An English hallmarked sterling silver egg with giltwash exterior. The gilded silver box opens in the tradition of Easter eggs. Marks for London, 1963, makers Tiffany & Co. L.: 10.2 cm (4 1/4 in.) 226g

The largest with motto Et.Vesprasiani probably 17th / 18th C together with two smaller fragment pillows. W. of largest: 55.9cm (22 in.)

Two gilt bronze monkeys on a lucite base. Realistically cast of on all-fours. Probably French, 19th C. H. of bronze without base: 10 cm (4 in.)

A female standing figure on globe with natural carved face and foot. Hands missing. Probably Italian, 17th / 18th C. H.: 31cm (12 1/4in)

Depiction of Saint John the Baptist surrounded by saints God the Father. Marked with Cyrillic initials of Egor Petrov, Moscow, 1794. Later framing covering the hallmarks. Overall measurements: 26 3/4" x 23 1/2". Provenance: Purchased at Christie's April 19, 2002, lot 205

Antique carved giltwood reliquary with a bound ball of human hair under glass at the centre. French, 18th C or earlier. H.: 36 cm (14 in.)

Carved claw handle made of natural material, foliate scroll engraving to the bronze. Probably French, 19th C. L.: 28.5 cm (11 1/4 in.)

Pair of marble and bronze mantle ornaments, each of a gilded bronze lion resting atop a black marble base. Probably French, 19th C. See comprable lot sold at Christie's live auction 1815, lot 375 H.: 17 cm (6 1/2 in.)

A pair of sterling silver mid-18th century two handled cups sometimes referred to as loving cups. Both cups bear period initials and full armorials. Marks for Dublin circa 1750, maker John Laughlin Sr.. H.: 12 cm (4 3/4 in.) 883g

Dual-compartment Chinese export tea caddy with a black lacquer body and gold decorative scheme along the lid and sides. Locking lid with key and two removable tin tea caddies. Resting on four dragons' head feet. Chinese style, 18th or 19th C. H.: 14 cm (5 1/2 in.) L.: 34.3 cm (13 1/2 in.)

Scalloped and fluted body with hand painted phoenix and dragon decoration, the pattern also known as "Kylin" or "Bengal Tiger," in the traditional palatte, including six saucers, tea bowls and cups, probably Worcester, English, circa 1770. H. of teacup: 5cm (2 in.) Dia. of saucer: 13.3cm (5 1/4 in.)

Unusual carved giltwood architectural fragment of a standing candelabra with four prickets, possibly 16th / 17th C Italian. H.: 34 1/2" W.: 15 1/2" D.: 2"

Cast bronze inkwell on yellow marble base with gilt bronze covers. In a neoclassical form with heavy u-shaped boat for pens. French, 19th C. L.: 25 cm (13 3/4 in.)

Finely-carved giltwood console table incorporating a shell & scroll motif on the stretcher and top. Probably French, 18th C. H.: 35" W.: 56 1/2" D.: 25 1/2"

Parcel gilt and carved Baroque mirror terminating in a crown and bust detail, probably Italian, 18th C. L. 178cm (70 in.)

Multi light bronze fixture with cut glass drops and central cobalt blue glass globe, 19th C. H: 40" W: 30" D: 30"

French Gueridon table with circular marble top and an ormolu tripod base with rams' head terminals. French, 19th C. H. :29 1/2 Dia.:17 1/4"

Mixed walnut and kingwood parquetry inlay three drawer commode with beautifully caste gilt bronze mounts and period grey marble top, French, 18th C. H. 33 1/4 in., W. 49 1/2 in., D. 25 in.

Beautifully carved and gilded frames with ribboned and acanthus detail, modern suede upholstery. H. 38 in.

Camel back sofa with grey woven upholstery. Presumed to be from the home of Lee Radziwill, sister of Jacqueline Kennedy, as per an article published in The First Lady Global Magazine on May 21, 2020, pp. 69. H.: 43" W.: 77" D.: 40"

A metamorphic drafting desk that is adjustable to multiple positions. Ormolu mounts on four tapered legs. Tooled leather top. French, 18th C, circa 1785. H.: 31" W.: 40 1/4" D.: 23 3/4"

Tortoiseshell document box with decorative silver mounts and a locking lid. Possibly French, 18th C. L.: 36 cm (14 in.)

Florence 16th C, possibly by Agnolo di Polo (Italian, 1470–1528). Mounted on a modern rectangular brass base. H. including base: 14 1/2 in.

Carved in patinated wood of a standing apostle in robed dress with outstretched arm. Probably French, 18th century H.: 51 1/2" W.: 22 " D.:12"

A French bombe-form commode with heavy ormolu mounts depicting male masks and lions. Cross banded veneers on drawer fronts and insides with a red marble top. H.: 34" W.: 49 1/2" D.: 23 1/2"

Serpentine form, beautifully carved with acanthus and scroll details, French, circa 1740. H: 31" W: 46" D: 22" Christies: Sale 17423 - Lot 489

Oval mirror with carved painted and gilded frame, two winged angels on the pediment holding a central ribbon detail, the bottom elaborately carved with a mask centre, probably Italian, late 17th C, probably circa 1690. H: 72" W: 49 1/2" D: 14"

Green painted wood frame with high sides and elegantly slanted back, modern green mohair upholstery. H.: 38" W.: 82" D.: 31"

Dia: 55" (circle) Purchased: Christies sale 9420 lot 92.

Each of a standing blackamoor figure in traditional dress atop a neoclassical, two-toned bronze pedestal and holding acanthus leaf ormolu torches. French, early 19th C. H.: 47 cm (18 1/2 in.)

White marble bust of a male nude, possibly Apollo, wrapped in drapery on a later stand. Roman, 1st to 2nd C. AD. H: 25" W: 12 1/2 " D: 8" H with base 29"

Two carved and lacquered wood saints on a rectangular wood base. Possibly English, 19th C. H.: 30 cm (11 3/4 in.)

Pair of antique gilt and patinated bronze candlesticks with the stem in the form of satyrs holding up large branches. Sitting on three cloven-footed feet. French, 19th C. H.: 18 cm (7 in.)

A four-drawer French commode with elaborate ormolu handles and escutcheons. The fluted corners inlaid with ormolu piping. Grey marble top. French, 18th C. H.: 31 1/2" W.: 37 1/2" D.: 22 1/2" Purchased Christies sale 9614, March 2001, lot 245.

C-scroll and acanthus detail with central shell, stretcher stamped PLP, with black marble top, French ca 1740 H: 33" W: 51" D: 22" Provenance: The Collection of Evelyn Annenberg Hall, Christies, sale 1758, May 17 2006 lot 1758

Neoclassical design with central urn, late 18th / early 19th C. H.: 48" W.: 28 1/2" Purchased: Christies sale 2202, October 1 2009, lot 599

Portrait of a Noble Gentleman Oil on canvas Unsigned H. 49 3/4" W. 40"

Well-cast ormolu gilt bronze and marble squared pedestal form cache pot. Raised on four claw feet with original tin liner and marble insert. French, early 19th C. H.: 18 cm (7 in.)

Grey painted and carved wood frames with needlepoint upholstery of garland and floral bouquets, underside of frame stamped Jacob, possibly attributed to George Jacob, French, 18th C, circa 1780. H.: 34 1/2" W.: 24" D.: 21"

Standing apostle with outstretched arms atop of clouds with two winged putti. H.: 57" W.: 26" D.: 19"

Neoclassical squared legs, the apron carved with a lion mask head in the centre, flanked by ribboned swags, probably Italian, late 18th / early 19th C. H. 36 3/4" W. 47" D. 23"

Red and navy blue ground with traditional tribal Heriz pattern throughout. Later fringe 12'10" x 9'5"

Beautifully carved ottoman with x-form support and shell details, suede upholstery with studding. French, 18th C. H.: 19" W.: 32" D.: 29"

Portrait of a young nobleman with his dog. Oil on canvas Unsigned H. 41 1/2" W. 32 1/4" Purchased: Sothebys May 2003, Lot 359

French three-drawer commode. cross banded veneer with cast ormolu handles and elaborate escutcheon and red variegated marble top. French, 18th C. H.: 34 1/4" W.: 29 1/2" D.: 15"

Pair of two-toned French Empire figural candlesticks with a female winged sphinx along the stem. Resting on a marble base with chain swags. French, early 19th C. H.: 24 cm (9 1/2 in.)

Giltwood, parcel ebonized squared table with faux marble painted top. Italian, circa 1800. H.: 32" W.: 44 1/2" D.: 27"

H. 68.6cm (27 in.)

Mahogany squared chair with scrolling arms and legs. H.: 37 1/2" W.: 22" D.: 21"

Landscape painting of architectural whims and ruins Oil on canvas H. 46" W. 31 1/2"

Landscape painting of architectural whims and ruins Oil on canvas H. 46 1/2" W. 30 1/2"

Polychrom and gilded angels standing on pedestal bases accented with busts and faux marble, French, 17th / 18th C. H.: 35 1/2" W.: 15" D.: 8 1/2"

Two trumpeting branches with rams head details. French, 19th C. H. 61cm (24 in.)

Green and white painted squared mirror with gilding, open cartouche to the top with remnants of text, 18th C. H. 75cm (29 1/2 in.)

Camel ground with geometric border and open designs, 19th C. 8ft 11 in. x 4ft 3in.

Two low gilt bronze ormolu candlesticks in neoclassical style with acanthus swag detailing. French, early 19th C. H.: 11.5 cm (4 1/2 in.)

A Portuguese silver (915 standard) soup tureen and stand. Chased with a fluted design, floral handles and feet and knop. Portuguese, 19th or 20th C. L. of tureen: 35 cm (13 3/4 in.) 4205g in total weight

Pair of pierced silver dessert comports raised on quatrefoil bases with shell feet and depicting two cherubs decorating a garland around the central stem. Marks for London, dated 1859 and 1862, maker Robert Garrard. H.: 21.5 cm (8 1/2 in.) Dia.: 24.5 cm (9 1/2 in.) 3174g

Pierced openwork baskets with a cast Chippendale influenced border and raised lozenge pierced and rope twisted feet. Beautifully engraved crest to the centre of each basket. Two full sets of hallmarks. All bearing scratch weights. Marks for London, 1791, maker John Wakelin & William Taylor. H.: 6.5 cm (2 1/2 in.) L.: 24 cm (9 1/2 in.) W.: 20.5 cm (8 1/8 in.) 2122g in total weight

A late-17th century English Britannia standard silver caudle cup in the traditional form with cast applied handles. Marks for London, 1698, maker Edward Wimans. H.: 10 cm (4 in.) 245g

An important late-18th century silver mounted shagreen basket. Although unmarked, the silver mounts are of the highest quality and suggest either a French or Russian origin. The design of the basket is based directly on a liqueur bottle cooler from the Empress Catherine Sevres dinner service. This piece differs in that it's wooden frame is sheathed in shagreen and silver mounts are is lidded. It is quite possible that it was a form of caddy although the inner containers are now missing. The Sevres service was delivered to Catherine in 1779. Part of the service was stolen in the 1830's during a fire at the palace much of it ending up in London. French or Russian, 18th C. L.: 35 cm (13 3/4 in.) .

An important cushion-shaped Georgian silver soup tureen with gadrooned border, scrolling shell feet, cast handles, exaggerated pomegranate finial, engraved armorial and crest with the motto 'Fort Et Fidele'. Marks for London, 1768, makers Sebastian & James Crespell. H.: 25 cm (9 3/4 in.) W.: 45 cm (17 3/4 in.) 3312g of silver

Cushion-shaped tureens with gadrooned detail raised on ball feet. The body is adorned with exaggerated pomegranate finials and engravings to the body and covers. Marks for London, 1774, makers John Parker I & Edward Wakelin. L.: 33 cm (13 in.) H.: 20.5 cm (8 in.) 3333g of silver

An English sterling silver two handled cup and cover . London 1937, Joseph Walton &Co. retailed by Mappin & Webb. The large scale cup decorated with cut card work, the handles with applied acanthus leaves. Weight 2018 g. Height 27 cm

A set of ten English sterling silver soup plates, London 1928, Walter Wilson Ltd. maker. In typical form with applied gadroon border. Engraved with a crest. Total weight 6278 grams Diameter 25.5 cm Sotheby's New York

A pair of English sterling silver candlesticks in a Neo Classical style replete with urns, rams' heads swags and other botanical motifs. The sticks are filled. Marks for London, 1889, makers Martin & Hall. H.: 30 cm (12 in.)

A pair of English sterling silver candlesticks in a Neo Classical style replete with urns, rams' heads swags, and other botanical motifs. The sticks are filled. Marks for Sheffield, 1909, makers Carrington & Co.. H.: 31 cm (12 in.)

A set of ten English sterling silver dinner plates, London 1794, Peter Podio, maker. The plates are of the standard form with applied gadroon border. Total weight 5150 grams Dia. 24.5 cm

Large English writing desk with leather top and four drawers. English, 18th or 19th C. H.: 30" W.: 55" D.: 37"

Two English carved Mahogany trays in the Chippendale style. English, 18th C. Dia: 30.5 cm (12 in.)

Lady attended by a Black Servant with a Dog Oil on canvas H. 44 1/4" W. 39" Provenance: Sale, Amsterdam, 31 March 1914, lot 23 (as G. Glinck); sale, The Hague (P.H. Holman), 6 June 1916, lot 134 (illus., as Jan van Noordt); Berlin, with C. Benedict, c. 1928; Private collection (Toronto) Literature: De Witt, David. JAN VAN NOORDT: PAINTER OF HISTORY AND PORTRAITS IN AMSTERDAM (Montreal & Kingston: McGill-Queen's University Press, 2007), page 260

Lift top drafting table with swing out candle stands and extendable leather top writing surface. English, 18th C. H.: 29" W.: 32" D.: 22"

In the manner of Linnell. English, third quarter of the 18th C H.: 40" W.: 78" D.: 27 1/2"

Foliate marquetry and mother of pearl inlay in the Queen Anne manner with bronze capped feet, Dutch, 19th C. H.: 29" W.: 27 1/2" D.:16 1/2"

Oyster veneered cushion frame with beautiful floral marquetry shaped pediment, English, late 17th C. H.: 39" W.: 25" D.: 2 1/2" Note: a similar mirror found in the Victoria & Albert museum, W.42-1911

In green tapestry upholstery. English mid 18th C H.: 38" W.: 22 1/2" D.: 24 1/2"

Impressed mark John Marriott Blashfield, Stamford, English, 19th C H.: 30" W.: 16 1/2" D.: 16"

Chinese, Qing dynasty, 19th century. Triangular, massive size, blue ground, with gold threads delineating the auspicious repetitive patterns around the rim, with four roundels in the center area, warpped a prominent roundel with mythical beast in the middle. 9ft 8 in. x 8 ft.

Landscape with Horse Drawn Carriage Manner of John Constable (1776-1837) Oil on panel H. 14 3/4" W. 20 1/4" Provenance: Sotheby's New York, "The House Sale", April 4th, 2006, Lot 103

An English Georgian work table with a split top that opens to reveal a writing surface. There are multiple drawers opening to reveal space for writing materials paper, ink bottles etc.. English, 18th C. H.: 33" W.: 15" D.: 13 1/2"

Drop front desk opens to reveal multi-compartment drawers and pigeon holes, as well as secret book compartments. Bookcase has adjustable shelves and individual glazed glass panels. On four bracket feet. English, 18th or 19th C. H.: 88" W.: 43 3/4" D.: 22"

The head possibly Roman in white marble on later verigated marble body and metal stand. 18th C. H. including base: 35.6cm (14 in.)

With modern plaid upholstery, English, 18th C H.: 40 1/2" W.: 27 1/2" D.: 28"

H.: 39" W.: 18 1/2" D.: 18 1/2"

Serpentine front and inlaid canted corners and half sunburst to the bottom frieze. English, late 18th / early 19th C. H.: 38" W.: 45 1/2" D.: 23"

Interior scene with Antiques Oil on board Signed bottom right In giltwood frame H. 16" W. 13"

Two Works: Interior Scene with Antiques Watercolour on Paper Both signed. Both measure 9 1/2" x 7 1/2".

H.: 55" W.: 24" D.: 24"

Period carved walnut framed armchair with antique tapestry upholstered seat and back. French, 18th C. H.: 40 1/2" W.: 27 1/2" D.: 31"

As a side table, English, 18th C H.: 30 1/2" W.: 22" D.: 20"

As a side table, English, 18th C H.: 29" W.: 21" D.: 18 1/2" See comparable lot at Christie's live auction 749709

Naval bucket with leather body and strap across the mouth, canvas interior, and hand-painted armorial crest to the face. English, 19th C. H.: 42 cm (16 1/2 in.)

Portrait of William Astor as a boy (ca. 1945-46) Oil on canvas Signed and dated bottom left H. 60" W. 32" Previously sold at Sotheby's

Two-compartment tortoiseshell tea caddy with locking lid and original tin lining. English, 19th C. L.: 18 cm (7 in.)

A pair of modern English sterling silver wine coasters. Marks for Birmingham, 1998, makers Broadway & Co.. Dia.: 12.4 cm (5 in.)

A pair of mid-18th sterling silver salvers each resting on three cast feet and engraved in the center with a full armorial. Each salver bears it's original scratch weight but only marked with the Hibernia and crowned harp mark. Dia.: 16.5 cm (6 1/2 in.) 581g

A late-18th century Irish sterling silver salver on three feet is engraved with a full armorial. Marks for Dublin, 1772, maker Mathew West. Dia.: 20.5 cm (8 in.) 319g

An early 19th century English sterling silver salver, London, 1809, John Crouch, maker. Circular form with a gadroon border, bears family crest. 572 g Dia. 23 cm

Pie crust and shell border tray on three feet. Marks for London, 1741, maker Joseph Sanders. Dia.: 22 cm (8 3/4 in.) 373g of weighable silver

A sterling silver squared salver resting on four feet with a pie crust border. The center engraved with a small armorial. Marks for London, 1730, makers Robert Abercromby and George Hindmarsh. Dia.: 15 cm (6 in.) 176g of weighable silver

Tall Venini incisco glass vase with a flared lip and tapering body. In a pale, daffodil-coloured glass with brushed incisions along the exterior walls. Italian, c. 1950s. H.: 15.9 cm (6 1/4 in.)

Venini incisco glass vase with a flared lip and tapering body. In an pale moss-green and amber-coloured sommerso glass with brushed incisions along the exterior walls. Marked 'Venini Murano Italia' to the base. Italian, c. 1950s. H.: 15.9 cm (6 1/4 in.)

Venini incisco glass bowl in a round form with squared edges. In an tomato red sommerso glass with brushed incisions along the exterior walls. Marked 'Venini Murano Italia' to the base. Italian, c. 1950s. H.: 8.2 cm (3 1/4 in.) Dia.: 15.2 cm (6 in.)

Glass vase in the style of Venini with a lightly squared body and a narrow opening at the mouth. In a muted, army green coloured sommerso glass with corroso effects to the exterior walls. Italian, mid 20th C. H.: 19 cm (7 1/2 in.)

Group of five Venini glass bowls in varying shapes, colours, and sizes. Including two larger bowls with corroso effects to the exterior walls; one in a rosy pink and the other in a honey-coloured glass. Together with three smaller bowls; two bowls (one pink and the other an amber colour) with an iridescent coating to the interior bowl, and one in a green glass with coruscating gold flake inclusions. All with marks reading 'Venini Murano Italia' to the base. Italian, 20th C. H. of larger bowls: 7.6 cm (3 in.) Dia. of larger bowls: 13.3 cm (5 1/4 in.)

Group of five Venini glass bowls in varying shapes, colours, and sizes. Including one large, dark green glass bowl; one medium-sized bowl in an amber colour with corroso effects to the exterior walls; and three small glass bowls, one in a bubblegum pink with corroso effects, one in a pale periwinkle with corroso effects, and one in a transparent blue-tinted glass. All with marks reading 'Venini Murano Italia' to the base. Italian, 20th C. H. of largest: 8.2 cm (3 1/4 in.) Dia.: 14 cm (5 1/2 in.)

Group of five Venini glass bowls in varying shapes, colours, and sizes. Including two larger bowls; one in a pale grape colour with corroso effects to the exterior walls, and the other in a cherry red-coloured glass. Together with three small bowls; one in a gold coloured glass with corroso effects, one in an white opalescent glass, and the third in a pale green glass with irregular a bollicine bubbling throughout. All with marks reading 'Venini Murano Italia' to the base. Italian, 20th C. H. of largest: 8.9 cm (3 1/2 in.) Dia. of largest: 13.9 cm (5 1/2 in.)

Group of five Venini glass bowls in varying shapes, colours, and sizes. Including one large turquoise-coloured bowl with corrso effects on the exterior walls and an iridescent interior; two medium-sized bowls with corroso effects, one in a pale periwinkle and the other in a peachy coloured glass; and two small bowls, one in a fuschia coloured glass and the other in a clear a bollicine glass with coruscating gold flake inclusions. All with marks reading 'Venini Murano Italia' to the base. Italian, 20th C. H. of largest: 7.6 cm (3 in.) Dia. of largest: 14 cm (5 1/2 in.)

A pair of sterling silver frames resting on matching sterling silver column bases. The frames comprise one mirror and a picture frame, both with beveled glass. H. of frames: 20 cm (7 3/4 in.) H. on base: 25.5 cm (10 in.)

20th century silver (835 standard) mounted desk pad. The silver cover inset with coins of various dates and mounted on a hardwood base. Signed 'Artex Budapest' in addition to silver mark . L. overall: 24 cm (9 1/2 in.)

A set of five silverplated bottle toppers. The plain lids topped with an applied equestrian horse shoe. Each marked 'Hermes Paris'. French, 20th C. H. 3.8cm (1 1/2 in.)

Small bronze by the French artist Monique Gerber, signed to underside. H.: 2.5 cm (1 in.) L.: 7.5 cm (3 in.)

'Radar' Silver 1966 H.: 8 cm (3 in.)

Vestigio 50 (1997) Acrylic and gold leaf on fiber attached to panel Signed, titled, dated and inscribed '896 "VESTIGIO 50" / OLGA DE AMARAL /1997' verso; indistinctly signed verso H. 24 1/2" W. 23 3/4" Provenance: Christie's New York, Sale 1786, January 2007, Lot 185

Black / White (2008) Acrylic on canvas Signed bottom right H. 31 1/2" W. 31 1/2" Provenance: Diaz Contemporary Gallery (Toronto)

Deirdre in a slip (ca. 1945) Bronze sculpture on ebonized wood base Second casting H. 21 1/2" D. 16 1/2"

Pablo Picasso ceramic Madoura plate. Stamped 'Empriente Originale de Picasso' to the back. Inscribed with the code R D101 to back. Dia.: 39.5 cm (15 1/2 in.)

Bird Bronze . / . Signed at base H. 7 1/4"

Bird Bronze . / . Signed at base H. 10 1/4"

Bronze sculpture of a man on a black marble base H.: 27 cm (10 1/2 in.)

Portrait Drawing (pencil / paper) "Atelier Raoul Dufy" stamp lower right Measurements (sight) H. 18 1/2" W. 16 3/4"

Rural church Drawing (pencil / paper) Signed bottom right Measurements (sight) H. 16 1/2" W. 21 1/4"

Auto Portrait (2005) Mixed media / canvas Unsigned H. 20" W. 16" Provenance: Galerie Simon Blais (Montreal)

Untitled (2002) Acrylic on canvas Signed and dated to verso H. 25 1/4" W. 25 1/4"

Untitled (black and white cow) Glazed ceramic Signed on the underside Restoration noted H.: 10.2 cm (4 in.) L.: 21.6 cm (8 1/2 in.)

Portrait of a Girl Oil on board Signed bottom left H. 12" W. 16" Provenance: Downstairs Gallery (Edmonton)

Redacted Text (Expressionist) Painting (2010) Acrylic on canvas H. 18" W. 22" Provenance: Georgia Scherman Projects (Toronto)

"Moisture Seekers" (1996) + "Untitled" (1996) Pair of enamel panels Both signed and dated at bottom right H. 12" W. 10 1/4"

Female nude (1982) Acrylic on canvas Signed and dated to verso H. 31 3/4" W. 23 1/2" Provenance: Sotheby's New York (October 10, 1990)

Small Horse & Rider Lithograph Edition 17 / 70 Signed bottom right H. 20" W. 29"

Owl Lithograph Edition 5 / 75 Signed bottom right Measurements (sight) H. 24" W. 20"

Beaver pond on the Jumping Pound Mixed media Signed bottom right H. 22" W. 30" Provenance: Art Rental Service of the Art Gallery of Ontario (Toronto); Bau-Xi Gallery (Vancouver)

Group of four Art Deco shagreen boxes, all lined with a pale, cedar wood interior. Three in a muted green and one in a deeper, mossy green colour. All with natural inserts and casings. One with mark 'J.C. Vickery, Regent St.' to the interior lid. English, early 20th C. L. of largest: 16.5 cm (6 1/2 in.)

Group of four Art Deco shagreen boxes, all lined with a pale, cedar wood interior. Three in a muted green and one in a deep royal purple. All with natural inserts and casings. Possibly English, early 20th C. L. of largest: 16.5 cm (6 1/2 in.)

Group of four antique Art Deco shagreen card cases. Three with silver-toned interiors stamped with 'Made in England' to the interior rim. One with English silver hallmarks for London, 1936, unidentifiable maker's mark. English, early 20th C. L. of largest: 14.6 cm (5 3/4 in.)

Group of four shagreen items included two card cases, a compact, and a spectacles case. One of the card cases marked 'ARGENTE' to the interior, the other marked 'ALPACCA'. The spectacles case mounted with bronze fittings and a string. Likely English or French, 20th C. L. of spectacles case: 17.8 cm (7 in.)

Song to Ming dynasty black glazed stoneware storage jar on a French ormolu gilt bronze base matched to vase. H. 16 1/2 in.

French ormolu mounted commode with cross-banded parquetry Kingwood veneers and ormolu handles and mounts. Four drawers with an extra secret drawer. Bombe-shaped with slightly flair front legs. Grey marble top. French, circa 1720. H.: 35" W.: 50 1/2" D.: 27" Purchased: Christie's Sale 9614, 30 March 01, Lot 245

Foliate and swag carved giltwood frame with two part glass mirror, French 18th C. H. 69 in., W. 45 in.

Fitted glass in pieces. H: 36" W: 18" D: 18"

Of the head of Christ in raised polychrome painted wood panel, probably Spanish colonial, 18th C. H. 12", W. 9 3/4", D. 3"

H: 26 1/2" W: 17 1/2" D: 15 1/2"

Slightly differed carved frames with matching modern suede upholstery. H.: 37 1/2" W.: 25 1/2" D.: 23"

Gilt bronze scrolling flat backs and cut glass lustres, French, 19th C. H. 33 in.

Three drawer bombe shape commode with ormolu mounts and handles. The cross banded is made from quarter sawn oak. French or German, mid 18th C. H.: 33 1/2" W.: 45" D.: 24 1/4" Purchased Christies sale 1748 June 2006, lot 1529

French Gueridon table on ormolu tripod stand. Legs terminating in three hairy paw feet. With two inset red variegated marble tiers. In good antique condition. French, 19th C. H.: 29 1/4" Dia.: 23 1/4"

H. 45.7cm (18 in.)

Of a standing bishop with book in hand, remnants of paint loss, French, 18th C. H.: 36 1/2" W.: 12" D.: 8"

Figural inkstand with green marble base and figural bronze mounting in the shape of a cushioned bench with two small inkwells at the centre. Possibly French, 19th C. H.: 17 cm (6 3/4 in.) L.: 28 cm (11 in.)

A pair of campagna form patinated bronze urns with acanthus handles, mounted to yellow marble columns with bronze trim. French, 19th C. H.: 25 cm (10 in.)

Framed plaster frieze depicting a neoclassical scene of nymphs and fauns cavorting with a donkey. Possibly French, 19th C. L. framed: 20 cm (8 in.)

Carved gitlwood frame and pediment, Regence period, early 18th C. H.: 40 1/2" W.: 20"

Carved walnut scrolling apron with rounded back and blue silk upholstery. H.: 36" W.: 24" D.: 25" See comparable lot at Christie's live auction 17423, lot 469

Chinese, Qing dynasty, early 19th century. Canton, export, black lacquer ground, with exquisite gilt drawings, of the garden-scape scene, majorly depicted the open architectures of pavilions, stairs, and bridges, with people scattered in between. H.: 111" W.: 160" D.: 3/4"

Bronze French Empire style ink stand with classical bronze nude recumbent across the lid. Interior with two inkwells and a u-shaped boat for pens. Likely French, 19th C. H.: 16.5 cm (6 1/2 in.) L.: 17.2 cm (6 3/4 in.)

Each of a standing figure with an outstretched arm atop a carved column pediment. Probably Italian, 17th/18th C. H. 76.2cm (30 in.)

Three-drawer commode with chevron veneer, ormolu handles and escutcheons. French, 18th C. H.: 33" W.: 42" D.: 24 1/4"

Two toned patinated and gilt bronze urn on a red marble base converted to a table lamp. H' 27" W: 7" D: 7"

Parcel gilt carved wood bracket, with marble top, 18th / 19th C. H: 15" W: 23" D: 8"

Green leather tub chair. Tapered squared front legs, and flared back legs. French, 18th C. H. 34 1/4" W.: 23 1/4" D.: 24 1/2" Purchased: Sotheby's Sale 1595 Lot 0433.

Carved giltwood table with rosette apron, shell capped legs and scrolling feet, red marble top, 18th / 19th C. H.: 34" W.: 46" D.: 21"

Carved wood frames with remnants of paint and gilding, modern suede upholstery with brass studding. French, 18th C. H.: 36" W.: 24" D.: 24"

Black patinated bronze pedestal candelabra converted to table lamps, Empire form, 19th C with later conversion. H. 94cm (37 in.)

French provincial painted frame with contemporary faux tiger print upholstery. French, 18th or 19th C. H.: 36" W.: 21 1/2" D.: 19"

Two French Empire gilt bronze candlesticks in a neoclassical style with the heads and feet of three goddesses along the stem and various geometric patterns at the base, French, early 19th C. H.: 26.7 cm (10 1/2 in.)

Antique two-handled serving tray with brass banding around the body and walnut-coloured wood base. English, possibly 19th C. L.: 65.4 cm (25 3/4 in.)

H: 32" W: 39 1/2" D: 19 1/2" Christie auction: inventory number - 58557686

Grey painted chairs with modern grey suede upholstery in a typical Noakes style. French, late 18th C. H.: 35" W.: 24" D.: 21"

H.: 34 1/2" W.: 79 1/2" D.: 34"

Chinese black lacquered trunk with gilded highlights depicting Chinese landscape. The trunk is fitted with iron handles lock plate and hasp. Chinese, early 19th C. H. of trunk: 18 1/2" W.: 46 3/4" D.:25 1/2"

Carved wood saint with gilt and polychrome hand-painting throughout. Likely French, 19th C. H.: 50 cm (19 1/2 in.)

Stylized shield form with carved giltwood wreath garland top, possibly Italian 18th C. H. 55.9cm (22 in.)

Drop front secretaire desk with cross-banded kingwood veneer and ormolu highlights. Drop front opens to reveal a multi-drawered desk compartment for paper, pens, ink bottles, etc. Bottom opens to reveal extra storage compartment. French, 19th C. H.: 57" W.: 38 1/4" D.: 15 1/2" Purchased: Sothebys sale CH7434, April 2000, lot 359

With modern orange silk upholstery. H.: 39" W.: 19 1/2" D.: 20" Sothebys inventory number - N08206 0099

Pierced fruit basket with flaring foliate border and a matching floral bouquet pattern throughout. Marks for London, 1902, makers C. F. Hancock & Co.. H.: 16.5 cm (6 1/2 in.) L.: 29 cm (11 1/2 in.) 674g of silver

Eva Oil on canvas H. 19 1/4" W. 15 1/2"

Tribal pattern with central lozenge in a red and yellow pattern. 254cm x 120 cm , 100" x 47" Purchased at Christie's sale 2572, December 2002, lot 381

Antique carved figure with polychrome painted exterior, possibly a young saint from a larger figural group. Likely French or Italian, 17th to 18th C. H.: 35.6 cm (14 in.)

With lift top to reveal desk interior with two additional slides. Italian, 18th or 19th C. H.: 30 3/4" W.: 35 1/2" D.: 22"

Cast gilt bronze finial on a black marble base with acanthus leaf swags. French, 19th C. H.: 23 cm (9 in.)

A small French circular table with marble top and open work brass gallery. The table has a small central drawer and two extendable candle stands. French, 19th C. H.: 29" Dia.: 26 1/2"

Hand-painted polychrome saint, possibly depicting the archangel Michael or Raphael. In vibrant gilt wood with the remnants of flesh-toned paint on the limbs and face. Likely Italian or French, 17th or 18th C. H.: 36.8 cm (14 1/2 in.)

A sportsman in a romantic landscape Pencil, pen and grey ink and watercolour H. 8 5/8" W. 11 1/8" Provenance: Sprink, London, No. K3 9301

Green tole shade. H. 76.2cm (30 in.)

Single French bronze and marble candelabrum, the stem in the form of a woman holding a two-armed torch above her head. Set on a white marble base and gilt bronze base. French, 19th C. H.: 42 cm (16 1/2 in.)

Castello San Angelo - Roma Oil on canvas H. 6" W. 10" Provenance: Garfield Galleries (Toronto)

Mixed metal patination, probably 19th C or earlier. H: 12" W: 24 1/2" D: 18"

10ft 6 in. x 6ft 1 in.

An English sterling silver salver resting on three cast feet with applied gadroon border. The salver bears a family crest to the centre. Marks for London, 1771, maker Ebenezer Coker. Dia.: 25.5 cm (10 in.) 555g of silver

Scalloped circular tray raised on spreading paw feet with gadrooned borders and an engraved monogram to centre. Marks for London, 1767, maker Ebenezer Coker. Dia.: 30.5 cm (12 in.) 904g of silver

Circular tray raised on ball-and-claw feet, foliate engraved border with central vacant roundel, and a reeded raised rim. Marks for London, 1780, maker Robert Jones I. Dia.: 34.5 cm (13 1/2 in.) 1114g

An 18th century sterling silver salver resting on three cast feet with a gadroon border and engraved with a large armorial. Marks for London, 1769, maker Ebenezer Coker. Dia.: 28 cm (11 in.) 735g

Stumps Oil on canvas board Signed bottom right MacDonald Collection stamp to verso H. 12 3/4" W. 15 1/4"

Cold Night, Dundas Street East (1988) Oil on panel Signed bottom right H. 18" W. 24" Provenance: Kaspar Gallery (Toronto) Exhibition: "Canadian Landscapes from the Hallmark Collection", May 21 to October 17, 2010, Riverbrink Art Museum (Queenston, ON); "The Art of Greeting Cards: Hallmark Collection", December 5-February 2, 2002, The Frederick Horsman Varley Art Gallery of Markham (Unionville, Ontario)

Walking to Adams Drug Store (1990) Oil on board Signed bottom right H. 35 7/8" W. 47 1/4" Provenance: Berta Walker Gallery, Provincetown, MA. Private Collection, Toronto, ON, acquired from the above in 1990 Exhibition: Nancy Whorf, Recent Paintings, Berta Walker Gallery, August 17-29, 1990

Two Creighton St. Girls Cutting to Gottingen St. Oil on canvas Signed bottom right H. 18" W. 24"

Pine Trees and Bare Hills II Watercolour on paper Not signed or dated H. 14 3/4" W. 20" Provenance: Private Collection (Toronto); Isaacs Gallery (Toronto) Literature: David Milne Jr. and David P. Silcox, DAVID B. MILNE: CATALOGUE RAISONNE OF THE PAINTINGS (Toronto: University of Toronto Press, 1998), volume 2, pg. 975, no. 503.38

The Portals Oil on Canvas H. 44.5" W. 60"

Beaches Port Hope, ON Oil on board Signed on bottom right Original artist sticker to verso H. 10 1/2" W. 13 3/4" Provenance: Memorial Exhibition, Art Gallery of Toronto, November, 1942

St. Michael's Cathedral Colour drypoint (two plates, one double-inked) Edition # 26 / 53 (seventh state) Signed and numbered bottom left Measurements (sight) H. 8" W. 9" Provenance: Private Collection (Toronto); Isaacs Gallery (Toronto)

King City Oil on canvas Signed lower left corner H. 20" W. 26" Exhibition: "Canadian Landscapes from the Hallmark Collection", May 21 to October 17, 2010, Riverbrink Art Museum (Queenston, ON); "The Art of Greeting Cards: Hallmark Collection", December 5-February 2, 2002, The Frederick Horsman Varley Art Gallery of Markham (Unionville, Ontario)

Rainy Dusk Oil on canvas "Surrey" written on van to left Wallack Galleries (Ottawa) sticker to verso H. 20" W. 24"

Evening Sky, Georgian Bay Oil on canvas Signed on bottom right H. 20" W. 26"

Indian* Camp Watercolour Signed bottom right C.M. Russell Museum sticker to verso H. 16" W. 29" * We at AH Wilkens recognize that the term “Indians” is offensive to many people. Although we currently maintain these leads to adhere to the titles used by the artists, we and other Canadian companies are working to replace them with ones that are acceptable to Indigenous Peoples in Canada.

Bronze nude on a black marble base. Cast by French bronze maker Claude Valsuani after work by Reg Butler. Stamped 'Cire Perdue C. Valsuani' to the base, 2/8. Signed by Reg Butler to lower thigh. English, 20th C. H.: 10.2 cm (4 in.) L.: 8.3 cm (3 1/4 in.)

Small patinated bronze figure depicting a boy wearing classically-inspired dress and holding a horn on a pedestal base. Modeled after the lar familiaris, a Roman household deity. French, 19th C. H.: 24 cm (9 1/2 in.)

Bronze bust of a gentleman H. of bronze without base: 49 cm (19 1/4 in.) H. of bronze with base: 63 cm (25 in.)

Abstract Bronze Sculpture H 38cm (15in)

An early 19th century sterling silver snuff box, Birmingham, 1827, Nathaniel Mills, maker. The presentation box has bands of floral decoration and engine turned high lights. Weight 99 g. Length 7.2 cm

An early 19th century sterling silver snuff box with linear decoration with a cast floral thumb piece. Marks for Birmingham, 1829, maker Thomas Newbold. L.: 6.1 cm (2 1/2 in.) 50g of weighable silver

An early 19th century sterling silver snuff box decorated with an engine turned pattern with engraved central cartouche with inscription. Marks for Birmingham 1818, maker Mathew Linwood . L.: 9.2 cm (3 2/3 in.) 98g of weighable silver

An early 19th century sterling silver snuff box decorated with an engine turned pattern with cast thumb piece. Marks for Edinburgh, 1836, maker James Nasmyth. L.: 7.5 cm (3 in.) 96g of weighable silver

An early 19th century sterling silver snuff box engraved with a presentation inscription. Marks for London, 1802, maker Joseph Ash. L.: 8.3 cm (3 1/4 in.) 74g of weighable silver

An early 19th century sterling silver vest pocket snuff box. The curved box with linear decoration and gilded interior. This example is slightly larger than most of this type. Marks for Birmingham, 1809, maker Joseph Willmore. L.: 7 cm (2 3/4 in.) 73g of weighable silver

An early 19th century vest pocket sterling silver snuff box. Curved for the pocket with engine turned decoration. The lid engraved with the motto "Nunquam Non Paratus" with a winged spur crest for the Johnstone family. Marks for Birmingham, 1815, maker John Shaw. L.: 6.4 cm (2 1/2 in.) 56g of weighable silver

An early-19th century sterling silver vest pocket snuff box in a curved body with linear design and gilded interior. Marks for Birmingham, 1806, maker Samuel Pemberton. L.: 6.4 cm (2 1/2 in.) 36g of weighable silver

On Ogee feet with single drawer, interior fitted with three drawers, dovetailed with oak secondary wood. English, late 18th C. H.: 9" W.: 12 1/4" D.: 7 1/4"

Chinese, Republic Period, two elongated vases with everted rims and three bulbous covered vases in striped pattern of yellow, pink, black and turquoise with panels of flowers and figures. H. of vase -- 33.5 cm (13 1/4 in.) H. of covered vase -- 40 cm (15 7/8 in.)

Dual-compartment tortoiseshell tea caddy with original tin lining and locking lid. English, 19th C. L.: 15 cm (6 in.)

Fine French carriage clock marked 'Aiguilles' to the movement. Enamel face with brass mounts and cut glass body. Period inscription to the movement, but unable to read due to placement. French, late 19th or early 20th C. H. to handle when extended: 17.8 cm (7 in.)

With lift top and pull out leather writing surface. Additional feature of a swing out rear leg that allows the entire top to be folded over, thus making it into a partner's desk. English, 18th. H.: 31" W.: 36 1/4" D.: 22 1/2"

Portrait of a Georgian Gentleman Oil on canvas H. 35 1/2" W. 27 1/4"

A George III chest on chest resting on bracket feet. The top section with fluted cornice and frieze. Handles contemporary with piece. English, late 18th C. H.: 74 1/4" W.: 47" D.: 23 1/4"

Circa 1810 H.: 28 1/2" W.: 29 1/2" D.: 18" (folded) 31" (unfolded)

Cased travelling writing set in a fitted leather box with a period journal, accounts book, notebook, inkwell, matchbox, and various other implements. English, 19th C. L.: 40.5 cm (16 in.)

An English sterling silver coffee pot with a plain tapered body in a Queen Anne style with cast spout and ebonized wood handle. Marks for Sheffield, 1835, makers Samuel Roberts & Co.. 813g in total weight, including wood handle

19th C H: 33" W: 16" D: 16"

Portrait of a young lady Oil on Canvas, laid down Measurements (sight) H. 16" W. 13"

An 18th century sterling silver two handled cup, sometimes referred to as a loving cup. The example bears the crest of a rampant lion. The base is struck twice with a makers mark for Richard Gurney and Thomas Cook twice. There does not appear to be a date letter, circa 1740. H.: 10 cm (4 in.) 294g of silver

Dual-compartment tea caddy wrapped in tortoiseshell with original tin lining and locking lid. English, ca. 1800. L.: 18 cm (7 in.)

Georgian leather fire bucket with studded bottom rim, strap across the mouth of the bucket, and a hand-painted armorial shield to the face. English, 19th C. H.: 30 cm (11 3/4 in.)

19TH c H.: 31 1/2" W.: 21 1/2" D.: 18 1/2"

Chippendale style carved mahogany frame with wide seat, pad feet, circa 1730. H.: 37" W.: 22" D.: 19"

Ebonized continental table on four legs with a serpentine x-form stretcher. Inlaid with natural panels in a boulle style. The drawer opens to reveal a letter top desk surface, probably Napoleonic. French, 18th or 19th C. H.: 31 3/4" W.: 30 3/4" D.: 20 1/2"

French bronze figure of Silenus, chief of the satyrs, and the infant Bacchus after an original marble sculpture by Praxiteles c. 400-330 BCE. The 19th century casting by the Barbedienne foundry is housed in the Louvre Museum, Paris. French, 19th C. H.: 24 cm (9 1/2 in.)

Silver ewer in a traditional form with acanthus leaf details, beaded trim, and a rush-wrapped handle. Marks rubbed. H.: 27.8 cm (11 in.) Total weight 649g

With single fitted drawer for writing or sewing. Oak secondary wood. English Late 18th C H.: 20 1/2" W.: 22" (folded) 39 1/2" (unfolded) D.: 28"

Adam's design with finely beaded double border around the base, neck, and sconce. Marks for Sheffield, 1780, makers John Younge & Co. (John Trevers Younge, Edmund Greaves & William Hoyland). H.: 29.4 cm (11 1/2 in.) Not weighable, filled sticks

Blue and red geometric pattern. 10'9" x 6'2"

Neoclassical form, rounded carved back with a sheild detail, upholstered seats, circa 1780. H.: 36" W.: 21" D.: 21" Purchased at Christie's sale 8353, lot 281

On four tapered, reeded legs with curved stretcher and a pineapple finial. An acanthus frieze around the lip of the table. Faux marble painted top. European, 18th C. H.: 32" W.: 38 1/4" D.: 18 3/4"

H.: 48" W.: 29"

H.: 48" W.: 29"

Three-drawer French marble top commode in a mix of Kingwood and Tulipwood, indistinctly signed J. P. Le**. With geometric cross band veneer and ormolu highlights. French, 18th C. H.: 35 1/4" W.: 50 3/4" D.: 23 1/2" Purchased: Sothebys, Sale 1609, Lot 474, March 1998.

Portrait of Diane de Bourey Oil on canvas Dated "13 avril 1758" upper left corner H. 32" W. 25 1/2"

9ft 9 in. x 4ft 2 in.

Carved wood armchairs with modern diamond plush upholstery. French, circa 1800. H.: 36 1/2" W.: 24" D.: 26"

H.: 40 1/2" W.: 12 1/2" D.:12 1/2"

French Five drawer chest inlaid and cross banded with exotic woods in a geometric pattern. On four tapered legs. Variegated gray marble top. French, 18th C. H.: 33 1/2" W.: 47 3/4" D.: 20 1/4"

Two three-toned French empire bronze candelabra resting on three lion's paw feet and a red marble base. Three-armed, torch-shaped candelabra. French, 19th C. H.: 62 cm (24 1/2 in.)

L. 33cm (13 in.) H. 15.2 (6 in.)

Portrait of Mrs. John Henry Ward (1905) (Formerly Miss Jose Stragne of Sacramento, California) Oil on masonite Inscription on verso H. 14 3/4" W. 10 7/8"

H.: 37 3/4" W.: 27" D.: 26"

H. 55.9cm (22 in.)

11ft 6 in. x 3ft 10 in.

H. 27 in.

Cross banded veneers on round tapering legs. Black marble top with fossilized mollusk shells. French, 19th C. H.: 35" W.: 25 1/2" D.: 13 3/4"

Pair of French neoclassical gilt bronze candlesticks with acanthus leaf swags and fluted stems. French, 19th C. H.: 26.5 cm (10 1/2 in.)

H.: 22" W.: 16 1/2" D.: 16 1/2"

Pair of French slipper chairs with reeded, tapered legs. French, 19th C. H.: 31 1/4" W.: 18" D.: 17"

Architectural fragment of a lion head and front paws, possibly Roman. H:11 1/2" W: 10" D: 20"

H. 53.3cm (21 in.)

H.: 21" W.: 14 1/2" D.: 14 1/2"

Probably Italian, 18th C or earlier H:12" W: 17" D: 17"

Autumn on Lake Muskoka Oil on board Signed bottom left H. 10" W. 12"

Reflection Oil Pastel Signed on bottom right Original Artist Sticker to verso Sight Measurements: H. 16" W. 20"

Agunquit Oil on board Unsigned H. 5 3/8" W. 8" Provenance: Marlan MacNutt (niece of the artist)

After the Storm (Fredericton) Oil on Canvas Signed lower right corner H. 30" W. 48" Provenance: Roberts Gallery (Toronto) Exhibition: "The Art of Greeting Cards: Hallmark Collection", December 5-February 2, 2002, The Frederick Horsman Varley Art Gallery of Markham (Unionville, Ontario)

Pointe Anne, Bay of Quinte, 1945 Oil on canvas board Signed bottom right H. 12" W. 16"

Stream in Winter Oil on Canvas Signed lower right corner H. 20" W. 26" Exhibition: Exhibition: "Canadian Landscapes from the Hallmark Collection", May 21 to October 17, 2010, Riverbrink Art Museum (Queenston, ON); "The Art of Greeting Cards: Hallmark Collection", December 5-February 2, 2002, The Frederick Horsman Varley Art Gallery of Markham (Unionville, Ontario)

Flower Pot Oil on canvas Bertram Brooker Original Stamp to verso H. 16 1/4" W. 20 1/4"

Skaters Oil on Canvas Signed lower right corner H. 15" W. 36" Exhibition: Exhibition: "Canadian Landscapes from the Hallmark Collection", May 21 to October 17, 2010, Riverbrink Art Museum (Queenston, ON); "The Art of Greeting Cards: Hallmark Collection", December 5-February 2, 2002, The Frederick Horsman Varley Art Gallery of Markham (Unionville, Ontario)

Bluenose-II Oil on board Signed bottom right H. 16" W. 12"

Autumn Colour, Maple Lake, Haliburton Oil on masonite Signed bottom left H. 18" W. 24" Provenance: Roberts Gallery (Toronto); Estate of the artist

Evening Drift Oil on masonite Signed bottom right H. 16" W. 24"

Ballerina Pastel and Ink Signed top right Measurements (sight) H. 25" W. 19"

Emma Lake at MacIntosh Watercolour Canadian Art Galleries Ltd sticker to verso Sight measurements: H. 21 1/4" W. 29 1/4"

Landscape Watercolour Signed and dated bottom right Kensington Alberta Gallery sticker to verso Sight measurements: H. 10 1/4" W. 14 1/4"

Winter Laurentians (with autumn landscape painted on reverse) Oil on Canvas Signed lower left corner H. 20" W. 24" Provenance: Kaspar Gallery (Toronto) Exhibition: "Canadian Landscapes from the Hallmark Collection", May 21 to October 17, 2010, Riverbrink Art Museum (Queenston, ON); "The Art of Greeting Cards: Hallmark Collection", December 5-February 2, 2002, The Frederick Horsman Varley Art Gallery of Markham (Unionville, Ontario)

School on Highway Oil on canvas board Signed on bottom left Tom Roberts ARCA sticker to verso Sight Measurements: H. 13" W. 23"

A large Spanish sterling silver framed mirror together with a small English sterling frame and a chrome and brass picture frame. Size of mirror frame 33 x 27 cm

Suede upholstery with studded detail, chippendale style carved legs. H.: 34" W.: 24" D.: 20"

Beauitfully carved and gilded with a foliate centre. H. 27" W. 18"

Reeded legs with mahogany top, English, early 19th C and later elements. H: 31" W: 79" D: 39"

Chinese, late Qing dynasty, 19th century. Baluster form, in fully covered mirror-black glaze, identical pair, mounted by metal as lamps. H. 43.2 CM (17 in.); H. as lamp: 61 cm (24 in.)

Neoclassical design with urns and fire accents. H: 17" W: 17" D: 11" Christie tag: Sale 17423, Lot 485

George I style, black lacquered two door top with fitted drawers and metal mounts, japanned pagoda and foliate lacquer fronts, heavily carved and gilded base. 19th C or earlier. H.: 67" W.: 45" D.: 26"

Inlay to the back slat and legs. Os de mouton stretcher. Dutch, 19th C. H.: 42" W.: 20" D.: 18 1/2"

5 ft. x 3 ft. 5 in.

Of a standing Christ holding a book, red and gold painted robe, realistic facial features, probably Italian, 18th C. British Antique Dealers Association lable, verso. H 45cm (17 3/4in)

H: 9" W: 23" D: 16 1/2" Christie auction: Sale 17423, Lot 470

Antique English ammunitions bucket with leather body and strap across the mouth, canvas interior, and a hand-painted armorial crest to the face. English, 19th C. H.: 36 cm (14 1/4 in.)

Natural carving of Christ on a cross mounted to an ebonized cross on a stepped base, probably French, 18th C.

With carved and studded detail. H.: 34 1/2" W.: 20" D.: 19"

Mother of pearl and ebonized inlay chevron pattern with florets on each corner, brass hardware, raised on ball feet. H. 13", W 18", D 12"

Carved wood figure of a seated immortal with modern stand. H. 38", W. 12 3/4", D. 6 1/4"

Traditional form with two tiers of candle branches, globe accent to base, 19th C. H.: 45" W.: 35" D.: 35"

Reeded legs with later cushion, the form in the Gillows manner, English, late 18th / early 19th C. H: 20" W: 55" D: 15 1/2"

H: 46" W: 23" D: 23"

Chinese, late Qing dynasty, 19th century. Baluster form, reduced neck, in vibrant fully-covered powder blue glaze, identical pair, mounted by metal as lamps. H. 30 cm (11 3/4 in.); H. as lamp: 66.5 cm (26 1/4 in.)

85 pieces of Victorian English silver flatware. Including twelve dinner forks, twelve luncheon forks, twelve table spoons, twelve soup spoons, six teaspoons, twelve dinner knives, twelve luncheon knives, one soup ladle, two stuffing spoons, two sauce ladles, one sifting spoon, and one pair of sugar nips. English, 19th C. 4793g of weighable silver

An English sterling silver Rat Tail Hanovarian flatware service, London 1977, James Robinson, maker. Comprising eight pistol handled Dinner knives (steel blades) eight butter knives (silver blades) eight tea spoons eight dinner forks eight dessert forks eight table spoons six soup spoons (London 1925 Goldsmith's Co.) weighable silver 2344 grams

A pair of English sterling silver candlesticks resting on a square base with scrolling shell corners, detachable sconces, and engraved with a familial crest. Sticks are filled. Marks for Sheffield, 1835, maker Creswick & Co.. H.: 23.5 cm (9 1/4 in.)

An English sterling silver two handled cup, London 1755, Samuel Welles maker. The body chased with various decorations with two applied strap handles. H.: 12.5 cm (5 in.) 322g of silver

An early 19th century English sterling silver brandy sauce pan. The baluster body has an attached natural material lid and a stylized armorial to the centre face. Marks are worn and difficult to read. H.: 14 cm (5 1/2 in.) 447g in total weight, including natural handle

An 18th century two-handled cup sometimes referred to as a loving cup. This example bears a stag's head crest. Marks for London, 1773, maker John King. H.: 13.6 cm (5 3/8 in.) 437g in total weight

A matched pair of English sterling silver salvers on bird claw feet and shell border. The first with marks for London, 1901, makers Goldsmiths Co.. The second with marks for Sheffield, 1903, makers Thomas Bradbury & Sons. Dia.: 25 cm (9 3/4 in.) 1234g

Oval salver with pierced border and an engraved body with a central lion passant crest. Marks for London, 1788, maker 'IW', possibly John Willis. L.: 23 cm (9 in.) 302g of silver

A pair of English sterling silver sauce boats in the traditional form on three feet with an applied handle. Marks for London, 1961, makers Spink & Sons. L.: 17 cm (6 3/4 in.) 484g of silver

A set of three English sterling silver wine coasters, London, 1979, A Chick & Sons, makers. The pierced galleries inset with turned wooden bases. Diameter 12.5 cm

An early-19th century English sterling silver salver in a round form with gadroon border on three cast feet. Marks for London, 1808, maker John Newburn. Dia.: 20.5 cm (8 in.) 405g of silver

Two-handled cup with traditional decoration, ribbed body and handles, and an engraved crest and monogram to the face. Marks for London, 1770, makers mark 'JB'. H. to handle: 10 cm (4 in.) 152g of silver

Venini inciso glass bowl with a wide rim tapering to a narrow base. In a honey-coloured glass with brushed incisions along the exterior walls. Italian, c. 1950s. H.: 11.4 cm (4 1/2 in.) Dia.: 20.3 cm (8 in.)

Two incisco glass bowls in a round form with squared edges. In a rich forest green sommerso glass with brushed incisions along the exterior walls. Both marked 'Venini Murano Italia' to the base. Italian, c. 1950s. H. of largest: 7.6 cm (3 in.) Dia. of largest: 12.7 cm (5 in.)

Two large, round centrepiece bowls in a vibrant lime green sommerso glass with irregular bubbling throughout. Marked 'Daum France' to the bottoms of each. French, early 20th C. H.: 8.9 cm (3 1/2 in.) Dia.: 30.5 cm (12 in.)

With brass tail and head, mid century, Italian. H 16cm (6 1/4in)

Two patinated bronze candlesticks with exaggerated round bases and unadorned stems with disc-shaped knobs at the centre. Possibly art deco. Unknown origin, 20th C. H.: 21 cm (8 1/4 in.)

A modern Tiffany sterling silver mounted perpetual calendar, made in Italy. L.: 15.2 cm (6 in.) W.: 11 cm (4 1/3 in.)

Squared silverplated box with rounded corners, the top made of a taxedermy armadillo. H. 6", W. 20 1/2", D. 7"

Two sets of four sterling silver napkin rings. One set in a plain cylindrical shape with rolled edge, the other in the same form with engraved 'R.W.N.' monogram. Marks for James Robinson Inc. Sterling to the bottom lip. Dia.: 4.5 cm (1 3/4 in.) 205g of silver

Metal and floral porcelain table lamps with applied porcelain flowers. H: 35", W: 6.5", D: 6.5"

Bronze candlestick designed by Evan Jensen in art deco style with a lobed stem and pronounced drip pan. Marked 'EVAN JENSEN KØBENHAVN BRONZE 320'. Danish, early 20th C. H.: 17.8 cm (7 in.)

A large English sterling silver cedar-lined humidor with an engine turned lid. The box bears several inscriptions. Marks for Birmingham, 1926, makers Charles Green & Co. H. 3", W. 9", D. 6"

Group of three 20th century silver boxes, likely Italian marked 926. Two inset with natural material the other with malachite. 198g in total weight

With brass inlay and leather desk insert. H: 16" W: 9 1/2" D: 4"

Traditional design with black tole shade.

H.: 36" W.: 24 1/2" D.: 21"

large planter with remnants of white paint. H. 30", W. 26", D. 26"

Pair of gilt bronze candlesticks in the French Empire style with stylized acanthus leaf base, fluted stems, and four small feet. French, 19th C. H.: 21.6 cm (8 1/2 in.)

H: 15" W: 9" D: 11"

Neoclassical frame topped with ribbon, swag and tassel details, the centre with a carved and gilded helmet and sword. French, 18th C. H.: 55 1/2" W.: 34" D.: 3"

H: 11" W: 11 3/4" D: 21"

H.: 37" W.: 21" D.: 17"

Queen Anne style table with bird cage and circular top, American, 18th C. H: 29" W: 35" D: 35"

Neoclassical patinated bronze candlesticks with acanthus branches and tripod claw feet all raised on yellow marble bases. French, 19th C. H.: 66 cm (26 in.)

H: 29 1/4" W: 18" D: 13 1/4"

Patinated candlesticks raised on three lion's paw feet and accented with gilt ormolu highlights. French, 19th C. H.: 32 cm (12 1/2 in.)

White Italian console table with gilt Neoclassical motifs and a grey marble top. Italian, 18th C. H.: 37 3/4" W.: 48 3/4" D.: 23 1/4"

H. 36", W. 17", D. 17"

Chinese style, 19/20th century. Imitating the design of Ming Tianqi lacquer table, with fully carved auspicious patterns and dragon facing phoenix motifs, under varied bright-tone lacquer on the table surface. H.: 23" W.: 51" D.: 15"

Sun and Rocks Watercolour Signed bottom right H. 13 1/4" W. 20"

Girl with Green Hat & Shawl Pastel and Ink Signed top right Measurements (sight) H. 25 3/4" W. 19 3/4"

South Road Lithograph Edition # 33 / 50 Signed bottom right H. 22" W. 30"

Road Through Forest Oil Pastel Signed bottom right H. 17 3/4" W. 21 1/2"

Sailboat Watercolour Signed on bottom right Kensington Fine Art Gallery, Alberta sticker to verso Sight Measurements: H. 10" W. 14"

Winter Landscape with Two Skiers Oil on Board Signed lower left with initials FHJ H 4 3/4in W 7in

Two Tugs Indian* Town Watercolour Signed on bottom right Wallack Gallery sticker to verso Sight Measurements: H. 15" W. 21 3/4" * We at AH Wilkens recognize that the term “Indians” is offensive to many people. Although we currently maintain these leads to adhere to the titles used by the artists, we and other Canadian companies are working to replace them with ones that are acceptable to Indigenous Peoples in Canada.

Retreating Storm Oil on canvas board Signed on bottom right H. 10" W. 16"

Mid-October Oil on board Signed bottom left H. 12" W. 16"

Town square Oil on masonite Signed bottom right H. 8" W. 10"

Harvest on Alton, Ont. (1944) Pastel Signed bottom right Measurements (sight) H. 8 3/8" W. 11 3/8"

Someone Kicked the Castle Oil on canvas board Signed on bottom right Artist original sticker to verso H. 21" W. 12"

Candelabra from in yellow marble with patinated bronze mounts.

H: 6" W: 10" D: 6"

Grand blue and white open floral patterns on a deep red to purple ground, signed by Sherkat Farsh Ostan Ghods, mid 20th C. Signed in roundel on the border. 19.5 ft x 19.4 ft

H: 28 1/2" W: 36" D: 17 1/2" (folded) D: 35" (unfolded)

Raised on three legs, rounded form.

H.: 23 1/2" W.: 18" D.: 18"

Cut glass and bronze mounted table lamp. H.: 85 cm (33 1/2 in.)

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