Ink on paper, signed lower right and dated October 1876. A small but regal portrait of a prize bull, titled below "29TH DUKE OF GOODNESS at 16 Months. Bred by G.M. Bedford, Ky. Property of David Selsor, London, Madison Co., O., Got by the 4th Duke of Geneva (30958) out of the 20th Dutchess of Goodness." Matted and in a period frame. 9" high, 11" wide (overall). Carl Freigau was born in Germany and immigrated to the US in 1849, settling in Dayton. He was primarily a livestock portraitist, working throughout Ohio. He advertised in 1881, "Mr. Carle Freigau, of Dayton, O., has been around lately making pen portraits of blooded stock..." David Selsor was the youngest of at least eight children born in Greenbrier County, VA (now WV), on March 30, 1812, to Johannes Seltzer and Mary Andrick. The family moved to Ohio when he was still very young. As a teenager, David is said to have begun trading stock, and it was through this occupation that he attained his reputation and wealth, as well as the title of "Cattle King" in Ohio. He appears to have married only once, at age 53, to Rebecca Jane "Jennie" Foster (1852-1929). After their marriage in 1875, he and Jennie had two daughters. The 1870 census records list his real estate value at $90,000, his personal estate value at nearly $20,000, and by the time of his death twelve years later in 1882, his biography in an 1883 The History of Madison County, Ohio says he was well-respected beyond the state for the quality of his cattle and owned nearly three thousand acres of land. He and Jennie are buried together in the Kirkwood Cemetery in Madison County, Ohio. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Even toning, some light staining, not removed from the frame for examination.

Attributed to Morgan County, 1820-1840, walnut and poplar. Two over three drawers, flanked by turned drops and columns, and on turned feet. 27" high, 21.75" wide, 13" deep. Provenance: private collection Retains likely its original finish (some cleaning) and original pulls, some drawer runner restoration.

From a farm near our gallery in Whipple, Ohio, oak, 19th century. Carved hooks. 93" long. Provenance: private collection Worn, with a slight bow.

R.T. Williams and James Hamilton, 3rd quarter-19th century. Stenciled and freehand cobalt decoration. 13.5" high. Provenance: private collection The Williams with a bit of a slouchy rim, a couple of pot stones; the Hamilton with repaired cracks.

Hormell and Smyth, Newport, Tuscarawas County, Ohio, mid-19th century. 4-gallon churn with script cobalt "4 Hormell + Smyth" and with cobalt foliate motifs. 15" high. Provenance: private collection As-made kiln defects.

H.C. Ward, 3rd quarter-19th century. 2-gallon jug with stenciled decoration. 14" high. Provenance: private collection Chip to the base, hairline to the handle.

Attributed to Putnam, Muskingum County, mid-19th century. 1-gallon ovoid pitcher with tooled rim. 11.5" high. Provenance: private collection Rim with a few chips and a short hairline.

Probably Muskingum County area, 3rd quarter-19th century. 3-gallon crock with script "3" flanked by cobalt tornadoes. 11.5" high. Provenance: private collection Small firing fissures at the handle joints, tight crow's foot on the underside.

Greensboro, Pennsylvania, 3rd quarter-19th century. Stenciled decoration. 16" high. Provenance: private collection Surface deterioration, cracks.

Probably western Pennsylvania, 2nd quarter-19th century, walnut and poplar. Bold cornice and double-raised-panel doors. Retains its original finish. 34.25" high, 31.5" wide, 17.25" deep. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Original hardware (hinges have been moved), minor losses at the cornice.

Probably Ohio, 1820-1840, cherry and poplar. Leaves with shaped corners, and on turned legs. 29.75" high, 38" deep, 19.5" wide (closed), 45" wide (open). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Refinished.

Made under the direction of Capt. Howard Stansbury, Corps of Topographical Engineers, 1853. Matted and framed. 16.25" high, 19.75" wide (sight); 21.5" high, 24" wide (overall). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Light toning, fold lines with darker toning.

From Actual Surveys by and Under the Direction of D.J. Lake, C.E. Philadelphia: Titus, Simmons & Titus, 1874. Folio, bound in gilt-stamped cloth. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Internally, good+, with even toning, original owner's inscription on ffep; binding rebacked but boards are good+.

Signed "T. Perry" upper right, and illegibly signed above, colored pencil on paper. View of the port side of a tug, with a grumpy sun and a lighthouse in the background. Possibly a Great Lakes steamboat. In a period frame. 16.75" high, 23.5" wide (sight); 21" high, 28" wide (overall). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer; collected in Sandusky, Ohio. Even toning.

Northeast Ohio, c. 1850, cherry and poplar. Two-piece cupboard, the upper section with two 8-pane doors, the lower section with two chamfered drawers and two paneled doors, all on a shaped base. 86.5" high, 48.25" high, 19" deep. This cupboard was purchased from an old Latter Day Saints (Mormon) family in Kirtland in 1984. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Refinished, period wavy glass (no original glazing remains), replaced pulls and latch on lower section.

Michigan, 3rd quarter-19th century, poplar. Twelve star-punched tins, and the case retaining its original and unsual yellow and green stamped decoration. 59.5" high, 42" wide, 17.75" deep. This safe was collected by Peg and Larry Rasey in the 1950s in White Cloud, Michigan from a lady who had acquired it years earlier in trade for labor and produce from her garden. The Rasey's collection sold in the 1980s at Garth's Auctions where it was acquired by Karen Graves (Kentucky), and from her it sold to Jeff Dickeson (Ohio), and thence to the current owner. Dickeson later acquired a blanket chest that had the same paint decoration and also had a collection history in central Michigan. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Paint, tins, and hinges are original, porcelain pulls are period and probably original; the top board has paint loss and cupping; the horiztonal board under the doors has been replaced with old wood.

Possibly Ohio, late 19th. A white clay lion reclining on a platform. All under gold paint. 7" high, 9.5" wide., 5" deep. Provenance: private collection Later gold paint with wear and some losses.

Attributed to Cincinnati, late 19th-early 20th century, mixed woods. The larger with 11 drawers, 20" high, 10" wide, 4.5" deep; the smaller with 9 drawers, 10.25" high, 8.25" wide, 4.5" deep. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Both retain their original finishes and pulls, each with wear.

Daniel Bury, New Portage, 1843. Blue and white with bird and building borders. 90" by 73". New Portage was the original name for a small settlement that is now part of Barberton. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Light staining, replaced fringe.

George Heilbronn, Basil, Fairfield County, 1849. "Fancy Coverlet" for Mary R. Stoker, in red, blue, green, and white, with bird borders. 91" by 69". The Heilbronn family immigrated from France, settling in Fairfield County, weaving coverlets distinctively described as "fancy." Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Bright, with strong fringe.

J.M. Wales, Mapleton, Stark County, mid-19th century. Blue, gray, red, and white, with strawberries and buildings. 86 " by 67". Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Bright colors, fringe loss (mostly to one end).

Attributed to Hillsboro, Ohio, mid-19th century. Dark blue, purple, pink, and white, with unusual jumping fish border. 82" by 73". Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Minor staining.

Jacob and Michael Ardner, Mount Vernon, Knox county, 1857. Blue, gold, red, and white, with a grape border. 85" by 76". Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Some fringe loss.

Perry, Lake County. For Amelia C. French, blue and white in an overall floral pattern. 78" by 77". Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Large stain.

Daniel D. Smith, Worthington Township, Richland County, 1859. Blue, red, and white, with floral wreaths and a double building border. 91" by 70". Daniel D. Smith is listed in the 1850 census as a weaver; he is not listed in American Coverlets and Their Weavers. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Some staining.

Attributed to Zoar, Ohio, mid-19th century. Blue and white, with floral field and corner blocks with an eagle, 13 stars, and "LIBERTY." 84" by 70". Anderson notes that Zoar coverlets sometimes include Zoar-style buildings in the border. Another "Liberty" coverlet sold, attributed to Zoar, at Garth's, November 2011. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Some light wear.

Oil on canvas, unsigned. Full-length portrait of an older Eckel, wearing a green dress and pearls, and holding a fan. In a period/original frame. 44" high, 29" wide (sight); 51.5" high, 37" wide (overall). According to tradition, this portrait was painted about 1940 by a New York artist "T.V. Talmadge" and based on an earlier photograph. Eckel (1876-1951) was born in Beverly, Washington County, Ohio, grew up in Zanesville, and later lived in Chicago and Buffalo. The dress she wears in the portrait was purchased at the close of the Columbian Exposition in Chicago in 1893 by Mrs. Ross Clement Long, Eckel's mother. Appears good, not removed from frame for examination.

Oil on canvas, titled "Washington Guernsey County Fair" and signed on the back. View of a fair, with a hot air balloon. In Beymer's original, decorated frame. 21" high, 28.5" wide (overall). Beymer was born in Beymerstown (now Old Washington), in Muskingum County. During his life, he created an impressive body of work depicting historical scenes, life in his hometown, and nature, and it includes paintings, carvings, and other media. For his paintings, he typically made the frames as well. Provenance: private collection Losses.

Includes an interior view, 16" high, 18.5" wide (overall); a floral still life, 13.5" high, 17.5" wide (overall); and a snow scene, 19.75" high, 13.75" wide (overall). Beymer was born in Beymerstown (now Old Washington), in Muskingum County. During his life, he created an impressive body of work depicting historical scenes, life in his hometown, and nature, and it includes paintings, carvings, and other mediameter. For his paintings, he typically made the frames as well. This grouping represents the first public offering of Beymer's work. Some wear and minor loss.

Includes "Zane's Trace," 12" high, 16" wide; a woodland frolic, 17.25" high, 17" wide (overall); and going to church, 18" high, 22" wide (overall). Beymer was born in Beymerstown (now Old Washington), in Muskingum County. During his life, he created an impressive body of work depicting historical scenes, life in his hometown, and nature, and it includes paintings, carvings, and other mediameter. For his paintings, he typically made the frames as well. This grouping represents the first public offering of Beymer's work. Some wear and minor loss.

Includes a coastal view, 13.5" high, 20" wide (overall); a girl throwing a snowball, 13" high, 12" wide (overall); a carved walnut plaque, 13" high, 10.5" wide; and a redecorated container, 9" high, 11" diameter. Beymer was born in Beymerstown (now Old Washington), in Muskingum County. During his life, he created an impressive body of work depicting historical scenes, life in his hometown, and nature, and it includes paintings, carvings, and other mediameter. For his paintings, he typically made the frames as well. This grouping represents the first public offering of Beymer's work. Some wear and minor loss.

Probably Ohio, 1st half-20th century. Model well made of variously colored polished river rocks. Includes working bucket. 20" high, 14" square. Good condition.

J.W. Moore, Uhrichsville, early 20th century. All in the form of tree stumps. Includes a toothpick/match holder, 3.5" high; together with a pair of bud vases or candlesticks, 9.5" high. Provenance: From an Idaho Collection The smaller has a couple of as-made firing cracks.

Ohio, 1st half-20th century. Fan pattern in vibrant colors. 80" by 78". Provenance: private collection Some staining.

Probably Ohio, 1820-1840, cherry and poplar. Two over one drawers, each with crotch cherry veneer. 29.5" high, 19" wide, 19.5" deep. Provenance: private collection Old finish, pieced repair to proper-left stile.

Signed on the back. Jackson County, Ohio, 1960s-1970s, sandstone. Standing woman wearing a robe. 20.5" high. Provenance: private collection A couple of old base chips.

Mixed media on paper, both signed and dated 1966. Each with a pair of birds on branches. Matted and framed. 10.75" high, 9" wide (sight); 18.5" high, 15.5" wide (overall). Provenance: private collection Light toning.

Oil on masonite, signed lower right and dated 1965. View of an ancient back alley in a European city. 24" high, 18" wide (board), 30" high, 24" wide. Provenance: private collection Minor frame losses.

Signed on the back and dated 1853. Bust of the noted inventor in classical robes. 26" high. Bigelow (1814-1879) was born in Massachusetts and is best known for his development of a powered loom, which revolutionized carpet production in the United States. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda; Ex Clifton Anderson (Kentucky); Previously sold at Grogan and Company, Boston, 12/6/1993, lot 457. A few chips around the base, a blemish above one eye.

Signed on the underside, c. 1970, carved and painted wood. Depiction of the archangel Jophiel expelling Adam and Eve from Eden, with the snake on the apple tree. 15" high, 19.75" long. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda. Previously sold at Christie's, New York, January 15, 1999, lot 279. No visible breaks or repairs; the figures are all slightly loose from the base board, and the angel can now rotate and there is a resulting arc of wear on his base.

Ohio, 1815-1825, curly maple and poplar. Tightly striped maple, with two drawers and turned legs. 29" high, 18" wide, 17" deep. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Refinished with nice color, original pulls.

Probably Ohio, 1810-1830, curly maple and poplar. Dovetailed case and bracket feet. 18.5" high, 31.75" wide, 17.75" deep. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Refinished, escutcheon inlay is later, hinge rail repair.

Probably Ohio, 2nd quarter-19th century. Thick one-board top and leaves with turned and faceted legs. Retains its original finish. 30" high, 47" wide; 21" long (closed), 59.25" long (open). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Wear/possible burn scar to the top, battens added to the leaf undersides, some losses at the hinge areas.

1820-1840, curly maple and poplar. Long table with a single drop leaf, breadboard ends, and drawers at both ends, all on turned and faceted legs. 29.5" high, 61" wide, 26.75" deep (closed), 40.75" deep (open). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Old refinish, replaced pulls, the top and leaf are multiple boards and have original or very early pegged joinery.

Includes a blue decanter with asymmetrical handles, 12.75" high; together with a Blenko - Wayne Husted tangerine decanter with small spout, signed, 14" high. Husted decanter with crack to base; blue base is in good condition.

Oil on masonite interior bar scene. Artist signed and dated "C. Singer 72" lower left corner. Brass identification tag on frame. Painting also identified on verso. 20" high, 24" wide (canvas), 25" high, 29"wide (framed). Provenance: From the collection of the late Pete Slates, Carrollton, Ohio Good condition.

Oil on board portrait of a woman with gray hair wearing a purple blouse. Signed "C. Singer" right center. Note on verso, "Portrait of Peg Cranston by Clyde Singer". 16" high, 12" wide (canvas), 30" high, 26" wide (in a carved oak frame and matted with a brass identification tag). Provenance: From the collection of the late Pete Slates, Carrollton, Ohio Good condition.

Oil on paper street scene with a white house with a red roof and children running on the sidewalk. Signed "C. Singer '40" lower middle. Label on back of frame, "Mr. A.M. Cranston/4984 Robertsville Ave. SE/East Canton, Ohio 44730". Also identified on back of frame. 8.5" high, 12" wide (image), 20" high, 22" wide. (matted and framed). Provenance: From the collection of the late Pete Slates, Carrollton, Ohio Good condition.

Lithograph, "Leyte Laundry Lady", signed and dated "Singer 45" in the print. 16"high, 14" wide (framed and matted). Etching "Accusation #7", titled in pencil in lower left margin, signed and dated "Clyde Singer" in pencil in lower right margin. 15" high, 13.5" wide (framed and matted). Clyde singer Retrospective Exhibition poster. 26.5" high, 12.5" wide (framed). Provenance: From the collection of the late Pete Slates, Carrollton, Ohio Good condition.

Oil on masonite city scene of women walking down a sidewalk with a park in the background, in the foreground a man is walking a small dog. Signed "C. Singer 1972" lower left. Artist notation on verso, "Along Central Park / Clyde Singer 1972". 16" high, 20" wide (canvas), 20" high, 24" wide (framed). Provenance: From the collection of the late Pete Slates, Carrollton, Ohio Good condition.

Oil on canvas scene of a group of three people, two women and a man. Signed lower left. The woman in the foreground is wearing a pink dress and a white hat with a blue ribbon and is holding a white clutch. The woman in the background is in a blue dress and the gentleman in the background. 30" high, 10" wide (canvas), 34.5" high, 14.5" wide (in a frame with carved corners). Provenance: From the collection of the late Pete Slates, Carrollton, Ohio Good condition.

Oil on masonite portrait of an older gentleman sitting at a bar or lunch counter eating. Artist signed and dated "C. Singer '71" in lower right. Also identified on reverse. 10" high, 7.75" wide (canvas), 15" high, 13" wide (framed). Provenance: From the collection of the late Pete Slates, Carrollton, Ohio Good condition.

Possibly the Hoyt Pottery, Norwalk, Connecticut, early 19th century. With yellow and brown marbled slip decoration. 14.5" long. Several of these 14.5" loaf pans have sold in recent years, all with marbled slip decoration. This example, and the example offered as lot 53 lack the green, but are nearly identical in all other aspects. Provenance: From an Idaho Collection Minor rim chips, and a couple of flat flakes on the back.

Possibly the Hoyt Pottery, Norwalk, Connecticut, early 19th century. With yellow and brown marbled slip decoration. 14.5" long. Several of these 14.5" loaf pans have sold in recent years, all with marbled slip decoration. This example, and the example offered as lot 52 lack the green, but are nearly identical in all other aspects. Provenance: From an Idaho Collection Minor rim chips.

New England (possibly New Hampshire), 18th century, pine. Chest with one faux drawer over three real drawers, and on bracket feet. Retains its original, grungy red paint. 38" high, 39.5" wide, 19" deep. Provenance: From an Idaho Collection Original snipe hinges, replaced brasses (original holes), wonderful surface.

American, 1820-1840, pine. Dovetailed gallery, one drawer, and turned legs; the interior with drawers and cubbies. Retains its original red paint. 39.5" high, 35.5" wide, 23.75" deep; top surface is 8" deep. Retains various period inscriptions on the inside lid from the Tate family. Snyder Tate was born in Centre County, Pennsylvania, in 1860, to Foster Tate and Elizabeth Hafer. He married Rebecca Jane Garbrick in 1896, and they had two children whose information seems to be recorded on this desk. Olive Tate, born 1897, and Donald Clarence, who was born in October of 1899, and died in May of the following year. Snyder died in 1918, Rebecca died in 1922, and Olive married Ralph Malone and remained in Bellefonte in Centre County, where she died in 1975. Provenance: From an Idaho Collection Period or original pulls, some wear.

American, 19th century. 31.5" high, 26.5" wide, 29" deep. Provenance: private collection Old finish, some wear/damage, including insect damage.

American, dated 1882, poplar. Nailed construction, and retaining its original red paint and "W.P & Co 1882." 6.75" high, 6.5" wide, 13.5" long. Provenance: private collection Minor wear and surface scuffs.

Late 19th-early 20th century. Lift lid box with two lower drawers, the lid with a pin cushion, the façade with hearts, and resting on tapered feet. Retains old Spanish brown paint. 8.5" high, 12.5" wide, 8" deep. Provenance: private collection Pin cushion velvet may be replaced.

American, c. 1876. Stave constructed, with "OUR CENTENNIAL BEST 1776 1876" stamped on the lid. Retains early green paint. 11.75" high, 12" diameter (at the lid). Provenance: private collection One band loose, some wear.

American, 19th century. Large round box in original red paint. 10" high, 16" diameter. Provenance: private collection Some wear, board separation in the lid.

Signed on the belly. Standing orange tabby with an inquisitive expression. 24" long. Provenance: private collection Minor wear.

American, early 20th century. Includes 12" bowl, a 7.5" bowl, and a 6.75" pitcher. Provenance: private collection Large bowl has one burst pot stone on the interior.

American, 19th century. 8.5" diameter box in original green paint; together with a 6.5" box in old blue paint. Provenance: private collection Green box with stable age crack to the lid band, smaller box with old blue over an earlier/original blue, with paint loss.

American, early 20th century. Pink roses with green leaves. Handquilted, machine binding. 83" by 73". Provenance: private collection Minor staining.

New England, 18th century, maple. Shaped top over a turned shaft and tripod base. Retains old, alligatored paint on the base. 27.75" high, 15.5" square. Provenance: private collection Retains traces of old paint on the cleaned top, one leg is loose (still secured by the iron spider).

American, 19th century. Oval, three-fingered box in old gray paint. 4.5" high, 8.5" wide, 11.5" long. Provenance: private collection Age split and losses to the lid.

American, 19th century. Stave constructed, with original green paint and grungy surface. 11.75" high, 11.75" diameter (at lid). Provenance: private collection Some wear, as expected.

American, early 20th centuy. Zinc directions on a period iron and wood base. 29" high. Provenance: private collection Wear and some corrosion.

American, late 19th century, pine. Dovetail and square nail construction, the lower cabinet made to look like organ pipes. 27.5" high, 17" wide, 9.25" deep. Provenance: private collection Old green paint over earlier green, with old gold on the door and pipes; some wear and age cracks, one pipe is a bit loose.

American, late 19th century, splint. Large size, well-made, with a bentwood handle. 29" long. Provenance: private collection A couple of very minor breaks.

American, late 19th-early 20th century, pine. Large divided tray, with slots for saws, and a cutout handle. Retains old red paint. 11.5" high, 14.5" wide, 29" long. Provenance: private collection Expected wear.

American, late 19th-early 20th century. Gathering basket, 22" high; together with a red-painted basket, 17" long. Both with some breaks/losses, red paint is old.

American, 19th-20th century. Burden basket with bentwood handle and canvas straps, 24" high; together with a black-painted powderhorn, 14" long. Some wear and losses to each.

American, late 19th-early 20th century, pine. Parcheesi board with original floral decoration on a green ground, and with a star at "home." 20" square. Provenance: private collection Minor losses.

American, early 20th century, pine. Checkers board with trays at both ends. Retains old mustard and pale yellow over original mustard and white. 28.75" by 18.75". Provenance: private collection Paint wear and minor loss.

Flora N. McClellan, dated 1899, oil on canvas. A portrait of "King" who has retrieved his quarry. In its original frame. 22" high, 30" wide (sight); 28.25" high, 36.25" wide (overall). Provenance: private collection Mild craquelure.

American, late 19th century. With two chimneys and windows, and retaining its original paint. The large opening suggests that it may have been for a cat or small dog. 19" high, 19" wide, 14.5" wide. Provenance: private collection Wear and some crackling to the paint.

Armstrong and Co., Boston, 1878, chromolithographs. Includes quails and mallard ducks. In matching frames. 14" high, 20" wide (sight); 23.25" high, 29.75" wide (overall). Provenance: private collection Even toning.

Northern New England or Canada, 2nd quarter-19th century, basswood. Dovetailed case and bracket base, and retaining its original red over yellow paint decoration. 21" high, 41" wide, 16.25" deep. Provenance: private collection Wear to paint on the top.

American, late 19th century, oak. Paneled front and sides, molded base. Retains an early or original finish. 32" high, 40" wide, 24" deep. Provenance: private collection Some alligatoring to the finish, minor interior modification.

Attributed to Maine, 20th century. Charming carved black cat, curled in a ball. 13" long. Provenance: private collection Minor wear.

American, 19th century, poplar. Small cupboard with a paneled door and interior folio slots (horizontal and vertical). Retains old red and green paint. 36" high, 23.5" wide, 17" deep. Worn paint, some losses.

American, 2nd quarter-19th century, cherry and pine. With lower shelves and original paint decoration. 42" high, 18" wide. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Wear and minor losses, paint is original and has an oxidized surface.

American, 19th century. Fourteen candleholders on two levels (six over eight) and each with crimped cups. 24" high, 20" diameter. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Expected wear, a few bends, some corrosion.

American, late 19th-early 20th century, velvet and mohair. Small sheep wearing a ribbon, mounted on wheels. 7.75" high, 8" long. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Some wear and minor loss.

New Hampshire, c. 1838, pasteboard. Hat-size bandbox with floral printed wallpaper, and lined with a Concord, NH newspaper from 1838. 13" high, 17" long. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Wear, joints a bit loose.

Probably Pennsylvania, early 19th century, cherry and poplar. Drop leaves, one drawer, and cross stretchers. 28.25" high, 32.75" deep, 21" wide (closed), 40" wide (open). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Old refinish, original pull, repaired cross stretchers.

American, early 19th century, cherry and poplar. Square top, one drawer, and tapered legs. 27.5" high, 19.75" wide, 17" deep. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Refinished, some sun bleaching/fading, replaced pulls.

Probably Connecticut or Massachusetts, c. 1800, cherry, maple, and pine. Round top over a double-sided drawer, turned shaft, and tripbod base. 25.5" high, 16.75" diameter. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Refinished, replaced pull, reset top, tin spider is now missing.

20th century. Includes a long, houndstooth runner or wrap, 168" by 36"; together with a woven table cloth, 81" by 64". Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Houndstooth with some wear and a few minor spots of damage.

American or English, 1st half-19th century, brass and wire. 24" high, 56" wide. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Expected wear, some bending, and a couple sections (lower right) with significantly bent wire, a few minor losses.

American or English, early 19th century. Urn and double-lemon-top, both with spurred legs and ball feet. 17" and 18" high. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Expected wear.

American, mid-19th century. Of typical form, and retaining the iron spit. 16.5" high, 30" wide. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Expected wear.

American, 1st half-20th century, felt. With unusual tied decoration at center. 40.5" by 34.5". Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Good condition.

Massachusetts, 1810-1825, mahogany and pine. Four graduated drawers, flanked by reeded columns, the top with cookie corners, and resting on turned feet. 38" high, 42" wide, 22.25" deep. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Refinished , replaced brasses.

Enoch Wood and Sons, , 2nd quarter-19th century. Titled "Niagara from the American Side" in dark blue transfer print. 11.5" by 14.5". Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Scratched surface with moderate high point wear (including glaze and decoration loss).

Both 2nd quarter-19th century, in dark blue transfer. Includes a Franklin's Tomb sugar bowl, 6.5" high; together with a Clews Landing of Lafayette open dish of small size, 7.75" long. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Each has a repaired rim, staining, and scratches.

2nd quarter-19th century, in dark blue transfer. Includes a Landing of Lafayette handless cup and saucer, a Battery cup plate, and a pastoral view with house cup plate. The Battery plate is 3.75" diameter. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Cup with minor foot chip, saucer with rim flake.

2nd quarter-19th century, in dark blue transfer. Includes Bank of the United States with eagle border, 10" diameter; Library of Philadelphia, 8.25" diameter; Upper Ferry Bridge over the Schuykill, 9" diameter; and two Fairmont Near Philadelphia, 10.25" diameter. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Bank with faint hairline, Library and Bridge with wear and scratches, one of the Fairmont with glaze loss to the rim.

Clews, c. 1825, in dark blue transfer. 10" diameter. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Plate is fine, soup has wear and scratches.

19th century, in blue transfer. Includes City of Albany, 10" diameter; Entrance of the Erie Canal into the Hudson at Albany, 10" diameter; Bakers Falls Hudson River, 9" diameter; and two City Hall New York, 9.75" diameter. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Staining to City Hall, Albany with scratches and wear, Erie Canal with failing restoration.

19th century, in blue transfer. Includes Harvard College, 10" diameter; Landing of the Fathers, 8.75" diameter; Winter Views Pittsfield, 8.75" diameter; Octagon Church Boston, 9.75" diameter; Boston Statehouse, 9.75" diameter. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Statehouse stained, Pittsfield, Landing, and Harvard with wear and some staining.

2nd quarter-19th century. Includes a Clews Select Scenery In Wensleydale Mill Gill Force covered vegetable dish, 12" long; together with a Trenton Falls plate with shell border, 7.5" diameter. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Wear and scratches to Trenton Falls, vegetable with repaired rim and lid.

Attributed to Robert Wood, Philadelphia, c. 1875. Life size, with wonderful profiles. 48" long. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda; Ex Clifton Anderson (Kentucky); Ex Fred Giampietro (Connecticut); Ex Llangollen Farm (the estate of Mary Elizabeth Whitney Tippett, Upperville, Virginia, sold at Weschler's, January 1989). Untouched surface, including remnants of early/original paint, now weathered and with some corrosion, one with a loss at the tip of the tail.

American, late 19th century, mahogany and pine. In the Newport taste, with three upper shell-carved drawers over a shell-carved kneehole door, which is flanked by stacks of bowfront drawers, all on ogee bracket feet. 32" high, 37.5" wide, 19" deep. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Old finish, original brasses, a few glued repairs to the feet.

Attributed to Peter Bartlett, Salisbury, New Hampshire, c. 1785, maple and pine. Desk over four graduated drawers, resting on a base with bandy legs and a central drop. The desk interior has a starburst-carved central prospect flanked by document drawers with applied turnings, and flanked further by fan-carved drawers as well as cubbies. 42" high, 39" wide, 18" deep, writing height is 32". Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda; Ex Clark Garrett (Ohio), sold at one of his final auctions at Mike Clum Inc. (Ohio). Old finish, replaced lid hinges, a few bits of the original hardware are damaged or missing.

American, 1st half-20th century. Unusual, life-sized carving of the head of a middle-aged man being held in his hand, as if pensive. Mounted on a custom, iron base. 22" high (overall). Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda A few minor age cracks, wear to the paint.

American, late 19th century, walnut. Square column with original paint decoration. 31" high. Some wear to paint, top is largely scrubbed.

Late 19th century. Handpainted view of the U.S. Grant Hotel in San Diego, California. 6" long. Among the oldest hotels in San Diego, the U.S. Grant Hotel was built in 1910 by Ulysses Grant Jr. and his wife, Fannie Chaffee Grant. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda No cracks to the shell, some wear to the paint.

American, 2nd quarter-19th century, ink and watercolor on paper. Half-length profile portraits of sisters Emeline and Caroline Warner, each in a blue dress. In period/original decorated frames. 4" high, 3.25" wide (overall). Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Toning with some surface soiling, frames with some wear.

American, 2nd quarter-19th century, watercolor on paper. Full-length portrait of a young lady in a pink dress, sitting on a rock in a pastoral setting. In a curly maple frame. 5.25" high, 6.5" wide (sight); 6.5" high, 9.5" wide (overall). Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Light, even toning.

American, mid-19th century, bentwood. Of large size, with its original red and gold floral decoration on a blue ground. 9" high, 17.25" diameter. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Some wear to the paint but with little loss; both the box and the lid have age splits.

Seagrove, North Carolina. Signed "BH" and "XXII" on the underside. Large, smiling lion modeled after the iconic mid-19th century lion by Virginia potter Solomon Bell. 11.5" high, 10" long. Provenance: private collection A couple of minor firing separations in the mane.

John W. McCoy (1849-1919), Randolph County. Slender two-gallon churn, with impressed "JW McCoy" mark over inscribed "2 NC." 14.5" high. Provenance: private collection One handle missing (possibly in the kiln), several pot stones.

American, 19th century. Includes a small, ovoid redware jar with flared rim, 8" high; together with a 1-gallon stoneware jar with cobalt decoration, 9" high. Provenance: private collection A couple of rim chips to the redware jar; the stoneware jar's decoration is unusual, but it cannot be scratched off and does not fluoresce under blacklight, and it has a hairline at the base.

Includes a 2-gallon ovoid jug by L. Norton and Son, Bennington, Vermont, with floral decoration, 14" high; together with an unmarked 2-gallon jug with cobalt tornado, 14.5" high. Provenance: private collection The Norton with losses to the spout; the other with a small crow's foot near the handle.

Includes a 1-gallon script jug by J. Fisher, Lyons, New York for Kamper's Sons in Buffalo, 12" high; together with an unmarked 4-gallon jar with script "4" and tornado. 14" high. Provenance: private collection 4-gallon jar with rim chips and hairline along the base.

American or English, 19th century, mahogany. Inlaid with a central shell and with light and darkwood banding. 11.5" high, 12.5" wide. Provenance: private collection Original finish, some inlay loss.

N. White and Co., Binghamton, mid-19th century. Of typical form, with cobalt highlights, and with its original bale handle and tin spout cap. 8" high. Provenance: private collection Very minor spout rim flake.

Pennsylvania, late 19th century. Stave constructed, with original label for Atmore's Keystone Mince Meat. 10" high, 9.5" diameter (at the lid). Provenance: private collection Original finish and label, label is about 10% loss.

Probably American, late 19th century. Carved horse with horsehair mane and leather saddle. Retains its original paint decoration on the horse and the frame. 34" long. Provenance: private collection Generally very good, now missing the tail.

2nd half-20th century. Seated boy wearing a red jacket, green pants, and Converse hightops. 32" high. Provenance: private collection Some wear.

New England, 18th century, maple. Round top over turned legs ending in pad feet. 26" high, 29.5" diameter. Provenance: private collection Refinished, top has been reset or is possibly a period replacement.

Columbus, Georgia, 20th-21st century. Squat jug, with stone teeth, and elaborate inscriptions: "Old Black Joe's Brother," Help me free myself from this jug," and "Made by Ned Berry Great Grandson of George O. Berry Potter from Columbus, Georgia." 5.5" high. Provenance: private collection No damage.

Seagrove, North Carolina. Signed "BH" and "XXII" on the underside. Frazzled man being threatened by a snake, which is inscribed "SNAKE OF LIFE DO OR DON'T PUSH OR PULL TALK OR SHUT UP GO OR STOP." 11.5" high. Provenance: private collection Tight hairline on the underside that does not go through the entire base (just visible on the unglazed bottom).

American, 1839, wool on linen. Worked by Elizabeth Greer, with alphabet and number lines, and a Greek key border. In a birdseye maple frame. 18" high, 22" wide (overall). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Even toning, a few small stains and losses.

American, 2nd quarter-19th century. Original tablet with landscape and house, and original mirror, and with original gold and black paint on the turned frame. 34" high, 15.5" wide. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Wear, some silver losses, some paint separation to the tablet.

Eastern Massachusetts, early 19th century, mixed woods. Birdcage windsors with crest medallions and bamboo turnings. Includes one armchair and three side chairs. 34.75" high. On the underside of one chair is an old note indicating that the chairs were part of a set of 12 originally belonging to James and Rebecca Dunan of Haverhill, Massachusetts. Rebecca White was born in 1754 and married James Duncan, Jr. (1756-1821) on January 26, 1790 (the note suggests that the chairs were bought at the time of their wedding, but likely it was 10-20 years later). They had at least two children, Samuel White Duncan (1790-1824) and James Henry Duncan (1793-1869). Rebecca (sometimes Rebekah) died in 1834. The Duncans are buried in Pentucket Cemetery in Haverhill, Massachusetts. James Duncan succeeded his father in a lucrative shipping and mercantile business, and he had a neoclassical home built for his family, the parlor of which, known as the Haverhill Room, is in the Metropolitan Museum of Art. Their son James Henry Duncan served in the Massachusetts legislature and in U.S. House of Representatives. For more of Dunan, see https://haverhillpl.org/wp-content/uploads/2021/10/James_Duncan_Jr_Papers_Finding_Aid.pdf. For more on their house in Haverhille, see: https://www.metmuseum.org/about-the-met/collection-areas/the-american-wing/period-rooms/haverhill-room. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Paint is early 20th century and flaking, chairs are solid and sturdy.

American, 2nd quarter-19th century, cherry. Original tablet with house and landscape, and original mirror; the cherry frame with turned pilasters and drop finials. 29" high, 16" wide. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Refinished.

New England, 18th century, cherry. Yoke crests, solid splats, and turned legs ending in cabriole feet. 39.5" high. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Refinished, re-rushed seats, one has a pieced repair at the stile/seat rail joint.

American, 2nd quarter-19th century. Scroll-cut slats and turned legs. 33.25" high. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Old finish with good color and patina, old re-rushed seats.

New York, 1866, handcolored lithograph. Framed. 23.5" high, 32.25" wide (sight); 27.5" high, 36.25" wide (overall). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Even toning.

New England, 1815-1830, pine. Shaped backsplash, one drawer, and turned legs, and retaining its original floral decoration on a yellow ground. 34.75" high, 33.75" wide, 17" deep. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Period pulls, one ear on the backsplash is skillfully replaced.

American, 3rd quarter-19th century, oil on canvas, unsigned. Erie view of ships through the fog, with seagulls in the foreground. In a period frame. 19.5" high, 31.5" wide (sight); 25.5" high, 37.25" wide (overall). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Needs cleaned, patched repair.

Signed "Vera Ingle" lower left, late 19th century, oil on canvas. The coastline with stormy seas, and a lighthouse taking the brunt of the waves. In a period frame. 17.25" high, 27.5" wide (sight); 22.25" high, 32" wide (overall). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Needs cleaned.

New York, 1861, handcolored lithograph. Period frame. 15.25" high, 19.5" wide (sight); 20.5" high, 25" wide (overall). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Light toning.

Eastern Pennsylvania, early 19th century, cherry and poplar. Three small drawers over five graduated drawers, all on high, French feet. 64.5" high, 45.5" wide, 28.75" deep. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Refinished, replaced eagle brasses (two sets of holes), repairs to proper-right feet.

American, late 19th century, oil on canvas, unsigned. Winter landscape with a couple in a sleigh, cows under a bridge, and a house in the background. Framed. 17.75" high, 22" wide (sight); 20.5" high, 24.5" wide (overall). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Minor paint loss.

New England, early 19th century, pine. Dovetailed case with bracket feet, and retaining its original black over salmon paint decoration. 21.5" high, 42.5" wide, 18.5" deep. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Expected wear, varnish has become cloudy.

American, late 19th century, oil on panel, unsigned. Winter landscapes with a pair of robins in the foreground, and in the background, a stone bridge over a creek. Unframed. 13.75" high, 20" wide. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Minor paint loss.

American, in the manner of William Matthew Prior, 1840s, oil on tin. Bust-length portrait of a bearded gentleman wearing a jeweled broach. In a black frame. 17.5" high, 13.5" wide (sight); 20.5" high, 16.5" wide (overall). Provenance: private collection Minor flaked losses.

19th century. Includes a biscuit mold with daisies, two mashers, scoop, chopper, small chalice, and a covered cup with captured ring. The last is 5" high. Provenance: private collection All with original finish and minor wear.

Late 19th-early 20th century. Includes a dancing man (on a modern stand) and seven animals, including spaniels, terriers, and a deer. Dancing man is 15" high. Provenance: private collection All with original finish.

19th century. Includes a small painting of a rose in a gilt frame, a folksy rendition of a bird (possibly a robin) in a period frame, and a decorated certificate celebrating mother in a period frame. The rose is 7" high, 8" wide. Provenance: private collection All with some toning, frames with wear.

19th century. Includes an early mirror in its original shipping box, 12.25" high, 10.25" wide (overall); together with a tole tray with ship decoration, 18.25" by 13.5". Provenance: private collection Alligatored surface on the tray.

19th-early 20th century. Includes a lace cap, a small braided rug, and a christening pillow. The rug is 19" by 28". Provenance: private collection Toning to the cap, some wear to the pillow and rug.

American, 19th century. Includes a pewter double-bullseye lamp, a small pewter lamp, and three small glass lamps. Bullseye lamp is 9.5" high. Provenance: private collection Some wear, small pewter lamp with dents.

American, 19th century. Includes two betty/fat lamps on stands, a hogscraper candlestick, and a punched tin and glass lantern. The last is 11" high, including ring. Provenance: private collection All with wear, the blue lamp stand is vintage but not period.

19th-20th century. Includes three mounted duck decoy heads, a charming pig, a make-do duck squeak toy, and a chalkware lion. The pig is 8.5" long. Provenance: private collection Wear, squeaker doesn't squeak, light flakes to the lion.

19th century. Includes a treen bank with bone inlay and applique, pottery apple and plum banks, and a redware bank with applied angel. Treen bank is 4.5" high. Provenance: private collection All with some wear, treen bank retains its original finish.

Includes a triptych by Helen P. Williams (New York, 1875-1965), matted and framed, 6.5" high, 12.25" wide (overall); a small watercolor of a carriage on a road signed "Pairpoint," framed, 5.5" high, 6.5" wide (overall); and a with a print on silk by Hans Figura (1898-1978), pencil signed, framed, 13" high, 10" wide (overall). Provenance: private collection All with light toning.

19th century. Includes an English transfer-printed sugar bowl, a pair of glass pennylicks, and two brass strike-a-light cases with strikers and flint. Sugar bowl is 7.5" high. Provenance: private collection Bow with faint line on the underside.

19th-early 20th century. Includes a Passamaquoddy or Penobscot sweet grass tube basket, a Penobscot needlecase basket, a needlecase or scissor basket, a small rectangular basket, and a round Native American needlecase. Tube basket is 6" long. Provenance: private collection Very light wear, just a few very minor breaks.

19th-20th century. Includes a small, early dometop box with leather hinges and wallpaper covering, a model or toy windmill, and a puzzle bottle. Box is 5.5" wide. Provenance: private collection Box with some minor wallpaper loss.

American, 19th century, yellow ware. Footed punchbowl with Rockingham glaze. 12" diameter. Provenance: private collection Chip to the foot.

American, 2nd half-20th century. Merganser drake, with glass eyes. 19.5" long. Provenance: private collection Minor wear to the tip of the bill.

Watercolor on paper, signed in pencil lower left. Atmospheric view of the New York harbor at dusk. Matted and framed, and retains an old typed label on the back. 10" high, 12.25" wide (sight); 14.75" high, 17.25" wide (overall). Provenance: private collection; previously sold at Swann Galleries (New York), 9/18/2008, lot 322. Even toning; not removed from frame for examination.

Oil on panel, signed lower right and dated 1907, and titled on the back. Sunset view of a river or lake, with three vessels. Framed. 10" high, 14.5" wide (sight); 14.5" high, 19" wide (overall). Provenance: private collection Good condition.

Samuel Bent and Brothers, Gardner, Massachusetts, early 20th century. Bowback armchairs with early wire reinforcement due to their institutional use. 36" high. The chairs are branded for use at the Monson State Hospital in Monson, Massachusetts. Founded in 1852, for most of the first half of the 20th century, it served as a hospital for patients with epilepsy. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda All with original finish, though in varying states of wear; all four have wire reinforced bases and two have reinforced central spindles.

American, Native American, and First Nations, 20th century. Three handled baskets, four lidded baskets, and one basketry pin cushion. Largest is 3.75" diameter. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Mini buttocks has badly damaged handle, others have minor losses.

American, 19th century. Includes a pair of dumbbells, two mashers, a turned rolling pin, a sailor-made rolling pin, and a pair of tops. Sailor-made rolling pin is 17" long. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda All with wear, a few with age cracks (including sailor-made rolling pin).

American, late 19th century. With stepped bases, classical masks, and old buff, cream, and white paint. 36" high. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Weathering and loss to the paint, some rust. Bases separate from the urns, and on one, the collar/rim is now separate (lacking bolts). One base with losses.

American, 1941-1945, pine. Carved figure of a fierce Uncle Sam punching, standing on a base that reads "PUNCHING." Retains its original red, white, and blue paint. 23.5" high (overall). On the underside there appears to be sketched out the original design for the base that includes an eagle and "V" as well as the phrase "KEEP PUNCHING." Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Retains its original paint, with expected wear, minor losses, crackling, and grunge buildup; blue varnish/stain applied that covers up the stick-on stars, right arm appears to have an early repair.

Oil on canvas. Full-length portrait of General Macomb at the Battle of Plattsburg, after the original by Samuel Lovett Waldo (New York, 1783-1861), which hangs in New York City Hall. Unframed. 47" high, 30" wide. For his leadership as field commander at Plattsburg, during the War of 1812, Macomb was awarded the Congressional Medal of Honor. LaForet operated a studio/shop near 57th and Lexington in New York in the 1940s. Provenance: From an Idaho Collection Losses.

American, mid-19th century, cherry. Each with one drawer and turned legs, one has casters. 28.75" and 29.25" high. Provenance: From an Idaho Collection Refinished.

American, 19th century. Includes two open dishes, a pitcher with hunt scene, and a Rebecca at the Well teapot. Pitcher is 9" high. Provenance: From an Idaho Collection Pitcher with a few short hairlines.

American, 19th century. Includes two spittoons, a small pitcher, and various open dishes, including pie plates. Larger spittoon is 6.5" diameter. Provenance: From an Idaho Collection Some wear and minor damage.

American, late 19th-early 20th century. Includes a Sleepy Eye vase and bowl, and a patented meat tenderizer. Vase is 8.75" high. Provenance: From an Idaho Collection Wear, especially at the bowl rim and both feet.

American, late 19th century. Includes a swirled aqua finger lamp, a cobalt skater's lamp, and a cobalt Nutmeg lamp. 12", 7", and 6.25" high, respectively. Provenance: From an Idaho Collection All with wear, no apparent glass damage, skater's lamp with some corrosion.

American, 1820-1840, pine, poplar, and walnut. Dovetailed case and bracket base, and retaining its original faux mahogany paint decoration. 27.75" high, 38.5" wide, 19" deep Provenance: From an Idaho Collection Hinges have been moved, proper-left feet have stable cracks.

Probably New York State, 1st half-19th century, pine. Nailed case with bootjack ends, and retains its original floral paint and "AB" on a red ground. 22" high, 46.75" wide, 17.5" deep. Provenance: From an Idaho Collection Wear, replaced hinges.

American, early 20th century. Two blue spongeware bowls, 11" and 10.25" diameter; together with a brown-glazed pitcher, 7.5" high. Provenance: From an Idaho Collection Bowls with hairlines.

American, mid-20th century. Solid cast, with old paint. 13.75" high. Provenance: From an Idaho Collection Some corrosion.

English, 19th century. Includes seven straight-sided measures, 2" to 8" high; together with five bellied measures, 1.75" to 3.75" high. Provenance: From an Idaho Collection Wear, some dents.

American, 19th century. Stave constructed, with old blue paint. 11.75" high, 12" diameter (at the lid). Provenance: From an Idaho Collection Some wear, lid band is loose, some alligatoring to the paint.

American, 19th century. Stave constructed, with original red paint. 14.75" high, 14" diameter (at the lid). Provenance: From an Idaho Collection Some wear, loss to one band.

American, late 19th century, oil on canvas. Two bunches of grapes hantgng on the wall. In its original gilt frame. 13.5" high, 10.75" wide (sight); 17.25" high, 14.75" wide (overall). Provenance: From an Idaho Collection Frame with loss at one corner.

E. Norton and Co., Bennington, Vermont, 3rd quarter, 19th century. Two-gallon jug with cobalt decoration. 14" high. Provenance: From an Idaho Collection Chips to the spout, cracks, as-made defect to the handle.

C. 1890, printed cotton. In a Victorian-style walnut frame. 18.25" high, 24.75" wide (flag); 24.5" high, 31" wide (overall). In November of 1889, North Dakota, South Dakota, Montana, and Washington were admitted to the Union, bringing the count to 42 states. Officially, the flag is updated with new stars every July 4. Despite this, flag manufacturers began producing 42-star flags in November of 1889, but these turned out to not be "official" flags as Idaho was admitted to the Union on July 3, 1890, so the flag went from 38 stars to 43 stars on July 4, 1890. Provenance: From an Idaho Collection Light toning, a few stains (including a long thin brown spot).

American, late 19th-early 20th century. "P&A Mfg. Co" lantern with clear onion globe. 13" high, 10" diameter. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Some wear.

American or English, late 18th-early 19th century, mahogany. Scroll-cut frame with gilt eagle crest. 36.5" high, 18.25" wide. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Refinished, repaired break to one scroll, backboards are replaced with old boards.

American, 1820-1840, cherry and pine. Two piece, the upper section with twelve panes and the lower section with two paneled doors, all on bracket feet. 85.75" high, 40" wide, requires a 28" corner. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Refinished, original glass and hinges.

Sally Temple, for teacher L.G. Norcross, Granville, NY, 183[?], silk on linen. Alphabet and number lines with verse, inscription, and flower basket. Framed. 15" high, 10.75" wide (sight); 17.75" high, 13.5" wide (overall). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Even toning.

Ann Cookman, 1836, silk on linen. With alphabet and number lines, verse, inscription, and numerous pictorial motifs, including a large deer. Framed. 14.75" high, 12" wide (sight); 17.25" high, 14.5" wide (overall). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Toning, some losses.

American, mid-late 19th century, oil on canvas, unsigned. Small village along a stream, with a man and his dog in the foreground. Period frame. 14.5" high, 18.25" wide (sight); 18" high, 23" wide (overall). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Could use a light cleaning.

American, early 20th century. Includes notched dowels of various length, all in their original green paint, as well as roof pieces, and tin door and shutters. In a 19th-century slide-lid box that retains its original paint decoration. Box is 5" high, 8.25" wide, 13" long. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Log set with minor wear, the box is missing a strip of the slide molding, and is separating at one joint.

Late 19th-early 20th century. A larger hanger with rooster finial, flanked by smaller hangers, all with elaborate curlicue ironwork. Center hanger is 15" by 14". Provenance: From the Lifetime Collection of a Northeast Ohio Dealer; Ex Philip Bradley Sr. (Pennsylvania). Expected wear, a few bends, some corrosion.

19th century. Includes a brass bedwarmer and bucket; together with a copper kettle and mug. Bedwarmer is 44" long. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer All with wear, some dents.

19th century. Chess/checkers board with elaborate inlay, and with integral drawers for storing the pieces (smaller drawers for checkers and larger drawers with fitted spaces and tambour covers for chess pieces), 18" square. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Original finish, some losses to inlay.

American, 1st half-19th century, curly maple and poplar. In the form of a miniature one-drawer stand. 6" high, 6.75" square. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Original finish, original pull, legs are their original length.

American, late 19th century. Taxidermied lamb mounted on a wheeled platform as a pull toy. 17" high, 20.5" long. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Wear, with some deterioration, and a few stains.

Eli Terry and Sons, Plymouth, Connecticut, 2nd quarter-19th century. With reverse-painted tablet, and ebonized and stenciled columns and crest. 26.75" high. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Original tablet, columns, and crest with original paint, old or original finish on the mahogany, a few minor places of veneer loss or repair, retains pendulum, winding key, but not weights.

American, late 19th century, pine. Retains much of its original paint. 18.5" square. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Wear and paint loss, loss to one corner of the molded edge.

American, late 19th century, walnut. The back with stylized flower and a pair of doves, and the front of the pocket with two fish. 19.75" high, 14" wide. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Retains its original finish, minor losses and wear.

Pennsylvania, 19th century. Often called a doughnut box, with wide base and top, with a handled lid, and retaining its orignial stenciled decoration. 5.5" high, 13" diameter. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Break to the handle, wear and some paint loss, darkening to the surface overall.

Connecticut or Massachusetts, c. 1780, curly maple and pine. Two over five graduated drawers, on high, shaped bracket feet, and with a central drop. 55" high, 40" wide, 17.75" deep. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Refinished, crack to proper front-left foot facing, small pieced repair to the proper left cornice corner, later nails to the backboard, very minor losses and two minor repairs to drawer lips, retains its original brasses.

American, late 19th century, oil on panel, unsigned. Charming fireside scene with two black cats in front of a fireplace. Unframed. 18.75" high, 15.5" wide. Provenance: private collection Panel is cupped.

American, mid-late 19th century. Smaller lantern with magnifying lens. 9"h. One taller with single door and candle socket. 15" high. Provenance: private collection Wear and some corrosion.

American, mid-late 19th century. 21.5" diameter. Provenance: private collection Stapled repair.

19th-20th century. Includes an oblong carved bowl with dark patina, 26" long; together with a round bowl of an unknown lightweight wood, with incised and painted decoration, 14" diameter. Both with wear; the round bowl with losses.

American, dated 1838. A small drawing with a bird and three leaves in red and blue. Above are the words, "How Happy every child who knows their sins are forgiven. Aug. 16th, 1838". 6" high, 5" wide, .75" deep. Provenance: private collection Toning and minor losses.

American, mid-late 19th century. Group includes a pair of oil lamps with stepped bases and brass collars. 11.5" high. Small hand blown lamp with stepped font. 6" high. Small frosted glass bottle with stopper. 4.5" high. Two similar small cordial glasses with paint decoration in blue and white on one and orange and white on the other. 3" high. Provenance: private collection Good condition.

American, mid-late 19th century. Fire trivet with andiron feet and a strap handle with ring. 2.5"h. 12"w. 13"d. Five cookie cutters including stars and three animals. Brass grease lamp. 9"h. Eight sheet metal animal quilting patterns including a horse, (2) chickens, pig, rabbit, moose, goat and a goose. Provenance: private collection Some corrosion.

American, early 20th century. One with stylized tulips on a white groud with a single wide red border. Hand quilted. 76" x 84". The other has mint green and white flowers on a light pink ground. 73" x 85". Provenance: private collection Some corrosion.

American, early 20th century. An Irish Chain quilt in red and tan on a white ground, with a scalloped border and red binding. 79" x 80". Hooked runner with floral border. 24" x 64". Provenance: private collection Considerable wear to all edges of the rug. Quilt is faded and quite thin with minor staining.

English, 18th century, mahogany. Scroll-cut frame with gilt appliques on upper and lower crests. Retains an illegible label on the back. 36.5" high, 16" wide. Provenance: private collection Losses.

1st half-20th century, cotton and linen. Machine sewn, with grommets in hoist. 22.5" high, 29.75" wide (flag); 31.25" high, 36.5" wide (overall). The US Yacht Club ensign was approved by Congress in 1848 to be flown by privately owned craft licensed by the Treasury Department to sail in international waters. Provenance: private collection Losses.

Oil on velvet, signed lower right. Depiction of a rooster. Framed. 10" high, 12" wide (sight); 13.25" high, 23.25" wide (overall). Provenance: private collection; Garth Oberlander (founder of Garth's Auctions) and gifted to Tom and Carolyn Porter (who took over Garth's from Oberlander). Good conditon.

American, 19th-20th century. Includes a tall stool in old blue paint, 29" high; together with a child's Victorian table, walnut, with turned legs and two leaves, 19.5" high, 20" wide, 23.5" long (without leaves), 41" long (with leaves). Provenance: private collection Table with old finish, minor warping to leaves.

Bucks County, Pennsylvania, c. 1780, walnut and poplar. Two piece, the upper bookcase section with paneled doors flanked by fluted quarter columns, and with interior shelves, drawers, and cubbies; the lower section with a desk compartment over four graduated drawers, all on bracket feet. The desk compartment with a central prospect with flanking carved document drawers and drawers and cubbies. The central prospect pulls out to reveal small secret drawers on the back side. 89.25" high, 37.5" wide, 22.75" deep, writing height is 32.5". Provenance: Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Refinished, period/original hardware, minor glued repairs to two feet and the lid lip, pieced lid hinge repairs, missing one escutcheon.

American or European, mid-19th century, pine. Dovetailed case and a raised-panel door on pintle hinges. Retains its original grain-painted decoration. 30.25" high, 23.5" wide, 14.5" deep. Provenance: private collection Original paint and hinges, missing lock and interior dividers.

American, late 19th-early 20th century. Group includes a doll cupboard with white paint. 14" high; document box, 3.5" high, 11" wide; twisted wood cane with carved bird handle, 42.5" long; and a bread board with pegged ends, 25.5" long, 17" wide. Provenance: private collection Some wear.

19th century, possibly basswood. Canted sides and block handles, and with "ELDR TOMLINSON" stamped four times on the interior. Retains its original blue paint on the exterior, and traces of the original white on the interior. 2.75" high, 15" wide, 23" long. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Wear, some losses including insect damage, large age crack to the bottom.

American, late 19th-early 20th century. Group includes an oval toleware tray in red and black, 3.25" high, 11.5" wide; a wall-hanging basket with red paint, 12" high, 7" wide; square basket with ornate footed base and blue accents. 5" high, 12" wide, 11" deep. Provenance: private collection Some wear.

Pennsylvania, early 19th century, mahogany and poplar. Leaves with rounded corners, and with reeded and turned legs. 28.5" high, 36" deep, 22" wide (closed), 42.5" wide (open). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Old finish, period pull, a few spots of veneer damage.

Mid-Atlantic States, early 19th century, mahogany and poplar. Two over three drawers, with bookmatched veneer and string inlay, on a base with a shaped skirts with turned elements, and French feet. 36.75" high, 39.75" wide, 19.25" deep. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Old refinish, period brasses (second holes), missing escutcheons, missing turned drops on skirt.

American, 19th century, poplar. Retains its original finish. 37.5" high, 33.25" wide, 89.5" long. Provenance: Sold by order of the trustees of the Dayton Art Institute to benefit the acquisitions fund Expected wear, still sturdy.

American, 19th century, poplar. Retains its original green paint. 32" high, 32" wide, 108" long. Provenance: Sold by order of the trustees of the Dayton Art Institute to benefit the acquisitions fund Expected wear, still sturdy.

American, 20th century, pine. 31.5" high, 37" wide, 99.5" long. Provenance: Sold by order of the trustees of the Dayton Art Institute to benefit the acquisitions fund Good condition.

American, early 19th century, cherry and poplar. The hood with a broken-arch pediment and columns, the waist with chamfered corners, and the paneled base with shaped skirt. The brass movement has a sun/moon dial wheel and US shield spandrels. 95" high. Provenance: Sold by order of the trustees of the Dayton Art Institute to benefit the acquisitions fund Old/original finish on the case, original dial paint, original glass in the hood door, retains pendulum (no weights).

Probably Connecticut, c. 1795, mixed woods. Baluster legs and posts, and shaped arms. 36.25" high. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Retains old black paint; potty cutout has been reattached and with additional bracing on the underside.

Probably Connecticut, c. 1795, mixed woods. Baluster legs and posts, and shaped arms. 35.5" high. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Retains old black paint with gold trim.

Probably Connecticut, c. 1795, mixed woods. Exaggerated double-baluster-turned legs and posts, and nicely carved knuckles on the arms. 35" high. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda; Ex Clark Garrett (Ohio), sold at Mike Clum Inc. (Ohio), June 2002, lot 179 (hammer price: $11,000). Retains old gray paint over earlier green, with good wear; the proper left side of the back has a crack to the medial brace and the upper section of the spindle is replaced (remains unpainted).

Connecticut or Massachusetts, c. 1795, mixed woods. Double-baluster-turned legs and posts, and nicely carved knuckles on the arms. 36" high. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Retains old black paint.

American, early 20th century, appears to be walnut or butternut. Standing figure of a man wearing a hardhat and holding a child. 12" high. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Previously sold at Garth's Auctions (Ohio), November 25, 2005, lot 81. Some surface wear, and retaining its original stained surface.

Connecticut, c. 1790, mixed woods. Double-baluster-turned legs and stiles. 38" high. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Traces of old/original paint, mostly to the undercarriage, all the legs have seams about 5" up from the bottom that appear to have been very early (much of the grungy paint is on top of the seams).

Connecticut, c. 1790, mixed woods. Double-baluster-turned legs and stiles. 32.5" high. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Old refinish, seat has a glued crack.

American, 19th century. Oval bentwood box with period/original striped decoration on the sides and recumbent deer on the lid. 5" long. Provenance: From an Idaho Collection Some wear, 1/4" by 1/2" paint loss near the deer's rump.

Mid-19th century. Includes a purple and blue rainbow spatter creamer, and a red spatter creamer with peafowl. 3.5" high. Together with three platters: one transfer-printed, two blue shell-edge, and one green shell-edge, 15.5" to 19" long. Provenance: From an Idaho Collection Rainbow creamer with repaired spout, platters all with staining and wear.

American, mid-19th century, pine. With a pull-out work surface over two drawers and resting on a high molded base. Retains its original alligatored paint. 32" high, 21" wide, 14" deep. Provenance: From an Idaho Collection Expected wear on the top and to the corners, retains its original pulls.

American, 1820-1840, cherry and pine. Two piece, the upper section with a broken-arch pediment and finials over a single, nine-pane door, the lower section with a drawer over a single, double-paneled door, all on bracket feet. Retains its original finish. 96.5" high, 40" wide, requires a 29" corner. Provenance: From an Idaho Collection Missing central drop finial in the pediment, original glass, grungy original finish, original blown glass pulls, original hinges.

American, 2nd quarter-19th century, cherry and poplar. Two piece, the upper section with twelve panes (the top row are arched), and the lower section has one drawer (flanked by two faux dawers) over two paneled doors, all on unusual rondel feet. Retains its original, grungy finish. 85.25" high, 42.5" wide, requires a 29" corner. Provenance: From an Idaho Collection Original glass and hinges, drawer pulls are period, interior paint is early.

Probably Pennsylvania, 1st half-18th century, pine and poplar. Wedged dovetailed case on squashed bun feet. Retains its original iron hardware including bear-trap lock, and traces of old/original paint. 23.25" high, 54.5" wide, 23" deep. Provenance: From an Idaho Collection Wear and some losses, one foot is loose, lock still works (retains key).

American, 19th century, pine. One piece, with plank doors and old gray paint. 71.5" high, 37.25" wide, 18.75" deep. Provenance: From an Idaho Collection Paint is early 20th century, upper doors have been modified (glass added).

New England, late 18th century, pine. Four drawers and bracket feet. 36" high, 40.5" wide, 19.25" deep. Provenance: From an Idaho Collection Refinished, replaced brasses.

New England, 2nd quarter-19th century, pine. Wash basin cutout and one drawer, retains its original stenciled decoration on a faux rosewood ground. 38" high, 18" wide, 14.5" deep. Provenance: private collection Original pull, repaired crack to the top.

American, 19th century. Dovetailed box in original green paint, 13.5" long; together with a cutlery tray in original, grungy red, 12.25" long. Provenance: private collection. Box is ex Dennis Raleigh. The tray's handle has been lost, but the break is straight and thus not distracting.

American, 19th-20th century. Includes a lemon juicer, a round pyrography box with match holder and pillbox inside, and two birdseye maple round boxes. Pyrography box is 5.75" diameter. Provenance: private collection All with original finish and some wear.

20th century. Includes a signed and framed print, two miniature rocking chairs, a cast-iron whippet, a cloth doll, a receipt holder, a needlepoint mat, a woven towel, and a child's dress on a decorated hanger. Frame is 10.5" high, 12.25" wide. Provenance: private collection Some wear.

Royal Ironstone, late 19th century. Transfer-printed floral decoration. Bowl is 14.25" diameter. Provenance: private collection Crazing and some staining.

19th-20th century. Includes a green pottery bowl, wire and majolica basket, two pieces of graniteware, and a wire pail. Green bowl is 13" diameter. Provenance: private collection All with some wear.

Late 19th-early 20th century. Includes three pitchers, a yellow ware bowl, and two small pieces of Rockingham. Blue Dudson Brothers pitcher is 9" high. Provenance: private collection A couple have hairlines.

19th-20th century. Includes two decanter (one is pillar mold), and four glasses. Pillar mold decanter is 11" high. Provenance: private collection Some wear and residue.

19th century. Includes spatterware, transferware, flow blue, and floral enameled (including pink lustre). Eagle plate is 8.5" diameter. Provenance: private collection Some staining, a few flakes, and the pink luster teacup has a hairline.

Oil on canvas, 2010. View of the lighthouse on the coast of Lake Erie at Erie, Pennsylvania. Framed. 15.25" high, 19" wide (sight); 23.25" high, 29.75" wide (overall). Provenance: private collection Good, only light wear.

American, 19th-early 20th century. Dovetailed box in original black paint, 16.75" wide; together with a small cutlery tray in old white paint, 12.5" long. Provenance: private collection Wear to both.

American, late 19th century, walnut and poplar. Shelf with spool-turned uprights, and a lower cabinet and drawer. 55" high, 25.75" wide, 14.75" deep. Provenance: Sold by order of the trustees of the Dayton Art Institute to benefit the acquisitions fund Retains its original finish, lacking the lower cabinet door and interior dividers.

American, 20th century. Two hinged shutters in green paint. Each panel is 96" high, 24" wide. Provenance: Sold by the order of the trustees of the Dayton Art Institute to benefit the acquisitions fund Good condition.

American, 1860s-1870s, walnut. Original caned seats. 35" high. Provenance: Sold by order of the trustees of the Dayton Art Institute to benefit the acquisitions fund Old refinish.

American, 19th century. Includes a pair of carved Victorian side chairs (now painted), 33.5" high, a pair of repainted Hitchcock-style chairs, 33" high, and a singled captain's or firehouse windsor armchair with original black and gold paint, 29.5" high. Provenance: Sold by order of the trustees of the Dayton Art Institute to benefit the acquisitions fund Hitchcock-style are recaned.

American, late 19th-early 20th century. Brass Bradley & Hubbard lamp with caramel cased glass shade, 18" high; Rayo nickle lamp with pink cased glass shade, electrified, 18"high. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Some wear.

American, late 19th-early 20th century. Brass embossed "Angle Mfg. Co" lamp with clear bowl and opalescent swirl shade. 10" high, 13" wide. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Some wear.

American, late 19th-early 20th century. Brass "P&A Mfg. Co" double arm student lamp with yellow ribbed shades and chimneys, electrified. 21" high, 27" wide. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Wear and some dents.

American, late 19th-early 20th century. Hanging store light with "Aladdin" nickle oil reservoir, milk glass shade and milk glass smoke bell. 24" high, 12" diameter. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Some wear.

American, 1870s, walnut. Includes a drop-front dresser and washstand, both with marble tops, and a bed. The drawers are constructed with Knapp joints. Retains an old finish. Drop-front dresser is 88.5" high, 41" wide, 17.5" deep. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda DF dresser has one cracked marble, the washstand has a hairline in the marble and is missing the marble backsplash.

Mid-20th century, 3/4 scale. Includes crates with dining accessories. Dining wagon: 8" high, 5.5" wide, 13" long; cookhouse wagon: 9.5" high, 6.5" wide, 12.5" long. Stanley Furst Byram (1905-1993) lived his entire life in Freeport, Illinois, working as a carpenter. He married twice (the first ending in divorce in 1953). Although apparently an active member of the Circus Model Builders and Owners Association, no other known examples of his models exist. This complete model, likely named after his father, William Byram (1871-1954), was purchased by Dr. James Dawson at one of the Nashville antiques show years ago. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Some wear.

Mid-20th century, 3/4 scale. 7.5" high, 6.5" wide, 20.75" long. Stanley Furst Byram (1905-1993) lived his entire life in Freeport, Illinois, working as a carpenter. He married twice (the first ending in divorce in 1953). Although apparently an active member of the Circus Model Builders and Owners Association, no other known examples of his models exist. This complete model, likely named after his father, William Byram (1871-1954), was purchased by Dr. James Dawson at one of the Nashville antiques show years ago. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Some wear.

Mid-20th century, 3/4 scale. Includes stakes and box accessories, and water barrel. Stake wagon: 9" high, 6.25" wide, 11" long; water wagon: 8.25" high, 6.25" wide, 8" long. Stanley Furst Byram (1905-1993) lived his entire life in Freeport, Illinois, working as a carpenter. He married twice (the first ending in divorce in 1953). Although apparently an active member of the Circus Model Builders and Owners Association, no other known examples of his models exist. This complete model, likely named after his father, William Byram (1871-1954), was purchased by Dr. James Dawson at one of the Nashville antiques show years ago. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Some wear.

Mid-20th century, 3/4 scale. "BILL BYRAM," with golden lion. 8" high, 6.5" wide, 9" long. Stanley Furst Byram (1905-1993) lived his entire life in Freeport, Illinois, working as a carpenter. He married twice (the first ending in divorce in 1953). Although apparently an active member of the Circus Model Builders and Owners Association, no other known examples of his models exist. This complete model, likely named after his father, William Byram (1871-1954), was purchased by Dr. James Dawson at one of the Nashville antiques show years ago. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Some wear.

Mid-20th century, 3/4 scale. With gold "K." 8" high, 6.25" wide, 12" long. Stanley Furst Byram (1905-1993) lived his entire life in Freeport, Illinois, working as a carpenter. He married twice (the first ending in divorce in 1953). Although apparently an active member of the Circus Model Builders and Owners Association, no other known examples of his models exist. This complete model, likely named after his father, William Byram (1871-1954), was purchased by Dr. James Dawson at one of the Nashville antiques show years ago. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Some wear.

Mid-20th century, 3/4 scale. Includes tents (big top, menagerie, and sideshow, with other tent pieces) and poles. 7.5" high, 6.75" wide, 12.5" long and 8" high, 7" wide, and 16.5" long. Stanley Furst Byram (1905-1993) lived his entire life in Freeport, Illinois, working as a carpenter. He married twice (the first ending in divorce in 1953). Although apparently an active member of the Circus Model Builders and Owners Association, no other known examples of his models exist. This complete model, likely named after his father, William Byram (1871-1954), was purchased by Dr. James Dawson at one of the Nashville antiques show years ago. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Some wear.

Mid-20th century, 3/4 scale. With golden birds and beasts. 8" high, 6.5" wide, 11.5" long. Stanley Furst Byram (1905-1993) lived his entire life in Freeport, Illinois, working as a carpenter. He married twice (the first ending in divorce in 1953). Although apparently an active member of the Circus Model Builders and Owners Association, no other known examples of his models exist. This complete model, likely named after his father, William Byram (1871-1954), was purchased by Dr. James Dawson at one of the Nashville antiques show years ago. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Some wear.

Mid-20th century, 3/4 scale. With golden eagle. 8" high, 6" wide, 12" long. Stanley Furst Byram (1905-1993) lived his entire life in Freeport, Illinois, working as a carpenter. He married twice (the first ending in divorce in 1953). Although apparently an active member of the Circus Model Builders and Owners Association, no other known examples of his models exist. This complete model, likely named after his father, William Byram (1871-1954), was purchased by Dr. James Dawson at one of the Nashville antiques show years ago. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Some wear.

Mid-20th century, 3/4 scale. All approx. 8.5" high, 6.5" wide, 12.5" long. Stanley Furst Byram (1905-1993) lived his entire life in Freeport, Illinois, working as a carpenter. He married twice (the first ending in divorce in 1953). Although apparently an active member of the Circus Model Builders and Owners Association, no other known examples of his models exist. This complete model, likely named after his father, William Byram (1871-1954), was purchased by Dr. James Dawson at one of the Nashville antiques show years ago. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda One figure on a red wagon has a detached head.

Mid-20th century, 3/4 scale. Both with tanks. Polar bear wagon: 8.25" high, 6.5" wide, 15" long; hippo wagon: 8" high, 6" wide, 13" long. Stanley Furst Byram (1905-1993) lived his entire life in Freeport, Illinois, working as a carpenter. He married twice (the first ending in divorce in 1953). Although apparently an active member of the Circus Model Builders and Owners Association, no other known examples of his models exist. This complete model, likely named after his father, William Byram (1871-1954), was purchased by Dr. James Dawson at one of the Nashville antiques show years ago. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Some wear.

Mid-20th century, 3/4 scale. With landscape panel. 8.5" high, 6.5" wide, 11.5" long. Stanley Furst Byram (1905-1993) lived his entire life in Freeport, Illinois, working as a carpenter. He married twice (the first ending in divorce in 1953). Although apparently an active member of the Circus Model Builders and Owners Association, no other known examples of his models exist. This complete model, likely named after his father, William Byram (1871-1954), was purchased by Dr. James Dawson at one of the Nashville antiques show years ago. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Some wear.

Mid-20th century, 3/4 scale. Hagenbeck-Wallace ticket wagon. 8" high, 7.25" wide, 12.5" long. Stanley Furst Byram (1905-1993) lived his entire life in Freeport, Illinois, working as a carpenter. He married twice (the first ending in divorce in 1953). Although apparently an active member of the Circus Model Builders and Owners Association, no other known examples of his models exist. This complete model, likely named after his father, William Byram (1871-1954), was purchased by Dr. James Dawson at one of the Nashville antiques show years ago. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Some wear.

Mid-20th century, 3/4 scale. 8.5" high, 6.25" wide, 12" long. Stanley Furst Byram (1905-1993) lived his entire life in Freeport, Illinois, working as a carpenter. He married twice (the first ending in divorce in 1953). Although apparently an active member of the Circus Model Builders and Owners Association, no other known examples of his models exist. This complete model, likely named after his father, William Byram (1871-1954), was purchased by Dr. James Dawson at one of the Nashville antiques show years ago. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Some wear.

Mid-20th century, 3/4 scale. Includes fencing. 7.5" high, 7.25" wide, 15" long. Stanley Furst Byram (1905-1993) lived his entire life in Freeport, Illinois, working as a carpenter. He married twice (the first ending in divorce in 1953). Although apparently an active member of the Circus Model Builders and Owners Association, no other known examples of his models exist. This complete model, likely named after his father, William Byram (1871-1954), was purchased by Dr. James Dawson at one of the Nashville antiques show years ago. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Some wear.

Mid-20th century, 3/4 scale. With landscape panel. 8.5" high, 6.5" wide, 11.5" long. Stanley Furst Byram (1905-1993) lived his entire life in Freeport, Illinois, working as a carpenter. He married twice (the first ending in divorce in 1953). Although apparently an active member of the Circus Model Builders and Owners Association, no other known examples of his models exist. This complete model, likely named after his father, William Byram (1871-1954), was purchased by Dr. James Dawson at one of the Nashville antiques show years ago. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Some wear.

Mid-20th century, 3/4 scale. With flag decoration. 8.75" high, 6" wide, 11.5" long. Stanley Furst Byram (1905-1993) lived his entire life in Freeport, Illinois, working as a carpenter. He married twice (the first ending in divorce in 1953). Although apparently an active member of the Circus Model Builders and Owners Association, no other known examples of his models exist. This complete model, likely named after his father, William Byram (1871-1954), was purchased by Dr. James Dawson at one of the Nashville antiques show years ago. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Some wear.

Mid-20th century. Elastolin and other brands. Includes composition animals (lions, tigers, gorillas, elephants, and more), plus people (mostly carved bodies and composition heads). Stanley Furst Byram (1905-1993) lived his entire life in Freeport, Illinois, working as a carpenter. He married twice (the first ending in divorce in 1953). Although apparently an active member of the Circus Model Builders and Owners Association, no other known examples of his models exist. This complete model, likely named after his father, William Byram (1871-1954), was purchased by Dr. James Dawson at one of the Nashville antiques show years ago. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Some wear and minor damage.

Includes carved and unpainted figures, display cards, old issues of Little Circus Wagon, source materials for the model, a membership certificate to the Circus Model Builders and Owners Association, and a ribbon from their national gathering in Dover, Ohio in 1958. Stanley Furst Byram (1905-1993) lived his entire life in Freeport, Illinois, working as a carpenter. He married twice (the first ending in divorce in 1953). Although apparently an active member of the Circus Model Builders and Owners Association, no other known examples of his models exist. This complete model, likely named after his father, William Byram (1871-1954), was purchased by Dr. James Dawson at one of the Nashville antiques show years ago. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Paper has toned and some of the magazines have separated.

The Cabinet Flour Bin and Sifter, patented December 27, 1898, tin. Tall cylinder for flour (with lower drawer and sifting crank, flanked by stacks of small spice drawers. Retains its original, vibrant, electric blue paint with stenciled silver decoration. 27.5" high, 20.25" wide, 12.5" deep. Provenance: private collection Some wear, as expected, and light scattered corrosion.

20th century. Includes a Schlitz beer advertisement reprint, a Clarence F. Underwood print "The American Girl as Mr. Underwood Sees Her" (printed by Stokes), a printed portrait of the horse "Crusader" (printed by Stokes), and a printed round portrait of a lady in a gesso and gilt frame. The Schlitz ad is 26.5" high, 20.5" wide (overall) and is the largest. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda All with toning, portrait with frame damage.

Published by L.N. Rosenthal, Philadelphia, late 19th century. Lithographed signed for "DR. HOOFLAND'S CELEBRATED GERMAN BITTERS AND BALSAMIC CORDIAL." In a period, painted frame. 19.25" high, 13" wide (sight); 24" high, 18" wide (overall). Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Some marginal damage, central crease/separation with associated losses.

American, late 19th century. Two chromolithographed signs of the same design, one for Ayer's "Hair Vigor" and one for Ayer's "Cherry Pectoral." In matching Victorian-style frames. 22.5" high, 16.25" wide (overall). Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda The varnish on both has yellowed and has some crazing and minor flaking.

American, late 19th century. Police patrol wagon with four officers and a driver, and with three horses. Retains its original red, white, blue, and black paint. 21.25" long. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Some wear and loss to the paint.

Kenton Hardware, Kenton, Ohio, late 19th century. With two horses, driver, and carrying a polar bear. Original paint. 14" long. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Some paint loss.

Includes a Structo dump truck, 19" long; together with a "RACING TEAM" horse-drawn wagon, 14.5" long. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Both with original paint, both with expected wear, dump truck appears to be missing a small part that prevents the bed from latching when down.

Includes Parke, Davis & Co. tins, Blanke's Coffee, Moxie soda bottle, and more. All in a Dobbs hatbox. Moxie bottle is 7.75" high. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda All with some wear.

Includes diecuts, chromolithograph trade cards, postcards, calling cards, and a collection of tobacco cards. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda All with some toning, wear, etc.

1st half-20th century. Includes a galvanized "Southern Belle" cooler, 11.5" high; together with a cast-iron Fairbanks scales, 11" high. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Both with expected wear.

Includes an apparent facsimile of a 1959 Cincinnati Reds signed ball; together with two signed balls that each include a number of players from the 1960s Milwaukee Braves, but players from other teams, and players from earlier and later. Signatures include Bob Uecker, Bob Taylor, Bill Adair, George Susce, Lee Maye, Lee Tate, Charles Samuel, Don Nottebart, Fred Dye, Ed Charles, and others. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda All generally good, with varying degrees of toning, the signed balls with a bit of soiling and rubbing.

German, late 19th century. 35" tree with icicle-type decoration, and on a painted base; together with a tree fence in red and green paint; nine 18" sections. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer The tree is loose in the base; the fence has some replaced pieces.

German, late 19th century, composition. The taller with a brown coat and unusual hat, 7" high; together with a smaller with speckles yellow coat, 6". Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Wear to both, the shorter has some minor chips and a short crack at the base.

Early 20th century, pewter and sheet metal. Including a large pewter Santa, and a triple mold of Easter Bunnies. Santa is 10" high. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer All with some wear.

Early 20th century. Made for Roanoke City Mills, Roanoke, Virignia. In a period oak frame. 15.5" square (sight); 22.75" square (overall). Provenance: private collection Lightly toned.

1930s-1940s. An unsual example, with a wood and metal frame, wooden body, and engine marked "JUNIOR MOTOR," "BROWN MOTOR," and "PHILADELPHIA." 20.5" long. Tether cars were gas-powered models that could be run on a circular track while tethered to a central post. This example is unusual as it is made of wood rather than the more typical aluminum. Provenance: From an Idaho Collection Generally good, no dry rot to the tires, wear to the upholstery, engine appears complete though has not been tested, the paint is original, one lug nut is replaced.

Probably New York State, early 20th century, oak. Two-piece cabinet, the upper section with a central rifle compartment flanked by small drawers and cubbies, the lower section with a slide-out work surface and three graduated drawers. 85.5" high, 42" wide, 22" deep. Provenance: From an Idaho Collection Retains its original finish (alligatored) and original hardware (one upper lock missing), the interior with early or original drawer labels and felt backing.

20th century. Includes a 22-drawer chest, 18" high, 23.75" wide, 16.25" deep and a 7-drawer chest with lift-top compartment and drop-front cover, 12.75" high, 20.25" wide, 9.5" deep. Both currently filled with various supplies used in making fishing flies. Provenance: From an Idaho Collection Wear and some damage to both.

Acrylic, signed lower right, and signed and dated 2018 on the back. Two colorful trout. In a rustic frame. 4.5" high, 6.5" wide (sight); 11.5" high, 13.75" wide (overall). Provenance: From an Idaho Collection Good condition.

American, late 19th century, oil on canvas. View of a lakeside campsite. In a period/original gilt frame. 12.5" high, 10.5" wide (sight); 19" high, 17" wide (overall). Provenance: From an Idaho Collection Needs cleaned, minor frame losses.

Signed "HM Howe" (possibly Herbert Marshall Howe, 1844-1916), late 19th century, oil on canvas. Two birds and a squirrel hanging from a nail. In a later frame. 17.5" high, 13.5" wide (sight); 21.75" high, 17.5" wide (overall). Provenance: From an Idaho Collection A few scuffs to the canvas (near the top).

Oil on canvas, signed lower left. Dramatic depiction of a cowboy on a rowdy horse. 22.75" high, 26.75" wide (sight); 32" high, 36" wide (framed). Provenance: From an Idaho Collection Good condition.

American, late 19th century. Pencil-signed on the back "Jennie Rockwell." Retains original red paint with yellow swirls and bust of Native American. 36" by 11". Provenance: Provenance: From an Idaho Collection; Ex Russ Goldberger (New Hampshire). Untouched condition, with age crack to the base of the sled, missing 3 screws, expected corrosion to the runners.

Lithographs, most signed "Bill Freeman" in the plate. In matching frames. 17" high, 12.5" wide (overall). Provenance: From an Idaho Collection All with light toning.

Marc Taggart, Cody, Wyoming, contemporary. A pair of armchairs with cowboy cutouts, and a low table, all with twig trim and red leather. Chairs are 38.5" high; table is 23" high, 24.5" diameter. For more than a quarter century, Taggart has been making rustic and western furniture in the tradition of Thomas Molesworth (1890-1977), the designer credited for popularing the "cowboy style" in the early and mid-20th century. Provenance: From an Idaho Collection Only very light wear and with a few very minor scuffs.

American, late 19th century, oils on canvas. One with hunters and the other with a campsite. In original, matching frames.16.5" high, 11.5" wide (sight); 21" high, 15.75" wide (overall). Provenance: From an Idaho Collection Need cleaned, frames have been repainted.

Watercolor and gouache on paper, signed and dated 1897 lower right. Dramatic view of a mounted Native American, looking across the high plains. Matted and framed. 12" high, 9" wide (sight); 19.25" high, 16.25" wide (overall). Provenance: From an Idaho Collection Closed tear along the lower margin (could be better restored).

Includes a quail print by Alexander Pope Jr. (1849-1924), 18.5" high, 24.5" wide (overall); together with a print by Charles Russell (1864-1926) depicting Plains Indians, 26.5" high, 32.5" wide (overall). Provenance: From an Idaho Collection Toning to the Pope print.

Watercolor on paper, signed lower right. Depiction of a lone rider on the prairie. Matted and framed. 15" high, 11" wide (sight); 24.5" high, 19.5" wide (overall). Provenance: From an Idaho Collection Very light toning.

American, 1st half-20th century. Leather vest with beaded decoration, included loom-beaded panels. Mounted in a shadow-box frame. 25" high, 21" wide (overall). Provenance: From an Idaho Collection Some damage to the vest, and the vest has now come mostly free from the mounting.

Unmarked, probably Old Hickory, 1st half-20th century. 36" high. Provenance: From an Idaho Collection A few minor splint breaks/losses.

Designed by James Houston in 1966. Signed on the underside. 7.75" high. Provenance: From an Idaho Collection Lacking the 18K gold fly that originally came with the trout.

St. Paul, MN, F. Jay Haynes & Bro., 1891. 1st edition, oblong 4to in original brown cloth. Includes 25 gravures after Haynes' photographs. Provenance: From an Idaho Collection Binding with some soiling, boards are loose, some pages are separating, some of the paper guard pages are missing, overall toning, some minor marginal damage to some pages.

Early 20th century. Includes a pair of antler and silver plate candelabra, 13" high; together with two stag-handled cutlery sets (Lesco and Boker). Provenance: From an Idaho Collection Good, with some expected wear, silver plating is worn and the bases have some dents.

Unmarked, possibly Old Hickory. Now upholstered with cowhide. 34" high, 43" long. Provenance: From an Idaho Collection Minor wear to the antique frame, only light wear to the hide.

Signed "Wood" lower right, American, early 20th century, oil on canvas. Expansive view with a river and mountains in the background, and in the foreground, a small herd of buffalo. 16" high, 36" wide (canvas), in a gesso and gilt frame, 21.5" high, 42" wide. Provenance: From an Idaho Collection Small scuff to the canvas, significant losses to the frame.

English, 1910, Oil on canvas. Inscribed lower left "Penk. 30 May 1910 - 4 lb 2 oz-", likely referring to the River Penk in Staffordshire. Folksy portrait of a brown trout, which are native to the Penk. 16" high, 26" wide (canvas), in a period/original oak frame, 18.5" high, 28.5" wide. Provenance: From an Idaho Collection Good condition. Also has a London artist supply stamp on the back.

Oil on canvas, signed lower left and dated 1919. Monumental view of an elk bellowing over a big valley. 30" high, 42" wide, in a later frame, 40" high, 52" wide. Sold at Clars Auction Gallery, Oakland, CA, 5/19/19, lot 6329. Provenance: From an Idaho Collection Very light, scattered craquelure, some yellowing to the varnish.

Oil on canvas, signed lower right and dated 1917. The bighorn is perched on an outcropping over a snowy canyon. 20" high, 16" wide, in a period/original frame, 26" high, 22" wide. Provenance: From an Idaho Collection Light craquelure, some minor loss to the frame.

American, c. 1900, oak. Round table with pedestal and paw feet, and with two leaves. 29.75" high, 48" diameter, 84" long with leaves. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Original finish, wear, minor losses, leaves are not original, but are vintage custom for this table.

Small bronze figure, "Dog Soldier" by Ralph McCoy. 6" high; "Bronco Buster" after Frederic Remington bronze on green marble base. 8.5" high; "Galloping Thunder, John Wayne Tall In The Saddle" Knowles, Bradford Exchange resin figure. 8" high. Provenance: From the collection of the late Pete Slates, Carrollton, Ohio Fair. Gun repaired on John Wayne figure. All with later clear coat finish.

Figure of a cowboy on a horse with four longhorns around him. Mounted on a green marble base with a brass identification tag. 9" high, 16" wide, 10" dep. Provenance: From the collection of the late Pete Slates, Carrollton, Ohio Good. Later clear coat finish.

Figures of four cowboys on horseback. Mounted on a green marble base with brass identification tag. 13" high, 15" wide, 10" deep. Provenance: From the collection of the late Pete Slates, Carrollton, Ohio Good. Later clear coat finish.

"Headed for Home" by Marc Pierce, Big Sky Carvers mounted on a wood base. 12" high, 16" wide, 9"deep; "Guardian of the Legacy" Hunting Heritage Sculpture by Cody Houston. Mounted on a wood base. 13" high, 14" wide, 9" deep. Provenance: From the collection of the late Pete Slates, Carrollton, Ohio. Good. Both with later clear coat finish.

Large bronze of a rider on horseback. Mounted on a metal base with faux-marble paint. 24" high, 20" wide, 11" deep. Provenance: From the collection of the late Pete Slates, Carrollton, Ohio Good. Later clear coat finish.

Large bronze statue of an eagle about to take flight. Mounted on a metal base with brass tag. 33" high, 10" diameter (at the base). Provenance: From the collection of the late Pete Slates, Carrollton, Ohio Good. Later clear coat finish.

Large bronze statue of a horse and rider. Mounted on a metal base with faux-marble paint. 21" high, 15" wide, 9" deep. Provenance: From the collection of the late Pete Slates, Carrollton, Ohio Good. Later clear coat finish.

Large bronze statue of a bucking horse and rider lying on the ground. Mounted on a metal base with faux marble paint. 26" high, 18" wide, 10.5" deep. Provenance: From the collection of the late Pete Slates, Carrollton, Ohio Good. Later clear coat finish.

Large bronze statue of a horse and rider on a steep descent down a mountain. Mounted on a metal base with faux-marble paint. 28" high, 12" wide 11" deep. Provenance: From the collection of the late Pete Slates, Carrollton, Ohio Good. Later clear coat finish.

Oil on canvas marsh scene with ducks in flight. Signed lower left corner "Edward Park". 24"high, 36" wide (canvas), 32" high, 44" wide (framed). Provenance: From the collection of the late Pete Slates, Carrollton, Ohio Good condition.

American, late 19th-early 20th century. Detailed wood carving of an elk. Marked "Dinaria" on base. 14" high, 17" wide, 7" deep. Provenance: From an Idaho Collection Good

American, late 19th-early 20th century. Group includes a pair of Judd brass bookends with buffalo, pair of brass bookends with Indian heads, pair of bookends with Indians on horseback, paperweight with Indian on a horse after sculpture by James Earle Frasier, single bookend with elk. 4.5-10" high. Provenance: From an Idaho Collection Good

American, mid-late 20th century. Large bust of Native American chief. 28" high, 16" wide. Provenance: From an Idaho Collection Good

American, mid-late 20th century. Large bust of Native American chief. 28" high, 16" wide. Provenance: From an Idaho Collection Good

American, early-mid 20th century. Concrete toad with original paint in green, black and orange. 5" high, 5" wide, 7" deep. Carved rams head with white paint. 6" high, 4" wide, 6.5" deep. Provenance: From an Idaho Collection Good, some wear and flaking to paint on frog.

Bronze. Signed "Kemey". 7" high, 12" wide, 5" deep . Though just signed "Kemey", this is almost certainly Edward Kemeys, whose life-size bronze bisons were installed in Chicago's Humbolt Park for the 1893 Columbian Exposition, and who is best known for the pair of lions on the front steps of the Art Institute of Chicago. Provenance: From an Idaho Collection Good

Cast iron with weighted base and bronze patina. Signed "J. Haehnel FC". 9.5" high, 13.5" wide, 3.5" deep. Provenance: From an Idaho Collection Good, tail is loose.

American, 20th century. Weller Dickensware double handled vase with decoration of an Indian chief. 10"h. Large planter with embossed decoration of Indian chief in full headress. Unsigned. 6.5"h. 8"dia. Provenance: From an Idaho Collection Good, in the making chip on base of Dickensware vase, light scratches, etc.

Bronze figure of an Indian chief in full headress holding a rifle. Mounted on a marble base. 21" high, 10" diameter (base). Provenance: From an Idaho Collection Good

Bronze figure of an Indian lying on a rock. Mounted on a marble base. 7.5" high, 8" wide, 5" deep. Provenance: From an Idaho Collection Good

American, early 20th century. Round wood plaque with a carved Indian in profile. Note on the reverse from the artist to the Mutual Life Insurance Company of NY. 14"dia. Provenance: From an Idaho Collection Good, two splits to the outer ring, probably where they were joined together.

German, late 19th-early 20th century. Oval platter with transfer decoration of deer and elk. Five round plates with transfer decoration of various wildlife. All marked "J.S. Germany". Platter, 17.5" wide, 11" deep. Plates, 8.5" diameter. Provenance: From an Idaho Collection Good

Vintage casting of a buffalo, with old/original paint. 16" long. Provenance: From an Idaho Collection Some wear.

Quincy, Illinois, 1st half-20th century. Air-Fed Minnow Bucket, with original pump, green paint, and label. 11.5" high. Provenance: From an Idaho Collection Some wear, but 90% of the paint remains, including 80% of the label.

American, 1st half-20th century. Retains most of its original green paint with stenciled "J.N." in gold. 11.75" high. Provenance: From an Idaho Collection Wear and some paint loss.

20th century. Includes a coffee grinder, a mixed wood tankard, two souvenir fish signs, and a trifold mirror with Native American decoration. Tankard is 6.5" high. Provenance: From an Idaho Collection All with some wear, some corrosion on the grinder.

Mexican, early-mid-20th century. Spheroid, with incised geometric decoration. 10.5" high. Provenance: From an Idaho Collection Good condition.

American, 1st half-20th century. Includes a tooled holster, and a small leather suitcase containing various items including a leather ammunition belt (with dummy rounds). Case is 15" long. Provenance: From an Idaho Collection Wear, losses, some dry rot to the case, ammo belt is in two pieces.

American, 20th century. Oars are 72" long. Provenance: From an Idaho Collection Cleat with wear and some losses.

20th century. Beaver State, Pendleton Woolen Mills, blanket in purple, 76" by 63"; together with a Belgian rug with a cowboy design, 53" by 40". Provenance: From an Idaho Collection Both with some staining.

20th century. Beaver State, Pendleton Woolen Mills for the Hubbell Trading Post National Historic Site. Vibrant blue and red design. Numbered 448 and 514 out of 1000. 75" by 63". Provenance: From an Idaho Collection Light wear.

Opposing chevron design in gray, black, red, tan, and cream. 43" by 30". Provenance: From an Idaho Collection Light wear.

Round, with geometric design. 14" diameter. Provenance: From an Idaho Collection A few very minor breaks.

With concentric star design. 15" diameter. Provenance: From an Idaho Collection A few minor breaks and losses.

Pima. Round, with fret design. 14" diameter. Provenance: From an Idaho Collection A few minor breaks and losses.

Round, with coyote tracks design. 17" diameter. Provenance: From an Idaho Collection A few very minor breaks.

Pima. Olla, with X design. 7.25" high. Provenance: From an Idaho Collection A few minor breaks and losses.

Possibly Havasupi. Oval tray with cross designs. 10" by 7.5". Provenance: From an Idaho Collection A few breaks at the rim.

Zig-zag design with central crosses, in orange, red, cream, and black. 46" by 39". Provenance: From an Idaho Collection Several repairs and spots of damage.

Western Apache. Round with arrows and zigzags. 11.75" diameter; and round with checkered band, 11" diameter. Provenance: From an Idaho Collection Each with a few small breaks and losses.

2nd half-19th century. Original polychrome decoration in a geometric design. 7.5" high, 12.75" wide, 8.5" deep. Included are braids of prepared sinew. Provenance: From an Idaho Collection Expected wear, minor damage.

1st half-20th century. Includes a Plains beaded sheath with knife, 12" long (sheath only); together with a Plains-style sheath, 8" long. Provenance: From an Idaho Collection Both with wear, no apparent losses to the beadwork.

Medallion with central cross, in red, black, cream, and gray/orange. 52" by 34". Provenance: From an Idaho Collection Several spots of damage.

Sawtooth and triangle design, in red, black, gray, and cream. 52" by 36". Provenance: From an Idaho Collection A few repairs.

Central geometric band with turquoise. 34" x 68". Provenance: From an Idaho Collection Light soiling.

Double diamonds with sawtooth border, in red, gray, and black/brown. 75" by 47". Provenance: From an Idaho Collection Some damage and staining.

Two Grey Hills. 58" by 49". Provenance: From an Idaho Collection Some damage, heavily soiled with some stains.

Unusual star pattern, in red, cream, and black/brown. 52" by 40". Provenance: From an Idaho Collection Repairs, soiling/staining.

Opposing chevron design in red, grays, black, and cream. 49" by 33". Provenance: From an Idaho Collection Light wear.

With eagle decoration. 5" high, 9.25" diameter. Provenance: private collection A few interior breaks.

Ovoid form with flared rim and floral decoration. 6.75" high. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Repair at rim.

Squat form with narrow, flared rim, loop handles, and parrot decoration. 10" high. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Rim flakes, surface wear.

Ovoid form with flared rim and floral decoration. 7" high. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Surface wear.

Squat form with stamped rim and geometric decoration. 9" diameter. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Surface wear and crazing.

Oblong form with attenuated ends and floral decoration. 11" long. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Light surface wear.

Ovoid form with ruffled rim, signed on the underside. 4.5" high. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Minor rim flakes.

Semi-spherical form, with geometric decoration. 5.5" diameter. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Rim flakes.

A diminutive Acoma basket, 4.25" high; together with a diminutive Santo Domingo olla, 3.5" high. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Each with some surface wear, the olla with a couple of minor bruises.

Includes a figural vase signed "Angel T.O.", a small pot signed "Laguna, NM 1929," a blackware jar signed "Bigmeat Cherokee NC," a tiny polychrome jar (unsigned), and a tiny blackware jar signed "Jennifer Sisneros." The Cherokee jar is the tallest at 3.25" high. The figural vase has pieced broken off, but present.

Marked "AMES MFG CO CHICOPEE," "US ADK 1855" on the blade, and "ADK" on the guard. 19" blade, 25.25" overall. Provenance: private collection Overall wear, blade has no real edge.

All with wrapped sharkskin grips and painted scabbard. One is signed. 30", 28", and 24" long. Provenance: private collection All with wear and losses.

Includes a katana with plastic scabbard, a wakizashi with wooden grip and scabbard, and a tanto with wooden grip and sheath. 11.25" to 28" long overall. Provenance: private collection Very little wear.

Garvey Donaldson, New York, late 19th century. With scabbard. 36.5" long. Provenance: private collection Scabbard with corrosion and bent tip.

With a cast grip and scabbard. Matching blade and scabbard s/n 125398. 38.5" long (overall). Provenance: private collection Expected wear and paint loss.

A near pair, with wrapped sharkskin grips and sharkskin scabbards. 37.5" and 38" long overall. Provenance: private collection Both with wear, one with more wear, including splitting to the scabbard. One is unsigned and the tang of the other could not be accessed.

With wrapped sharkskin grip and scabbard. 38" long overall. Provenance: private collection Moderate wear to the scabbard, tang with corrosion.

Both with wrapped sharkskin grips, one with a wooden scabbard, the other with a steel scabbard. 38" long each. Provenance: private collection First with scabbard paint loss, missing peg, wear to grip wrap; the second damage to the upper end of the grip.

Both with wrapped sharkskin grips, one with a leather scabbard and the other with a black-wrapped scabbard. 36" and 38" long. Provenance: private collection First with wear to scabbard; the second lacking guard.

Includes two unsigned katanas, one with wrapped sharkskin grip, 39" and 34" long overall; together with a signed wakizashi with wrapped sharkskin grip, 30" long overall. Provenance: private collection Wear with some losses.

Both with simple wooden grips and scabbards. Katana, 37.5" long overall; wakizashi, 30" long overall. Provenance: private collection Wear, both missing pegs, cracks to the katana's scabbard.

19th century, porcelain and wood. Large porcelain plaque with handpainted scene with figures and inscription. In a wood frame and mounted to a wooden base. 26" high, 28" wide (overall). Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Some wear and scuffs to the frame and stand.

19th century, marble. Large, arched form, the front with bas relief carvings, and the back with inscription. 40" high. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Needs cleaned, some minor chips and losses.

19th century, marble. Large slab with lengthy calligraphic inscription. Now resting on a red-painted table base. 24" square (stele only). Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Some minor wear and losses.

Chinese, late 19th-early 20th century. Carved decorations of cherry blossoms, coins and lotus flowers. Inset marble center. 32" high, 16" diameter. Provenance: From the collection of the late Pete Slates, Carrollton, Ohio Good condition.

Chinese, late 19th-early 20th century. Both with carved cherry blossoms and octagonal tops with inset marble centers. 32" high, 17" diameter (at widest point). Provenance: From the collection of the late Pete Slates, Carrollton, Ohio Good condition.

Chinese, late 19th-early 20th century. Carved decoration of flowers including cherry blossoms, x-stretcher base and octagonal top with inset marble center. 24" high, 12" diameter (top). Provenance: From the collection of the late Pete Slates, Carrollton, Ohio Good condition.

19th century. Includes a famille rose punch bowl, 11.5" diameter; together with an Imari bowl, 8.5" diameter. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Each with surface and/or gilt wear, the Imari bowl has a crow's foot on the underside that appears to be in the glaze only.

Probably D.R. Congo. Carved and tack-decorated, with a figure at the top and stylized shield near the base, just above the elongated iron tip. 53" high, plus modern stand. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Original finish, some wear and surface scuffs.

Possibly Baule/Baoulé People, Ivory Coast. Polychrome paint. 35" high. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Minor wear.

20th century. Includes baskets and trays, all with polychrome decoration. Largest tray is 13.5" diameter. Generally good, with some minor breaks/losses.

19.5" high. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Wear.

Tall robed figure, carved and painted. 22" high. Provenance: private collection Wear and some paint loss.

Oil on artist board, illegibly signed lower right. View of two bunches of grapes hanging from the vine, an insect hanging from the grapes, and a bird watching with interest. In a period frame. 14.5" high, 11.5" wide (sight); 20.5" high, 17.25" wide (overall). Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Appears to have been cleaned, but blacklight shows little inpainting.