s impression. The result is not typically hard-edged. Instead, it seems to vibrate with kinetic energy, a distinctive characteristic of the artist’s printmaking style. Crucial elements of the work are the woodblocks exhibited at the print’s base. Her endless research on the engraved surface led Bonomi to elaborate the vision for an “expanded woodcut”, turning matrices into monumental sculptural installations for public commissions. Bonomi's work is included in the Venice Biennale 2024. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

30 1/2"L x 16 1/2"W x 30"H. Very nice Victorian period bedroom cabinet with single drawer over cabinet. Separate white marble top has some pin holes for backsplash which is available (broken and repaired). Some discoloration and wear to wood finish. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Bruning, Peter (Dutch/American, 1923-2018). Dolls / Composition. 1964 oil on masonite panel. Signed and dated Peter Bruning 1964 lower right and identified verso. 70" x 49" (Frame). In a wood frame. Great massive early career piece. NOTE: LOCAL PICKUP ONLY. Peter Bruning was born and raised in Amsterdam, The Netherlands. He loved to draw and play the piano as a child and was influenced by the fine art museums and concert halls in Amsterdam. After graduation from the Montessori High School in Amsterdam, he chose a teaching career and completed his doctorate in Germanic studies with minor studies in art history and sociology at the University of Amsterdam in 1949. He also studied art in Amsterdam, and then, after WW2, in Bern, Switzerland and in Paris, France. He came to Terre Haute as a visiting instructor at Indiana State in 1950 where he met his future wife Margaret Jones, an art major. Peter taught German and Dutch languages at Indiana University Bloomington, University of California Berkley, and German Language and Literature at Rice University Houston, where he became a U.S. citizen in 1955. In 1956, Peter accepted a position in the Foreign Language Department at Indiana State in Terre Haute where he taught until his retirement in 1990, all while pursuing his art career. Having grown up on the Dutch coast of the North Sea, Peter was intrigued by the subtle nuances of color, shape and feelings evoked by the juxtaposition of land, sky, and water. He was drawn to visit and paint at many coastal locations, such as the Cote d'Azur, the Caribbean, the Greek isles, and Cape Cod. Many of the landscapes and cityscapes he painted were also the subjects of earlier artists, but Peter made a consistent effort to view and depict those subjects from different, unexpected, and novel vantage points. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

25"H x 9 1/2"Dia. Crease at top rim, small dents. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

23 1/2"L x 28"W x 35"H. Very nice and clean upholstered arm chair with wood frame. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Marked "Chicago Ill." on back. 28"X30"X16". Wear to finish. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Hirschfeld, Al (American 1903-2003). Poster for Art Expo NY 1980 - with imagery from his Kabuki Series, Fuji. Lithograph. 34 1/2" x 22" (Sheet). Event details printed in bottom margin. Printed by George J. Goodstadt Atelier. Unframed. Minor creases; 1" tear along top margin with a band of toning. Stored rolled. Al Hirschfeld was an American caricature artist known especially for drawings of show-business personalities that appeared in The New York Times. His drawings appeared in the newspaper up until his death. Beginning in the 1940s, Hirschfeld illustrated books and authored numerous books. His drawings, watercolors, lithographs, etchings, and sculptures are found in many private and museum collections. Although his caricatures were noted for their wit, Hirschfeld was not malicious, and it became something of an honor to be drawn by him. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Picasso, Pablo (Spanish 1881-1973). Erotic Series II (SP.8.68.II). Signature in plate lower right, numbered 76/350 lower left corner. 22" x 27 3/4" (Sheet). Unframed. Minor toning along edges; 2236 in pencil verso. Perhaps the most influential artist of the 20th century, Pablo Picasso is known for pioneering Cubism and fracturing the two-dimensional picture plane in order to convey three-dimensional space. Inspired by African and Iberian art, he also contributed to the rise of Surrealism and Expressionism. Picasso's sizable oeuvre grew to include over 20,000 paintings, prints, drawings, sculptures, ceramics, theater sets, and costume designs. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Illegibly signed hand colored costume print on paper, Christine I, 4 in a brown coat. Initialed in pen CFO II / 84 below image. Includes a dedication on a loose mounting board, signed by C. Friederich Oberh (?). 16 1/2" x 11 1/2" (Sheet). Unframed. Minor handling creases. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Tozzi, Claudio (Brazilian b. 1944). Silkscreen edition celebrating 40 years of Carbocloro. Silkscreen on paper, signed and numbered in pencil 262/350 below image center right. 13 3/4" x 19 1/2" (Sheet). Unframed, includes information sheet in Portuguese and a paper folder. Colors and sheet remain bright. Claudio Tozzi has worked since the 1960s to challenge the political and social culture of Brazil and the world. He entered the University of Sao Paulo's Faculty of Architecture and Urbanism, and during his education he met Mario Schenberg, a physicist and critic, who termed Tozzi's art NeoFiguration. From there, his interest in figuration grew as he grappled with the political and social landscapes. Tozzi worked in an era of oppressive military dictatorship in Brazil where censorship was persistent and political protests were common. He lives and works in Sao Paulo Brazil. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Cruz-Diez, Carlos (Venezuelan, 1923-2019). Untitled 1964 silkscreen / serigraph. Numbered 12/100 and signed in pencil below image. 22” x 15” (Sheet). Unframed. Good conditions with minor dimples to paper, pencil notations lower edge verso. Carlos Cruz-Diez spent his life as a passionate painter and enjoyed a very colorful life. He was one of the main protagonists of contemporary art, and his research and writings make him the last great thinker of the 20th century in the realm of color. His work revealed a new understanding of chromatic phenomena in art, expanding its perceptual universe considerably. His works are in the permanent collections of prestigious institutions such as the Museum of Modern Art (MoMA), New York; Tate Modern, London; Musée d'Art Moderne de la Ville de Paris; Centre Pompidou, Paris; Museum of Fine Arts, Houston; Wallraf-Richartz Museum, Cologne; Geffen Contemporary, Museum of Contemporary Art (MOCA), Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Louisiana Museum of Modern Art, Humlebæk. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

66"L x 27"W x 42"H. Great condition with minimal visible scuffs or scratches. Very nice and clean newer upholstery. One caster missing on front leg. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

20 1/2"H. Original brass oil lamp with reservoir, adjustable height arm supporting light with hand painted milk glass shade. No chimney. Cord is intact. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

27 1/2"H to top of finial. Some chipping at the joint where two marble sections meet. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

40.5" x 12"D x 42"H. Solid wood with carved side panels from an antique pump organ. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

43"W x 19"D x 49"H. Key included, upper drawer lock is sticky. Very nice, expected surface wear. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

van IJsseldijk, Cees (Dutch, 1901-1977) (AKA Cees Ysseldijk). Ibiza, 1964, graphite on sketchbook paper. Titled, dated and signed lower left. 10 1/2" x 14 1/4" (Sheet). Unframed. Tape from prior matting verso. Stains along edges, glue residue in corners. A nice drawing from a well known Dutch impressionist painter and printmaker. From the collection of Indiana artist Peter Bruning (1923-2018). After working for a few years at an office in his hometown Utrecht, Cornelis Egbertus (Cees) van IJsseldijk decided to pursue his desire to become an artist and enrolled at the Koninklijke Academie der Schoone Kunsten in Antwerp. From 1929 until 1931 he was a student of Eugene van Mieghem and Alphons Proost, who had great influence on his early career. He developed an impressionistic style and an interest in the intimacy of city life. In the late 1930's he returned to the Netherlands and moved into a studio in Amsterdam. His first solo exhibition, organized in his own house, was well received. He became a member of the Amsterdam artist's societies St. Lucas and De Brug, where he became a regular participant in their exhibitions. In the second half of the 1940's van IJsseldijk started making frequent trips abroad, especially to Southern Europe and Morocco. Although he remained true to impressionism, the influence of these trips is clear. https://www.christies.com/lot/cees-van-ijsseldijk-dutch-1901-1977-a-view-3960446/?intObjectID=3960446&lid=1 EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

Bruning, Peter (Dutch/American, 1923-2018). Untitled still life painted sketch of a vase with flowers. Oil on linen, undated. Unsigned. 27 1/2" x 19 3/4" (Stretchers). Unframed. Peter Bruning was born and raised in Amsterdam, The Netherlands. He loved to draw and play the piano as a child and was influenced by the fine art museums and concert halls in Amsterdam. After graduation from the Montessori High School in Amsterdam, he chose a teaching career and completed his doctorate in Germanic studies with minor studies in art history and sociology at the University of Amsterdam in 1949. He also studied art in Amsterdam, and then, after WW2, in Bern, Switzerland and in Paris, France. He came to Terre Haute as a visiting instructor at Indiana State in 1950 where he met his future wife Margaret Jones, an art major. Peter taught German and Dutch languages at Indiana University Bloomington, University of California Berkley, and German Language and Literature at Rice University Houston, where he became a U.S. citizen in 1955. In 1956, Peter accepted a position in the Foreign Language Department at Indiana State in Terre Haute where he taught until his retirement in 1990, all while pursuing his art career. Having grown up on the Dutch coast of the North Sea, Peter was intrigued by the subtle nuances of color, shape and feelings evoked by the juxtaposition of land, sky, and water. He was drawn to visit and paint at many coastal locations, such as the Cote d'Azur, the Caribbean, the Greek isles, and Cape Cod. Many of the landscapes and cityscapes he painted were also the subjects of earlier artists, but Peter made a consistent effort to view and depict those subjects from different, unexpected, and novel vantage points. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Bruning, Peter (Dutch/American, 1923-2018). 3 untitled, undated abstract paintings on canvas board and masonite. 9" x 12" signed lower left with affixed paper image verso, 12" x 9" signed lower left, and 12" x 16" unsigned. All unframed. Peter Bruning was born and raised in Amsterdam, The Netherlands. He loved to draw and play the piano as a child and was influenced by the fine art museums and concert halls in Amsterdam. After graduation from the Montessori High School in Amsterdam, he chose a teaching career and completed his doctorate in Germanic studies with minor studies in art history and sociology at the University of Amsterdam in 1949. He also studied art in Amsterdam, and then, after WW2, in Bern, Switzerland and in Paris, France. He came to Terre Haute as a visiting instructor at Indiana State in 1950 where he met his future wife Margaret Jones, an art major. Peter taught German and Dutch languages at Indiana University Bloomington, University of California Berkley, and German Language and Literature at Rice University Houston, where he became a U.S. citizen in 1955. In 1956, Peter accepted a position in the Foreign Language Department at Indiana State in Terre Haute where he taught until his retirement in 1990, all while pursuing his art career. Having grown up on the Dutch coast of the North Sea, Peter was intrigued by the subtle nuances of color, shape and feelings evoked by the juxtaposition of land, sky, and water. He was drawn to visit and paint at many coastal locations, such as the Cote d'Azur, the Caribbean, the Greek isles, and Cape Cod. Many of the landscapes and cityscapes he painted were also the subjects of earlier artists, but Peter made a consistent effort to view and depict those subjects from different, unexpected, and novel vantage points. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Bruning, Peter (Dutch/American, 1923-2018). One piece identified verso as by M. Bruning - Bruning, Margaret (American: 1932 (?) - current). 2 untitled, undated abstract paintings on canvas board. 20" x 24" (Boards). One signed M.Bruning verso, one unidentified. Both unframed. Peter Bruning was born and raised in Amsterdam, The Netherlands. He loved to draw and play the piano as a child and was influenced by the fine art museums and concert halls in Amsterdam. After graduation from the Montessori High School in Amsterdam, he chose a teaching career and completed his doctorate in Germanic studies with minor studies in art history and sociology at the University of Amsterdam in 1949. He also studied art in Amsterdam, and then, after WW2, in Bern, Switzerland and in Paris, France. He came to Terre Haute as a visiting instructor at Indiana State in 1950 where he met his future wife Margaret Jones, an art major. Peter taught German and Dutch languages at Indiana University Bloomington, University of California Berkley, and German Language and Literature at Rice University Houston, where he became a U.S. citizen in 1955. In 1956, Peter accepted a position in the Foreign Language Department at Indiana State in Terre Haute where he taught until his retirement in 1990, all while pursuing his art career. Having grown up on the Dutch coast of the North Sea, Peter was intrigued by the subtle nuances of color, shape and feelings evoked by the juxtaposition of land, sky, and water. He was drawn to visit and paint at many coastal locations, such as the Cote d'Azur, the Caribbean, the Greek isles, and Cape Cod. Many of the landscapes and cityscapes he painted were also the subjects of earlier artists, but Peter made a consistent effort to view and depict those subjects from different, unexpected, and novel vantage points. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Picasso, Pablo (Spanish 1881-1973). She Goat, durastone bronze patinated sculpture by Austin Productions (AP-868) on a wood base. 11"H including base. 14"L sculpture, 11 1/2"L x 6 1/4"W base. Includes original Austin Productions tag. Incised AUSTIN PROD along back hoof. Perhaps the most influential artist of the 20th century, Pablo Picasso is known for pioneering Cubism and fracturing the two-dimensional picture plane in order to convey three-dimensional space. Inspired by African and Iberian art, he also contributed to the rise of Surrealism and Expressionism. Picasso's sizable oeuvre grew to include over 20,000 paintings, prints, drawings, sculptures, ceramics, theater sets, and costume designs. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces.

26"W x 29"D x 37"H. Groovy button tufted lime green vinyl upholstered chair with chrome frames. Corrosion on chrome surfaces, burn hole/small tear in vinyl, end caps missing from tubular steel frame. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding.

37"L x 11"W x 26"H. Horse w front leg lifted & back legs squatting. Carving with overlaid surface, some finish loss. 25" x 11" base. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

25"H, 23 1/2"L x 7 1/2"W figure mounted to 12" x 7 1/2" wood base. Carved with overlaid surface. Structurally intact, some fissures at joints. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Bruning, Peter (Dutch/American, 1923-2018). 2 untitled, undated paintings on canvas board. 17" x 13" (Board) portrait signed and dated Peter Bruning '61 lower right, and 22" x 16 1/2" (Board) still life, unsigned - dated 1964 verso. Flaking paint on both, especially at edges. Both unframed. Peter Bruning was born and raised in Amsterdam, The Netherlands. He loved to draw and play the piano as a child and was influenced by the fine art museums and concert halls in Amsterdam. After graduation from the Montessori High School in Amsterdam, he chose a teaching career and completed his doctorate in Germanic studies with minor studies in art history and sociology at the University of Amsterdam in 1949. He also studied art in Amsterdam, and then, after WW2, in Bern, Switzerland and in Paris, France. He came to Terre Haute as a visiting instructor at Indiana State in 1950 where he met his future wife Margaret Jones, an art major. Peter taught German and Dutch languages at Indiana University Bloomington, University of California Berkley, and German Language and Literature at Rice University Houston, where he became a U.S. citizen in 1955. In 1956, Peter accepted a position in the Foreign Language Department at Indiana State in Terre Haute where he taught until his retirement in 1990, all while pursuing his art career. Having grown up on the Dutch coast of the North Sea, Peter was intrigued by the subtle nuances of color, shape and feelings evoked by the juxtaposition of land, sky, and water. He was drawn to visit and paint at many coastal locations, such as the Cote d'Azur, the Caribbean, the Greek isles, and Cape Cod. Many of the landscapes and cityscapes he painted were also the subjects of earlier artists, but Peter made a consistent effort to view and depict those subjects from different, unexpected, and novel vantage points. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Bruning, Peter (Dutch/American, 1923-2018). Urban Sprawl. Oil on canvas board, 1966. Signed Peter Bruning lower left and identified on panel verso. 20" x 24" (Panel). Unframed. Abstract landscape. Peter Bruning was born and raised in Amsterdam, The Netherlands. He loved to draw and play the piano as a child and was influenced by the fine art museums and concert halls in Amsterdam. After graduation from the Montessori High School in Amsterdam, he chose a teaching career and completed his doctorate in Germanic studies with minor studies in art history and sociology at the University of Amsterdam in 1949. He also studied art in Amsterdam, and then, after WW2, in Bern, Switzerland and in Paris, France. He came to Terre Haute as a visiting instructor at Indiana State in 1950 where he met his future wife Margaret Jones, an art major. Peter taught German and Dutch languages at Indiana University Bloomington, University of California Berkley, and German Language and Literature at Rice University Houston, where he became a U.S. citizen in 1955. In 1956, Peter accepted a position in the Foreign Language Department at Indiana State in Terre Haute where he taught until his retirement in 1990, all while pursuing his art career. Having grown up on the Dutch coast of the North Sea, Peter was intrigued by the subtle nuances of color, shape and feelings evoked by the juxtaposition of land, sky, and water. He was drawn to visit and paint at many coastal locations, such as the Cote d'Azur, the Caribbean, the Greek isles, and Cape Cod. Many of the landscapes and cityscapes he painted were also the subjects of earlier artists, but Peter made a consistent effort to view and depict those subjects from different, unexpected, and novel vantage points. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Bruning, Peter (Dutch/American, 1923-2018). Portrait of a Girl. Oil on masonite panel. 1950s. Signed Peter Bruning lower right and identified on a tag as an entry in a show in San Francisco 1955 verso. 30" x 24" (Panel). Unframed. Some flaking to paint and crazing present. Great mid-century portrait. Peter Bruning was born and raised in Amsterdam, The Netherlands. He loved to draw and play the piano as a child and was influenced by the fine art museums and concert halls in Amsterdam. After graduation from the Montessori High School in Amsterdam, he chose a teaching career and completed his doctorate in Germanic studies with minor studies in art history and sociology at the University of Amsterdam in 1949. He also studied art in Amsterdam, and then, after WW2, in Bern, Switzerland and in Paris, France. He came to Terre Haute as a visiting instructor at Indiana State in 1950 where he met his future wife Margaret Jones, an art major. Peter taught German and Dutch languages at Indiana University Bloomington, University of California Berkley, and German Language and Literature at Rice University Houston, where he became a U.S. citizen in 1955. In 1956, Peter accepted a position in the Foreign Language Department at Indiana State in Terre Haute where he taught until his retirement in 1990, all while pursuing his art career. Having grown up on the Dutch coast of the North Sea, Peter was intrigued by the subtle nuances of color, shape and feelings evoked by the juxtaposition of land, sky, and water. He was drawn to visit and paint at many coastal locations, such as the Cote d'Azur, the Caribbean, the Greek isles, and Cape Cod. Many of the landscapes and cityscapes he painted were also the subjects of earlier artists, but Peter made a consistent effort to view and depict those subjects from different, unexpected, and novel vantage points. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Porter, Tom (American 20th century). In the Kitchen, oil on wood panel, 1996. Signed and dated lower right and identified on a sticker and tag verso. 30" x 24" (Board). Unframed. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Murray, Elizabeth (American 1940-2007). Body and Soul, 2001. Numbered 25/35, signed and dated 2001 in pencil lower center right, with print shop chop marks. Lithograph and screenprint, hand-cut, formed and collaged. 39 15/16" x 34 1/16" (Composition). 45" x 45" (Sheet). On backing in a custom frame with removed damaged plexiglass. Area of flattening, small dents and scuffing to a small portion of the sculptural paper. Small spot on mount board. Not removed from mount. Oversized. Provenance: Gemini GEL(EM01-1480) purchased at Art Chicago circa 1992. https://www.geminigel.com/artists/elizabeth-murray/#images. NOTE: LOCAL PICKUP ONLY. Elizabeth Murray was born in Chicago in 1940. She earned a BFA at the Art Institute of Chicago and an MFA from Mills College in Oakland, California. A pioneer in painting, Murray’s distinctively shaped canvases break with the art-historical tradition of illusionistic space in two-dimensions. Jutting out from the wall and sculptural in form, Murray’s paintings, watercolors, and print works playfully blur the line between the painting as an object and the painting as a space for depicting objects. Murray began working with Gemini G.E.L. in the early 1990s. Her output at Gemini alternated between standardized editions of impressions and endeavors that dispense with uniformity, where prints differ through variables inherent in hand-coloring, idiosyncratic grouping of multiple components, or other permutations. In her collaborations with Gemini, as in her painting practice, Murray repeatedly questioned the boundaries of the picture plane and the rectangular frame. She pushed the definition of what an edition print can be while also challenging the workshop to keep pace with her innovations. In complex pieces Murray explored, probed, and blurred the limits between drawing, printmaking, and sculpture. The recipient of many awards, Murray received the Skowhegan Medal in Painting in 1986, the Larry Aldrich Prize in Contemporary Art in 1993, and a John D. and Catherine T. MacArthur Foundation Award in 1999. Her work is featured in many collections, including Walker Art Center, Minneapolis; the Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; the Art Institute of Chicago, and the Museum of Contemporary Art, Los Angeles. Elizabeth Murray lived and worked in New York until her death. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment before bidding. Oversized and/or framed art pieces require additional shipping and handling fees, often at substantial cost for larger pieces; it MAY be possible to remove works on paper from their frames to save on costs. Items requiring crating or shipment by freight are the sole responsibility of the winning bidder to arrange and communicate to EDS.

Estate collection of Dennis & Nancy Garrett of Bloomington, Indiana. 12"H. Pulled loop opalescent, 3 part mold lines. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis & Nancy Garrett of Bloomington, Indiana. 15"H overall. Gradated glass spheres with multi-color control bubble centered lily design. 4 3/4"Dia. base. Etch signed on base rim. Not tested, original cord intact. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis & Nancy Garrett of Bloomington, Indiana. 40"H x 19"W x 13 1/2"D. Early traditional archival cabinet for sheet music, maker label in top drawer, Tindale Cabinet Company of Flushing New York. Each drawer individually numbered. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis & Nancy Garrett of Bloomington, Indiana. 13 1/2"H china decanter with applied gold details. Raised marked on bottom, copyright 1962 C. Miller. Beam paper label and tax sticker on body. Includes stopper. Minor rubbing to gold. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 3"L. Charming miniature pig blown in 2 piece mold form. Rare form. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 3 1/2" Dia. KB Creations Italy foil label on side. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 12 3/4"H water pitcher and 6 tumblers 4 1/4"H. Heavy iris pitcher and matching cups with iridescent carnival surface. Unmarked, good conditions. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis & Nancy Garrett of Bloomington, Indiana. 32 1/2"H x 35"W x 21"D. Unusual and charming antique cabinet on casters with 7 drawers and 1 pull out bread board. Top has worn surface and old nail holes, original surface. 1 drawer repaired using antique beverage and ammo crates. Turned wood knobs, 2 with losses, and old china pulls. 1 drawer with replaced front panel. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 10"H chalkware figurine of an owl with a colorful surface. Hand marked on bottom DRAGO PERU IND, May 27 1950. Minor nicks and chips to surface - a charming vintage piece. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 16 1/4"H chalkware figurine of a pin-up girl with a colorful surface and glitter details. Illegibly hand marked on bottom ROANN IND (?) 1960 (?). Minor nicks and chips to surface, with light wear to paint. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. Includes a pair of 8"H vases #4050, 11 1/2"H pitcher #4055, 8"L pear shaped dish #3783, and a 6 1/2"H lidded dish #4092. Brushed gold glazes - marked under glaze on bottoms, plus one vase with foil label. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 1966 issue Baccarat Crystal limited edition paperweight 2 3/4"Dia. with original box and certification sheet. Paper MADE IN FRANCE label on side along with an etched BACCARAT mark. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 69"H, 27 1/2"W each panel. Individually carved geometric wood screen elements. Includes 3 double hinged panels. 1 panel with some losses and warping and in need of regluing, frame has cracks and missing window panel. 1 panel missing a section of elements. Hinges have corrosion. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 8"H bottle with stopper. Gold details. Paper PV FRANCE label on bottom. Good conditions. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 13"H opalescent white over uranium glass swung vase with a Fleur-de-Lis pattern at base. 6 finger rim. Fluoresces under UV light. Unmarked. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 12 1/2"H opalescent white over clear twisted glass swung vase. Linear twist pattern along body, subtle opalescent details at rim. Unmarked. Small bubble in rim. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 3 3/4"L 2 piece lidded dish, unmarked. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis & Nancy Garrett of Bloomington, Indiana. 32"H x 22"W x 18"D. Fascinating piece from R.J. Horner, nude female forms in bird's eye maple. Some scuffing and wear overall. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 2 3/4"Dia. with a partial paper MADE IN FRANCE label and an etched BACCARAT 1954 mark on side. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 3"Dia. with a raised ST CLAIR 1971 mark on bottom. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 7"L amber glass lidded dish, raised K on bottom. Rough as made areas on ears. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 5"Dia clear crystal ball / orb on a 5 1/2"H brass figural stand. Overall 9"H. Unmarked. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis & Nancy Garrett of Bloomington, Indiana. 31 1/2"H x 44"W x 21"D. Interesting early R.J. Horner 4-drawer desk. Nude female form in bird's eye maple. Some losses around edge of top. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 15"H blue glass decanter with clear foot, handle, and stopper. 5 matching 4"H blue cordials with clear feet. Tiny nick in rim of decanter. Rough pontil on decanter. Unmarked. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 2 3/4"Dia. Raised mark on bottom TROUTMAN 93. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 2 3/4"Dia. Raised mark on bottom TROUTMAN 93. Minor surface wear. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 5 1/2"L yellow glass lidded dish. Fluoresces under UV light. Unmarked. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 61"H x 27"W x 25"D. Beautiful Gothic design with red velvet upholstery, minor scuffs to wood, fabric in good condition. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 4 3/4"H clear yellow glass with ruffled edge. Fluoresces under UV light. Unmarked. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 7"H with coppery brown glaze at belly. Incise signed Anna Van Briggle Colorado on bottom. A lovely little vase. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 11"H metal case with wind up clock. Lacks glass, clock not working. Marked Made in USA on back of clock. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 13"H clear glass swung vase. Linear pattern along body ending in 8 fingers at top. Unmarked. A few small bubbles observed. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 74"H and 14"Dia at base. Good condition, painted wood with some finish loss. Early 20th century, possibly from a stage set. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. Includes 6"Dia. lidded dish with a small repaired nick in the rim, 8"L triangular tidbit dish with handle, 2 leaf shaped dishes 5"L with rubbed areas in bowls, and a 5"L low dish with rubbed area on surface. Gold glazes - marked over glaze on bottoms. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. Includes 12"H pitcher and 4"H flower bowl with gold exterior glaze and white interiors. Minor rubbing in areas. Felt on bottom of pitcher, bowl marked 24 KT Gold Made in USA on unglazed bottom. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 15"H to top of glass. Creamy almost chocolate glass body with red and gold over-painted base. Raised mark ALADDIN on bottom. Wired but not tested. Includes harp. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 4 3/4"H including foot. Unmarked. Small scratch on surface. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

35 1/2"H x 20 1/4"W. Minor surface finish loss. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 8"H with thick glaze. Stamped (?) Crown, New York on unglazed bottom. Small glaze pull near base. Charming bird. Garrett tags on bottom. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 6"Dia art glass dish with gold swirls, green rim, and 6 pulled looped fingers. Polished bottom, unmarked. Sticker residue on bottom. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 9 1/2"L knocker with bat motif. Press marked JM '75 on back. Includes 2mounting screws. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 12 3/4"H Bohemian style decanter with stopper. Heavy glass, unmarked. Minor scratches on bottom. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. Memorial remembrance lithograph with a dove, for Olive Snively died 1894, 3 years old. Behind glass. 32" x 20" gessoed wood frame with leaf pattern. Frame gesso is chipped at two corners and along edges. Black remains strong in print. Wood backing. Not examined out of frame. Sticker on frame glass. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 7 1/2"Dia. glass globes. Chrome canopies. Wiring intact, not tested, corrosion on chains. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

7 1/2"Dia. 4"H free form blown art glass bowl with swirls. Incise signed Ryno Glass 2002 on bottom. Rough pontil plus 2 polished flat areas. Great colors. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

12 1/2"Dia. clear platter with swirl design. Etch marked Tiffany & Co. With original Tiffany box. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

11 1/2"Dia. platter or plate, signed on back by Mexican potter Antonio Rivera, circa mid 20th century. Minor rubbed areas on surface and at edges. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 11"H x 17"W x 6 1/2"D. Appears over wound and does not tick, front face and 1 side ornament are loose. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

9"Dia. clear glass with bubbles, blue rim. Unmarked. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

11 1/4"L footed mid-century dish with golden yellow enameled interior over silver plated body. Impress marked on bottom Reed & Barton 65, with additional foil label. Enamel in very good condition. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

7"H, 9"L horse with traces of paint. Includes un-affixed wood base. Unmarked. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

3"Dia, 2"H round box with quilling. Merry Xmas in quills on lid, Opeongo Lodge written in marker. Minor wear. Contains shells / beads. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 15"H x 17"W x 9"D. Some notable losses to outer wood coating. Rotary mechanism tested and working. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

5 1/2"Dia. metal dish with a 3"Dia central ceramic stoneware dish. All unmarked. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

7 1/4"H clear glass vase with a heavy base and etched plant design on face. Kosta Sweden sticker along bottom edge. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

7"H, 1 1/4"Dia opening at mouth. Unmarked. Minor residue inside. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Set of 8 - 3 1/2"H clear glasses with gold and black road runners. Marked Couroc below image. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 17"H x 27"W x 6"D. Lights turn on minus the center bottom light. Clock mechanism is untested. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

8 1/8"H. Blenko iconic water pitcher / carafe. Original foil label intact Blenko Handmade. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

14"H plus 6"H top hanging handle / wire. With 8 1/2"Dia. hood reflector, clear glass globe and japanned body with traces of blue. Marked CT Ham Mfg Co along top of base. Wear and some dents. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Mid Century Modern Danish influence. Pattern SRB100 Cham Bray. 18 pieces includes 4 each dinner forks, table spoons, tea spoons and 3 each knives and salad forks. Impress marked on backs Stanley Roberts Stainless Japan. Some bumps and scratches. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

6"H Mid Century Modern brown glazed tall mugs with a geometric pattern and integral hand holds. Some hand marking on bottoms, no maker's marks. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 62"H x 58"W x 18"D. Some faded marks, overall great condition. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 3"L rare and charming miniature pig blown in 2 piece mold form. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 5"H English mochaware mug with banding and algae / seaweed pattern, circa 1840s-50s. Emblem on surface is illegible - likely IMPERIAL for an Imperial Quart. Else unmarked. Minor staining at rim and foot. Crazing in interior. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 3"H with hand applied gold and color. Unmarked. Crazing in interior. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 10 1/4"H vase with cobalt and gold details. Wear and rubbing to gold. Press marked 344 on bottom. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 11 1/2"H, 15"L. Glazed ceramic decanter bottle featuring a pheasant on a rocking log. Plastic topped stopper cork is detached but included. Marked Modele Esclusif Garnier Liqueurs Eghien France N 23 on bottom, hand written Ring necked pheasant South Dakota on front. Circa 1960s?. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 7"H, 9"D, 5 3/4"W. Likely mold blown green glass jar with flattened sides. Rough cut mouth; bubbles in glass. Hand made tin lid. Attractive handmade quality. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 11 5/8"H, subtle possible letter mark on bottom. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 8 3/4"H. Some darkening of metal with residue in crevices. Character marks stamped in silver on bottom. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 7"H decorative carved wood tankard with hinged lid. Minor splits forming along bottom apron. Unmarked. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 6"H to top of glass. Pair of bedside / boudoir lamps. Collar and cords installed - cords are frayed, lamps are untested. Unmarked. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 5"H, 8 1/2"W 2 piece molded vase in a lovely green. Unmarked, possible Fenton melon. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 7 1/2"H, 10 1/2"L planter with a hound and a shoe. Sand finish dog and brown glazed shoe. Press marked under glaze on bottom Hound Dog Shoe Company, Haeger. Charming fellow with minor wear to matte areas. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 4"H, 10"Dia. footed dish with an 8 point bowl. Unmarked, possibly Fenton. Rough areas at mold mark on foot. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 9 1/4"H to top of glass. Table lamp with pear shaped yellow calla lily design. Collar and cord installed - cord is brittle, lamp is untested. Unmarked. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 7 3/8"L light chocolate glass figural lidded dolphin with 10 teeth on both sides and a deep rounded interior. Small nick on front fin. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 7 1/2"Dia. 3 small nicks in rim. Circus graphics in good condition. Unmarked. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 18 1/2"L porcelain platter with hand painted scene of a horse driven chariot and winged putti. Good conditions with light wear and rubbed areas of gold edging. Marked under glaze on bottom with a blurry Limoges AL Depose mark. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 4 unmarked Stangl style silver surfaced pieces. Includes a pair of 9"H ewers with faux gems (press marked USA under glaze on bottoms), 6"H vase, and a 5 3/4"H vase (unmarked). Minor rubbing and wear. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 4 1/2"H, 10"Dia. two tone pink over blue hand made glass bowl or dish. Flat polished bottom. Unmarked. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.

Estate collection of Dennis and Nancy Garrett of Bloomington, Indiana. 6"H, 7 1/2"Dia. footed bowl with shaped rim and dolphin handles. Unmarked, likely Fenton. EDS aims to describe and photograph all items thoroughly and accurately, however other conditions present may not have been observed or noted. We encourage you to inspect items in person during preview or by appointment, or to ask questions before bidding.