AVAILABLE FOR SHIPPING > Standing 13.5" tall to the lid finial, measuring 9" in diameter to the body ~ Heavy glass featuring hard fired black enamel graphics to opposite sides of the body reading > Eat TOM'S 5c PEANUT BUTTER SANDWICHES. CONDITION REPORT > See images relative to small chip to the lip of the mouth ~ Chip to the flange retainer at underside of the lid ~ Otherwise, no overt issues. History of Tom's Snacks Tom's Snacks traces its origins back to 1925 when Tom Huston, a Georgia peanut farmer, founded the company in Columbus, Georgia. Initially, Huston was focused on peanuts, and he began by inventing a mechanical peanut sheller to improve the efficiency of peanut harvesting. He also patented a special roasting process that helped him create a high-quality roasted peanut product. His innovation allowed Tom's to offer a better-tasting, longer-lasting product that quickly gained popularity in the Southeast. Building on the success of his roasted peanuts, Tom Huston expanded his company to produce a variety of snack products, including peanuts, crackers, candy, and potato chips. Tom's Snacks became particularly well-known for its snack crackers, like the peanut butter-filled sandwich crackers that became one of its signature items. Tom's grew its product line to include not only crackers and peanuts but also pretzels and candy bars, positioning itself as a leading snack company. The brand gained popularity due to its wide variety of snacks and aggressive marketing, with Tom's products becoming a staple in vending machines, convenience stores, and grocery stores across the Southern United States. Tom's Snacks stood out for its distinctive red packaging and was known for its commitment to quality, making it a regional favorite. However, the company experienced financial difficulties during the mid-20th century. In 1966, Tom's was sold to General Mills, marking the beginning of a series of ownership changes. Over the following decades, Tom's changed hands several times. Eventually, in 1983, Tom's was purchased by Heico Acquisitions and then later by Rowntree Mackintosh, a British confectionery company. In 1993, TFX, Inc., led by a group of investors, acquired Tom's Snacks, and the company re-established itself as an independent snack producer for a period. Despite efforts to maintain its presence in the market, Tom's struggled to compete with larger snack food giants such as Frito-Lay. The company filed for bankruptcy in 2005. Following the bankruptcy, Tom’s Snacks was purchased by Lance Inc., another major player in the snack food industry. This acquisition helped Lance, which would later merge with Snyder's of Hanover in 2010, expand its portfolio and strengthen its position in the snack market. Even after its acquisition, Tom's products, particularly its crackers, peanuts, and candy, continued to be produced and sold under the Tom's brand, keeping its name alive. Though the original Tom's business ceased to exist independently, the products and legacy of Tom Huston live on through the brand, which remains a part of the Snyder’s-Lance portfolio (now owned by Campbell Soup Company). Tom's headquarters, originally in Columbus, Georgia, played a key role in the company’s early operations, although production and corporate management were eventually absorbed into larger operations as ownership changed.

AVAILABLE FOR SHIPPING > Standing 13.5" tall to the lid finial, measuring 9" in diameter to the body ~ Heavy glass featuring hard fired blue and white enamel graphics to one side of the body reading > Fresh Stewart's COOKIES ~ SANDWICHES ~ PEANUTS ~ CANDY. CONDITION REPORT > A well preserved example ~ Perhaps typical and minor elements relative to age, use and materials ~ No overt issues. History of Stewart's Snacks Stewart’s Snacks began as a small, family-owned business in the 1940s, specializing in cookies and snack foods. Founded by R.D. Stewart in Burlington, North Carolina, the company originally focused on producing high-quality, hand-baked cookies. The business started small but gradually built a loyal customer base due to the consistent quality and traditional taste of its offerings. Over time, Stewart's expanded its product line to include a range of snack foods. Their most popular items included sandwich cookies with various fillings, like peanut butter and cream, along with crackers and other snack products that catered to regional tastes. Stewart’s became known for its simple, homemade-style recipes and approachable price points, making the brand a staple in vending machines, convenience stores, and grocery outlets, particularly in the southeastern United States. The company operated as a regional favorite, maintaining a strong reputation for quality. However, as the snack food industry became increasingly dominated by larger corporations, Stewart's struggled to keep pace with the scale and distribution of its larger competitors. Despite this, Stewart’s maintained a dedicated following for many years, thanks to its traditional recipes and regional presence. Stewart's Snacks ultimately underwent a series of changes in ownership. The brand was acquired by various companies over the decades as part of the consolidation trend in the snack food industry. The exact timeline of these acquisitions isn't as well-documented as with larger brands, but Stewart’s products continued to be produced under new ownerships. Eventually, the brand was absorbed by a larger food company, similar to the fate of many smaller regional brands. By the 21st century, the Stewart’s brand had largely faded from the marketplace, though its legacy endures in the memories of those who enjoyed its classic cookies and snacks. Stewart’s headquarters and production facilities were initially based in Burlington, North Carolina, but as ownership changed, production may have shifted to different locations depending on the parent company’s facilities. Today, Stewart’s brand is not widely seen in the snack market, but it holds a place in the history of regional snack food makers in the U.S.

AVAILABLE FOR SHIPPING > Standing 13" tall to the lid finial, measuring 7 x 8.5" overall to the body ~ Heavy glass featuring hard fired red and blue enamel classic stylized logo at two sides of the body reading > FROM THE HOUSE OF LANCE. CONDITION REPORT > As discovered, dusty, in need of general cleaning ~ A well preserved example ~ Perhaps typical and minor elements relative to age, use and materials ~ No overt issues. History of Lance Lance Inc. began in 1913 when Philip L. Lance, a food broker in Charlotte, North Carolina, found himself with 500 pounds of leftover peanuts. He roasted and sold them for five cents a bag, and the success of those sales led him to expand into making peanut butter. This eventually evolved into creating peanut butter sandwiches, which became one of the company’s iconic products. Lance was officially incorporated in 1926. Over the years, Lance became widely recognized for its snack crackers, particularly the peanut butter-filled sandwich crackers. The product line grew to include other popular items like ToastChee (cheese crackers with peanut butter filling), Captain’s Wafers (buttery crackers with fillings such as cream cheese and chives), and Peanut Butter on Nekot crackers. They also diversified into cookies, nuts, chips, and pretzels, positioning themselves as a strong competitor in the snack food market. The company saw significant growth throughout the 20th century, especially in vending machines and convenience stores. Lance became a staple for on-the-go snacks across the United States. While they expanded production facilities to meet growing demand, the corporate headquarters and main factory remained in Charlotte, North Carolina, where the company had been founded. In 2010, Lance merged with Snyder’s of Hanover, a leading pretzel manufacturer, forming Snyder’s-Lance Inc. The merger combined the strength of two major snack companies, allowing them to better compete with larger snack producers like Frito-Lay. After the merger, the headquarters continued to be based in Charlotte. However, in 2018, Campbell Soup Company acquired Snyder’s-Lance for approximately $4.9 billion, marking the end of Lance as an independent entity. Campbell's acquisition was part of a broader strategy to expand into healthier snack options and diversify beyond soups and meals. Though Lance no longer exists as a standalone brand, its legacy lives on, with its signature snack crackers still being produced and sold under the Snyder's-Lance portfolio, now part of Campbell's larger snacking division.

AVAILABLE FOR SHIPPING > Standing 13" tall to the lid finial, measuring 7 x 8.5" overall to the body ~ Heavy glass featuring hard fired red and blue enamel classic stylized lettering at two sides of the body reading > LANCE. above crossed arrows ~ Reverse cast relief letters to the underside of the lid read LANCE, repeated twice. CONDITION REPORT > A degree of degradation to crossed arrow graphics ~ As discovered, dusty, in need of general cleaning ~ A well preserved example ~ Perhaps typical and minor elements relative to age, use and materials ~ No overt issues. History of Lance Lance Inc. began in 1913 when Philip L. Lance, a food broker in Charlotte, North Carolina, found himself with 500 pounds of leftover peanuts. He roasted and sold them for five cents a bag, and the success of those sales led him to expand into making peanut butter. This eventually evolved into creating peanut butter sandwiches, which became one of the company’s iconic products. Lance was officially incorporated in 1926. Over the years, Lance became widely recognized for its snack crackers, particularly the peanut butter-filled sandwich crackers. The product line grew to include other popular items like ToastChee (cheese crackers with peanut butter filling), Captain’s Wafers (buttery crackers with fillings such as cream cheese and chives), and Peanut Butter on Nekot crackers. They also diversified into cookies, nuts, chips, and pretzels, positioning themselves as a strong competitor in the snack food market. The company saw significant growth throughout the 20th century, especially in vending machines and convenience stores. Lance became a staple for on-the-go snacks across the United States. While they expanded production facilities to meet growing demand, the corporate headquarters and main factory remained in Charlotte, North Carolina, where the company had been founded. In 2010, Lance merged with Snyder’s of Hanover, a leading pretzel manufacturer, forming Snyder’s-Lance Inc. The merger combined the strength of two major snack companies, allowing them to better compete with larger snack producers like Frito-Lay. After the merger, the headquarters continued to be based in Charlotte. However, in 2018, Campbell Soup Company acquired Snyder’s-Lance for approximately $4.9 billion, marking the end of Lance as an independent entity. Campbell's acquisition was part of a broader strategy to expand into healthier snack options and diversify beyond soups and meals. Though Lance no longer exists as a standalone brand, its legacy lives on, with its signature snack crackers still being produced and sold under the Snyder's-Lance portfolio, now part of Campbell's larger snacking division.

AVAILABLE FOR SHIPPING > Standing 9" tall to the lid finial, measuring 7.5 x 6.5" overall to the body ~ Heavy glass featuring hard fired red and blue enamel classic stylized logo at two sides of the body reading > FROM THE HOUSE OF LANCE. CONDITION REPORT > A notably well preserved example ~ Perhaps typical and minor elements relative to age, use and materials ~ No overt issues. History of Lance Lance Inc. began in 1913 when Philip L. Lance, a food broker in Charlotte, North Carolina, found himself with 500 pounds of leftover peanuts. He roasted and sold them for five cents a bag, and the success of those sales led him to expand into making peanut butter. This eventually evolved into creating peanut butter sandwiches, which became one of the company’s iconic products. Lance was officially incorporated in 1926. Over the years, Lance became widely recognized for its snack crackers, particularly the peanut butter-filled sandwich crackers. The product line grew to include other popular items like ToastChee (cheese crackers with peanut butter filling), Captain’s Wafers (buttery crackers with fillings such as cream cheese and chives), and Peanut Butter on Nekot crackers. They also diversified into cookies, nuts, chips, and pretzels, positioning themselves as a strong competitor in the snack food market. The company saw significant growth throughout the 20th century, especially in vending machines and convenience stores. Lance became a staple for on-the-go snacks across the United States. While they expanded production facilities to meet growing demand, the corporate headquarters and main factory remained in Charlotte, North Carolina, where the company had been founded. In 2010, Lance merged with Snyder’s of Hanover, a leading pretzel manufacturer, forming Snyder’s-Lance Inc. The merger combined the strength of two major snack companies, allowing them to better compete with larger snack producers like Frito-Lay. After the merger, the headquarters continued to be based in Charlotte. However, in 2018, Campbell Soup Company acquired Snyder’s-Lance for approximately $4.9 billion, marking the end of Lance as an independent entity. Campbell's acquisition was part of a broader strategy to expand into healthier snack options and diversify beyond soups and meals. Though Lance no longer exists as a standalone brand, its legacy lives on, with its signature snack crackers still being produced and sold under the Snyder's-Lance portfolio, now part of Campbell's larger snacking division.

AVAILABLE FOR SHIPPING > Standing 13" tall to the mouth, measuring 8 x 7" overall to the body ~ Heavy glass featuring hard fired red and blue enamel classic stylized logo at two sides of the body reading > FROM THE HOUSE OF LANCE ~ To the underside base, cast relief stylized lettering reads LANCE repeated twice ~ Fitted with a metal top. CONDITION REPORT > As discovered, dusty, dirty, in need of cleaning ~ As shown in the images offered, a chip to the lip of the mouth ~ The metal lid exhibits surface rust overall and lacks a finial ~ Perhaps other typical and minor elements relative to age, use and materials. History of Lance Lance Inc. began in 1913 when Philip L. Lance, a food broker in Charlotte, North Carolina, found himself with 500 pounds of leftover peanuts. He roasted and sold them for five cents a bag, and the success of those sales led him to expand into making peanut butter. This eventually evolved into creating peanut butter sandwiches, which became one of the company’s iconic products. Lance was officially incorporated in 1926. Over the years, Lance became widely recognized for its snack crackers, particularly the peanut butter-filled sandwich crackers. The product line grew to include other popular items like ToastChee (cheese crackers with peanut butter filling), Captain’s Wafers (buttery crackers with fillings such as cream cheese and chives), and Peanut Butter on Nekot crackers. They also diversified into cookies, nuts, chips, and pretzels, positioning themselves as a strong competitor in the snack food market. The company saw significant growth throughout the 20th century, especially in vending machines and convenience stores. Lance became a staple for on-the-go snacks across the United States. While they expanded production facilities to meet growing demand, the corporate headquarters and main factory remained in Charlotte, North Carolina, where the company had been founded. In 2010, Lance merged with Snyder’s of Hanover, a leading pretzel manufacturer, forming Snyder’s-Lance Inc. The merger combined the strength of two major snack companies, allowing them to better compete with larger snack producers like Frito-Lay. After the merger, the headquarters continued to be based in Charlotte. However, in 2018, Campbell Soup Company acquired Snyder’s-Lance for approximately $4.9 billion, marking the end of Lance as an independent entity. Campbell's acquisition was part of a broader strategy to expand into healthier snack options and diversify beyond soups and meals. Though Lance no longer exists as a standalone brand, its legacy lives on, with its signature snack crackers still being produced and sold under the Snyder's-Lance portfolio, now part of Campbell's larger snacking division.

SHIPPING AVAILABLE ~ A round ball shape clear glass jar standing 8" tall, measuring around 7" in diameter to the body, featuring an applied die-cut lithographed paper label to one side reading > SUPERIOR QUALITY ~ PURE SUGAR AND NUT ~ 1c CONFECTION 1c ~ PURE FLAVORS ~ TRY IT ~ STANDARD MFG. CO. ~ CEDAR RAPIDS, IA ~ MANUFACTURERS AND DISTRIBUTORS. CONDITION REPORT > As discovered ~ Settled dust, in need of a general cleaning ~ No overt issues. History ~ Standard Manufacturing Company Standard Manufacturing Co., based in Cedar Rapids, Iowa, was a significant player in the confectionery industry during the early 20th century. Founded in 1901 by Thomas E. Riley, Standard Manufacturing Co. started out as a small business focused on producing a range of candy and sweet treats. Riley had a background in the confectionery trade and sought to capitalize on the growing demand for sweets in the United States at the time. The company became well-known for producing a variety of popular confections, including caramels, chocolates, and other candies. One of their best-known products was the King Leo Stick Candy, a peppermint stick that became a favorite across the country. Standard Manufacturing also produced hard candies, marshmallow candies, and chocolate-covered sweets, positioning itself as a leading regional confectioner. The quality of the company’s products and its growing distribution network helped it gain traction in the Midwest and beyond. Throughout the early 20th century, Standard Manufacturing continued to expand its operations, and Cedar Rapids became a key location for candy production in the region. The company was known for its large, modern factory, which employed many local workers and was a major contributor to the local economy. The factory became synonymous with the sweet smell of candy that permeated the surrounding neighborhood. However, like many smaller confectionery companies, Standard Manufacturing faced increased competition from larger, national brands in the mid-20th century. As the confectionery industry consolidated and larger companies began to dominate the market, it became more difficult for smaller regional players like Standard to compete on price, distribution, and scale.

SHIPPING AVAILABLE > As shown, a large group of vintage Coca-Cola soda fountain cups and straws from various eras is displayed. The cups come in different sizes and styles, showcasing designs that range from simple, single-colored branding to more intricate patterns featuring Coca-Cola's iconic logo. The taller cups on the top row include one labeled "Frozen Coca-Cola" and another with a diamond-patterned design in red and white. The carton-shaped container in the middle, reminiscent of milk cartons, adds a unique touch to the display. In front of the larger cups are several smaller ones, including paper cups and sample-sized versions, all bearing variations of the Coca-Cola logo and classic red branding. Some of the cups also carry the slogan "Things Go Better with Coke," a popular advertising tagline from the 1960s. The straws, also branded with Coca-Cola’s signature red font, add to the nostalgic vibe of the collection, reflecting the style of soda fountain accessories from the mid-20th century. The display beautifully captures a bygone era of Coca-Cola's branding and packaging history. CONDITION REPORT > Notable and varying elements relataive to age and materials.

SHIPPING AVAILABLE > A group of -8- cans, some remain filled with original contents ~ One slender 250ml can from Japan ~ 1988 Olympics can from Japan ~ Diet Coke can sealed empty ~ One filled, one empty with Arabic lettering, with some French lettering, packaged in Algeria ~ Another depicting the Coke bottle, likely from Japan ~ One small 150ml can from Holland ~ A miniature can that might be a pencil sharpener or some novelty, around 2.5" tall. This assortment beautifully captures Coca-Cola's dynamic branding and the variety of can designs used over the years to keep their products fresh and recognizable in a changing marketplace. Each can in this display is a piece of Coca-Cola's history, offering a glimpse into the different eras of one of the world’s most famous beverages. CONDITION REPORT > Overall, well preserved examples ~ Perhaps typical and minor elements relataive to age and materials ~ Some with notable elements.

SHIPPING AVAILABLE > A group of -9 colorful and detailed lithographed tin boxes featuring Coca-Cola graphics, vintage Coca-Cola branding and imagery. Each tin has its own unique shape, size, and design, but all share the iconic Coca-Cola aesthetic, focusing on classic advertising themes from different eras of the brand's history. At the top of the display, larger tins dominate, including a rectangular one with a hinged lid featuring an illustration of a woman sipping Coca-Cola through a straw, surrounded by ornate detailing and patterns. Another tall tin depicts a vintage storefront labeled Jacobs Pharmacy, a reference to the location where Coca-Cola was first sold in Atlanta, Georgia. There’s also a picnic basket-style tin with a handle, showcasing floral designs and an image of a woman in early 20th-century attire. The bottom row features smaller tins with rounded and rectangular shapes, each adorned with iconic Coca-Cola advertising figures, including women in elegant period clothing, framed by ornate borders and artwork. These tins capture the timeless feel of Coca-Cola's advertising from the early 1900s, with bold, rich colors and a nostalgic, turn-of-the-century design sensibility. These lithographed tins were often created as collectible items, capturing the charm and history of Coca-Cola while serving as functional storage containers for anything from candies to tea. The attention to detail in the artwork and craftsmanship makes them prized items for collectors of Coca-Cola memorabilia, each representing a different chapter of the brand’s storied past. CONDITION REPORT > Overall, well preserved examples ~ Perhaps typical and minor elements relataive to age and materials.

SHIPPING AVAILABLE > A group of -3- tall clear glass soda fountain glasses, each a distinct pattern, showcasing the classic aesthetic of glassware from mid-20th-century soda fountains and diners. These tall, elegant glasses are made of thick, clear glass, perfect for serving sodas, milkshakes, or ice cream floats. The glass on the left has a flared base and subtle vertical ridges along the body, giving it a sturdy yet refined appearance. The glass in the center has a more intricate design, featuring horizontal bands that add texture and a sense of symmetry to the piece, reminiscent of Art Deco influences in early 20th-century glassware. The third glass on the right is characterized by smooth vertical lines that taper inward toward the base, giving it a sleek and streamlined look. These soda fountain glasses were staples of old-fashioned American diners and ice cream parlors, symbolizing a bygone era when such establishments were a central part of social life. The durable and visually appealing design of these glasses made them ideal for showcasing vibrant soda flavors or creamy milkshakes, enhancing the nostalgic charm of enjoying a classic fountain drink. CONDITION REPORT > All notably well preserved examples ~ No overt issues.

SHIPPING AVAILABLE > A group of -6- Old Williamsburg Clear Iced Tea Glasses produced by Imperial Glass Company. This set is from the Old Williamsburg line, produced by the Imperial Glass Corporation, a renowned glass manufacturer based in Bellaire, Ohio. The pattern, introduced in the mid-20th century, is known for its elegant colonial-style design and was offered in a variety of forms, including iced tea glasses, goblets, tumblers, and more. The Old Williamsburg pattern features a classic, pressed glass design with vertical paneled facets that give the glass an almost fluted appearance. The clarity and symmetry of the glass catch the light beautifully, making it a popular choice for formal dining settings as well as casual use. Imperial Glass produced the Old Williamsburg line in clear glass in various colors, including ruby, amber, and blue. The line was manufactured from the 1940s through the 1980s, making it a favorite among collectors of vintage American glassware. These examples feature a solid, slightly thickened base with smooth vertical ridges that run the length of the glass, giving it a timeless and formal look. As with many patterns from Imperial Glass, pieces in the Old Williamsburg line can vary in size and shape, but the iced tea glass typically stands tall, holding around 12 ounces. Imperial Glass closed in the 1980s, but its legacy continues, and pieces from the Old Williamsburg line are still sought after by collectors. CONDITION REPORT > One example with a chip noted to the edge of the pedestal base ~ Discovered with settled dust, in need of simple cleaning .

SHIPPING AVAILABLE > A group of -4- Coca-Cola branded collectible items: Coca-Cola Polar Bear Salt & Pepper Shakers: These are ceramic or porcelain shakers shaped like two polar bears, each holding a Coca-Cola-themed item. One bear is holding a classic Coca-Cola bottle, and the other is holding a Coca-Cola logo disc. They are part of the "Playtime Cubs" set, manufactured by Gibson, as indicated on the packaging ~ In the original box ~ Mint Condition. Coca-Cola Coffee Mug: This is a white ceramic mug featuring the classic Coca-Cola logo. The logo on the mug includes the iconic Coca-Cola bottle within a red circular background, with the word "ALWAYS" above it, suggesting a vintage or nostalgic design. Coca-Cola Can-shaped Salt Shaker: These clear glass shakers feature hard-fired designs with chrome silver finished plastic tops ~ Around the clear glass body, the phrase "Coke adds life to... parties" around it. The branding reflects a retro style, likely inspired by earlier Coca-Cola advertisements. Coca-Cola Square-shaped Shaker: Perhaps in the manner of an antique cooler ~ Red glazed ceramic porcelain ~ The shaker features the traditional Coca-Cola branding in white text, and it prominently says "Have a Coke" on the front. Serving as salt and pepper shakers, complementing the collection. The items combine a mix of vintage Coca-Cola branding and playful designs, making them ideal collectibles for Coca-Cola enthusiasts. CONDITION REPORT > All notably well preserved examples ~ No overt issues. Coca-Cola was created in 1886 by Dr. John Stith Pemberton, a pharmacist in Atlanta, Georgia. Initially intended as a medicinal tonic, it contained coca leaf extract and caffeine from kola nuts, hence the name. Pemberton’s original recipe was marketed as a cure for various ailments, but its refreshing taste soon became more popular as a soda fountain drink. Pemberton sold the syrup to pharmacies, where it was mixed with carbonated water, creating the drink we now know as Coca-Cola. The Coca-Cola Company was officially formed in 1892 by Asa Candler, who had acquired the formula and the rights to the brand. Candler's aggressive marketing strategies and innovative use of bottling allowed Coca-Cola to spread rapidly across the United States, becoming one of the country's most popular beverages by the early 1900s. By 1919, the company was sold to a group of investors led by Ernest Woodruff, marking the beginning of its expansion into a global brand. Coca-Cola's branding has always been iconic, from its signature red-and-white logo to the distinct contoured bottle, which was introduced in 1915. The company has been a pioneer in advertising, producing memorable slogans like "The Pause That Refreshes" and launching its famous Christmas campaigns featuring Santa Claus in the 1930s. Over the years, Coca-Cola adapted to changing tastes by introducing new products such as Diet Coke in 1982 and diversifying into beverages beyond soft drinks. Today, Coca-Cola is a global giant, recognized worldwide as a symbol of refreshment and one of the most valuable brands in the world. Its influence spans far beyond soda, as it has played a significant role in shaping modern marketing and consumer culture. Despite challenges and competition, Coca-Cola remains a fixture in households and pop culture across the globe.

SHIPPING AVAILABLE > A 1982 licensed issue Buddy L Coca-Cola delivery truck toy. The truck is predominantly red with Coca-Cola branding on the side. It is made of metal or die-cast material, typical for toys of the era, and carries a load of simulated green Coke bottles in white crates, giving the appearance of an old-school delivery vehicle. The truck's design includes a front grille and windshield, with the words “Coca-Cola Trade Mark” emblazoned on the side. The wheels are marked with the name "Buddy L," referring to the popular toy manufacturer known for producing durable metal toys in the mid-20th century. Measuring approximately 5 inches long by 2.25 inches wide and standing 2.5 inches tall, this toy is compact and was likely marketed as a collectible or a play vehicle. The design reflects the nostalgia of classic Coca-Cola delivery trucks, making it a charming addition to Coca-Cola or vintage toy collections. History of Buddy L Toys Buddy L toys were created by the Moline Pressed Steel Company, founded in 1910 by Fred Lundahl in East Moline, Illinois. Originally, the company specialized in manufacturing automotive parts, but during the 1920s, Fred decided to diversify and create durable toys made from steel. He named the toy line “Buddy L” after his son, Buddy Lundahl. The first toys were construction equipment like trucks and cranes, designed for heavy-duty play, reflecting the durability of the steel from which they were made. Buddy L quickly became popular for its high-quality craftsmanship and realism. The toys were larger than many others on the market, often with functional parts such as moving dump truck beds or cranes with winches. This made them appealing not just to children but also to collectors. Throughout the 1930s and 1940s, Buddy L continued to expand its lineup, producing fire trucks, trains, and delivery vehicles, including models for brands like Coca-Cola. By the 1950s, as plastic toys started becoming more common, Buddy L still retained its metal design, symbolizing a bygone era of American toy manufacturing. Despite ownership changes over the years, the brand continued producing toys, and today, Buddy L toys are highly collectible, especially those from the early to mid-20th century. The toys are remembered for their toughness and realistic designs, often regarded as American classics.

SHIPPING AVAILABLE > A vintage Coca-Cola stationary bottle opener made of cast metal, designed for wall mounting. The opener is classic in style, with "Drink Coca-Cola" embossed in red script lettering across the front, reflecting the iconic brand logo. Below the Coca-Cola script, the opener has the manufacturer's details: "STARR X," along with a patent number, indicating it was produced by Starr X, a well-known maker of bottle openers. The sturdy cast metal construction ensures durability, and it is designed to mount on a wall, for convenient use in opening glass bottles. The box is prominently displayed in the image, showing the original packaging. The box is red with white and black accents, featuring the words "STARR X STATIONARY BOTTLE OPENER" in bold white text. The Coca-Cola logo is depicted on the front, along with an illustration of the bottle opener itself, emphasizing its "Guaranteed Not to Chip Bottles" feature, a selling point of these products at the time. The side of the box also displays a classic Coca-Cola bottle, reinforcing the branding. This set, with both the opener and the original packaging, showcases a piece of vintage Coca-Cola memorabilia, valuable to collectors and those interested in retro kitchen or barware. The detailed graphics on the box, combined with the well-preserved metal opener, make it a distinctive collectible from a bygone era of Coca-Cola advertising. CONDITION REPORT > Close to mint condition.

SHIPPING AVAILABLE > A group of three vintage cast metal bottle openers by Starr X. These wall-mounted openers are worn from age and use, giving them a rustic, weathered appearance, which adds to their collectible charm. The first opener at the top is a Pepsi-Cola branded piece. The red "Pepsi-Cola" script is still visible but significantly faded, likely from decades of exposure or use. The iconic swirled Pepsi logo is faint but recognizable on the cast metal, which has developed a patina over time, enhancing its antique appeal. The two openers at the bottom are both Coca-Cola branded. These feature the classic "Drink Coca-Cola" script logo, also faded due to age, with the lettering slightly eroded in some areas. Both openers exhibit surface rust and degradation to the original painted finish. Despite the elements, the "Coca-Cola" cast relief lettering remains prominent. All three openers bear the Starr X branding, located near the base where the bottle cap would be inserted for removal. This adds a mark of authenticity and ties these items back to the original American-made designs from the mid-20th century. Their worn appearance, combined with their historical logos, makes them prime examples of early beverage marketing and popular culture memorabilia.

SHIPPING AVAILABLE > A box of red clover poker chips from the early days of gambling in New Orleans, a city with a deep connection to poker and casino culture dating back to the 19th century. Poker itself has a strong association with New Orleans, where it was played in riverboat casinos and gambling halls along the Mississippi River. These chips, made of clay, would have been used in underground or legal gambling establishments during a time when the city was a hub for gamblers and card sharks. The clover symbol on these chips may represent luck or prosperity, both significant themes in gambling culture. Clover designs on poker chips were common in the mid-20th century, when chips were crafted with intricate details to prevent counterfeiting and distinguish between different establishments or denominations. These particular red clay chips, likely originating from one of the smaller, private gambling clubs or casinos in New Orleans, are a reminder of the city's rich poker history. Although large-scale casino gaming only became legal in the city in the 1990s, private poker games and underground casinos flourished for many years before then, contributing to the mystique and allure of New Orleans as a gambling destination. This collection of vintage poker chips evokes the bygone era of New Orleans' gambling history, where fortunes were won and lost at poker tables long before the modern era of regulated casinos.

SHIPPING AVAILABLE > Retained in the original cardstock box, this set contains approximately 100 mustard yellow poker chips, though not individually counted. Known by collectors as the Large Square design, each chip features 24 alternating horizontal and vertical rectangles, often regarded as a Hub design. These chips were produced by Jones Brothers of New Orleans, LA, a company in business from 1932 to 1987. Most of their chips, referred to as "checks," were supplied to gambling houses in the New Orleans area, with a smaller distribution to neighboring Southern states. A paper label to the end of the box reads ~ JONES BROS. ~ 117 N. HENNESSEY ST. ~ NEW ORLEANS 19, LA ~ SUPER SPEED POKER CHECKS ~ THICK SQUARE EDGE ~ YELLOW-A ~ NON DUPLICATE. Additionally, the label includes phone numbers for both day (AUDUBON 5112) and night (AMHEARST 4328) contact. Each chip is embossed at the center with the letter "A," These chips likely hail from the early poker rooms and gambling houses that flourished in New Orleans before the modern regulated casino era. Jones Brothers supplied these poker checks during a time when New Orleans was a hub for underground and legal gambling, solidifying their place in the city's rich poker history. This set of vintage poker chips, associated with the gambling houses of New Orleans, represents a key piece of poker and gaming history from a city with deep ties to card games and casino culture. Condition report > Well preserved, showing little to no signs of use. There are minor, expected elements of wear typical for items of this age and material, but overall, the set remains in excellent condition, likely never used.

SHIPPING AVAILABLE > Retained in the original cardstock box, containing approximately 100 sea foam green chips, though not individually counted. Known by collectors as the Large Square design, each chip features 24 alternating horizontal and vertical rectangles, often regarded as a Hub design. These chips were produced by Jones Brothers of New Orleans, LA, a company in business from 1932 to 1987. Most of their chips, referred to as "checks," were supplied to gambling houses in the New Orleans area, with a smaller distribution to neighboring Southern states A partial paper label to one end of the box would read as the other examples offered in this auction > JONES BROS. ~ 117 N. HENNESSEY ST. ~ NEW ORLEANS 19, LA ~ SUPER SPEED POKER CHECKS ~ THICK SQUARE EDGE ~ YELLOW-A ~ NON DUPLICATE. Additionally, the label includes phone numbers for both day (AUDUBON 5112) and night (AMHEARST 4328) contact. Each chip is embossed at the center with the letter "A" These chips likely hail from the early poker rooms and gambling houses that flourished in New Orleans before the modern regulated casino era. Jones Brothers supplied these poker checks during a time when New Orleans was a hub for underground and legal gambling, solidifying their place in the city's rich poker history. This set of vintage poker chips, associated with the gambling houses of New Orleans, represents a key piece of poker and gaming history from a city with deep ties to card games and casino culture. Condition report > Well preserved, showing little to no signs of use. There are minor, expected elements of wear typical for items of this age and material, but overall, the set remains in excellent condition, likely never used.

SHIPPING AVAILABLE > Retained in the original cardstock box, containing approximately 100 maroon red chips, though not individually counted. Known by collectors as the Large Square design, each chip features 24 alternating horizontal and vertical rectangles, often regarded as a Hub design. These chips were produced by Jones Brothers of New Orleans, LA, a company in business from 1932 to 1987. Most of their chips, referred to as "checks," were supplied to gambling houses in the New Orleans area, with a smaller distribution to neighboring Southern states A partial paper label to one end of the box would read as the other examples offered in this auction > JONES BROS. ~ 117 N. HENNESSEY ST. ~ NEW ORLEANS 19, LA ~ SUPER SPEED POKER CHECKS ~ THICK SQUARE EDGE ~ YELLOW-A ~ NON DUPLICATE. Additionally, the label includes phone numbers for both day (AUDUBON 5112) and night (AMHEARST 4328) contact. Each chip is embossed at the center with the letter "A" These chips likely hail from the early poker rooms and gambling houses that flourished in New Orleans before the modern regulated casino era. Jones Brothers supplied these poker checks during a time when New Orleans was a hub for underground and legal gambling, solidifying their place in the city's rich poker history. This set of vintage poker chips, associated with the gambling houses of New Orleans, represents a key piece of poker and gaming history from a city with deep ties to card games and casino culture. Condition report > Well preserved, showing little to no signs of use. There are minor, expected elements of wear typical for items of this age and material, but overall, the set remains in excellent condition, likely never used.

SHIPPING AVAILABLE > Retained in the original cardstock box, containing approximately 100 grey and red chips, though not individually counted. Known by collectors as the Large Square design, each chip features 24 alternating horizontal and vertical rectangles, often regarded as a Hub design. These chips were produced by Jones Brothers of New Orleans, LA, a company in business from 1932 to 1987. Most of their chips, referred to as "checks," were supplied to gambling houses in the New Orleans area, with a smaller distribution to neighboring Southern states A partial paper label to one end of the box would reads > JONES BROS. ~ SUPER SPEED CHIPS ~ SQUARE EDGE ~ 117 N. HENNESSEY ST. ~ NEW ORLEANS, LA Each chip is embossed at the center with the letter "A" These chips likely hail from the early poker rooms and gambling houses that flourished in New Orleans before the modern regulated casino era. Jones Brothers supplied these poker checks during a time when New Orleans was a hub for underground and legal gambling, solidifying their place in the city's rich poker history. This set of vintage poker chips, associated with the gambling houses of New Orleans, represents a key piece of poker and gaming history from a city with deep ties to card games and casino culture. Condition report > Well preserved, showing little to no signs of use. There are minor, expected elements of wear typical for items of this age and material, but overall, the set remains in excellent condition, likely never used.

SHIPPING AVAILABLE > A box of orange clover and riverboat ships wheel poker chips from the early days of gambling in New Orleans, a city with a deep connection to poker and casino culture dating back to the 19th century. Poker itself has a strong association with New Orleans, where it was played in riverboat casinos and gambling halls along the Mississippi River. These chips, made of clay, would have been used in underground or legal gambling establishments during a time when the city was a hub for gamblers and card sharks. The clover symbol on these chips may represent luck or prosperity, both significant themes in gambling culture. Clover designs on poker chips were common in the mid-20th century, when chips were crafted with intricate details to prevent counterfeiting and distinguish between different establishments or denominations. These particular orange clay chips, likely originating from one of the smaller, private gambling clubs or casinos in New Orleans, are a reminder of the city's rich poker history. Although large-scale casino gaming only became legal in the city in the 1990s, private poker games and underground casinos flourished for many years before then, contributing to the mystique and allure of New Orleans as a gambling destination. This collection of vintage poker chips evokes the bygone era of New Orleans' gambling history, where fortunes were won and lost at poker tables long before the modern era of regulated casinos.

SHIPPING AVAILABLE > Retained in the original cardstock box, containing approximately 100 blue chips, though not individually counted. Known by collectors as the Large Square design, each chip features 24 alternating horizontal and vertical rectangles, often regarded as a Hub design. These chips were produced by Jones Brothers of New Orleans, LA, a company in business from 1932 to 1987. Most of their chips, referred to as "checks," were supplied to gambling houses in the New Orleans area, with a smaller distribution to neighboring Southern states A paper label to one end of the box reads > JONES BROS. ~ 117 N. HENNESSEY ST. ~ NEW ORLEANS 19, LA ~ SUPER SPEED POKER CHECKS ~ THICK SQUARE EDGE ~ YELLOW-A ~ NON DUPLICATE. Additionally, the label includes phone numbers for both day (AUDUBON 5112) and night (AMHEARST 4328) contact. Each chip is embossed at the center with the letter "A" These chips likely hail from the early poker rooms and gambling houses that flourished in New Orleans before the modern regulated casino era. Jones Brothers supplied these poker checks during a time when New Orleans was a hub for underground and legal gambling, solidifying their place in the city's rich poker history. This set of vintage poker chips, associated with the gambling houses of New Orleans, represents a key piece of poker and gaming history from a city with deep ties to card games and casino culture. Condition report > Well preserved, showing little to no signs of use. There are minor, expected elements of wear typical for items of this age and material, but overall, the set remains in excellent condition, likely never used.

SHIPPING AVAILABLE > This plastic gaming chip or slot machine token tray measures 6.75 inches by 3 inches. The tray is bright red and features white stylized lettering, with different text to each side. One side reads NEVADA LODGE followed by ANOTHER JACKPOT WINNER and then CRYSTAL BAY-LAKE TAHOE ~ The other side reads NEVADA CLUB followed by ANOTHER JACKPOT WINNER and then 224 N. VIRGINIA ST. RENO. CONDITION REPORT > Remarkably well preserved ~ No overt issues. History of the Nevada Club The Nevada Club was a well-known casino brand in Nevada, with establishments in both Reno and Lake Tahoe. The original Nevada Club in Reno opened in 1946 at 224 North Virginia Street, right in the heart of downtown Reno’s casino district. It quickly became a popular spot for locals and tourists alike, offering a variety of gaming options, including slots, table games, and poker. The Nevada Club was owned by several prominent figures in the casino industry over the years, including Harold's Club founder Harold Smith. For decades, the Nevada Club was one of Reno's most frequented gaming establishments, standing alongside other historic casinos like Harold's Club and the Horseshoe. It maintained a more relaxed and smaller-scale atmosphere compared to some of its flashier counterparts but was beloved for its friendly service and laid-back environment. In the 1990s, the Reno casino landscape shifted with the opening of larger, resort-style casinos, leading to the decline of older establishments like the Nevada Club. It eventually closed its doors in 1997 after 51 years of operation. The Nevada Lodge in Crystal Bay, Lake Tahoe, was another part of the Nevada Club brand and opened in 1950. Crystal Bay, on the northern shore of Lake Tahoe, became known for its cluster of small, classy casinos. The Nevada Lodge was a favorite among visitors for its picturesque setting and intimate gaming environment. Similar to the Reno location, the Nevada Lodge focused on traditional casino offerings with a mix of slots, table games, and poker. It drew a more upscale crowd, given the proximity to Lake Tahoe's ski resorts and outdoor recreation areas. In both Reno and Lake Tahoe, the Nevada Club and Nevada Lodge were integral to the growth of Nevada’s casino industry in the mid-20th century. However, as the gaming industry evolved with larger, more extravagant resorts emerging in Las Vegas and Reno, smaller casinos like these struggled to keep pace. Despite their eventual closures, the Nevada Club casinos are fondly remembered by those who experienced the heyday of Reno and Lake Tahoe's early gaming scene.

SHIPPING AVAILABLE ~ Standing 4" tall, measuring 1-3/8" in diameter, a clear plastic vial or tube with a slip on cap, featuring the classic DRINK COCA-COLA red button logo, with lettering below reading > IMPORTANT ~ Rinse after each us ~ Replace cap To the reverse, a graduated scale ~ Perhaps used to test syrup content in bottles or during bottling production. CONDITION REPORT > Expect some typical and minor elements relative to age, use and material.

SHIPPING AVAILABLE > A group of six miniature liquor bottles and pottery jugs. From left to right: Gusano Rojo Mezcal – A small bottle of Mexican mezcal, known for its inclusion of an agave worm in the bottle, with a colorful label featuring the worm and agave plants. Don Fino Sherry – A dark miniature glass bottle of Sandeman Don Fino sherry, labeled "Superior Dry" with 16.5% alcohol by volume. Miniature Pottery Jug with Bunratty Castle – A small white ceramic jug depicting an image of Bunratty Castle, likely a souvenir container for Irish spirits or liqueur. Underberg – A small, well-known bottle of Underberg herbal digestive bitters, wrapped in its signature brown paper packaging. Inver House Scotch Whisky – A vintage green glass bottle of Inver House rare Scotch whisky, with a faded label indicating its aged nature. Blarney Mead – A ceramic jug labeled "Blarney Mead," likely an Irish honey wine, adorned with an illustration of Blarney Castle. This diverse collection showcases a mix of alcohol types and vessels, ranging from mezcal and whisky to herbal bitters and mead, with both glass bottles and ceramic jugs.

SHIPPING AVAILABLE > A group of five miniature liquor bottles and pottery jugs. From left to right: Don Fino Sherry – A small glass bottle of Sandeman Don Fino Sherry, labeled "Superior Dry" with an alcohol content of 16.5%, produced in Spain. Miniature Pottery Jug with Bunratty Castle – A small ceramic jug, decorated with an image of Bunratty Castle, likely a keepsake that contained Irish spirits or liqueur. Baileys Irish Cream – A miniature bottle of Baileys Original Irish Cream, with a distinctive rounded bottle design, commonly associated with this famous cream liqueur. Courvoisier Cognac – A small green glass bottle of Courvoisier Luxe Cognac, with a three-star rating, a well-known French cognac brand. Crème de Menthe – A curvy green glass bottle of Crème de Menthe, a mint-flavored liqueur typically used in cocktails and desserts. This collection features a mix of spirits and liqueurs, including sherry, cream liqueur, cognac, and mint liqueur, alongside a decorative ceramic jug.

SHIPPING AVAILABLE > A box lot group of around 40 antique cylinder roll records, primarily featuring Edison and Columbia issues, with the possibility of other labels included. The collection contains both "Edison Gold Moulded" and "Edison Amberol" cylinders, as well as a Columbia Phonograph cylinder with a patriotic label design. Some of the cylinders retain their original cardboard packaging, while others are stored without covers, revealing the aged and worn labels. The variety of records suggests a mix of musical selections, from early popular recordings to spoken word pieces, capturing a slice of early 20th-century audio history. CONDITION REPORT > Not all sleeves contain records ~ None tested for functionality ~ Offered as discovered, stored away for a number of years by the prior owner ~ None individually examined ~ Expect varying elements relative to age, prior use and materials. History of the CYLINDER ROLL Type RECORD Cylinder roll records were the earliest commercial medium for recording and reproducing sound, predating flat disc records by a couple of decades. Their development marked a revolutionary leap in the way sound could be captured and played back, forever changing entertainment, communication, and documentation. It all began in 1877 when Thomas Edison invented the phonograph. The first phonographs used tinfoil as the recording medium, wrapped around a cylinder that could be rotated to capture sound via grooves. While Edison initially saw his invention as more of a business tool, for dictation or preserving voices, the potential for entertainment quickly became apparent. By the 1880s, wax cylinders had replaced tinfoil, offering clearer sound and the ability to be played many more times without degradation. These wax cylinders were typically about 4 inches long and 2.25 inches in diameter, and they recorded two to four minutes of sound. Edison’s Gold Moulded cylinders were among the first mass-produced sound recordings, allowing for music, speeches, and comedy routines to be enjoyed in homes for the first time. Columbia Phonograph Company, another major player in the early recording industry, started producing its own cylinders, which helped to widen the market. The rivalry between Edison and Columbia spurred innovation, with both companies creating more durable and higher-quality recordings. Edison later introduced the Amberol cylinders, which were longer-playing due to their finer grooves, allowing for four minutes of audio compared to the two-minute limit of earlier cylinders. Cylinders were sold in cardboard tubes with protective cases, and labels or instructions were often attached to the top of the case for identification. The recordings themselves ranged from classical music and popular songs to vaudeville performances, political speeches, and even the voices of famous figures. The physical format of cylinders allowed them to be played on a phonograph that featured a rotating mechanism with a stylus riding in the grooves of the cylinder. Early machines were hand-cranked, but as technology progressed, electric phonographs emerged, making playback easier and more consistent. However, by the early 20th century, flat disc records, which had been developed by Emile Berliner in the late 1880s, began to overtake cylinders in popularity. Discs were cheaper to manufacture, easier to store, and had the capacity for longer recordings. Companies like Victor Talking Machine and Gramophone became leaders in the disc market, and eventually, the cylinder fell out of favor. Despite this, cylinder records were a critical part of the dawn of recorded sound. They were essential in the early dissemination of music and spoken word, providing the foundation for the audio recording industry. Today, collectors and historians treasure these early recordings, not just for their historical significance, but also for the unique sound quality that cylinders can still provide when carefully restored and played on original phonographs. The voices and music captured on these rolls serve as a time capsule, preserving a vivid glimpse of the past.

SHIPPING AVAILABLE > Standing 4" tall, measuring 2-3/8" in diameter overall, a portion of an early amber glass soda bottle, apparently cut midway to what would have been the shoulder ~ Cast relief lettering to one side reads Coca-Cola in script lettering above HUNTSVILLE, ALA. To the underside base, cast relief lettering reads ROOT ~ Amber glass Coca-Cola bottles marked "ROOT" were made by the Root Glass Company and are known for their distinctive shape and ribs, which are based on the shape of a cocoa bean. The Root Glass Company patented the bottle design in 1915, and the date was later included on the final design. The Root Glass Company began making soft drink bottles on its own semi-automatic machines in 1912. The company started working on the machines in 1905 and used the developing models to make some bottles. CONDITION REPORT > Offered as shown ~ Condition best noted by examining the images offered. HISTORY of HUNTSVILLE, ALABAMA Huntsville, Alabama, has a rich history that blends deep Southern roots with cutting-edge technological innovation. Founded in 1805 by John Hunt, a frontiersman who settled near the area's Big Spring, Huntsville quickly grew from a small frontier town into a bustling cotton trading hub during the 19th century. The town’s early prosperity was largely due to its position as a central player in Alabama’s cotton industry, supported by the fertile lands of the Tennessee Valley. The Civil War brought a shift in the city's fortunes. Huntsville was captured by Union forces in 1862, and although the war disrupted the local economy, Huntsville survived and slowly transitioned from an agricultural base to a more diversified economy in the decades that followed. In the 20th century, Huntsville's history took a dramatic turn when it became a center for military and aerospace development. During World War II, the U.S. Army established Redstone Arsenal in Huntsville, which led to the city's transformation into a key site for rocket development. In the 1950s, the U.S. Army brought in Wernher von Braun and his team of German rocket scientists to Redstone Arsenal, a move that would cement Huntsville’s legacy as "Rocket City." Von Braun’s team developed rockets that would later become central to NASA’s space program, including the Saturn V rocket that took humans to the moon in 1969. This rocket research also spurred the creation of NASA’s Marshall Space Flight Center in Huntsville, which remains a cornerstone of the city’s economy and identity today. Over time, Huntsville has grown into a thriving city known for its blend of high-tech industries, historical charm, and Southern hospitality. It’s a place where the historic cotton trade town coexists with modern space exploration and cutting-edge research in technology, making Huntsville a fascinating mix of old and new. Today, it’s one of Alabama’s most dynamic cities, attracting engineers, scientists, and professionals from all over the world.

SHIPPING AVAILABLE > An early example of a clear glass soda bottle standing 8" tall, measuring 2.5" in diameter, featuring cast, stylized lettering to one side of the body reading > HUNTINGTON Coca-Cola CO., with block lettering prominent below, reading REGISTERED ~ HUNTINGTON, W.VA. CONDITION REPORT > A notably well preserved example. History of Huntington, West Virginia Huntington, West Virginia, has a history that is deeply tied to the expansion of the American railroad and the industrialization of the late 19th century. The city was founded in 1871 by railroad magnate Collis P. Huntington, one of the key figures behind the Central Pacific Railroad and the completion of the first transcontinental railroad. Huntington was conceived as a terminus for the Chesapeake & Ohio Railway (C&O), connecting the coal-rich fields of West Virginia to markets in the East and Midwest. The city was strategically located along the Ohio River, which further boosted its role as a transportation hub. As the railroad brought coal and other raw materials to the city, Huntington grew rapidly into a bustling industrial center. The city’s location on the Ohio River made it ideal for manufacturing and shipping, and by the late 19th and early 20th centuries, Huntington was thriving with industries such as steel, glass, and riverboat construction. It became a gateway for commerce between the coal mines of West Virginia and larger urban centers like Cincinnati and St. Louis. Throughout the 20th century, Huntington’s economy continued to rely on its industrial base, but like many American cities, it faced challenges in the later part of the century due to the decline of heavy industry and the coal industry’s ups and downs. Despite these economic shifts, Huntington remained resilient, focusing on healthcare, education, and services. The establishment of Marshall University, originally founded as a school in 1837, became an integral part of the city’s identity and economy, evolving into a major institution that brings students, culture, and economic stability to the area. Huntington today balances its industrial past with efforts to diversify its economy, emphasizing education, healthcare, and the arts. It’s also known for its historic neighborhoods and the revitalization of its downtown area, blending old-world charm with new developments. As a city born out of the railroad boom, Huntington holds a unique place in West Virginia’s history, embodying the spirit of growth, adaptation, and community.

SHIPPING AVAILABLE > A straight sided amber glass soda bottle standing 7-3/4" tall, measuring 2-3/8" in diameter overall, featuring cast relief stylized script lettering to one side of the body reading > Coca-Cola, with block lettering above and below reading > LOGAN BOTTLING WORKS ~ REGISTERED ~ LOGAN, W.VA. To the underside base, in cast relief, numbers read 782ES, along with some paint pen marks placed by the prior owner. CONDITION REPORT > A small internal fracture to the underside base rim, only visible on close and specific inspection ~ Otherwise, a notably well preserved example. History of Logan, West Virginia Logan, West Virginia, is a town with a history deeply tied to coal mining and the rugged landscape of the Appalachian Mountains. Founded in 1827 and originally known as Aracoma, the town was later renamed after the famous frontiersman Logan, a leader of the Mingo Native American tribe. Logan County, where the town is situated, was sparsely populated in its early years, with agriculture and small-scale farming being the primary economic activities. The town's history took a dramatic turn in the early 20th century with the rise of coal mining. Logan became a significant hub during the coal boom as the area's rich coal reserves were tapped, bringing an influx of workers and rapid industrialization. The town grew alongside the coal industry, with railroads connecting it to larger markets. Logan also played a pivotal role in labor history. During the early 1920s, it was the site of intense labor struggles between coal miners and mine operators, culminating in the infamous Battle of Blair Mountain in nearby Logan County in 1921. This was one of the largest labor uprisings in U.S. history, as thousands of miners clashed with law enforcement and private security forces in their fight for better working conditions. Though the coal industry has since declined, Logan remains a town with deep roots in coal mining culture. The community has worked to diversify its economy in recent years, focusing on tourism, particularly outdoor activities like hiking, hunting, and exploring the scenic Appalachian region. The area's history and natural beauty continue to shape Logan's identity, making it a place where the legacy of coal and the strength of Appalachian culture remain strong.

SHIPPING AVAILABLE > Standing 9.5" tall, measuring around 2.5" overall, an early round bottom antique soda or mineral water bottles, tinted aqua or pale green, were commonly used in the 19th century. These bottles were specifically designed with a rounded base to ensure they were stored on their side, preventing the cork from drying out and shrinking, which could cause carbonation to escape. This style was most popular during the mid-1800s when carbonated beverages became increasingly popular. In addition to their primary function of keeping the cork moist and preserving carbonation, round bottom bottles also served a practical purpose in discouraging theft. Since these bottles could not stand upright, they were inconvenient for casual use or display, making it harder for thieves to repurpose or hide them easily. This design was particularly useful for businesses that sold and reused bottles, such as soda or mineral water companies, which had a vested interest in ensuring that their bottles were returned for reuse rather than stolen or kept by customers. By making the bottles less practical for everyday use, the round bottom design helped to encourage customers to return the bottles for a deposit, an early form of recycling that was common in the beverage industry during the 19th and early 20th centuries. The letter "A" on the base might represent the glass manufacturer, a mold identifier, or the bottler, depending on the context of the production. Many glassmakers used simple letters or numbers to mark their bottles, especially before more sophisticated branding and logos became common. These bottles were typically blown in molds, and the round bottom made them easily identifiable. Today, they are highly collectible, often found in pale green or aqua glass, and are a fascinating relic of early soda and mineral water packaging methods. CONDITION REPORT > Extensive mineral deposits and other notable elements relative to age and materials.

SHIPPING AVAILABLE > Standing 7.5" tall, measuring around 2.5" in diameter, an aqua to green glass torpedo or "Hamilton" bottle, featuring cast relief lettering around the body reading > THE LICENSED TRADE SUPPLY SOCIETY, LTD. ~ COVENTRY, along with a heral design of a lion rampant, flanked by > REGISTERED TRADEMARK. The Licensed Trade Supply Society, Ltd., based in Coventry, England, was known for producing various aerated water and mineral water bottles, particularly in the late 19th century. They used distinct torpedo-shaped bottles, often embossed with their trade mark, which included a lion or a crescent moon. These bottles were popular around the 1890s, especially for storing carbonated beverages, and their design reflects the era's attention to preserving the quality of such drinks through innovative bottling techniques. The torpedo-shaped soda or mineral water bottle is often known as a Hamilton bottle. The Hamilton bottle, named after William Francis Hamilton, who patented it in the early 19th century, is one of the earliest examples of the torpedo-shaped bottle design. These bottles were made to store carbonated beverages like soda and mineral water. The torpedo shape was intentional, as it prevented the bottle from standing upright, ensuring that the cork remained wet and tight, preventing the carbonated liquid from leaking or losing its fizz. Hamilton bottles, commonly used in the 19th century, are a key example of this design and were widely used for aerated waters, making them a notable connection to the torpedo-shaped bottles. As well, the shape discouraged theft, as there was little use for a bottle of this shape, so people were encouraged to return the bottle for a deposit or trade against the cost of a new, full bottle. CONDITION REPORT > Perhaps typical and minor elements relative to age, purpose and materials ~ Even so, quite a nice example.

SHIPPING AVAILABLE > Made by the Root Glass Company, standing an impressive 8" tall, measuring 2.5" in diameter, a straight side aqua blue green soda or mineral water bottle featuring cast relief lettering to one side of the body reading > KENTWOOD ICE MFG. & BOTTLING WKS. LTD. ~ KENTWOOD, LA. ~ To the lower side near the base, lettering reads THIS BOTTLE NOT TO BE SOLD above R.G. CO. 336, rather faint. The marking "R.G. Co. 336" is related to the Root Glass Company, which operated in Terre Haute, Indiana, from 1901 to 1932. Bottles made by Root Glass Co. were often embossed with numbers like "336," which indicated specific mold numbers. Root Glass is famous for designing the original Coca-Cola bottle. The number associated with the "R.G. Co." logo refers to a specific mold used for soda or mineral water bottles, likely dating from the early 1900s?. The Kentwood Ice Manufacturing & Bottling Works, Ltd. was a company based in Kentwood, Louisiana, which produced ice and bottled beverages like soda water. The company was active in the early 20th century and is known for producing rare Hutchinson-style bottles, which are popular among collectors. These bottles were embossed with the company's name and were commonly used for carbonated drinks during that period. One notable legal case involving the company, Ballard v. Kentwood Ice Mfg. Bottling Works, Ltd. in 1920, dealt with whether ice production constituted manufacturing. This highlights the firm's broader role in both the ice and beverage industries in Louisiana? CONDITION REPORT > A notably well preserved example ~ Perhaps typical and minor elements relative to age, materials and early glass production processes. History of Kentwood, Louisiana Kentwood, Louisiana, is a small town located in Tangipahoa Parish, in the southeastern part of the state. It was founded in the late 19th century, with its origins tied to the timber and dairy industries. The town's location near the Illinois Central Railroad contributed to its growth, as the railroad provided a means of transporting goods, particularly lumber and dairy products, to larger markets. The town's name is said to have come from the Kent family, who were early settlers in the area, and the nearby woods that were abundant at the time. By the early 20th century, Kentwood had become known for its dairy farms, and at one point, it was referred to as the "Dairy Capital of the South." The production of bottled milk and other dairy products played a significant role in its economy. Kentwood also became famous as the birthplace of pop singer Britney Spears, which brought it some modern-day recognition. Today, Kentwood remains a small rural community, maintaining much of its historical charm and agricultural roots.

SHIPPING AVAILABLE > Standing 7.5" tall, measuring 2.5" in diameter, a clear glass Hutchinson style bottle featuring cast relief lettering at opposite sides of the body, reading W.E. BECK & CO., opposite HILL CITY STEAM BOTTLING WORKS ~ The letter "B' is cast in relief to the underside base. W.E. Beck & Co. operated the Hill City Steam Bottling Works in Vicksburg, Mississippi, during the late 19th century, around the 1880s and 1890s. The company bottled soda and whiskey, with its products, including Hutchinson-style bottles, being well-known among collectors. The firm was an important part of Vicksburg's commercial landscape, producing both beverages and spirits for local consumption. The business operated in a competitive market, particularly as larger soda companies emerged, impacting smaller firms like Beck & Co. W.E. Beck & Co. was a prominent business in Vicksburg, Mississippi, during the late 19th and early 20th centuries. The company was involved in the bottling of soda and whiskey, as evidenced by the various antique bottles and jugs bearing the company's name. These items, such as Hutchinson-style soda bottles and stoneware whiskey jugs, are highly collectible today. The company's products, especially soda bottles and whiskey jugs, were produced in the 1880s and 1890s, making them significant relics of that era. The bottles often feature embossing, such as "W.E. Beck & Co., Vicksburg, Miss.," and are highly sought after by collectors of antique glassware and memorabilia. This indicates that W.E. Beck & Co. was active in both the beverage bottling industry and the production of whiskey, a common business combination during that time. CONDITION REPORT ~ Mineral deposits inside and out ~ Crudely manufactured with mold lines overall ~ Consider varying elements relative to age, purpose and the early glass bottle manufacturing process.

SHIPPING AVAILABLE > An example of a clear glass Huthinson type bottling standing 7" tall, measuring 2-3/8" in overall diameter, featuring cast relief lettering to a circular, raised panel at one side of the body reading > CAPITAL CITY BOTTLING WORKS ~ ATLANTA, GA. Capital City Bottling Works was an Atlanta-based soda bottling company that operated during the late 19th and early 20th centuries. They produced soda in Hutchinson-style bottles and later transitioned to crown-topped bottles. The company is notable for its connection to early Coca-Cola bottling in the city, although its bottling of Coca-Cola predated other famous bottlers. The firm also produced "Ceylona," a soda popular in the early 1900s, with bottling locations in both Atlanta and Cedartown, Georgia. CONDITION REPORT > Cloudy finish, perhaps due to mineral deposits, however a general cleaning is needed ~ Overall, a rather well preserved example ~ Expect typical and minor elements relative to age, purpose and the early manufacturing process. History of the HUTCHINSON BOTTLE Hutchinson bottles, named after the inventor Charles G. Hutchinson, were widely used in the late 19th and early 20th centuries for carbonated beverages such as soda and mineral water. The key innovation of the Hutchinson bottle was its internal stopper, which was designed to keep carbonated drinks sealed. The stopper was made of a rubber disk attached to a wire, which would be pushed up into the bottle's neck by the pressure of the carbonation, keeping the bottle sealed. To open the bottle, users would push down on the wire, which released the stopper into the bottle, making a distinctive "pop" sound. This design was considered more efficient than the cork stoppers used previously, and it became very popular in the soft drink industry during the late 1800s. However, the Hutchinson bottle had some drawbacks. The internal stoppers could sometimes malfunction, causing leaks, and the design made the bottles difficult to clean. Additionally, the bottle's design often left drinkers with the stopper bouncing around inside the bottle while they drank. By the early 20th century, the crown cap, patented in 1892 by William Painter, replaced the Hutchinson stopper as a more reliable and hygienic sealing method. Hutchinson bottles are highly collectible today due to their distinctive design and connection to early soda bottling. Many are embossed with the names of local bottling companies, making them significant historical artifacts of the soda industry.

Standing 7.5" tall, measuring 2.25" diameter to the base, a straight side pale green glass soda bottle featuring cast relief lettering to the lower body reading ~ PROPERTY OF COCA-COLA BOTTLING CO. ~ RUSTON, LA ~ 6 1/2 FLU. OZ.~ To the underside base, large cast block letters read ~ RUSTON. CONDITION REPORT > A well preserved example ~ Perhaps typical and minor elements relative to age, use and early methods of production. History of Ruston, Louisiana Ruston, Louisiana, is a small city with a rich history that dates back to the 19th century. It is located in Lincoln Parish in the northern part of the state and serves as the parish seat. Ruston's origins are tied to the expansion of the railroads, a pivotal force in its early development. The city was founded in 1883 when Robert E. Russ, a prominent local landowner, donated land to bring the Vicksburg, Shreveport, and Pacific Railroad through the area. This strategic move encouraged the establishment of a town, which quickly grew around the new rail line. Ruston is named in honor of Russ, reflecting his central role in its creation. The city's connection to the railroad made it a vital trading center for the region, facilitating the transport of agricultural products like cotton and timber. Ruston experienced steady growth throughout the late 19th and early 20th centuries, transitioning from a small settlement into a more structured community with schools, churches, and businesses. The establishment of Louisiana Tech University in 1894 significantly influenced Ruston's development, bringing education and cultural opportunities to the area. Louisiana Tech became a focal point for the community and remains a key economic and cultural institution in Ruston today. Throughout the 20th century, Ruston evolved as a center of education, agriculture, and industry, benefiting from its location along Interstate 20. Its position along this major highway helped the city maintain its role as a regional hub. In addition to Louisiana Tech, Ruston is known for its historic downtown, which features buildings from its early years and serves as a cultural and commercial center for the area. Ruston's economy has diversified over the years, blending higher education, light manufacturing, agriculture, and retail. It also celebrates its agricultural roots through events like the annual Louisiana Peach Festival, which honors the region's history of peach farming. Today, Ruston is recognized for its small-town charm, historical significance, and contributions to Louisiana's cultural and educational landscape. The city remains a blend of tradition and progress, balancing its historical legacy with the growth spurred by its university and modern infrastructure.

SHIPPING AVAILABLE > Standing 7.5" tall, measuring 2.25" in overall diameter, a deep amber color soda bottle featuring cast relief lettering to the body reading > LOGAN BOTTLING WORKS ~ COCA-COLA in stylized script lettering ~ REGISTERED ~ LOGAN, W. VA. The specific type of Coca-Cola bottle produced around 1905 that is deep amber or brown in color is commonly referred to as a Straight-Sided Amber Coca-Cola bottle. These bottles predate the iconic contour or "hobbleskirt" bottle that was introduced in 1915. The amber bottles were produced by various glass manufacturers for bottling plants across the country. These early straight-sided Coca-Cola bottles featured straight cylindrical shapes, embossed lettering with "Coca-Cola" written in script, and the bottler's city or state name. The amber or brown glass was used to help protect the contents from sunlight, which could impact the flavor of the beverage. The amber glass Coca-Cola bottles were relatively short-lived and became less common after the introduction of the contour bottle, making them highly collectible today. Collectors often seek these amber straight-sided bottles due to their rarity and historical value, especially when they bear the embossed city name and original Coca-Cola script. They can be distinguished from the later green-tinted contour bottles and represent an important part of Coca-Cola's early bottling history. CONDITION REPORT > A notably well preserved example ~ Perhaps typical and minor elements relative to age, handling, material and early production methods. History of Logan, West Virginia Logan, West Virginia, is a city with a rich history rooted in the coal mining industry, located in the southwestern part of the state along the Guyandotte River. It serves as the county seat of Logan County, an area known for its natural resources and rugged Appalachian terrain. The town's history is shaped by its geographic setting, the growth of the coal industry, and significant events that have marked its development over the years. Logan's history dates back to the early 19th century when the area was settled as a small, isolated community in what was then part of Virginia. It was named after Chief Logan, a leader of the Mingo tribe, who lived in the region during the 18th century and is known for his famous speech lamenting the loss of his family in conflicts with settlers. The town itself was originally called Aracoma, after Chief Logan's daughter, but it was later renamed Logan when it became the county seat in 1827. The transformation of Logan began with the discovery of coal in the surrounding mountains in the late 1800s. The arrival of the Chesapeake and Ohio Railway (C&O) and the Norfolk and Western Railway (N&W) in the early 20th century made it possible to extract and transport coal, leading to a rapid expansion of the coal industry in the region. As coal mining boomed, Logan evolved into a thriving coal town, with mining camps and small communities developing throughout the county. The early 20th century was a period of economic growth for Logan, but it was also marked by labor struggles between coal miners and mine operators. The area became a focal point during the West Virginia Mine Wars, a series of labor disputes and conflicts over workers' rights, wages, and conditions in the coal mines. One of the most notable events during this time was the Battle of Blair Mountain in 1921, which took place just north of Logan County. This confrontation between thousands of armed miners and law enforcement, backed by private mine guards, was one of the largest labor uprisings in U.S. history. Logan itself became a strategic location during the Mine Wars, with the Logan County Sheriff, Don Chafin, playing a key role in suppressing union activity. The conflicts had a lasting impact on the community and its identity, contributing to the complex relationship between the local population and the coal industry. As coal production slowed in the mid-20th century due to mechanization and shifts in energy sources, Logan faced economic challenges, like many other coal towns in Appalachia. Despite these challenges, the city has remained a center of community life in Logan County, with its downtown area and historic landmarks reflecting its past. Logan's history is still evident in its architecture and cultural sites, including the courthouse and historic buildings that line the town's streets. The community remains deeply connected to its Appalachian heritage, with festivals and events that celebrate local traditions, music, and history. The decline in coal has led to efforts to diversify the local economy, with a focus on tourism, outdoor recreation, and revitalizing the downtown area. Today, Logan serves as a reminder of the complex history of coal mining in Appalachia, with a legacy shaped by both the prosperity and the hardships brought by the coal industry. Its history of resilience and adaptation continues to define the character of the town and its people, reflecting a broader story of Appalachia's past and present..

SHIPPING AVAILABLE > Standing 7.5" tall, measuring 2.25" in diameter, a pale aqua blue soft drink soda bottle featuring cast relief, stylized script lettering to the shoulder reading COCA-COLA, with TRADE MARK REGISTERED below ~ Around the base, lettering reads PROPERTY OF THE COCA-COLA COMPANY ~ CANADA ~ To the underside base, stylized script lettering cast in relief reads COCA-COLA. CONDITION REPORT > As shown some dark deposits to the interior ~ Not cleaned or altered ~ Expect typical and minor elements relative to age, handling, material and early production methods. History of Coca-Cola, Canada The history of the Coca-Cola Bottling Company in Canada dates back to the early 20th century and reflects the global expansion of the Coca-Cola brand, adapting its operations to the Canadian market while maintaining the iconic beverage's identity. Coca-Cola's journey in Canada began shortly after the brand's initial success in the United States, following its invention by Dr. John S. Pemberton in Atlanta, Georgia, in 1886. The first significant presence of Coca-Cola in Canada occurred in 1905 when the company began distributing the syrup from the United States to Canadian bottlers. Initially, these bottlers were independent businesses that mixed the Coca-Cola syrup with carbonated water and bottled the drink locally, catering to regional markets. The first bottling plant in Canada was established in Toronto, Ontario, and it marked the beginning of a network of bottling operations that would spread throughout the country. Toronto's Coca-Cola bottling plant became a cornerstone of the company's operations in Canada, serving the populous regions of Ontario and beyond. By 1923, The Coca-Cola Company of Canada had been formally incorporated as a subsidiary of its American parent company, and the network of local bottlers expanded to include plants in cities like Montreal, Vancouver, and Halifax. This growth paralleled the increasing popularity of the beverage in Canada, supported by Coca-Cola's widespread marketing efforts and the use of the contour bottle, which became the brand's signature. The Coca-Cola Bottling Company of Canada played a significant role in adapting marketing and distribution to suit the Canadian context, focusing on regional tastes and preferences. During the mid-20th century, the company invested in expanding its facilities and infrastructure, aligning with Canada's growing post-war population and economic prosperity. This period also saw the introduction of new packaging options, including the popularization of glass bottles, and later, aluminum cans, which helped to increase Coca-Cola's reach across the country. The 1980s and 1990s brought changes to the corporate structure, as Coca-Cola consolidated many of its independent bottling operations into larger regional entities. This shift allowed for greater control over the production process and consistency in quality. During this time, Coca-Cola Canada also began expanding its product line to include a range of beverages beyond its classic soda, including Diet Coke, Sprite, and later, bottled water, fruit juices, and iced teas, reflecting shifts in consumer preferences. In the early 2000s, Coca-Cola Canada continued to adapt to the Canadian market by implementing new environmentally friendly practices, focusing on sustainability and reducing waste, particularly in packaging. The company invested in recycling programs and introduced initiatives aimed at reducing its carbon footprint across its Canadian operations. These efforts aligned with broader shifts in the industry and consumer expectations regarding corporate responsibility and sustainability. Today, Coca-Cola Canada operates as a part of Coca-Cola Limited, with bottling operations managed by Coca-Cola Canada Bottling Limited, the authorized bottler. The company has maintained a strong presence throughout Canada, with multiple production facilities and distribution centers across provinces, including a flagship bottling plant in Brampton, Ontario, which is one of the largest in North America. Coca-Cola’s history in Canada reflects both the challenges and opportunities of adapting a global brand to regional tastes and market conditions. While it has faced competition and evolving consumer demands over the years, Coca-Cola Canada remains a leading player in the beverage industry, continuing to produce and distribute a wide range of beverages enjoyed across the country.

SHIPPING AVAILABLE > Standing 7.5" tall, measuring 2.25" in diameter, a pale aqua glass soft drink soda bottle featuring cast relief stylized script lettering at the lower base reading ~ COCA-COLA, along with BIRMINGHAM, ALA. in block letters to the opposite side ~ To the underside base, cast block letters read ROOT, identifying the manufacturer. CONDITION REPORT > As discovered, not cleaned or altered ~ Oxidation overall, with a degree of iridescence ~ Settled dust and debris ~ Otherwise, a sound example. History Relative to the Root Glass Company The straight-sided bottles were embossed with the classic script logo, featuring "Coca-Cola" written in Spencerian script were often identified by their embossed labels, which included the name of the bottler and the city where they were produced. Root Glass Company was one of the key producers of these bottles, and its work set the stage for a major transformation in Coca-Cola's bottle design. The turning point for Root's involvement came in 1915 when Coca-Cola sought to distinguish its brand from numerous imitators by developing a distinctive bottle. At that time, many other soda brands used similar straight-sided designs, leading to consumer confusion. In response, Coca-Cola launched a design competition among glass companies to create a bottle that would be uniquely associated with the brand, even when broken or shattered. Root Glass Company won the competition with its contour bottle design, which became known as the “hobbleskirt” bottle because of its hourglass shape resembling the silhouette of a hobble skirt, a fashion trend at the time. The design, created by Root's team—consisting of Alexander Samuelson, Earl R. Dean, and others—was inspired by the curves of the cocoa pod, a nod to the Coca-Cola name. Root's design was both practical and visually striking. The contour shape made the bottle easy to grip, and its distinctive profile allowed consumers to recognize it by touch in the dark. The bottle also provided greater strength against breakage compared to the straight-sided designs, which was important for transportation and handling. The contour design was patented by Root in November 1915 and officially introduced to the market in 1916. The bottle’s design became one of the most recognizable packages in the world. Root Glass Company's success with the contour bottle design cemented its legacy in Coca-Cola history, and the company produced many of the early examples of this new bottle. The bottles bore the "ROOT" embossing on the base, identifying the manufacturer, along with the patent date, which often appears as "NOV. 16, 1915." While Root Glass Company continued to produce Coca-Cola bottles for several years, the company's story took another turn in 1932 when it was acquired by the Owens-Illinois Glass Company, a major player in the glass industry. Even after Root's acquisition, its contribution to Coca-Cola's branding endured, as the hobbleskirt bottle became synonymous with the Coca-Cola brand worldwide. Today, the early Root Glass Company Coca-Cola bottles, particularly those featuring the 1915 patent date, are highly sought after by collectors. Their significance lies in the role they played in defining the visual identity of Coca-Cola, transitioning from a generic glass bottle to one that became a symbol of the brand’s authenticity and heritage. These early bottles are a testament to the ingenuity of Root’s designers and the lasting impact of their work on the history of beverage packaging. History of the Coca-Cola Bottling Company of Birmingham, Alabama The Birmingham, Alabama Coca-Cola Bottling Company has a rich history dating back to the early 20th century, playing a significant role in the expansion of Coca-Cola’s bottling operations across the southern United States. As a major city in the Southeast, Birmingham became an ideal location for one of the earliest and most successful bottling franchises, serving both the city and the surrounding region. The origins of the Coca-Cola Bottling Company in Birmingham trace back to 1902, when a local entrepreneur, Crawford Johnson, obtained the rights to bottle Coca-Cola in Birmingham. Johnson, originally a grocer, recognized the potential of Coca-Cola as a bottled beverage during a time when soda was primarily sold at soda fountains. His foresight allowed him to secure bottling rights for Birmingham and the surrounding region, making the Birmingham franchise one of the earliest and most significant in the Coca-Cola system. Under Johnson’s leadership, the Birmingham Coca-Cola Bottling Company quickly grew. The company’s early success can be attributed to Johnson’s effective marketing strategies and the growing popularity of bottled soda among consumers who could now enjoy Coca-Cola outside of fountain shops. The first bottles used by the Birmingham plant were straight-sided with the Coca-Cola script embossed, typical of early bottling before the contour bottle was introduced in 1915. Crawford Johnson's operation in Birmingham became a model for other Coca-Cola bottlers across the country, contributing to the company’s bottling success. The Birmingham bottling plant expanded several times in its early years to accommodate increased demand, adding new facilities and upgrading equipment. The plant's reach extended beyond Birmingham, helping distribute Coca-Cola throughout Alabama and into parts of neighboring states. The Birmingham bottling company was among the first to adopt the contour or “hobbleskirt” bottle in 1916, which set a new standard for Coca-Cola's packaging. This iconic design, intended to be instantly recognizable even when broken or in the dark, became a hallmark of the brand. The bottles produced in Birmingham during this period often featured "Birmingham, Ala." embossed on the bottom, making them collectible items today. These bottles helped solidify the visual identity of Coca-Cola and ensured consistency across markets. As Coca-Cola grew, so did the Birmingham bottling operation. The company became deeply embedded in the local community, not only through its product but also by supporting local events, charities, and sports teams. This community engagement helped solidify Coca-Cola's presence in Birmingham, making the brand synonymous with local culture. During the mid-20th century, Birmingham’s Coca-Cola Bottling Company continued to expand its production capabilities and embrace new packaging formats, such as aluminum cans and larger plastic bottles, as consumer preferences shifted. The company adapted to new technologies and distribution methods to keep pace with changes in the beverage industry, ensuring that Coca-Cola products remained widely available throughout Alabama. By the late 20th century, many local bottling operations, including the Birmingham franchise, underwent changes as The Coca-Cola Company sought to streamline its production and distribution processes. In 1972, the Birmingham Coca-Cola Bottling Company became part of the Coca-Cola Bottling Company United, Inc., a larger bottling group headquartered in Birmingham. Coca-Cola United acquired multiple bottling franchises in the Southeast, becoming one of the largest Coca-Cola bottlers in the United States. This merger allowed for greater operational efficiencies and ensured that the Birmingham facility remained a key production hub for the region. Today, Coca-Cola Bottling Company United continues to operate in Birmingham as part of its extensive network. The company has maintained its roots in the city while adapting to modern demands, with a focus on sustainable practices, technological advancements, and community involvement. The legacy of the Birmingham Coca-Cola Bottling Company remains a significant part of the local history, reflecting the city’s role in the broader story of Coca-Cola's growth in the United States. It stands as a testament to how a local entrepreneurial spirit helped shape one of the world’s most recognizable brands.

SHIPPING AVAILABLE > Standing 7.5" tall, measuring 2.25" in diameter, a pale aqua glass soft drink soda bottle featuring cast relief stylized script lettering at the lower base reading ~ COCA-COLA, along with HATTIESBURG, MISS.. in block letters to the opposite side ~ To the underside base, cast block letters read ROOT, identifying the manufacturer. CONDITION REPORT > As discovered, not cleaned or altered ~ Cloudiness to the from the shoulder, to the neck and mouth ~ Expect typical and minor elements relative to age, handling, material and early production methods ~ Otherwise, a sound example. History Relative to the Root Glass Company The straight-sided bottles were embossed with the classic script logo, featuring "Coca-Cola" written in Spencerian script were often identified by their embossed labels, which included the name of the bottler and the city where they were produced. Root Glass Company was one of the key producers of these bottles, and its work set the stage for a major transformation in Coca-Cola's bottle design. The turning point for Root's involvement came in 1915 when Coca-Cola sought to distinguish its brand from numerous imitators by developing a distinctive bottle. At that time, many other soda brands used similar straight-sided designs, leading to consumer confusion. In response, Coca-Cola launched a design competition among glass companies to create a bottle that would be uniquely associated with the brand, even when broken or shattered. Root Glass Company won the competition with its contour bottle design, which became known as the “hobbleskirt” bottle because of its hourglass shape resembling the silhouette of a hobble skirt, a fashion trend at the time. The design, created by Root's team—consisting of Alexander Samuelson, Earl R. Dean, and others—was inspired by the curves of the cocoa pod, a nod to the Coca-Cola name. Root's design was both practical and visually striking. The contour shape made the bottle easy to grip, and its distinctive profile allowed consumers to recognize it by touch in the dark. The bottle also provided greater strength against breakage compared to the straight-sided designs, which was important for transportation and handling. The contour design was patented by Root in November 1915 and officially introduced to the market in 1916. The bottle’s design became one of the most recognizable packages in the world. Root Glass Company's success with the contour bottle design cemented its legacy in Coca-Cola history, and the company produced many of the early examples of this new bottle. The bottles bore the "ROOT" embossing on the base, identifying the manufacturer, along with the patent date, which often appears as "NOV. 16, 1915." While Root Glass Company continued to produce Coca-Cola bottles for several years, the company's story took another turn in 1932 when it was acquired by the Owens-Illinois Glass Company, a major player in the glass industry. Even after Root's acquisition, its contribution to Coca-Cola's branding endured, as the hobbleskirt bottle became synonymous with the Coca-Cola brand worldwide. Today, the early Root Glass Company Coca-Cola bottles, particularly those featuring the 1915 patent date, are highly sought after by collectors. Their significance lies in the role they played in defining the visual identity of Coca-Cola, transitioning from a generic glass bottle to one that became a symbol of the brand’s authenticity and heritage. These early bottles are a testament to the ingenuity of Root’s designers and the lasting impact of their work on the history of beverage packaging. History ~ Hattiesburg, Mississippi Coca-Cola Bottling Company The Hattiesburg, Mississippi Coca-Cola Bottling Company has a history that dates back to the early 20th century, during a period when Coca-Cola expanded rapidly throughout the southern United States through a network of local bottlers. This expansion was instrumental in bringing the popular beverage to small towns and rural areas, and Hattiesburg played a key role in serving the southeastern Mississippi market. The Hattiesburg Coca-Cola Bottling Company was officially established in 1906. It was part of the broader trend of local entrepreneurs obtaining bottling rights from The Coca-Cola Company, which supplied syrup to regional bottling franchises. These bottlers mixed the syrup with carbonated water and distributed the finished product in bottles, making the drink more accessible to people who lived outside major cities where fountain sales were predominant. The Hattiesburg plant began as a small operation, bottling Coca-Cola in straight-sided bottles, which were typical before the introduction of the contour bottle in 1915. These early bottles often featured the name of the city embossed on the bottle, making them distinctive to collectors today. The bottles produced in Hattiesburg would have had the city name “Hattiesburg, Miss” embossed on them, helping to identify the origin of each bottle. As demand for Coca-Cola increased, the Hattiesburg bottling plant grew, moving to larger facilities over the years to accommodate the rise in production. The plant served not only the city of Hattiesburg but also surrounding communities in Forrest County and other parts of southern Mississippi. The bottling plant was critical in providing employment opportunities for local residents and played a significant role in the local economy during its peak years of operation. Like many local Coca-Cola bottlers across the United States, the Hattiesburg operation adapted to changes in packaging, from the straight-sided bottles of the early 1900s to the iconic contour bottle and later, to modern packaging formats like cans and plastic bottles. The shift to the hobbleskirt contour bottle in 1916 was a significant moment, as it helped standardize the look of Coca-Cola nationwide while retaining the local connection through embossed city names on the bottles. By the mid-20th century, the Hattiesburg bottling company had become an established part of the community, often sponsoring local events, supporting sports teams, and engaging in charitable activities. This was common practice for Coca-Cola bottlers, who sought to build strong relationships with their communities while promoting the brand. In more recent decades, many local bottling operations like the one in Hattiesburg were consolidated into larger regional bottling groups to improve efficiency and streamline production. This shift was part of the broader trend in the beverage industry to centralize operations. Today, Coca-Cola products in the Hattiesburg area are distributed by larger bottling groups, but the legacy of the original Hattiesburg Coca-Cola Bottling Company remains a part of the city’s local history, reflecting its role in the growth of the Coca-Cola brand in the American South.

SHIPPING AVAILABLE > A fine example of an early Coca-Cola seltzer bottle, standing 12" tall and measuring 4.5" in diameter to the shoulder. Crafted from blue glass featuring etched lettering that reads ~ COCA-COLA BOTTLING COMPANY BRADFORD, PA. ~ CONTENTS 26 FL. OZ. ~ The etching showcases the classic Coca-Cola script logo, reflecting its origins from the Bradford, Pennsylvania bottling plant. The top is fitted with a chrome-plated metal spigot, marked with the name COOPER, used to dispense the seltzer water under pressure. The base of the bottle features etched letters reading MADE IN CZECHOSLOVAKIA suggesting that the glass itself was made in Czechoslovakia. Additionally, the bottom bears the marking SIPHON BY SCHNEIDER & CO. Seltzer bottles like this were used throughout the early to mid-20th century for dispensing carbonated water. These bottles were typically returned, cleaned, and refilled by local bottlers, making them an integral part of home beverage service before the widespread use of disposable bottles and cans. The heavy glass construction allowed the bottles to withstand the pressure of carbonated water, and the spigot enabled controlled pouring. This example, with its etched lettering and distinctive blue glass, offers a glimpse into the history of local Coca-Cola bottling operations and the era of refillable soda siphons. It is a collector's item that highlights both the heritage of Coca-Cola and the craftsmanship of early 20th-century glass manufacturing. CONDITION REPORT > A notably well preserved example ~ Perhaps typical and minor elements relative to age, use and materials ~ No overt issues. Coca-Cola Bottling in Bradford, Pennsylvania The Coca-Cola Bottling Company of Bradford, Pennsylvania, has a history that reflects the broader story of Coca-Cola's expansion across the United States during the early 20th century. Located in McKean County in the northwestern part of Pennsylvania, Bradford's Coca-Cola bottling operation served a vital role in distributing the popular beverage to the region, which includes parts of Pennsylvania, western New York, and other nearby areas. The Bradford Coca-Cola Bottling Company was established in the early 20th century, a period when Coca-Cola was actively expanding its network of independent bottlers. This system involved local entrepreneurs obtaining exclusive rights to bottle and distribute Coca-Cola in their respective territories. These bottlers would receive the syrup concentrate from The Coca-Cola Company, mix it with carbonated water, bottle it, and then distribute it within their designated areas. Bradford, Pennsylvania, is a small city in McKean County, situated in the northwestern part of the state near the border with New York. Its history is closely tied to the oil industry, which played a central role in the city's growth and economic development. The city was settled in the 1820s, originally as a small, rural community in a region known for its dense forests and wildlife. The area’s development accelerated with the discovery of oil in the late 19th century. In 1875, oil was found near Bradford, which triggered a local oil boom, transforming the city into a bustling industrial hub. This discovery came shortly after the first major U.S. oil strike in Titusville, Pennsylvania, in 1859, and Bradford quickly became a key part of the oil region. The Bradford Oil Field, located in the surrounding hills, was one of the most productive oil fields in the world at its peak. By the late 1870s and into the 1880s, Bradford was at the center of a major oil rush, attracting prospectors, workers, and entrepreneurs from across the country. The city’s population swelled, and infrastructure developed rapidly to support the booming industry, including the construction of railroads and refineries. One of the major developments was the establishment of the Kendall Refining Company in Bradford in 1881, which became one of the city’s major employers. This refinery specialized in the production of lubricants and motor oils, contributing to the city's reputation as a center for oil refining and related industries. Kendall's motor oil products were known for their high quality, and the company remained an important player in the industry for many years. Bradford's growth during this period was marked by a mix of prosperity and the challenges typical of boomtowns, such as rapid population growth, economic volatility, and fluctuating fortunes tied to the price of oil. The city also experienced fires and other growing pains that were common in rapidly developing industrial towns of the time. As the oil boom declined in the early 20th century, Bradford transitioned into a more stable, yet diversified, industrial economy. While the local oil fields remained in production, the focus shifted to refining and manufacturing. The city maintained a role in the oil industry through companies like the Kendall Refining Company, and oil production continued on a smaller scale as secondary recovery techniques kept the wells producing longer than initially expected. In addition to its industrial base, Bradford became known for higher education with the founding of the University of Pittsburgh at Bradford in 1963. This branch of the University of Pittsburgh helped to support the local economy and provided educational opportunities for residents, contributing to the city's cultural and social development. Throughout the 20th century and into the 21st, Bradford has faced the challenges typical of many small industrial cities, such as the decline of traditional manufacturing and the need to adapt to economic changes. Today, Bradford is a community that blends its industrial heritage with natural attractions like the nearby Allegheny National Forest. It retains historical landmarks from its oil-boom days, which reflect the city’s important role in the early days of America's oil industry. The Penn-Brad Oil Museum is one example of how the city preserves its history. This museum documents the history of oil production in the region and highlights Bradford’s unique role in the industry. Bradford is also home to Zippo Manufacturing Company, famous for producing Zippo lighters since 1932. The company is a symbol of Bradford’s ability to adapt to new industries and remains a major employer and tourist attraction with the Zippo/Case Museum. Today, while the oil industry is no longer as dominant as it once was, Bradford remains a city proud of its rich history and industrial heritage. The local community continues to celebrate its past, even as it adapts to the evolving economic landscape of northwestern Pennsylvania.

SHIPPING AVAILABLE > An early antique deep amber glass seltzer bottle marked ROBARTS SPARKLING SELTZER, featuring a tapered body formed with repeated horizontal concave scallops around the sides. The bottle stands 12.5 inches tall and measures 4 inches in diameter at the base. Etched lettering to the side reads ~ CHILL BOTTLE BEFORE SERVING ROBARTS SELTZERE WATER CO. ROBARTS SPARKLING SELTZER NEW ORLEANS LOUISIANA CONTENTS 35 FL. OZ. The nickel-plated siphon top is marked ROBARTS ~ The base of the bottle features etched letters reading MADE IN CZECHOSLOVAKIA, above a cast relief design in the manner of a musical instrument, perhaps a violin. The etched design and construction style, including the amber hue, make this bottle a distinctive example of early 20th-century seltzer service. CONDITION REPORT > As discovered, not cleaned or altered ~ Some dust ~ Overall, a remarkably well preserved example.

SHIPPING AVAILABLE > This group features four vintage bottles associated with the Frank Matejka Star Bottling Works of Chicago, Illinois. They include a variety of styles and designs, encapsulating the early days of soda bottling in Chicago, ranging from the late 19th to the early 20th century. Among the collection, one is a Hutchinson-style bottle, a popular design used primarily during the 1880s to early 1910s. The Hutchinson bottle is characterized by a spring-loaded stopper, which allowed for a tight seal, keeping the carbonated contents fresh. These bottles are highly collectible today due to their historical importance in the soda industry. Each bottle in the set is embossed with cast-relief lettering, showcasing branding details of the Frank Matejka Star Bottling Works. The embossed designs include the bottler's name, FRANK MATEJKA, and other text like STAR BOTTLING WORKS, along with addresses such as 1721 W. 19TH ST. CHICAGO, ILLS. Some bottles also feature a star emblem, a distinctive branding symbol used by the bottling company. This star design ties directly to the name STAR BOTTLING WORKS and adds a unique decorative element to the bottles, reflective of their era. The bottles are preserved together in a protective plastic wrap with a cardstock insert, which appears to have been added later to stabilize and protect the collection. The insert includes a label reading FRANK MATEJKA-STAR BOTTLING WORKS CHICAGO SODA POP BOTTLER 1890's - 1920's, providing a brief historical context for the collection. These bottles represent a significant piece of Chicago’s soda bottling history, as local bottlers like Frank Matejka played a critical role in the distribution of carbonated beverages before the dominance of national brands. Collectively, they provide a window into the branding, design, and functionality of early soda bottles, especially in urban centers like Chicago. CONDITION REPORT > Notably well preserved examples ~ Perhaps typical and minor elements relative to age, handling, material and early production methods.

SHIPPING AVAILABLE > The Coca-Cola Chewing Gum line was introduced around 1903 by The Coca-Cola Company. This initiative was spearheaded by the company’s desire to extend the brand's reach into other products that could capitalize on its widely recognized name. Chewing gum was particularly appealing because it was a popular product at the time, associated with refreshment and breath freshening, similar to the qualities promoted by Coca-Cola soda. An antique Coca-Cola Chewing Gum clear glass jar, notably a rare collectible from the early 20th-century era when the Coca-Cola Company ventured into the chewing gum market. The jar stands 8.75 inches tall to the wide flange mouth, with an additional 1.75 inches added in height when the glass lid is in place, making the total height approximately 10.5 inches. The body of the jar measures 4.75 inches square, featuring gently angled corners that add to its classic design. One side of the jar is embossed with cast relief lettering in stylized script, reading COCA-COLA CHEWING GUM. The embossed design features the iconic Coca-Cola script, reflecting the company's branding. The clear glass construction allows a view of its interior, characteristic of display jars intended to showcase products on store counters. This type of jar would have been used to store and display chewing gum pieces in retail settings, aligning with early 20th-century merchandising practices. The jar includes a glass lid, which is topped with a decorative pattern of raised circles around a central dome. The lid fits snugly into the wide flange mouth, preserving the jar's contents ~ The cover is likely not the original and suffers from chipping to the lower rim ~ The mouth of the jar and the outside rim of the cover are ground, however tape has been applied by the prior owner so as not to aggravate the ground surface. These jars were produced during the brief period when Coca-Cola explored the chewing gum market around 1903 to the 1920s. This example is particularly notable for its preservation, retaining both the jar and lid, which were typically prone to damage or loss over time. As Coca-Cola shifted its focus back exclusively to beverages, these chewing gum jars became rare, making this an invaluable piece of Coca-Cola memorabilia. CONDITION REPORT > Note specifics above relative to the lid ~ Otherwise, the jar is a remarkably well preserved example. History Relative to Coca-Cola Chewing Gum Coca-Cola Chewing Gum represents an intriguing chapter in the history of The Coca-Cola Company, dating back to the early 20th century. This venture into the chewing gum market was an attempt to diversify the company's product offerings beyond its famous soft drink, which had already gained immense popularity. The Coca-Cola Chewing Gum line was introduced around 1903 by The Coca-Cola Company. This initiative was spearheaded by the company’s desire to extend the brand's reach into other products that could capitalize on its widely recognized name. Chewing gum was particularly appealing because it was a popular product at the time, associated with refreshment and breath freshening, similar to the qualities promoted by Coca-Cola soda. The gum was initially marketed as Coca-Cola Gum or Kos-Kola Gum (sometimes stylized as Kos-Kola), leveraging the association with the Coca-Cola name to attract consumers. It was promoted as having a refreshing flavor, similar to the beverage itself. The strategy was to appeal to consumers who already enjoyed the soda, offering them a new way to experience the brand. Coca-Cola’s chewing gum was packaged in various forms, including individual pieces and small packs, and it was sold in stores using glass jars or countertop display containers. These jars, often embossed with the Coca-Cola name, were a central feature of store displays. Such jars were designed to be visible to customers, encouraging impulse purchases as they sat on counters in pharmacies, candy shops, and general stores. The jars were typically made of clear glass, allowing the colorful gum pieces to be seen inside, which added to their appeal. The embossed script on the jars, such as "COCA-COLA CHEWING GUM," used the classic logo, helping to reinforce the brand identity even as the product moved beyond the traditional soda fountain. The Kos-Kola variation of the gum is one of the more noted aspects of this product line. It is believed that this name may have been chosen to avoid direct trademark conflicts while still benefiting from the recognizable association with Coca-Cola. Some advertisements and marketing materials from that era highlight the Kos-Kola gum, further emphasizing its link to the refreshing qualities that Coca-Cola soda was known for. Despite the strong brand recognition, Coca-Cola’s entry into the chewing gum market faced several challenges. The chewing gum industry was already competitive, with established brands like Wrigley and others holding significant market shares. The soda giant found it difficult to gain the same traction with gum that it had achieved with its beverage, possibly because the gum's flavor and the product’s differentiation from competitors weren’t strong enough to secure a lasting foothold. Moreover, the focus on the core soft drink business remained paramount for Coca-Cola, and over time, the company decided to concentrate its resources on expanding its beverage production and distribution. As a result, the chewing gum line was phased out, with most sources indicating that Coca-Cola Chewing Gum disappeared from the market by the 1920s. Today, Coca-Cola Chewing Gum jars, advertising materials, and packaging are considered rare collectibles. The glass jars that once held the gum are highly sought after by collectors, as they represent a unique and lesser-known part of Coca-Cola’s history. These items offer a glimpse into the company’s brief but notable attempt to expand beyond beverages and into other consumer products. The historical significance of Coca-Cola Chewing Gum lies in its reflection of the company’s early efforts to explore new markets and capitalize on its brand power. Although the gum itself did not become a lasting part of the Coca-Cola legacy, it stands as an example of the company's willingness to innovate and adapt in its early years, even if those innovations sometimes fell short of the success of its flagship product.

SHIPPING AVAILABLE > This amber Coca-Cola bottle originates from Chattanooga, Tennessee. It stands 7.75 inches tall and measures 2.25 inches in diameter at the base. The bottle is classified as a straight-sided, crown-top type, typical of early Coca-Cola bottling designs. The cast relief lettering that is discernible includes: COCA-COLA in stylized script across the shoulder area, followed by TRADEMARK REGISTERED beneath ~ PROPERTY OF COCA-COLA BOTTLING CO. embossed near the base, indicating the bottle's ownership. CHATTANOOGA, TENN. also appears embossed near the lower part of the bottle, specifying the city of the bottling plant. The underside base of the bottle features a distinctive embossed mark, a diamond shape surrounding the letter "J" perhaps indicating a manufacturer. CONDITION REPORT > Case wear to the cast relief letters ~ Mild fracture of sorts at the base beneath "CHATTANOOGA" ~ Mark, blemishes, scratched ~ Expect varying elements relative to age, handling, material and early production methods. History of the Chattanooga, Tennessee Coca-Cola Bottling Company The Chattanooga Coca-Cola Bottling Company holds a significant place in the history of Coca-Cola bottling, as it was the site of the first-ever Coca-Cola bottling franchise. Its story dates back to 1899, when two Chattanooga lawyers, Benjamin Thomas and Joseph B. Whitehead, secured an agreement that would change the beverage industry forever. In 1899, Thomas and Whitehead approached Asa Candler, who owned The Coca-Cola Company at the time. They proposed the idea of bottling Coca-Cola to allow for wider distribution beyond soda fountains. Candler, who initially focused on selling the Coca-Cola syrup for use in soda fountains, was skeptical about the viability of bottling the product. However, he agreed to sell Thomas and Whitehead the rights to bottle Coca-Cola in most of the United States (excluding a few territories) for just $1. This agreement became the foundation of the global Coca-Cola bottling system, allowing Coca-Cola to be enjoyed far from its place of origin in Atlanta. Thomas and Whitehead then partnered with John T. Lupton, another Chattanooga businessman, who provided additional capital and expertise to establish the bottling operations. Together, they set up the first Coca-Cola bottling plant in Chattanooga, Tennessee, and began the process of bottling the syrup with carbonated water to produce ready-to-drink Coca-Cola. The success of the Chattanooga bottling plant quickly proved the potential of bottling Coca-Cola. It enabled mass distribution to rural areas and smaller towns that did not have access to soda fountains. As a result, Thomas, Whitehead, and Lupton began licensing additional bottling operations across the country, creating a network of bottlers that replicated the Chattanooga plant’s process. Chattanooga’s role as the birthplace of Coca-Cola bottling is commemorated as a pivotal moment in the company's expansion. The bottling system allowed Coca-Cola to become a nationwide product, eventually growing into the global brand recognized today. The success of the Chattanooga franchise paved the way for the Coca-Cola contour bottle, which was introduced in 1915 to create a distinctive look and prevent counterfeiting, further solidifying the identity of the brand. The original bottling rights agreement signed in Chattanooga is one of the most famous contracts in the history of the beverage industry, as it shaped the structure of Coca-Cola’s business model and transformed the way soft drinks were distributed. The Chattanooga plant continued to operate as a part of the larger Coca-Cola bottling network and maintained a significant historical role in the company’s legacy. In later years, as the Coca-Cola bottling system consolidated and modernized, the Chattanooga plant evolved with new production methods, but its place as the starting point of Coca-Cola bottling remains a celebrated part of both Chattanooga’s local history and the larger story of Coca-Cola’s rise as a global icon.

SHIPPING AVAILABLE > This early straight-sided, crown-top bottle stands 8.5 inches tall, measures 2.25 inches in diameter, and features extensive cast relief lettering that reads: COCA-COLA BOTTLING WORKS INC. REGISTERED LYNCHBURG, VA on one side. ~ COCA-COLA REGISTERED MINIMUM CONTENTS 7 1/2 FL. OUNCES on the reverse side. The base of the bottle is marked with D.C.G. 1448, identifying the glass manufacturer as Dominion Glass Company. The marking "D.O.C. 1449" on a Coca-Cola bottle is a reference to the glass manufacturer that produced the bottle. In this case, "D.O.C." stands for the Dominion Glass Company, a Canadian glass manufacturing company that operated for much of the 20th century. This company was one of the major producers of glass bottles, including those used for soft drinks like Coca-Cola. The lettering is in a typical style for early Coca-Cola bottles, with clear embossing indicating the bottling location and capacity, reflecting the standards of regional Coca-Cola bottling plants during the early 20th century. CONDITION REPORT > Some typical and minor elements relative to age, handling, materials and early manufacturing process ~ A sound example, offered as discovered, not cleaned or altered.

SHIPPING AVAILABLE > ~ Printed the same to both sides.measuring 7" overall, a die-cut lithographed cardstock sign with string cord, perhaps designed as an extension for a ceiling light or ceiling fan switch pull cord ~ Featuring graphics reading KING SIZE - PUTS YOU AT YOUR BEST, flanking a depiction of a King Size carton of Coca-Cola in bottles. CONDITION REPORT > A notably well preserved example ~ Perhaps dusty.

SHIPPING AVAILABLE > An extra large, vintage Mason jar, standing a notable 14 inches tall,measuring 7-8" in diameter to the body, featuring a combination of embossed designs and lettering cast in relief. One side of the jar displays the words MASON'S PATENT NOV. 30TH 1858, along with a star design beneath the text, all in raised lettering. The opposite side features an embossed image of an eagle with outstretched wings, reminiscent of the American patriotic style, adding a decorative element to the jar. Fitted with a red, threaded plastic screw-on cap. To the base of the jar, there is a textured pattern molded into the glass. This jar represents a classic example of the enduring design of Mason jars, valued for both their utilitarian and decorative qualities. CONDITION REPORT > Some dust ~ A notably well preserved example ~ No overt issues. History of the Mason Jar The Mason jar, an iconic piece of American kitchenware, has a history that dates back to the mid-19th century. It was invented by John Landis Mason, a tinsmith from New Jersey, who patented the design on November 30, 1858, under the patent name "Mason's Patent Nov. 30th, 1858." This patent date is often seen embossed on vintage jars, becoming synonymous with the jar's design. John Mason's innovation was in creating a glass jar with a threaded neck that allowed for a reusable metal lid with a rubber ring, forming an airtight seal. This design solved the longstanding problem of preserving food by making it possible to safely store perishables for long periods without the risk of spoilage. The rubber seal in the lid created a vacuum when the jar was heated during the canning process, preventing air and bacteria from entering and spoiling the contents. Following the expiration of Mason's patent, many companies began producing their own versions of the jars, leading to a variety of styles and designs. The Ball Corporation, founded in 1880 in Buffalo, New York, became one of the most famous producers of Mason jars, eventually moving its operations to Muncie, Indiana, where it produced millions of jars that became staples in American households. Mason jars were widely used for home canning throughout the 19th and 20th centuries, especially during times of economic hardship, such as the Great Depression and World War II, when preserving homegrown food was essential for many families. Their practical design, durability, and reusability made them ideal for preserving fruits, vegetables, and even homemade jams and pickles. Over time, the design of the Mason jar evolved, with improvements such as wider mouths for easier filling and stronger glass. Today, the Mason jar remains popular not only for home canning but also as a versatile container for various household uses and a symbol of rustic charm in home decor. The original design's longevity speaks to its practicality and timeless appeal, securing its place in both history and modern culture.

SHIPPING AVAILABLE > A vintage Nehi bottle carrier designed to hold six standard-size soft drink bottles. Constructed of heavy-duty cardstock and lithographed with vibrant red and yellow text and graphics. The front prominently features the slogan TAKE ME HOME in bold yellow letters above the large NEHI brand name. Additional text on the sides and handle includes instructions like TAKE HOME A CARTON and RETURN BOTTLES FOR REFUND, emphasizing the returnable nature of the glass bottles once commonly used ~ Also 6 BOTTLES ~ NOT ICED. The carrier folds flat for storage and assembly, a practical feature that allowed retailers and consumers to store it easily when not in use. The design showcases a curved top edge, adding a decorative element to the utilitarian structure while still ensuring easy transport. Each bottle compartment is reinforced, offering stability and support for the six bottles. This carrier embodies the mid-20th-century design style used for soda packaging and reflects the marketing strategies of the era, encouraging customers to take their beverages home in a convenient and reusable carton. History Relative to Nehi Nehi soft drinks have a rich history that traces back to the early 20th century, playing a significant role in the evolution of flavored sodas in the United States. The brand was founded in 1924 by Chero-Cola/Union Bottle Works, which later became the Royal Crown Company. The company, based in Columbus, Georgia, initially focused on selling Chero-Cola, a cola drink that sought to compete with the already popular Coca-Cola. Nehi was introduced as a line of fruit-flavored sodas, including flavors like orange, grape, and root beer. The name "Nehi" was inspired by the concept of a knee-high product, implying something large or significant in size and quality. The brand's introduction came at a time when consumers were increasingly interested in flavored sodas beyond the standard cola offerings, and Nehi quickly gained popularity for its bold, fruity flavors. During the 1920s and 1930s, Nehi became well known for its vibrant advertising campaigns, which featured colorful bottles and cheerful marketing. Its emphasis on flavor variety set it apart from competitors, making Nehi sodas a popular choice at soda fountains and in bottles across the United States. The brand's focus on strong branding and marketing helped it thrive during the Great Depression, as consumers sought affordable treats to enjoy during tough economic times. Nehi's success continued into the mid-20th century, and the company grew under the leadership of Claud A. Hatcher, who had also played a crucial role in the company's earlier ventures with Chero-Cola. In 1940, the company was rebranded as Royal Crown Cola Company, reflecting its focus on both Nehi and its increasingly popular cola product, Royal Crown (RC Cola). Despite this shift in focus, Nehi remained a key part of the company's portfolio, maintaining its reputation for fruity, flavorful sodas. Nehi sodas experienced a decline in market prominence in the latter half of the 20th century as competition from larger brands like Coca-Cola and Pepsi intensified. However, the brand continued to have a loyal following and nostalgic appeal, especially in certain regional markets. The legacy of Nehi’s bold flavors and vibrant branding contributed to its lasting presence in the American soft drink landscape. In recent decades, Nehi has experienced a resurgence as a nostalgic brand, with collectors seeking vintage Nehi bottles, advertisements, and other memorabilia. The brand remains a symbol of a time when soda companies focused on regional flavors and personalized marketing, and it is still available in some specialty markets and regional areas today. Nehi's legacy is one of innovation in flavored sodas and the power of creative branding in building a lasting cultural presence.

SHIPPING AVAILABLE ~ TRAY NOT INCLUDED ThIS collection includes various Coca-Cola and other memorabilia, as follows ~ A wooden Coca-Cola ruler, featuring the text COMPLIMENTS OF THE COCA-COLA BOTTLING COMPANY on one side and a measurement scale on the other. Below the scale, it reads A GOOD RULE "DO UNTO OTHERS AS YOU WOULD HAVE THEM DO UNTO YOU." A Coca-Cola bottle opener featuring the embossed logo, designed for convenience when opening glass bottle caps. Several miniature Coca-Cola glass bottle replicas in clear glass, showcasing the classic contour bottle shape. A Coca-Cola pencil with red text and branding along its length. A metal Coca-Cola pocket knife, featuring multiple folding blades and a bottle keychain attachment. Two small brass keychain charm in the figural shape of a classic hobbleskirt Coca-Cola bottle. A metal pinback button with the text COUNTRY MEALS SWEEPSTAKES and a photograph of Randy Travis, part of a promotional event. Several small ceramic thimbles, each decorated with different illustrated designs, all with Coca-Cola lettering. Vintage matchbooks with advertising from Coca-Cola and 7-Up, retaining their colorful graphics. A yellow plastic Coca-Cola miniature case with some botles, designed as a novelty promotional item. A sheriff’s badge-shaped keychain marked CRABTREE for SHERIFF A round Coca-Cola ball, rather crude, with the classic Enjoy Coca-Cola message, featuring bold red graphics. These trinkets collectively represent a range of Coca-Cola-related promotional items and memorabilia from various eras, each offering a nostalgic look at the brand's history and marketing. The items capture the essence of collectible advertising through their varied designs and unique branding elements. CONDITION REPORT > Perhaps varying elements relative to age and materials ~ Condition best noted by closely examining the images offered.

SHIPPING AVAILABLE ~ A copper penny blank, intended for production as a Lincoln cent, having missed the die press stage during minting. Consequently, lacking the customary portrait and denomination engravings. These types of minting anomalies, referred to as planchet errors, are prized by collectors for their rarity, as they offer a glimpse into an incomplete minting process. Encased in a labeled coin holder, this piece is marked as PENNY BLANK with MISSED DIE PRESS indicated beneath. This unstruck coin is a valuable addition for enthusiasts of numismatic errors, capturing a unique flaw within standard coin production.

SHIPPING AVAILABLE > This bronze medallion commemorates the HOTEL DIEU HOSPITAL in New Orleans, Louisiana, founded in 1859 and associated with the Daughters of Charity. Measuring 1.5 inches in diameter and weighing 26 grams, this piece features intricate cast relief designs on both sides. Obverse: The central design displays two nuns from the Daughters of Charity, depicted in traditional habits, symbolizing their dedication and service. The upper lettering reads DAUGHTERS OF CHARITY, and beneath is the inscription THE CHARITY OF JESUS CRUCIFIED URGES US. Reverse: This side showcases a detailed image of the HOTEL DIEU HOSPITAL building, with the establishment date EST. 1859 above. The bottom lettering states NEW ORLEANS, LOUISIANA and 1972, marking a significant date for the institution. This medallion captures the historical and humanitarian contributions of the Daughters of Charity in New Orleans. History of Hotel Dieu Hotel Dieu Hospital in New Orleans was established by the Daughters of Charity in 1859. This hospital was intended to provide private healthcare, specifically serving vulnerable populations such as enslaved people and seamen during the Civil War. Unlike other private hospitals, Hotel Dieu continued operating through the war, remaining open as the only private hospital in New Orleans at that time. This commitment underscored the Daughters of Charity's dedication to healthcare, particularly for those often neglected by other institutions? WIKIPEDIA ? FAMVIN . Throughout the 20th century, Hotel Dieu became known for medical advancements. In 1913, it was the first hospital in the United States to install air conditioning in its surgical suites, setting a standard for patient care and comfort. The hospital also contributed to critical medical research, particularly in the 1940s, with pioneering work on sulfonamide drugs to treat meningitis? In 1992, the State of Louisiana purchased Hotel Dieu, transforming it into University Hospital, which continued to serve the New Orleans community until 2015, when operations moved to the new University Medical Center. Despite its eventual transition, Hotel Dieu’s legacy remains tied to the dedicated service of the Daughters of Charity and their lasting impact on healthcare in New Orleans?.

SHIPPING AVAILABLE > This bronze medallion from a New Orleans Masonic Lodge, measuring 1.25 inches in diameter and weighing 9.2 grams, features intricate Masonic symbols on both sides, revealing its connection to Freemasonry. Obverse: The design prominently displays a chalice or goblet symbol, surrounded by what appear to be Hebrew or ancient script characters. This chalice symbol can represent the "Cup of Life" or "Chalice of Wisdom," common motifs in Masonic and esoteric traditions, symbolizing spiritual nourishment and wisdom. Reverse: The reverse side includes the text NEW ORLEANS DELTA CHAPTER encircling a central emblem with the letters KSHTWSST, which stands for "Knights of St. Hiram Temple, Worshipful Society of the Seven Stars" in some Masonic contexts. These letters are known as a Masonic cipher and are often associated with the Royal Arch Degree, which holds specific significance in York Rite Masonry. The "Delta Chapter" suggests a local branch, indicating a specific Masonic group active in New Orleans. Historically, Masonic lodges in New Orleans have a long-standing presence, often contributing to the social and philanthropic landscape of the city. The Daughters of Charity, Charity Hospital, and other entities benefited from Masonic patronage and support, showcasing their deep-rooted influence. This medallion serves as a symbolic piece of New Orleans' Masonic heritage, reflecting both the rituals and charitable missions upheld by the lodge. History of the New Orleans Delta Chapter No, 1 The New Orleans Delta Chapter No. 1 of the Royal Arch Masons, part of the broader Masonic fraternity, holds a significant historical presence in New Orleans. Established in 1829, this chapter is one of the oldest Royal Arch Masonry chapters in Louisiana. Royal Arch Masonry, a prominent part of the York Rite, emphasizes spiritual and moral teachings through a series of symbolic rituals and degrees, focusing on the ideals of brotherhood, charity, and personal development. The chapter's rituals and symbols, including the Masonic cipher KSHTWSST, relate to deeper allegorical themes about moral integrity and the journey of self-improvement.

SHIPPING AVAILABLE >Weighing 15.8 grams, measuring 1.25" in average, overall diameter,t his ancient Roman coin appears to feature an obverse with a portrait, likely of Emperor Justin I, surrounded by an inscription. The reverse displays a large "M" flanked by stars, with additional symbols and letters. This layout and design suggest it may be from the later Roman or early Byzantine periods. Coins with a large "M" on the reverse were often minted during the Byzantine era and represent a denomination known as the "follis," valued at 40 nummi. The "M", for "miliarense, signified this denomination. The presence of a cross above the "M" and stars on either side is also characteristic of Byzantine coinage from the reigns of emperors like Justinian I (527–565 AD) and Maurice Tiberius (582–602 AD).. The letters below the "M" likely indicate the mint location. If the letters include "CON" or similar, it may refer to Constantinople, one of the main mints for Byzantine coins. This style continued across various reigns with slight modifications in symbols and lettering?..

SHIPPING AVAILABLE > This figural souvenir badge, medal or medallion from measures approximately 1.25 x 1.5 inches and is designed in the shape of a miner's pan. The top features a pickaxe at the center, flanked by two shovels, highlighting the theme of Knott's Berry Farm's Ghost Town attraction, relative to mining and the California Gold Rush of 1849. Obverse: The central area of the pan features cast relief lettering reading KNOTT'S BERRY FARM GHOST TOWN CALIF., with an additional cast depiction of a gold nugget pile below, representing the California gold rush and the park's tribute to mining heritage. Reverse: The reverse side has incised lettering near the bottom, reading GENUINE COPPER, along with the name of the manufacturer, ROBBINS. This souvenir badge embodies the rustic charm of Knott's Berry Farm's historic Ghost Town section, paying homage to California’s mining past and the early amusement park era. History of Knott's Berry Farm Knott's Berry Farm began as a humble roadside berry stand in Buena Park, California, run by Walter Knott and his wife, Cordelia, in the 1920s. Originally selling berries and preserves, the business grew substantially when Cordelia began serving fried chicken dinners in 1934 to supplement the family's income during the Great Depression. The popularity of her dinners caused long lines, leading Walter to create an Old West-themed Ghost Town in 1940 to entertain waiting customers. This was the first phase of what would eventually become America’s first theme park. Walter Knott was also instrumental in popularizing the boysenberry—a cross between a blackberry, raspberry, and loganberry. After obtaining plants from the berry’s originator, Rudolph Boysen, Walter cultivated and marketed the fruit, which became a signature of Knott’s Berry Farm. Over the decades, Knott's Berry Farm evolved from a family-run berry farm to a full-fledged amusement park featuring themed areas like Ghost Town, Fiesta Village, and Camp Snoopy. It remains a significant piece of California history and a pioneer in the theme park industry, rivaling larger parks in charm and uniqueness.

SHIPPING AVAILABLE > This silver-grey patina metal trade token, measuring 1-1/8 inches in diameter and weighing 2.1 grams, is representative of tokens used by employees to purchase goods at a company store, a practice common in the United States during the late 19th and early 20th centuries. Often known as Trade Tokens, or Good For tokens, the obverse reads GOOD FOR IN MERCHANDISE 25¢ AT COMPANY'S STORE, while the reverse is marked FROST-JOHNSON LUMBER CO. MONTROSE LA. The Frost-Johnson Lumber Company, established in 1907, played a prominent role in Louisiana's lumber industry. The company operated a large mill in Montrose, Louisiana, among other locations, and managed extensive timberland holdings across the state and in neighboring regions. Frost-Johnson's operations included logging and milling, often using narrow-gauge railroads to transport timber from remote forest areas to its mills. In Montrose, the company not only contributed to the local economy but also established a company store where employees could use scrip tokens as payment, a common practice in isolated industrial communities of that era. Throughout its operations, the company became well-known for its high-quality lumber products and efficient use of resources, making it a major supplier of Southern pine. The company also played a significant role in the development of logging railroads in Louisiana, which allowed for the transportation of lumber from the mill in Montrose to wider markets. The company’s influence continued until the mid-20th century, after which it was eventually acquired by larger corporations, including Olin Industries and later the International Paper Company. Company tokens, often referred to as "scrip," were issued by employers, particularly in isolated industries like mining, lumber, and plantation operations, where access to regular currency was limited. Workers were typically paid in these tokens rather than cash, which they could use at the company-owned store. This practice enabled employers to retain a level of control over their workforce, as employees had to rely on the company store for goods, often at inflated prices. The use of company scrip created an economic ecosystem that was entirely dependent on the employer, a situation captured in the lyrics of "Sixteen Tons," which describe the plight of workers with the phrase "I owe my soul to the company store." The system received criticism for exploiting workers, as scrip was frequently not redeemable for real currency outside the company store, effectively trapping workers in a cycle of dependency on the employer for both wages and basic necessities. While this system offered convenience for employers, it also led to abuses, with inflated prices and limited purchasing options. Labor reforms in the early 20th century, alongside government scrutiny, gradually led to the decline of company scrip, and by the mid-20th century, the practice had largely disappeared as cash wages became standard. This Frost-Johnson Lumber Co. token serves as a historical artifact from a period when company stores were a central part of working-class life, especially in remote industrial communities. It highlights both the economic dependence on the employer and the cultural history surrounding labor and industry in the United States. History of the Frost-Johnson Lumber Company The Frost-Johnson Lumber Company was a significant player in the lumber industry, particularly in Northeast Texas and Northwest Louisiana. Founded in 1907 by Edwin Ambrose Frost, along with his associate Clarence D. Johnson, the company expanded from the earlier Frost-Trigg Lumber Company, which Enoch W. Frost had initiated in the Texarkana area as early as 1881. Frost-Johnson became one of the largest lumber manufacturers in the region, managing vast operations across multiple sawmills and pine forests. By 1910, Frost-Johnson expanded further, purchasing the Hayward mill and acquiring over 50,000 acres of pine forests in Texas and Louisiana. To support its operations, the company also built the Nacogdoches and Southeastern Railroad, which allowed for efficient transport of lumber. In 1925, Frost-Johnson reorganized as Frost Lumber Industries and continued expanding, notably purchasing the Waterman Lumber Company in Texas. The company remained a dominant force in the Southern lumber industry until Edwin A. Frost's death in 1950. Following his passing, the company was sold to Olin Industries in 1952, which subsequently sold it to International Paper Company. This transition marked the end of Frost-Johnson’s direct influence, but its impact on the regional economy and industrial landscape remains notable.

SHIPPPING AVAILABLE > This copper patina metal trade token, measuring 1-3/8 inches in diameter and weighing 10.5 grams, features cast relief lettering on both sides. Obverse: The inscription reads GOOD FOR ONE CAKE PALMOLIVE SOAP FREE WHEN YOU BUY ONE CAKE, promoting a buy-one-get-one-free offer. This side serves as a consumer incentive, likely distributed in the early 20th century by Palmolive to encourage product sales. Reverse: The reverse side, addressed TO DEALERS, states the token can be redeemed at retail price only when the conditions on the obverse are met. It includes the company’s name, THE PALMOLIVE-PEET CO, CHICAGO, and a unique identifier, P-1009. This side would have assured storekeepers of the token's authenticity for redemption purposes. These types of promotional tokens were commonly used by companies to increase brand loyalty and attract customers in the early days of consumer marketing. History of the Palmolive-Peet Company The Palmolive-Peet Company was the result of a 1926 merger between two prominent soap companies: Palmolive, which had grown popular thanks to a soap formula developed by B.J. Johnson in 1898 using palm and olive oils, and Peet Brothers, a soap manufacturer based in Kansas City. This soap became so successful that Palmolive was, at one point, the world’s best-selling soap. In 1928, Palmolive-Peet merged with the Colgate Company, creating the Colgate-Palmolive-Peet Company, which combined three of the largest soap and perfumery businesses in the United States at the time. By 1953, the company rebranded as Colgate-Palmolive, focusing its efforts on personal care, cleaning products, and pet nutrition, and expanding globally. Today, Colgate-Palmolive remains a major player in the consumer products industry, with well-known brands in oral care, personal care, and pet nutrition. This merger marked a significant point in the evolution of consumer products, as the combined resources allowed Colgate-Palmolive-Peet to compete on a global scale, leveraging strong brand recognition and innovative marketing approaches to maintain a foothold in a highly competitive market.

SHIPPING AVAILABLE > This trade token, measuring 1-3/8 inches in diameter and weighing 3.8 grams, represents the Star & Crescent Lumber Company, a subsidiary of the Frost-Trigg lumber conglomerate. The silver-grey patina metal features cast relief lettering encircled by a raised border. Obverse: The obverse side reads PAYABLE IN CASH 24 MO AFTER DEMAND with a denomination of 100 (presumably indicating 100 cents or another company-specific value). Reverse: The reverse bears the inscription STAR & CRESCENT LBR. CO., along with a decorative flourish beneath the text. The Star & Crescent Lumber Company was chartered on February 1, 1907, with an authorized capital stock of $600,000. It was organized in Louisiana but also held a permit to operate in Texas, marking it as the latest addition to the Frost-Trigg lumber family. Headed by key figures from the Frost-Trigg enterprise, including E. A. Frost as president and H. H. Wheless as vice president, the company quickly acquired large timber holdings across Texas. Within a year, Star & Crescent planned to establish a state-of-the-art band mill, which underscored its ambitious growth despite its relatively recent inception. Tokens like this one were commonly used in company stores, allowing employees to exchange them for goods and services within the company-owned store. This practice was widespread in isolated industries like lumber and mining, where cash was scarce, and employers could maintain an internal economic system. The 24-month cash redemption condition suggests a theoretical exchangeability outside the company store after a prolonged period, although the practicality of such redemptions was often limited. This token is an artifact of both Star & Crescent's early history and the economic strategies employed by lumber companies to control local commerce in isolated areas where cash wages were less common.

SHIPPING AVAILABLE > ThIS Maria Theresa Thaler restrike measures 39.5 mm (1.55 inches) in diameter and weighs 28 grams, or 1 ounce, and has a silver content of 0.833 fine silver. The Maria Theresa Thaler silver bullion coin was first struck in 1741. This particular coin became widely recognized as a trade coin and has been used in international trade for centuries, especially in Africa and the Middle East. It displays the portrait of Empress Maria Theresa, who reigned over the Habsburg Empire, and the reverse features the intricate double-headed eagle of the Habsburg dynasty, symbolizing Austria's royal heritage. The obverse reads M. THERESIA D. G. R. IMP. HU. BO. REG., translating to "Maria Theresa, by the Grace of God, Roman Empress, Queen of Hungary and Bohemia." The reverse displays the year 1780, the date of Maria Theresa's death, which became the standard year shown on all subsequent restrikes of the coin, regardless of the actual minting year. This coin is still minted today by the Austrian Mint and other mints, adhering to its original 1780 design and specifications. The Maria Theresa Thaler (MTT) restrikes have been consistently produced with the year "1780" on the coin since the original date. The production of these coins as restrikes began primarily after 1857 when Emperor Franz Joseph of Austria designated the Thaler as an official trade coin. However, it ceased to be legal tender in Austria by 1858, after which it continued as a widely recognized trade coin outside of Europe. Since then, millions of restrikes have been minted, especially by the Austrian Mint in Vienna, which resumed production after 1946 and remains the primary producer today. The coin is recognized for its use in trade across Africa, the Middle East, and parts of Asia. Over the years, the Maria Theresa Thaler has been minted not only in Vienna but also by mints in cities like London, Paris, Rome, and Bombay under various governments to meet global demand for this trusted silver trade coin. These restrikes are primarily issued as collector's items and bullion coins rather than currency, given their historical and numismatic significance.

SHIPPING AVAILABLE > Gold Panda coins are highly collectible and were first issued by the People’s Bank of China in 1982. They are made of .999 fine gold and are available in various denominations and sizes, including 1 ounce, 1/2 ounce, 1/4 ounce, and smaller. Each year, the panda design often changes, adding to their appeal among collectors and investors. This coin appears to be encased in a protective plastic sleeve, as is typical for bullion coins to prevent damage and maintain their value. To the obverse, the characters at the top read: ??????? translate to ~ People's Republic of China ~ The characters indicating weight and purity read 1/10 oz Au .999, showing that it is 1/10th of an ounce of .999 fine gold ~ As well, the obverse features the iconic image of a panda holding bamboo, a symbol of peace and friendship, which is a signature of the Gold Panda series. The reverse displays the Temple of Heaven in Beijing, with Chinese characters identifying the People’s Republic of China along with the year, 1988.

SHIPPING AVAILABLE > A a British Half Sovereign coin minted in 1877, struck in .9167 fine gold. A KM# (Krause-Mishler number) is a catalog reference number used to identify coins in the Standard Catalog of World Coins, published by Krause Publications. A notation to the sleeve reads KM# 735.2, and specifically identifies a British half sovereign from the reign of Queen Victoria, dated between 1863 and 1880. The obverse features the Young Head portrait of Queen Victoria, designed by William Wyon. This portrait style, showing Victoria with her hair bound with a ribbon, was used on British coinage from 1838 to 1887. The surrounding inscription reads VICTORIA D G BRITANNIAR REGINA F D, which stands for ~ Victoria, by the Grace of God, Queen of the Britons, Defender of the Faith. The reverse depicts the Royal Shield of the United Kingdom, crowned and flanked by laurel branches. This design is characteristic of half sovereigns from this period and signifies British sovereignty and the monarchy's power. This half sovereign coin is composed of .9167 fine gold (or 91.67% gold content), with the remaining 8.33% consisting of other metals to improve durability. It weighs approximately 3.99 grams and has a diameter of about 19 mm. Half sovereigns like this one were issued by the Royal Mint and served as both currency and a trusted store of value, making them desirable among collectors and investors today for their gold content and historical significance.

SHIPPING AVAILABLE > Issued in 1968 to commemorate the 250th Anniversary of the Founding of New Orleans, this set includes -4- medals or medallions, in the manner of coins. The set was produced in 1968 as a tribute to the city's rich history and the importance of International House in global trade networks. International House, established in 1943, aimed to promote New Orleans as a significant hub for international trade, culture, and diplomacy, fostering connections between New Orleans and cities worldwide. This medallion set commemorates two major milestones for New Orleans: the 250th Anniversary of the City of New Orleans (1718-1968) and the 25th Anniversary of International House (1943-1968). City of New Orleans' 250th Anniversary: Each medallion represents a different aspect of New Orleans’ heritage and international relations. For example: The Neighbors in the Americas medallion likely symbolizes New Orleans' role in North and South American commerce, showing an equestrian statue, possibly of Andrew Jackson, a figure closely associated with New Orleans. The Festival in Germany medallion, depicting the Brandenburg Gate, commemorates cultural exchanges with Germany. The French Heritage medallion celebrates New Orleans' historical and cultural connections to France. The Mission to Tokyo medallion illustrates the city's trade and cultural relations with Japan, showing an iconic Japanese symbol like Mount Fuji. International House's 25th Anniversary: International House in New Orleans was one of the first organizations dedicated to fostering global trade relations. Medallions on this side highlight: International City – Depicting New Orleans' role as a key global hub. Symbol of Progress – Featuring the State of Louisiana’s seal, representing advancement within the region. Port Leader for 250 Years – Honoring New Orleans’ status as a major port city. First World Trade Organization – Celebrating International House’s role in pioneering international trade and diplomacy in New Orleans. This commemorative set reflects New Orleans' enduring legacy and its role as a cultural and economic gateway.

SHIPPING AVAILABLE > A group of -4- foreign currency notes, including ~ Belgium - 20 Francs Obverse: Portrait of King Baudouin. Reverse: Artistic patterns with denomination details. Date: Appears to be from the 1960s-1970s, based on design style. Belgium - 50 Francs Obverse: Depiction of a woman with produce, symbolizing agriculture, along with a miner on the right. Reverse: Features grape vines and agricultural motifs. Date: Issued on 03-04-1956, as marked on the note. Ireland - 1 Pound Obverse: Features a young woman in cloak, artwork reflecting Irish cultural heritage. Reverse: Medieval-style script and artwork, showing influences from ancient Irish manuscripts. Date: Issued 17-07-1989 by the Central Bank of Ireland. Jamaica - 20 Dollars: Obverse: Portrait of Sir Donald Sangster, former Jamaican Prime Minister. Reverse: Depicts the Bank of Jamaica building. Date: Issued 1.12.83 by the Bank of Jamaica. Each note in this group captures unique cultural and historical themes, with design elements reflecting the respective countries' heritage and important figures.

SHIPPING AVAILABLE > This commemorative medallion, issued by the Franklin Mint in 1970, marks the 25th anniversary of Japan’s surrender during World War II. Made of bronze, it weighs 24.6 grams and measures 38.75 mm in diameter. The obverse features General Douglas MacArthur with the title ~ Supreme Commander for the Allied Powers. The reverse shows MacArthur signing the surrender document, dated September 2, 1945. Engravers: Caesar Rufo, Ernest C. Schroeder Edge feattures Reeding with Inscription ~ Script: Latin ~ Lettering: FM 70 P Retained in an octagonal shape plastic case, exhibiting some scratches and scars ~ The medal is well protected and preserved.

SHIPPING AVAILABLE > This group consists of eight 1979 Susan B. Anthony dollar coins. Each coin prominently displays the profile of Susan B. Anthony on the obverse, surrounded by thirteen stars. Above her head appears the word LIBERTY, with the year 1979 below. The reverse of the coin (shown in the single example at the bottom right) features an eagle landing on the moon, clutching an olive branch, with the Earth in the background. This design symbolizes the Apollo 11 moon landing, highlighting America's space achievements. The denomination ONE DOLLAR is displayed along the bottom edge, along with UNITED STATES OF AMERICA and the national motto E PLURIBUS UNUM. These Susan B. Anthony dollars were first introduced in 1979 as the first U.S. coin to feature a real historical woman, though the coin's size and appearance initially led to confusion with quarters in circulation. This series lasted until 1981 and resumed briefly in 1999.

SHIPPING AVAILABLE > A large, assorted collection of vintage foreign coins featuring a diverse array of designs, denominations, and countries. Prominent pieces include German coins displayed in cardboard holders, such as a 10 Reichspfennig zinc coin from 1943 and a 1 Mark coin from 1950. Additional coins from Finland, Spain, and other European countries are similarly housed and labeled. The lot includes coins in various metals and conditions, from extra fine to very fine, spanning multiple decades. Other coins depict unique national emblems, animals, and historical figures, showcasing a variety of textures, shapes, and intricate engravings, making this a fascinating set for numismatic enthusiasts and collectors of international currency. CONDITION REPORT ~ We have no expertise in evaluating, inspecting, or grading coins or currency notes ~ We encourage potential buyers to rely on their own knowledge or consult with experts to assess condition and value. We welcome any inquiries regarding specific dates, signatures, or other details you may seek.

SHIPPING AVAILABLE > A group of -7- vintage sales tax tokens from Mississippi, Alabama, and Louisiana, reflecting a bygone era when these tokens facilitated fractional cent tax calculations. The tokens vary in shape, with several featuring distinctive central cut-outs ~ triangular for Louisiana and circular for Mississippi ~ while Alabama tokens bear the state’s iconic star emblem. Constructed from various metals and materials, the tokens showcase inscriptions and state markings, indicating their purpose, origin, and sometimes specific denominations. These tokens provide a tangible glimpse into the practical measures states once employed to handle small sales tax amounts during the economic landscape of the early-to-mid 20th century. Sales tax tokens were introduced in the United States during the Great Depression, primarily in the 1930s, as a practical solution to a unique problem posed by the imposition of small sales taxes on everyday purchases. Many states, particularly in the South and Midwest, had implemented fractional-cent sales taxes to generate additional revenue for public services. However, calculating and collecting taxes on low-cost items created difficulties for both merchants and consumers due to the limitations of currency, which did not include fractional cents. To address this, states like Mississippi, Alabama, and Louisiana issued sales tax tokens. These tokens, usually valued in denominations of fractions of a cent, allowed merchants to collect exact tax amounts, thus preventing both underpayment and overpayment. Tokens were often produced from inexpensive materials such as zinc, aluminum, and plastic, and they featured unique shapes and designs, often with state-specific markings to signify their origin. For example, Mississippi and Louisiana tokens included cut-out designs—Louisiana’s with a triangular cut-out and Mississippi’s often circular—while Alabama tokens commonly bore the state’s star symbol. These tokens became a staple of small transactions during the economic hardship of the 1930s and early 1940s, yet they were largely phased out by the mid-20th century as retail pricing and tax systems evolved, and as the introduction of more precise cash registers rendered fractional cent calculations less problematic. Today, sales tax tokens are collected as historical artifacts, serving as reminders of a period in American history marked by ingenuity in response to economic challenges, and they offer insights into the practicalities of Depression-era taxation and state-level governance.

SHIPPING AVAILABLE > This collection consists of 49 vintage foreign coins, primarily from British territories and various Commonwealth countries, showcasing an array of denominations and designs. Many coins feature portraits of Queen Elizabeth II, reflecting the British monarchy's influence on international currency. The set includes different metals, with copper and silver-toned coins, and varying shapes and sizes. Commonly seen symbols include heraldic lions, crowns, and floral motifs such as the thistle, emphasizing traditional emblems associated with British and Commonwealth currencies. These coins represent an extensive and historically rich selection, appealing to collectors interested in the numismatic heritage of the United Kingdom and its former colonies. CONDITION REPORT ~ We have no expertise in evaluating, inspecting, or grading coins or currency notes ~ We encourage potential buyers to rely on their own knowledge or consult with experts to assess condition and value. We welcome any inquiries regarding specific dates, signatures, or other details you may seek.

SHIPPING AVAILABLE > This collection consists of 72 vintage Canadian coins, offering a comprehensive look at Canada’s numismatic history. Coins from various decades depict iconic Canadian imagery, including maple leaves and wildlife like the beaver and caribou, as well as portraits of Queen Elizabeth II, underscoring Canada’s ties to the British Commonwealth. This set features coins in a range of metals, including copper and nickel, and spans multiple denominations, highlighting the variety in Canada’s coinage over time. This assortment serves as a valuable representation of Canadian currency and would be of interest to collectors focused on Canadian or Commonwealth coinage. CONDITION REPORT ~ We have no expertise in evaluating, inspecting, or grading coins or currency notes ~ We encourage potential buyers to rely on their own knowledge or consult with experts to assess condition and value. We welcome any inquiries regarding specific dates, signatures, or other details you may seek.

SHIPPING AVAILABLE > This collection consists of 50 vintage tokens spanning various uses, including amusement, gaming, parking, and vending, as well as tokens marked Good For specific values or services. Each token features unique designs, inscriptions, and materials, from brass to aluminum, symbolizing their broad application across different industries. The amusement and gaming tokens bear phrases like NO CASH VALUE and FOR AMUSEMENT ONLY, marking them as non-monetary, likely for arcades, slot machines, or other entertainment devices. Some also include the word PLAY, reinforcing their exclusive function in recreational contexts. A standout among the parking tokens is one labeled PARKING TOKEN with a specific redemption location in Wheaton, Maryland, a practical reminder of when tokens provided a reusable solution for parking fees. Several tokens have values or roles for vending, such as the 5 POINTS token, which may have been used as a trade-in or reward value in certain systems. The Good For tokens include specific denominations, such as 5¢ or 25¢, or indicate a service, functioning as vouchers accepted instead of currency in certain businesses. Notable among the tokens are those with company names, such as HOFFMAN & HOFFMAN, lending a historical and regional context that ties these tokens to particular establishments. In addition to specific values and company names, some tokens carry varied themes, such as FREEDOM with an eagle motif, LUCKY, and images of ships and stars, suggesting they were designed with thematic appeal for particular settings. Together, these tokens reflect the commercial practices of mid-20th century America, where tokens often replaced small change, facilitating efficient transactions and adding a branding touch for businesses. For collectors, the diversity in design, purpose, and regional significance adds a valuable dimension to the historical appeal of this set.

SHIPPING AVAILABLE > This cast aluminum token measures 1 3/8 inches in diameter and features a bas-relief depiction of a steam locomotive on the obverse, commemorating McComb City's historical ties to the railway industry. The inscription around the border reads 1872 CENTENNIAL CELEBRATION 1972, with MCCOMB CITY, MISSISSIPPI positioned below. The reverse side is inscribed with MECHANICS BANK, BRANCH OF DEPOSIT GUARANTY NATIONAL BANK, and divided into three segments displaying business-related symbols: a sprouting plant on the left, a snowflake on the right, and an illustration of McComb’s railroad heritage below. The phrase GROW WITH US completes the design, highlighting local businesses participating in the city’s centennial celebration. CONDITION REPORT ~ Offered as discovered, not cleaned or polished. HISTORY of McCOMB, MISSISSIPPI McComb is a city in Pike County, Mississippi, about 80 miles (130 km) south of Jackson. As of the 2010 census, the city had a total population of 13,644. It is the principal city of the McComb, Mississippi, Micropolitan Statistical Area. McComb was founded in 1872 after Henry Simpson McComb of the New Orleans, Jackson and Great Northern Railroad, a predecessor of the Illinois Central Railroad, now part of the Canadian National Railway, decided to move the railroad's maintenance shops away from New Orleans, Louisiana, outside of the attractions of that city's saloons. Main Street has the downtown's shops, attractions, and business. The railroad purchased land in Pike County, and three nearby communities, Elizabethtown, Burglund, and Harveytown, agreed to consolidate to form this town. The rail center in McComb was one of flashpoints in the violent Illinois Central shopmen's strike of 1911. The city saw riots, many injuries, at least three black strikebreakers killed, and the emergency insertion of state militia soon after the strike started on September 30. During the 1960s, McComb and nearby areas were the site of extreme violence by KKK and other opponents to the Civil Rights Movement. In 1961, it was the location of SNCC's first voter registration project in the state, which was quickly met with violence and intimidation by authorities and local KKK. Fifteen-year-old Brenda Travis was expelled from high school for being in a sit-in at an all-white luncheonette and ordering a hamburger; she was sentenced to a year in a juvenile facility. In addition to physical attacks on activists, Herbert Lee, a member of the NAACP, was murdered in front of witnesses in nearby Liberty, Mississippi, by a state representative, who was exonerated by an all-white coroner's jury. More than 100 black high school students in McComb were arrested in 1961 for protesting his murder. After severe beatings of staff, SNCC pulled out of the region in early 1962, moving north in Mississippi to work in slightly less dangerous conditions. In January 1964, Lewis Allen was murdered in Liberty; a witness to Lee's murder, he had been suspected of talking to Department of Justice officials about it. The song, "We Shall Never Turn Back," was related to the 1961 events in Amite and Pike counties. One verse said: "We have hung our heads and cried, Cried for those like Lee who died, Died for you and he died for me, Died for the cause of equality, But we'll never turn back..." In 1964, civil rights activists began the Mississippi Project and what would be called Freedom Summer, returning to southwest Mississippi. They sang, "We Shall Never Turn Back." SNCC members of the Council of Federated Organizations (COFO) returned to McComb in mid-July, 1964 to work on voter registration. From late August 1964 through September, after passage of the Civil Rights Act of 1964, McComb was the setting for eleven bombings directed against African Americans. Malcolm Boyd took part of COFO's Freedom House as a member of a clerical delegation to assist African-American voter registration. The following summer, Congress passed the Voting Rights Act of 1965 and African Americans began to be able to register and vote again in the South. In Mississippi, most had been disenfranchised since 1890. On October 20, 1977, a chartered plane carrying members and crew of rock band Lynyrd Skynyrd crashed in a swamp near McComb, killing lead singer Ronnie Van Zant, guitarist Steve Gaines, Steve's sister Cassie (a backup singer), and road manager Dean Kilpatrick.

SHIPPING AVAILABLE > The Shell Oil Mr. President Coin Game promotion was launched in 1968. During this campaign, Shell distributed tokens featuring U.S. presidents at their gas stations across the United States. Customers received tokens with each purchase, encouraging them to collect the entire series of presidential portraits. This promotional effort was aimed at boosting customer loyalty and engagement by offering a fun, educational collectible that highlighted American history. The campaign quickly became popular, with many customers returning to Shell stations in hopes of completing their presidential token collection. This collection includes 32 aluminum tokens from Shell Oil's promotional Mr. President Coin Game, produced as part of Shell's Famous Facts & Faces game during the 1960s. Each token features a bas-relief portrait of a U.S. president on one side, along with their name, term in office, and sequential presidential number, such as Abraham Lincoln 16th President or Theodore Roosevelt 26th President. The reverse of each token displays either SHELL'S FAMOUS FACTS & FACES GAME or SHELL'S MR. PRESIDENT COIN GAME encircled by stars. The set of tokens highlights a broad historical range of U.S. presidents, from early leaders like George Washington and Thomas Jefferson to 20th-century figures like Franklin D. Roosevelt and Dwight D. Eisenhower. Each president's portrait captures an iconic likeness, creating a collectible series that educates and entertains. These tokens were distributed at Shell gas stations as part of a marketing campaign designed to increase customer engagement. Customers received these tokens with purchases, often aiming to collect the complete set of presidents. This educational promotion tapped into the public's fascination with American history, encouraging families to return for more tokens and ultimately driving brand loyalty for Shell. The campaign became memorable for its interactive element, combining education with collecting and turning routine gas station visits into an opportunity for discovery. Today, these tokens hold nostalgia and collectible appeal, representing a unique era in promotional advertising.

SHIPPING AVAILABLE > This collection comprises -25- vintage coins primarily from the Soviet Union, Cuba, and a few other countries, each offering insight into the historical and cultural themes represented in the coin designs. Many coins are from the Soviet Union, displaying the emblem of the USSR—a hammer and sickle encircled by wheat sheaves and a globe, symbolizing unity and socialism. Denominations include 1, 5, 10, 15, and 20 Kopeks, as well as 1 Ruble. These coins are marked with ????, the Cyrillic abbreviation for the USSR, reflecting standard Soviet design elements used from the mid-20th century until the Soviet Union's dissolution in 1991. Cuban coins in this set bear inscriptions such as PATRIA O MUERTE and REPUBLICA DE CUBA, translating to Homeland or Death and Republic of Cuba. These coins often include patriotic symbols like the five-pointed star or national coat of arms, reflecting Cuba's nationalistic and socialist ideologies. Denominations vary, with examples such as 5 Centavos and possibly 1 Peso coins included. A notable red-colored coin appears to be German, likely a 1 Pfennig from 1916, dating back to the German Empire, providing historical context linked to early 20th-century European currency. One coin is marked as 1 Markka, representing Finnish currency prior to the Euro, offering a glimpse into Finland's monetary history and cultural identity within Northern Europe. Some coins also show features that may suggest origins from Portugal or Liberia, though further identification is required. These would likely include national emblems or historical figures typical of mid-20th-century coin designs from those regions. Overall, this collection represents Cold War-era and early 20th-century currency, illustrating the political and ideological influences on coinage from the Soviet bloc, socialist Cuba, and beyond. Each coin reflects its issuing country's history and culture, appealing to collectors with an interest in global currency, particularly from Soviet and socialist eras.

SHIPPING AVAILABLE > This collection includes 30 Mexican coins, representing various denominations and designs that highlight Mexico’s numismatic heritage. The set prominently features coins marked with Estados Unidos Mexicanos (United Mexican States) and the iconic Mexican coat of arms, depicting an eagle perched on a cactus with a snake in its beak, symbolizing the country's history and identity. Among the coins, there are multiple denominations, including Centavos and Pesos, with some bearing the profiles of notable Mexican historical figures, such as Miguel Hidalgo and José María Morelos. Denominations range from smaller values, such as 20 Centavos, to larger 1 Peso up to 50 Peso coins, which reflect the economic history and inflation adjustments over the decades. Additionally, several coins display unique shapes, such as hexagonal and octagonal forms, along with varied materials, from silver-toned to copper alloy compositions. Some coins also showcase distinctive designs commemorating specific events or periods, as seen in more modern bi-metallic pieces. This collection captures a cross-section of Mexico’s monetary evolution, providing a valuable representation of the country's rich cultural and historical themes embedded in its currency.

SHIPPING AVAILABLE > A collection of -24- Greek coins, with a mix of Drachma and Lepta denominations. Many coins have inscriptions in Greek and showcase prominent historical and mythological figures. Silver-toned coins display detailed engravings, such as classical philosophers and ancient warriors, highlighting Greece's rich cultural heritage. The coins with scientific symbols, like atoms, signify the era's focus on modern scientific advancements. A few smaller coins feature olive branches, a symbol of peace and prosperity in Greek tradition. Among the collection, two coins have a bronze finish, while another exhibits a golden hue, offering a striking contrast to the dominant silver shades. Greek coinage has a rich and storied history that dates back to the 7th century BCE. The earliest coins were struck in electrum, a natural alloy of gold and silver, and later in pure gold, silver, and bronze. Ancient Greece's coinage was unique, as each city-state (polis) issued its own coins, often featuring distinctive symbols that represented local deities or cultural heritage. Prominent examples include the Athenian tetradrachm, featuring the owl of Athena, symbolizing wisdom and warfare, and the coins of Corinth, which often depicted Pegasus, the mythical winged horse. These designs not only facilitated commerce but also expressed civic pride and identity. During the Hellenistic period, following the conquests of Alexander the Great, Greek coinage saw significant changes. Coins began to display realistic portraits of kings and rulers, reflecting the influence of the expanding Greek empire. Alexander's own coins were minted in vast quantities, portraying him as Hercules and featuring Zeus on the reverse. In later periods, Roman influence shaped Greek coinage, but classical designs remained prevalent. The transition to the modern era brought new themes, such as scientific achievements and national heroes, as seen in the 20th-century Drachma coins, which preserved a sense of national identity while incorporating modern symbols and advancements.

SHIPPING AVAILABLE > A collection of 36 Spanish Peseta coins, featuring denominations such as 5, 25, and 50 Pesetas. Several coins display portraits of General Francisco Franco or King Juan Carlos I, reflecting different periods in Spanish history. The coins vary in color, with a mix of silver and golden tones. Many of them feature the Spanish coat of arms and heraldic details, while the larger 50 Pesetas coin prominently displays the national shield. The 5 and 25 Pesetas coins often include depictions of the crown and other symbols representing Spain's rich cultural heritage. The coins offered in this collection are no longer used in daily circulation in Spain. The Spanish Peseta was replaced by the Euro (€) on January 1, 2002. Since then, Peseta coins and banknotes have ceased to be legal tender, although they can be exchanged for Euros at the Bank of Spain. These coins now hold value primarily for collectors and numismatists interested in Spanish monetary history. Spanish coinage during the 20th century underwent significant changes, reflecting the political shifts in the country. During the early part of the century, Spain was under the reign of King Alfonso XIII. However, following the Spanish Civil War (1936–1939), General Francisco Franco rose to power, establishing a dictatorship that lasted until his death in 1975. Coins minted during Franco’s era (1939–1975) prominently feature his portrait and the national symbols of the time, including the coat of arms that represented the Francoist regime. The designs often conveyed themes of unity and strength under his rule. After Franco’s death, Spain transitioned to a constitutional monarchy under King Juan Carlos I. The Peseta coins from this period began to depict the new king’s portrait, marking a departure from the authoritarian symbolism of the Franco era. This era of coinage reflects Spain's journey from dictatorship to democracy, culminating in the eventual adoption of the Euro in 2002, which replaced the Peseta as the national currency. The coins offered in this lot represent this transformative period in Spanish history, showcasing the transition from Franco’s authoritarian regime to the democratic reign of King Juan Carlos I.

SHIPPING AVAILABLE > A collection of 40 coins from different countries, including examples from Singapore, New Zealand, Germany, and Portugal. Several coins depict Queen Elizabeth II, indicating their British Commonwealth origin, while others feature unique national symbols like the Irish harp and various crests. The collection spans both older and more recent coins, with denominations such as cents and pfennigs, and includes a variety of materials like bronze, copper, and nickel alloys.featuring perforations for added distinctiveness

SHIPPING AVAILABLE > A collection of 31 coins from various regions, including the UNITED KINGDOM, FRANCE, and HONG KONG. Several coins feature Queen Elizabeth II, emphasizing their Commonwealth origin, with inscriptions detailing the British monarchy. The designs include heraldic crests, shields, and traditional emblems. There are also coins depicting the French Republic, featuring symbols like the Sower (La Semeuse) and Marianne. The collection includes coins of different colors, such as silver, bronze, and gold tones, and showcases various shapes, including circular and scalloped edges. These coins are not generally accepted in daily circulation today. The British and Commonwealth coins featuring older portraits of Queen Elizabeth II may still be recognized in some cases, but many have been replaced by newer designs or updated currencies. French coins like the Franc were replaced by the Euro (€) in 2002. Similarly, older Hong Kong coins from earlier years may still hold numismatic value but are less commonly used in everyday transactions today.

SHIPPING AVAILABLE > A collection of 60-70 examples of British 2 New Pence coins, which were first introduced in 1971 when the United Kingdom decimalized its currency. The coins are made of bronze and feature the denomination NEW PENCE along with the Prince of Wales feathers emblem on the reverse. The feathers are encircled by a coronet, with the words ICH DIEN, meaning "I serve," beneath. The obverse of the coins displays a portrait of Queen Elizabeth II, designed by Arnold Machin, which was used on coins from the late 1960s until 1984. The inscription around the portrait reads ELIZABETH II D.G. REG F.D., which stands for “Elizabeth II, by the Grace of God, Queen, Defender of the Faith.” These coins were later changed in 1982 when the text NEW PENCE was replaced with TWO PENCE as part of a design update, but the coins bearing the original NEW PENCE inscription are now sought by collectors for their historical value. The British 2 New Pence coins from this period are made of bronze, with a composition of 97% copper, 2.5% zinc, and 0.5% tin. This composition was standard for these coins until 1992, after which the material was changed to copper-plated steel.

SHIPPING AVAILABLE > A collection of 15 Mexican coins, featuring various denominations, primarily 10 Centavos. Most coins are marked as 10 CENTAVOS and display different designs from various years. The obverse of these coins commonly features portraits of significant figures in Mexican history, while the reverse often shows the national emblem: an eagle perched on a cactus, holding a snake in its beak. The coins exhibit varying degrees of wear and oxidation, with some showing signs of aging, such as patina or corrosion. The collection includes a mix of bronze and copper-nickel coins, reflecting changes in composition over time. These coins span multiple eras of Mexican currency, providing insight into the nation's rich cultural and historical heritage. The designs and inscriptions reflect national pride and historical commemoration.

SHIPPING AVAILABLE > A collection of -28- Mexican 20 CENTAVOS coins. These coins are made primarily of bronze, with a composition of 95% copper, 4% tin, and 1% zinc, giving them a rich coppery hue. The 20 CENTAVOS coins were first introduced in 1943 and remained in circulation through the late 1970s. They are no longer accepted as legal tender in Mexico today, having been replaced by modern currency. The obverse side features the national emblem of Mexico: an eagle perched on a cactus with a snake in its beak, encircled by the words ESTADOS UNIDOS MEXICANOS. The reverse side displays the denomination 20 CENTAVOS, along with the year of minting and a depiction of a landscape featuring a Mexican volcano and cactus plants, symbolizing the country's natural heritage.

SHIPPING AVAILABLE > A collection of 28 coins, predominantly from the United Kingdom and featuring various designs and denominations. Here's an overall description: This assortment includes coins of different sizes and shapes, such as circular and polygonal. The coins showcase portraits of Queen Elizabeth II and earlier monarchs, like King George VI, reflecting the long history of British coinage. Denominations range from smaller values like ONE PENNY to larger coins like the 50 NEW PENCE, highlighting a mix of pre-decimal and decimal currency. Designs include traditional British symbols, such as the crowned lion, the Tudor rose, and Britannia seated with a trident. The collection also features coins from earlier periods, with inscriptions denoting the reigning monarch and detailed heraldic imagery. Some coins are dated as far back as the 1800s, emphasizing the historical depth of this set. The composition and wear vary, with some coins showing signs of aging and patina, while others retain more of their original detail

SHIPPING AVAILABLE > A collection of 40 coins, primarily from Norway. The coins feature denominations such as 1 Krone, 50 Øre, and smaller Øre coins. Most coins depict the Norwegian coat of arms, the royal crown, or King Olav V, who reigned from 1957 to 1991. Several coins are dated from the mid-20th century through the late 20th century, reflecting modern Norwegian coinage. The composition of these coins varies. Many are made from cupro-nickel, a durable alloy of copper and nickel, used for the Krone and larger Øre coins. Some of the smaller Øre coins, especially older ones, are likely made of bronze or a copper-based alloy, evidenced by their distinctive brown color. This assortment includes various sizes, shapes, and mint marks, demonstrating Norway's currency system over several decades. The coins are no longer all in daily circulation, as newer designs and denominations have since replaced many of these older examples. Collectively, these coins are valuable to numismatists for their historical and cultural significance, representing the era of King Olav V and Norway's post-war economic development

SHIPPING AVAILABLE > A collection of 21 British ONE PENNY coins and 33 British TWENTY PENCE coins, each featuring the distinguished profile of Queen Elizabeth II. This assemblage spans key periods in British numismatic history, reflecting the evolution in coinage design and denomination styles. The ONE PENNY coins display the obverse portrait of Queen Elizabeth II in different styles used during her reign. The reverse features a portcullis design with chains, crowned and accompanied by the text ONE PENNY. Introduced on 15 February 1971 with the advent of decimal currency in the UK, the ONE PENNY coin replaced the old penny, marking a significant modernization in British currency. Each ONE PENNY coin measures 20.3 mm in diameter, with a thickness of 1.52 mm. Initially struck in bronze composed of 97% copper, 2.5% zinc, and 0.5% tin, the composition shifted to copper-plated steel in 1992 due to the rising cost of copper. The weight of these coins is approximately 3.56 grams. The TWENTY PENCE coins also feature Queen Elizabeth II on the obverse, while the reverse design includes a crowned Tudor Rose, a symbol of unity between the houses of Lancaster and York. The inscription TWENTY PENCE and the date are elegantly displayed around the border. Introduced in 1982, these coins were part of a series of changes aimed at modernizing the UK currency system, filling the gap between ten and fifty pence coins and facilitating smoother cash transactions. Each TWENTY PENCE coin is shaped as an equilateral curved heptagon, with a diameter of 21.4 mm and a thickness of 1.7 mm. They are composed of cupro-nickel, consisting of 84% copper and 16% nickel, with a weight of approximately 5.0 grams. This collection embodies the artistry and symbolism of British decimal coinage, with the ONE PENNY coins representing the shift to decimalization and the TWENTY PENCE coins showcasing design innovations in shape and practicality. CONDITION REPORT ~ Offered, as discovered, not cleaned or polished ~ The coins exhibit typical wear consistent with circulation, featuring surface marks and a natural patina indicative of their age and historical usage.

SHIPPING AVAILABLE > A diverse lot of 50+ British coins, each representing various denominations, designs, and historical periods. Here's a detailed description of the collection: This assortment includes coins ranging from the Victorian era to the late 20th century, showcasing a blend of bronze, copper-nickel, and cupronickel compositions. Some coins feature prominent designs, such as the iconic Britannia, various heraldic lions, and significant figures, including Queen Victoria, King George VI, and Queen Elizabeth II. The collection features both pre-decimal and decimal currency, illustrating the evolution of British coinage over time. The denominations in this collection include: Large Pennies: These coins, predominantly from the 19th and early 20th centuries, display Britannia on the reverse and various monarchs on the obverse. Halfpennies: Featuring similar designs, these coins reflect changes in the monarchy over decades. Shillings and Sixpences: These silver-colored coins, often bearing the image of the crowned English lion, showcase detailed heraldic designs and different royal portraits. Decimal Coins: TWENTY PENCE, TEN PENCE, FIVE PENCE, and FIFTY PENCE coins, with designs that include crowned lions, royal shields, and Britannia. Commemorative and Special Edition Coins: A few coins display unique designs, including a coin featuring hands clasped together on a FIFTY PENCE piece circa 1973, being a United Kingdom EEC 50p coin, issued to commemorate the United Kingdom’s entry into the European Economic Community (EEC), now known as the European Union (EU). The design showcases nine hands clasped in a circle, symbolizing unity and cooperation among the original member nations of the EEC. Sizes vary, with larger coins like the pre-decimal pennies and half crowns contrasting with smaller denominations such as threepence and halfpenny coins. The metals range from traditional bronze to modern cupro-nickel compositions, highlighting shifts in production materials over time. CONDITION REPORT ~ Offered, as discovered, not cleaned or polished ~ Coins exhibit a wide range of conditions, from well-circulated with significant patina and wear to examples that retain finer details, with minor marks from age and handling.

SHIPPING AVAILABLE > A collection of 50+ British coins that includes a variety of denominations and historical designs. This assortment represents several reigns, from earlier monarchs to Queen Elizabeth II, showcasing a blend of pre-decimal and decimal currency. The coins vary in composition, from traditional bronze to modern cupronickel, with both circular and heptagon-shaped pieces included. The collection includes large Pennies and Halfpennies with Britannia or monarch profiles, Florins and Shillings featuring heraldic designs like lions and royal shields, and decimal-era coins, such as TEN PENCE, TWENTY PENCE, and FIFTY PENCE pieces. Notable commemorative issues include the clasped hands on the FIFTY PENCE marking the UK's EEC entry. CONDITION REPORT ~ Offered, as discovered, not cleaned or polished ~ Coins display a wide range of conditions from circulated with natural patina and wear, to pieces with more pronounced details, showing typical signs of handling and age.

SHIPPING AVAILABLE > A group of -5- examples, measuring 4.5 x 3.5" overall, in the manner of real photographs on medium weight stock, blank to the reverse ~ These cards were designed to be sent by members of Marine Observation Squadron 251 ~ VMO 251 ~ for Christmas 1942 and features a photograph of two airplanes flying under the words SEASONS GREETINGS in modernistic script, flanked by the traditional United State Marine Corp insignia. Marine Observation Squadron 251 (VMO-251) was a United States Marine Corps aviation unit active during World War II. Commissioned on December 1, 1941, at Naval Air Station North Island, California, the squadron was initially equipped with Grumman F4F Wildcat fighters. These aircraft were primarily used for observation and reconnaissance missions. As the war progressed, VMO-251 expanded its role to include close air support and fighter operations. In 1943, the squadron transitioned to the Vought F4U Corsair, a more advanced fighter aircraft, enhancing its combat capabilities. Throughout the war, VMO-251 participated in several Pacific campaigns, including Guadalcanal, the Southern Solomons, Santa Cruz, Luzon, and the Southern Philippines. The squadron was re-designated as Marine Fighter Squadron 251 (VMF-251) in February 1945. CONDITON REPORT > Overall, superb vintage condition ~ Perhaps typical and minor elements relative to age and materials ~ Remarkably well preserved examples.

SHIPPING AVAILABLE > A collection of -13- vintage pins and buttons with various themes, primarily focused on safety, health, patriotism, and youth organizations. I'M HELPING SMOKEY ~ PREVENT FOREST FIRES Features Smokey Bear's face with his hat labeled "SMOKEY." Top row, second from left: Small feather-shaped button with no visible text. IT'S WORKING Captioned with THE UNFINISHED MARCH OF DIMES Smaller feather-shaped button with GUARDIAN faintly visible. I'M HELPING SMOKEY ~ PREVENT FOREST FIRES Smokey Bear face similar to the first button, with the same lettering. I SERVE Red Cross emblem. LIFEBUOY ~ LEAGUE OF HEALTH GUARDS Red lettering on yellow background. 4-H CLOVER emblem with VICE PRESIDENT at the bottom. Heart shape with a flaming torch in the center, no visible text. I SERVE Red Cross emblem, similar to the previous "I SERVE" button. FOURTH LIBERTY LOAN Features an American flag. 4-H CLOVER emblem with JUNIOR LEADER at the bottom. I SERVE Red Cross emblem, similar to the other "I SERVE" buttons. This assortment represents themes from public service, health awareness, patriotism, and youth organizations, including Smokey Bear for fire prevention, the American Red Cross, 4-H leadership roles, and the March of Dimes campaign.

SHIPPING AVAILABLE ~ A collection of -20- tobacco related advertising items includes an assortment of cigar box labels, cigar bands, cigarette papers, and related promotional items. Each item showcases branding, imagery, and product details characteristic of vintage advertising. Included are the following examples > IRVIN S. COBB FILTER TIP GIANT SIZE 5 EXTRA MILD CIGARS. A portrait of Irvin S. Cobb is prominently featured on this packaging, appealing to cigar enthusiasts. VICTORY. Decorative design with repeated text, showcasing a patriotic theme often associated with wartime morale boosting. RED TIPS. This label includes imagery of a horseshoe and a horse’s head, emphasizing a rustic, Western appeal. The label reads RED TIPS in bold text, repeated along the border. PLEASURE... WHERE IT COUNTS SEALED TO KEEP FLAVOR IN. CONWOOD CHEWING TOBACCO IN THE NEW FOIL FRESH POUCH. This label promotes Conwood Chewing Tobacco with a focus on freshness and sealed packaging. PACIFIC HIGHWAY. Featuring stylized cars and a red and blue color scheme, this label emphasizes travel themes linked to the iconic Pacific Highway route. DON REY. A detailed portrait is framed by repeated DON REY text, which is bordered by intricate artwork, giving a high-quality impression associated with this brand. OUR BIRD USA. This simple label includes an illustration of an airplane, hinting at an aviation theme, possibly to appeal to travelers. PERFECTO GARCIA & BROS. TAMPA, FLA. CLEAR HAVANA CIGARS MADE IN 65 SIZES. A factory image is included, emphasizing the product’s origin and variety of sizes. HENRY MILLER. A portrait of a distinguished man labeled HENRY MILLER, adorned with decorative leaves, presents a classic, dignified brand image. 15¢ STOMEL PRESIDENTS. Featuring the text 15¢ and a lion logo, this item promotes the affordability and prestige of the PRESIDENTS cigar line by Stomel. PRINCE ALBERT CRIMP CUT LONG BURNING PIPE AND CIGARETTE TOBACCO. A well-known tobacco brand with distinctive red packaging and a portrait of Prince Albert. VELVET PIPE & CIGARETTE TOBACCO. Simple, elegant branding in red with white lettering, emphasizing quality. LORILLARD COMPANY INCORPORATED ESTABLISHED 1760. This label suggests a long-standing, trusted tobacco brand with a detailed illustration of the company’s building. TOP GUMMED CIGARETTE PAPERS. Featuring a blue and red top logo, this item promotes cigarette papers with a focus on quality. TARRAGONA GENUAL IMPORTADOR. Decorative band with Spanish text, likely indicating an imported cigar brand. COLORADO. This cigar band stands out with bold text and a rich color scheme. NATIONAL CLUB FINE CIGARS MILD SMOKE. A cigar band with a focus on mild smoking quality, appealing to a more refined clientele.

SHIPPING AVAILABLE > A 1988 advertising poster, measuring a large 17.5 x 26.5" overall, depicting Alex the Stroh's Beer dog wearing a military style cap embroidered TOP DOG and dog tag, with jet fighter planes to the background ~ An original brewery issued poster, CONDITION REPORT > Discovered stored away ~ Perhaps typical and minor elements relative to age and materials ~ Shipped rolled. About ALEX, the STROH'S BEER DOG Alex the Dog was the advertising mascot for Stroh's beer in the 1980s and precursor to Budweiser's Spuds MacKenzie. At the peak of his career, Alex appeared in parades, on Good Morning America, and the Today show. He even inspired a series of toys, posters, cologne, shampoo and hand lotion. Hip-hop artist Tone Loc referenced Alex the Dog in his song "Funky Cold Medina". Peter Blum, the archivist for Stroh's, describes Alex's most famous commercial ~ During a poker game, one of the buddies says "I could sure go for another Stroh's", and starts to get up. The owner says, "No, wait...Alex...'Woof'...2 cold Stroh's 'Woof'." "Wait 'till you see this...(door opening sound) Just opened the refrigerator...(bottle cap hits the ground) just opened one bottle...(another bottle cap hits the ground), just opened the other...(pouring sound), now he's pouring yours...(pouring sound), now he's pouring mine." The next thing you hear is "lap, lap, lap", and the owner says "Alex! You better be drinking your water!", and the other players laugh. The dog who portrayed Alex was Banjo, who was part Golden Retriever and Irish Setter. He was found by a trainer at an animal shelter. Alex served as the Stroh's dog from around 1984 until 1989 when the creators of the Alex the Dog commercials, Lowe Marschalk (Seth Werner, copywriter; Gary Ennis, art director; and Paul T Norwich, account supervisor), lost the contract with Stroh's. Comedian Brian Regan served as Alex's campaign manager during Alex's Presidential campaign. Banjo died of cancer a few years after the advertising campaign ended.

SHIPPING AVAILABLE > This collection consists of -5- Coca-Cola advertising calendars from 1962, each designed for home use and featuring reproductions of Birds of America prints by JOHN JAMES AUDUBON. Each calendar measures 14 x 6 inches when open and includes text and images that align with Coca-Cola's branding and promotion of natural themes. Text to the cover reads ~ 1962 HOME CALENDAR. SIX BIRDS OF AMERICA BY JOHN JAMES AUDUBON. SELECTED BY MARGARETTA SALINGER, THE METROPOLITAN MUSEUM OF ART, FROM THE ORIGINAL PORTFOLIOS AT THE NATIONAL AUDUBON SOCIETY. SERVE COCA-COLA. PRESENTED BY YOUR COCA-COLA BOTTLER. On the monthly pages: GRACIOUS LIVING. In a section encouraging enjoyment of Coca-Cola, the text highlights that COCA-COLA IS THE HANDS-DOWN FAVORITE DRINK IN ALL THE WORLD ~ STATE BIRDS AND FLOWERS. This page lists the official birds and flowers for various states, surrounded by colorful illustrations of flowers. Each page also carries the red Coca-Cola logo and the phrase SERVE COCA-COLA at various points. Notable features include individual calendar months with bird illustrations, such as THE GREAT HORNED OWL and THE WHITE PELICAN. Each page presents the familiar Coca-Cola messaging: PAUSE FOR COKE ONLY COCA-COLA GIVES YOU THE CHEERFUL LIFT THAT'S BRIGHT AND LIVELY... THE COLD CRISP TASTE THAT DEEPLY SATISFIES NO WONDER COKE REFRESHES YOU BEST. CONDITION REPORT > Remarkably well preserved examples.

SHIPPING AVAILABLE > Standing 12" tall and measuring 18 x 15" to the raised base, this Chautauqua Roller Organ is a finished wood case organette, complete with three interchangeable music rolls, typically known as "cobs" (See Images) Hand-painted on one short and one long side of the case is the name ROSA KINDABLYO, no doubt the original owner. Includes a number metal keys, which when attached, would cover the note holes. (See Images) This example was likely produced by the Autophone Co. of Ithaca NY. The company made both the Gem and Concert Roller Organ models. Both of these models were branded for the Larkin Soap Company of Buffalo, New York. The firm provided several different products as premiums with purchases of their soap products. Their "Chautauqua Roller Organ" stenciled roller organs are one of the many premiums that carried the "Chautauqua" name as well as desks, tables, chairs, lamps, etc. The soap company actively promoted the organs from 1895 to 1895. The Chautauqua Roller Organ was manufactured primarily between the 1880s and early 1900s, with its peak production around the turn of the 20th century. The Chautauqua Roller Organ gained the name as it was marketed to rural communities, often associated with the Chautauqua movement ... a popular adult education and social movement at the time, which emphasized music, culture, and education for communities outside urban centers. The instrument itself was sold widely through catalogs and dealers, bringing music into many homes before the phonograph became accessible and affordable. The Chautauqua Roller Organ was a popular hand-cranked organette manufactured around the turn of the 20th century, commonly found in American homes. These instruments used pinned rollers to play pre-set tunes, with each roller—typically made of wood and embedded with specific pin patterns—corresponding to a different melody. Rollers could easily be swapped out, allowing the owner to enjoy a variety of songs. Operating the organ requires turning the hand crank on the side, which rotates the roller and engages the internal bellows to push air through the reeds. This action produces musical notes as the pins strike designated points within the mechanism. The organ’s distinctive wood casing, visible internal gears, and roller-based design are characteristic of the Chautauqua Roller Organ, marking it as a fascinating example of early mechanical music. Before the advent of widely available phonographs, Chautauqua Roller Organs offered an affordable form of home entertainment. Today, these organettes hold historical value for collectors interested in early mechanical musical instruments. CONDITION REPORT ~ Clearly in need of restoration and repair ~ Lacking a wood panel to the top ~ Lacking glass to the top door ~ Non-Functional ~ Likely additional condition issues and elements relative to age, use and materials ~ Condition best noted by closely examining the images offered.

SHIPPING AVAILABLE > A group of seven antique phonograph parts, likely dating from the early 20th century, each with distinctive components and markings from well-known manufacturers. Included are the following > Kentone Sound Box – A sound reproducer marked KENTONE. This component has a circular housing and an attached arm for mounting to the phonograph tonearm. Symphonic Overture Reproducer – This part, labeled SYMPHONIC OVERTURE REPRODUCER, features a black circular design with a central opening, likely used to enhance sound quality by channeling vibrations through the tonearm. Victor Talking Machine Company Exhibition Reproducer – Marked as EXHIBITION and bearing the VICTOR TALKING MACHINE COMPANY name. This reproducer was commonly used on early Victor phonographs and is identifiable by its design, intended for acoustic sound reproduction. Tonearm Elbow Connector – This metallic elbow-shaped piece would connect the phonograph tonearm to the reproducer or horn. Its shape and design suggest it serves as a link between sound components. Curved Tonearm Component – A curved, polished metal part likely functioning as part of the tonearm or horn attachment, designed to facilitate sound travel through its bent form. Mounting Plate with Adjustment Screws – A flat, irregularly shaped metal plate featuring mounting points and adjustment screws. This would secure a reproducer or sound box to the phonograph, ensuring proper alignment and fit. Bent Connector Tube – Another curved metallic tube, this one shorter, intended for fitting reproducer parts or connecting components in the phonograph assembly. This collection includes essential parts for phonograph sound reproduction, specifically sound boxes (or reproducers), tonearm connectors, and mounting components. Each part has precise manufacturing markings, indicating their original use in phonographs from companies such as Victor Talking Machine Company and other early phonograph accessory manufacturers. CONDITION REPORT > Offered as parts ~ Functionality in uncertain, relative to components useful for repair and restoration.

SHIPPING AVAILABLE > This collection includes a variety of items related to player pianos, with an assortment of music rolls, a repair kit, and additional parts. Here’s a breakdown of what’s shown in the image: QRS Roll Repair Kit – The large box in the center is labeled Q-R-S PLAYER ROLLS ARE BETTER and contains a RRP-1 ROLL REPAIR KIT made by Q-R-S MUSIC ROLLS, INC., Buffalo, New York. This kit would be used to repair damaged or aging player piano rolls, ensuring they function correctly and maintain sound quality. Player Piano Co., Inc. Shipping Box – The cardboard box on top, marked with a shipping label from PLAYER PIANO CO., INC., Wichita, Kansas, USA ~ Contained the piano wheels / rollers, listed below. Aeolian Music Rolls – A collection of boxed music rolls from AEOLIAN, labeled as AMERICA'S FINEST MUSIC ROLLS. Each roll has a specific title, with the song name and sometimes the arranger or player noted on the front. Some of the titles visible include: 1711 MY PRAYER 1906 IN THE MOOD 1004 ALABAMY BOUND 1855 RIDERS IN THE SKY (A COWBOY LEGEND) 1710 SERENADE FOR A WEALTHY WIDOW 1106 THE GIANT THAT SLUMBERED (TALE OF RIP VAN WINKLE) 1355 TALK TO YOUR HEART 1233 I'M SITTING ON TOP OF THE WORLD 1327 CRUISING DOWN THE RIVER 1390 THAT'S MY DESIRE 1071 WHIFFENPOOF SONG 1945 LET IT BE 1849 GYPSY LOVE SONG These titles cover a variety of genres, from popular standards to classical adaptations, reflecting the diverse musical offerings available for player pianos. Rubber Casters or Rollers – Two rubber casters are placed on either side of the QRS Roll Repair Kit box. Overall, this collection provides a comprehensive set of accessories and maintenance items for a player piano, including a large selection of Aeolian music rolls, repair tools, and possibly spare parts. CONDITION REPORT > Rolls not individually inspected for condition or tested for functionality. All as acquired, shelf stock, unaltered.

SHIPPING AVAILABLE > This collection features perhaps a dozen issues of Service Radio, a monthly digest focused on radio repair and allied maintenance. Published during the 1930s by Bryan Davis Publishing Co., Inc. of 19 East 47th Street, New York, these magazines are filled with period-specific advertisements, technical illustrations, and informative articles, catering to the radio service and repair industry. Each issue, priced at 25 cents, includes a vibrant cover with varying insets isplayed on the front, reflecting the magazine’s focus on technical content. The magazine’s rear cover showcases ads, as seen in the example promoting 1938 RCA Record Changers, with descriptions of their latest models and prices, appealing to readers invested in radio and audio technology advancements. Inside, the issues feature technical guidance, repair techniques, product showcases, and instructional content on radio mechanics, aimed at professionals and enthusiasts of radio and related electronics during the pre-WWII era. This collection serves as a valuable resource for those interested in the history of radio technology and vintage electronic repair practices.

SHIPPING AVAILABLE > This collection appears to contain approximately twenty issues of Radio Engineering, published by Bryan Davis Publishing Co., Inc. of 19 East 47th Street, New York, during the 1930s. Radio Engineering is titled as The Journal of the Radio and Allied Industries and offers comprehensive technical insights aimed at professionals in radio design, production, and engineering. Each issue includes detailed sections on various topics under the left-hand column labeled DESIGN - PRODUCTION - ENGINEERING, covering: BROADCAST RECEIVERS AUTO-RADIO RECEIVERS ELECTRIC PHONOGRAPHS SOUND RECORDERS SOUND PROJECTORS AUDIO AMPLIFIERS P.A. EQUIPMENT ELECTRONIC DEVICES CONTROL DEVICES TESTING AND MEASURING EQUIPMENT TELEVISION APPARATUS LANDING AIDS COMMUNICATION EQUIPMENT COMPONENTS CATHODE-RAY TUBES PHOTO-TUBES Each issue is filled with period-specific advertisements, illustrations, and technical articles aimed at advancing the knowledge of radio engineers and technicians. The magazine’s cover varies between green, black, and orange backgrounds, with each featuring photographs or diagrams relevant to the radio industry. The rear cover often includes advertisements from prominent manufacturers, like the example shown for SOLAR DOMINO MOLDED BAKELITE PAPER CAPACITORS, promoting the reliability and quality of early electronic components. This collection provides a historical perspective on the radio and electronic engineering fields during a time of rapid technological advancement.

SHIPPING AVAILABLE > This early MOXIE wooden crate was used for the transport and storage of MOXIE soft drink bottles. Standing 8.5" tall with overall dimensions of 15" x 11", this crate features dovetail constructionto corners, nailed slats, with the short ends featuring cut-out hand holds for handling and transport. Stenciled with prominent MOXIE branding, displaying the name in bold lettering along with THE MOXIE COMPANY BOSTON MASS,"which reinforces its origin. Additionally, the phrase TRADE MARK REG U.S. PAT. OFFICE is clearly visible, emphasizing its registered trademark status. Other labeling, including 2 DOZEN to indicate its bottle capacity, adds to the authenticity and collectible nature of the item. CONDITION REPORT ~ Offered, as discovered, uncleaned and unlatered ~ Expect varying elements relative to age, materials, and early production methods. HISTORY of MOXIE SODA The Moxie soft drink brand, one of the oldest carbonated beverages in the United States, has a rich and storied history dating back to the late 19th century. The beverage was invented by Dr. Augustin Thompson, a physician from Union, Maine, in 1876. Originally formulated as a patent medicine, it was first marketed under the name ~ Moxie Nerve Food, promoted for its purported health benefits, including aiding digestion, curing paralysis, and improving mental acuity. In 1884, Moxie transitioned from being a medicinal tonic to a widely marketed soft drink. Dr. Thompson had discovered that by removing the alcohol from his formula, he could create a distinctive, non-alcoholic soda. The drink's unique taste, derived from gentian root extract, a bitter herb, set it apart from other sodas on the market, which were typically sweet. The unusual flavor quickly became a defining characteristic, drawing both enthusiasts and critics. Moxie grew in popularity during the late 19th and early 20th centuries, becoming a cultural icon in New England and spreading throughout the United States. The brand became known for its catchy slogans and marketing campaigns, one of the most famous being “Just Make It Moxie for Mine!” During the early 20th century, Moxie was one of the best-selling soft drinks in the U.S., even outselling Coca-Cola at times. The brand’s popularity was reinforced by creative and memorable advertising. One of its most iconic mascots was the “Moxie Man,” an image of a man pointing at the viewer, challenging them to try the drink. The term "moxie" also entered American vernacular as a synonym for "courage," "spunk," or "guts," owing to the boldness associated with the drink's flavor and marketing approach. Despite its early success, Moxie faced challenges as new competitors emerged. By the mid-20th century, the brand’s popularity declined as Coca-Cola, Pepsi, and other sweet sodas took over the market. However, Moxie retained a loyal following in New England, where it has remained a regional favorite. In recent years, Moxie has seen a resurgence as a nostalgic, retro beverage. In 2018, the brand was acquired by The Coca-Cola Company, which aimed to preserve its legacy and expand its availability. Today, Moxie remains a cultural icon, known for its distinctive flavor and rich history, celebrated with events such as the annual Moxie Festival in Lisbon Falls, Maine, which pays homage to the enduring appeal of this unique American soft drink.

SHIPPING AVAILABLE > WESTERN WORLD’S CHAMPION AMMUNITION POSTER Of somewhat recent production, in the manner of early original advertising illustrations. This 11" x 16" lithographed poster, ideal for framing, showcases a vivid scene of a group of BOBWHITE QUAIL nestled in a grassy field with a rabbit hidden among the underbrush. This composition captures a tranquil moment in nature, appealing to hunting and wildlife enthusiasts. Below the scene, a blue banner displays the brand’s title, WESTERN WORLD’S CHAMPION AMMUNITION, with images of various AMMUNITION BOXES, including WESTERN CARTRIDGES and SUPER-X, from the WESTERN CARTRIDGE COMPANY based in EAST ALTON, ILLINOIS. CONDITION REPORT ~ A well-preserved example with no overt issues

SHIPPING AVAILABLE > REMINGTON UMC FIREARMS-AMMUNITION POSTER Of somewhat recent production, in the manner of early original advertising illustrations. This 11" x 16" lithographed poster captures a rustic outdoor scene featuring two hunters outside a log cabin. An elderly man examines a rifle held by his companion, who gestures with an outstretched hand. A hunting dog stands alert at their feet, enhancing the atmosphere of camaraderie and readiness. Below, the title reads REMINGTON UMC FIREARMS-AMMUNITION, along with the REMINGTON UMC logo, representing the REMINGTON ARMS - UMC COMPANY. CONDITION REPORT ~ A well-preserved example with no overt issues

SHIPPING AVAILABLE > MARLIN BIG GAME RIFLES .22 RIFLES SHOTGUNS POSTER Of somewhat recent production, in the manner of early original advertising illustrations. This 11" x 16" lithographed poster depicts a cowboy on horseback, rifle in hand, surveying the rugged, open landscape. The scene captures the spirit of the American West, appealing to enthusiasts of frontier imagery. Above, the text reads MARLIN BIG GAME RIFLES .22 RIFLES SHOTGUNS, with the company’s details, THE MARLIN FIRE ARMS CO. NEW HAVEN, CONN., displayed below, accompanied by the artist’s signature, FREDERIC REMINGTON, reinforcing the authenticity of this timeless piece. CONDITION REPORT ~ A well-preserved example with no overt issues

SHIPPING AVAILABLE > PETERS CARTRIDGE CO. ADVERTISING POSTER ~ TITLED > The Tempter Of somewhat recent production, in the manner of early original advertising illustrations. This 11" x 16" lithographed poster titled THE TEMPTER illustrates an evocative indoor scene. A hunter, pipe in hand and rifle slung over his shoulder, stands in the doorway, seemingly tempting an elderly man engrossed in his paperwork. At the hunter's feet, a loyal hunting dog waits attentively, adding to the anticipation of the moment. The word PETERS is prominently displayed at the top, representing the PETERS CARTRIDGE COMPANY. CONDITION REPORT ~ A well-preserved example with no overt issues

SHIPPING AVAILABLE > WINCHESTER REPEATING ARMS CO. ADVERTISING POSTER Of somewhat recent production, in the manner of early original advertising illustrations. This 11" x 16" lithographed poster features a dynamic wilderness scene by the esteemed artist W.R. LEIGH, whose signature appears in the lower right corner of the illustration. Known as the "Sagebrush Rembrandt," William Robinson Leigh (1866–1955) was celebrated for his realistic and detailed portrayals of the American West. His collaboration with Winchester Repeating Arms Company produced some of the brand's most iconic advertising imagery, capturing the rugged spirit of frontier life and adventure. In this particular artwork, Leigh vividly depicts a tense moment on a mountainous trail as a frontiersman struggles to control a rearing pack horse, with another cowboy nearby holding a trophy antler. The intense composition, set against a backdrop of rocky terrain and sweeping skies, embodies the strength and endurance associated with the Winchester brand, resonating with those drawn to the pioneering ethos of the American frontier. The text below reads WINCHESTER GUNS AND CARTRIDGES, along with a note that these products are "MADE ONLY BY WINCHESTER REPEATING ARMS CO., NEW HAVEN, CONN., U.S.A." CONDITION REPORT ~ A well-preserved example with no overt issues

SHIPPING AVAILABLE > U.M.C CARTRIDGES ~ ADVERTISING POSTER ~ MOUNTAIN LION HUNTING in the SNOW Of somewhat recent production, in the manner of early original advertising illustrations. This 11" x 16" lithographed poster by artist C. EVERETT JOHNS captures a thrilling winter hunting scene set against a snowy forest backdrop. A mountain lion, cornered by a pack of hunting dogs, perches high in a tree, baring its teeth in defense. Below, two hunters prepare for action as they advance through the snow, rifles ready. The intense energy of the scene reflects the tagline FOR STRENUOUS SPORT, highlighting the rugged appeal of U.M.C. CARTRIDGES. Manufactured by THE UNION METALLIC CARTRIDGE CO., BRIDGEPORT, CONN., U.S.A., this artwork reinforces the brand’s association with endurance and adventure in challenging conditions. CONDITION REPORT ~ A well-preserved example with no overt issues

SHIPPING AVAILABLE > Perhaps for movie theatres, drive-ins, baseball parks, sports stadiums, or other venues, an old stock package of -25- Coca-Cola "Things Go Better with Coke" Cup Carrier with Punch-Out Coasters ~ Each thick cardstock piece measures 7.75" x 8.25" overall, featuring punch-out coasters with the iconic THINGS GO BETTER WITH COKE slogan. The bright red carrier design features four coasters ready to be punched out for individual use. These carriers were likely intended for advertising promotional use, combining convenience with brand messaging to reinforce Coca-Cola’s popular slogan. The combination of vibrant color, practical design, and recognizable branding makes this item an interesting piece of Coca-Cola advertising memorabilia. CONDITION REPORT ~ A well-preserved example with tears to the original over-wrap paper.

SHIPPING AVAILABLE ~ The main body measures 4 x 5.5" overall, extending around 2" from the wall when mounted ~ Overall metal construction with the majority of the original gold painted finish intact ~ Fitting with a bell to the reverse ~ A round plate to the cover reads SERV-U-FONE by American Automatic Electric Sales Co. The SERV-U-FONE seems to be an early wall-mounted telephone or intercom device, possibly used in businesses or industrial settings, given its compact and durable metal construction. The American Automatic Electric Sales Co. was known for manufacturing telephone equipment, including devices used for private communication systems. CONDITION REPORT > Appears to be lacking the receiver cradle.

SHIPPING AVAILABLE > This pair of antique telephone ringer boxes, commonly known as "ringer boxes" or "subsets," were integral components of early wall-mounted telephones. These devices were designed to produce a loud ringing sound to signal an incoming call, housing bells and internal mechanisms which, when connected to the phone line, would alert the user. Each box would typically feature an electromagnet mechanism inside to activate the ringing, making them an essential part of early telecommunications systems. Crafted from oak with dovetail joint construction, these boxes reflect the durability and functional design of late 19th to early 20th-century telecommunication equipment. Each stands 5" tall with an overall measurement of 6.5" x 5" to the plateau base. One of the boxes retains its original dual metal bells on top, while the other lacks the bells, displaying only the mounting posts where they would have been attached. The wood has developed a warm, aged patina, enhancing the historical character of these pieces. Ringer boxes like these were often mounted on walls or placed on shelves in homes and businesses. They are today considered as collectibles, especially for enthusiasts of early telecommunications equipment and antique telephone accessories, representing a fascinating era of technological advancement. CONDITION REPORT ~ One box retains its bells; the other is lacking. Both show signs of age and wear consistent with antique use.

SHIPPING AVAILABLE > Group of Early Advertising Cardstock Boxes with Lithographed Designs A unique assortment of vintage cardstock boxes showcasing vibrant lithographed designs typical of early advertising collectibles. Each box, with distinct branding and period-specific artwork, reflects the charm of vintage packaging and marketing. Except for the blue rod device housed in one box and some old paper coin roller sleeves in the match box, the remaining boxes are empty. The following identifies each example in brief ~ LA FENDRICH – THE SAME 10¢ PERFECTO EXTRA NOW 5¢. A decorative cigar box for LA FENDRICH cigars by M. FENDRICH, INC., featuring bold red and green detailing with a traditional border design. RCA RADIOTRON RADIO TUBE – A QUALITY PRODUCT MADE BY RCA. This RCA-branded box, finished in red and black, was designed to hold a RADIO TUBE. The brand’s lightning bolt logo and quality assurance text are prominently displayed. RCA RADIOTRON ELECTRON TUBE – MARKED AS A DEPENDABLE RCA PRODUCT. A similarly styled red and black box with ELECTRON TUBE noted in bold lettering. The logo reinforces RCA’s brand identity for radio and electronic tubes. NU ELECTRON TUBE – A green and black box with simplistic branding for NU ELECTRON TUBES, showcasing understated yet effective early packaging design. DIAMOND SWAN BRAND MATCHES – A classic matchbox design by SWAN BRAND, featuring the swan logo in the center. Contains some old paper coin roller sleeves rather than matches. CENTRALAB BLUE SHAFT RADIO HMS TYPE B-1 5/16 CONTROLS – DIVISION OF GLOBE-UNION, MILWAUKEE, WISCONSIN. The blue box houses a blue rod device, ioncluded as shown, however the purpose is uncertain. The packaging promotes CENTRALAB’s blue shaft radio control parts. ELEYO IT GLOWS – PAT. NO. 375741. A bright, colorful box for ELEYO, MADE IN JAPAN, likely for a toy yo-yo. The vibrant yellow and red design adds a lively element to the group. This assortment highlights various mid-century advertising and packaging styles, making it an intriguing lot for collectors of early printed advertising and vintage product boxes. The grouping emphasizes the unique lithographic artistry and graphic design elements popular during this period, showcasing bold colors, logos, and typography that encapsulate the era's marketing aesthetics.

SHIPPING AVAILABLE > Antique Coca-Cola Wood Folding Chair from the Route Meeting Room, Alexander City, AL Standing 31 inches tall when open and measuring 16 inches in width, this wooden folding chair is an authentic piece of Coca-Cola advertising memorabilia from the mid-20th century. It features the iconic red script DRINK COCA-COLA IN BOTTLES branding stenciled onto the wooden slats of the backrest, showing signs of age that lend to its character and authenticity. This chair is crafted from solid wood with a rustic, well-worn patina that reflects its age and history. The structure includes metal hardware at the joints, allowing the chair to fold for easy transport or storage ~ a practical feature for use in meeting rooms or events, as indicated on the label. The label specifies that this chair originated from a Coca-Cola Route Meeting Room in Alexander City, Alabama, and dates it to the 1940s or 1950s, adding regional and historical significance. The backrest and seat are composed of vertical wooden slats, showcasing a straightforward design that emphasizes function while preserving the classic Coca-Cola branding. The natural wear on the wood, along with the sturdy metal fittings, highlights the chair's durability and long-standing use. This vintage piece serves as both a functional item and a collectible artifact, capturing the essence of Coca-Cola's mid-century advertising and community presence. It is ideal for collectors of Coca-Cola memorabilia, vintage furniture enthusiasts, or those interested in historical Americana. CONDITION REPORT > As discovered, unaltered and uncleaned ~ Dust ~ No overt issues.

SHIPPING AVAILABLE > A matching set of -4- holiday dinner plates, each measuring 10.25" in diameter ~ Ceramic pottery featuring an overall ivory gloss glaze with a green pinstripe to the border, surrounding a colorful Christmas tree at center, decorated with ornaments, with gift and presents below ~ To the underside, a hallmark reads BADCOCK HOME FURNISHINGS CENTERS ~ ESTABLISHED 1904 ~ MADE IN CHINA. CONDITION REPORT > No overt issues. History of Badcock Home Furnishings Henry Stanhope Badcock founded the W.S. Badcock Corporation in 1904. An immigrant from England, Henry founded the first Badcock store in Mulberry, FL. Henry operated this single store in Mulberry, FL for 16 years until, in 1920, his son Wogan bought the store from his father. Business continued to grow until the land boom/bust of 1929. The depression hit the country hard, and Badcock was no exception. Finding it increasingly difficult to sell the merchandise he had on hand, Wogan began to sell merchandise through consignment at various stores in the area, offering a share of the profits if they sold the merchandise. Wogan also established the idea of the route salesman, who would use small trucks, travelling designated routes, to sell the Badcock merchandise. This laid the groundwork for the dealer model, which is still the foundation of Badcock’s business model. At the same time, Wogan introduced the practice of selling furniture to customers on credit, and collecting on installment accounts from these customers. Over the years, this consignment model and route sales evolved into the dealer operation that is still active today. These home-furnishing centers would receive and sell merchandise only from Badcock, and these dealers were able to finance their customer accounts with help from the W.S. Badcock Corporation. The principal of easy, fair credit was a novel concept at the time, and Wogan Badcock was a forerunner of the way that most merchandise transactions are handled today.

SHIPPING AVAILABLE > Vintage All-Wood Folk Art Style Toy Airplane This charming wooden toy airplane captures a nostalgic, folk art aesthetic. Likely vintage yet not reaching antique status, it stands approximately 3 inches tall, measuring 5.25 inches in length and 6 inches across the wingspan. The design is simple but functional, featuring a rotating propeller and turning landing gear wheels, adding a playful touch to its construction. Crafted entirely from wood, the toy exhibits minor imperfections typical of its age, material, and handmade assembly, lending to its vintage appeal. The wood has a natural finish, and the craftsmanship emphasizes a rustic, hand-assembled quality consistent with folk art pieces. CONDITION REPORT > No overt issues ~ Perhaps typical and minor elements relative to age, materials and assembly.

SHIPPING AVAILABLE > A Group of -5- Vintage Table Cigarette Lighters This collection includes five vintage cigarette table lighters, all designed for use with lighter fluid. None have been tested for functionality. The details for each lighter are as follows: Two Oval Lighters – Both are marked RONSON CROWN on the underside. They feature an ornate design with beaded and ribbed details, adding a touch of elegance to their oval shapes. Oval Lighter Marked JAPAN – Similar in shape to the Ronson models, this lighter carries a JAPAN mark on the underside, suggesting a different origin. Its design and finish add to the cohesive look of the group while providing a distinctive contrast ~ A beaded gadroon design surrounds the shoulder.. Round Lighter Marked IDEALINE - JAPAN – This example has a bronze patina finish panel with intricate designs around the body, depicting various types of antique telephones in relief. The unique theme gives this lighter an artistic, nostalgic appeal. Glass Urn Lighter – The final lighter in the group is set within a frosted or satin glass urn-shaped base. The translucent, softly textured finish offers a delicate contrast to the metallic tones of the other pieces. Each lighter adds individual character to this classic collection, making it a diverse set for display or potential restoration. CONDITION REPORT > As discovered, not cleaned or altered ~ Not tested for functionality ~ Anticipate varying elements relative to age, use and materials and possible lack of flints. Tabletop lighters like these vintage pieces were both practical and decorative, popular from the early to mid-20th century. These lighters became household items, often displayed prominently on tables, desks, and bars, reflecting an era when smoking was a widely accepted social activity, and accessories related to smoking were designed to be stylish as well as functional. Tabletop lighters emerged as a popular home accessory in the 1930s, with their heyday stretching through the 1950s and 1960s. Unlike pocket lighters, tabletop models were designed to be larger and more decorative, often doubling as statement pieces. Crafted from various materials—such as metal, glass, ceramic, and even exotic woods—these lighters featured ornate details that aligned with mid-century aesthetics. In addition to functionality, they were crafted to add elegance to living spaces, often displayed in prominent places to serve as conversation pieces. The popularity of tabletop lighters was tied to the social culture surrounding smoking. Smoking was considered sophisticated and fashionable, especially after World War II. Companies recognized the demand for elegant smoking accessories, which resulted in creative designs that blended utility with art. For example, many tabletop lighters like these were crafted in various styles—some influenced by Art Deco, while others embraced more traditional or even novelty designs, as seen in the example with antique telephones in relief. The Ronson brand, known globally for its lighters, played a significant role in popularizing both pocket and tabletop lighters. The company began as Art Metal Works, founded by Louis V. Aronson in 1897 in Newark, New Jersey. Initially focused on producing decorative metal pieces and home accessories, Ronson eventually shifted towards developing automatic lighters. In 1913, Ronson created the Pist-o-liter, an early lighter model that pioneered single-handed operation. Their breakthrough came in 1926 with the invention of the Banjo lighter, which featured an automatic ignition mechanism. This innovation set Ronson apart from competitors and established the brand as a leader in lighter technology. Ronson's tabletop lighters, such as the Ronson Crown series, became highly collectible. Known for their quality and ornate designs, these lighters often incorporated a mix of metal finishes and classic detailing, making them not only functional but also decorative. By the mid-20th century, Ronson had become a household name, with their lighters symbolizing elegance and convenience. The Ronson Crown models, like those in your collection, are known for their distinctive shapes and classic styling, often seen in high-quality metal finishes. Today, vintage tabletop lighters from Ronson and similar brands have become collectible items. They represent a unique era in design and social culture, capturing the blend of functionality and artistry that characterized mid-century smoking accessories. Enthusiasts value these pieces for their craftsmanship, historical significance, and nostalgic appeal, with specific models and brands—like Ronson—being especially prized for their durability and aesthetic appeal.

SHIPPING AVAILABLE > These sunglasses are identified as Bausch & Lomb AN6531 US Military Aviator sunglasses, commonly issued to US military aviators from the early 1940s through the 1950s, notably during the World War II era. The AN6531 designation refers to a standardized model used during World War II and shortly thereafter, featuring characteristic green-tinted lenses designed to reduce glare and enhance contrast in various lighting conditions, essential for aviation. The frames, as seen, bear the BAUSCH & LOMB engraving under the brow support, as shown in the images offered, verifying their authenticity and manufacturer. The original metal case, marked with a B&L lettering within a triangular emblem along with MADE IN U.S.A., further confirms the origin. This triangular logo was a distinctive marking used by Bausch & Lomb during this period, particularly on their military-issued eyewear. These sunglasses not only served as functional protective eyewear for aviators but have since become a collectible item due to their historical significance and durable construction. The Bausch & Lomb AN6531 Aviator sunglasses are an iconic piece of military equipment, embodying both functionality and historical significance. Originally developed in the early 1940s, these sunglasses were commissioned by the United States military for use by aviators who needed superior eye protection during critical missions. The "AN" in AN6531 stands for "Army-Navy," indicating a standard specification that was jointly adopted by the two branches of the U.S. armed forces. This standardization aimed to streamline equipment and ensure that both Army Air Corps and Navy pilots had access to reliable, high-performance eyewear. These sunglasses became indispensable for aviators during World War II. The AN6531 model featured durable metal frames with wraparound earpieces to ensure a secure fit, even during turbulent flight conditions. The green-tinted lenses, specifically engineered by Bausch & Lomb, were a crucial advancement. Known as "neutral gray" lenses, they were designed to reduce glare without distorting colors, which helped pilots maintain visibility at high altitudes and under intense sunlight. These lenses were also capable of filtering out harmful ultraviolet and infrared rays, which were particularly intense during high-altitude flights. This technology was revolutionary at the time and contributed significantly to the safety and performance of American aviators. Beyond their practical use, the AN6531 Aviator sunglasses became a cultural symbol of the "Greatest Generation" and the bravery of U.S. servicemen during WWII. Bausch & Lomb’s high standards for optical clarity and durability made these glasses a trusted piece of equipment, and many pilots continued to wear them off duty as well, sparking a trend that would eventually lead to the widespread popularity of aviator-style sunglasses. After the war, Bausch & Lomb continued to produce these aviators due to their popularity both within the military and with the general public. The quality and craftsmanship associated with Bausch & Lomb made these sunglasses a sought-after item, and they were often handed down or kept as memorabilia by veterans and collectors. The design, marked by the thin metal frame, tear-drop shaped lenses, and distinctive brow bar, has since become a classic style, influencing modern eyewear and remaining a staple in fashion. The original metal case, also marked with the B&L triangular logo and "MADE IN U.S.A.," was designed to protect these high-quality lenses from damage, especially in rugged conditions. This sturdy case further exemplifies the era's focus on durability and functionality, attributes highly valued in military-issued items. Today, both the AN6531 model sunglasses and their original cases are prized among collectors of military memorabilia and vintage eyewear, as they represent an era when utility and style were seamlessly integrated in designs meant to support the demands of aviation. CONDITION REPORT > As discovered, uncleaned and unaltered ~ Notably well preserved examples ~ Caramel brow support and nose pieces are in remarkable condition ~ Quite impressive, considering the age, with minimal signs of past use, if any.

SHIPPING AVAILABLE > This rare salesman marketing and advertising sales folio measures 11.5 x 15 inches, covered in simulated red leather texture material. The following relates the illustration and text to just a few of the -34- total pages. Handwritten text to a scrap of paper prepared by the prior owner relates the following > 1947 ~ COCA COLA PRESENTATION STANDUP BOOK ~ HOW TO INCREASE PROFITS IN YOUR SERVICE STATION ~ 34 PAGES ~ MINT 1 PICTURE PAGE, DRIVE REFRESHED HAVE A COCA COLA LISTEN TO THE PAUSE THAT REFRESHES ON THE AIR WITH PERCY FAITH AND COCA COLA ORCHESTRA, SUNDAYS 6:30 PM EDT COLUMBIA NETWORK ~ 1947 HOW TO INCREASE PROFIT IN YOUR SERVICE STATION The cover features an illustration of a smiling service station attendant beside a gas pump with a dollar sign, hinting at the folio’s focus on increasing profits for service stations through promotional methods. COCA-COLA BRINGS IN TRAFFIC 5 BOTTLES OF COKE The illustration shows a happy family in a car with "5 BOTTLES OF COKE" in a bold banner above. The text emphasizes that motorists often purchase Coca-Cola more frequently than gas. It suggests that people stop at service stations for personal comfort, not just for car needs, presenting Coca-Cola as a significant contributor to business traffic. CARTON SALES The page displays images of Coca-Cola in 6-bottle and 12-bottle cartons. The text promotes these cartons as convenient options for home consumption, reinforcing the idea that service stations can boost sales by offering these smaller packaging options for household use. EQUIPMENT SELECTION ~ NOW LET'S PICK OUT THE RIGHT EQUIPMENT FOR YOUR STATION An inviting page with the large word "NOW" in bold, followed by the message prompting service station owners to choose the correct equipment, likely for displaying and storing Coca-Cola products effectively. The back cover includes a sturdy fold-out stand, allowing the folio to stand upright as a display or presentation piece, making it convenient for use in training or promotional settings. This folio combines promotional content with practical advice on increasing profits, aiming to demonstrate how Coca-Cola can drive business growth in service stations. CONDITION REPORT > A remarkably well preserved example.

SHIPPING AVAILABLE > Standing 11" tall to the spout, measuring around 7" in overall diameter, an early stoneware jug fitted with a handcrafted figural cork in the manner of a hillbilly smoking a cigar ~ The stopper is hand formed from an unknown rigid substance, and clearly hand painted, mounted to a cork. CONDITION REPORT > Damage around the lip of the jug mouth ~ Varying elements relative to age, primitive manner of production and materials.

SHIPPING AVAILABLE > This 22 x 10 x 1 inch Coca-Cola sign is constructed from heavy sheet metal and features a protruding extension along the top edge, possibly for mounting purposes, perhaps in the manner of a flange sign. The sign displays the ENJOY COCA-COLA trademark slogan in classic red and white, with a large Coca-Cola logo and a sweeping white wave design beneath. The sign's edges and corners show wear, indicative of vintage or extended outdoor use. The ENJOY COCA-COLA slogan became widely recognized in the 1960s and 1970s, as Coca-Cola’s advertising emphasized refreshment and enjoyment. This particular design style and trademark language were typical of Coca-Cola’s mid-20th-century signage, aligning it with this period. The sign's heavy metal construction also suggests durability for display in high-traffic or outdoor locations, consistent with vintage commercial signage. CONDITION REPORT > Varying elements, most typical and minor, relative to age, display and materials ~ Scratches, blemishes and minimal surface to portions.

SHIPPING AVAILABLE > This 9.5-inch tall ceramic decanter is crafted in the shape of the State of Mississippi, commemorating the 1776-1976 United States Bicentennial. The front features the 1776 Bicentennial Flag with the American Revolutionary War-era stars and stripes design, while the back displays the now obsolete Mississippi state flag, incorporating the controversial Confederate battle flag design, commonly used by Mississippi at the time. The decanter is labeled MISSISSIPPI 1776 BICENTENNIAL 1976 at the base, with the OLD MR. BOSTON label underneath, indicating it contains AGED 100 MONTHS KENTUCKY STRAIGHT BOURBON WHISKEY at 86 PROOF. The base bears relief cast lettering: OMB LIQUOR BOTTLE NO-57 1976 ROYAL HALBURTON CHINA CHINA, marking its manufacture by Royal Halburton China, known for producing high-quality ceramic decanters. OLD MR. BOSTON, established in the 1930s, became renowned for its extensive line of liquors and collectible decanters. During the 1970s, especially surrounding the Bicentennial, Old Mr. Boston produced various decanters shaped like U.S. states or historical figures, appealing to collectors with unique, limited-edition designs. Royal Halburton China partnered with brands like Old Mr. Boston to produce these durable and detailed ceramic bottles, each crafted to highlight historical and cultural themes, making them popular with collectors of Americana and vintage advertising memorabilia. CONDITION REPORT > A notably wll preserved example ~ Perhaps some settled dust ~ No overt issues.

SHIPPING AVAILABLE > This 6-inch tall Coca-Cola fountain topper measures 13 x 6 inches overall, with a strong, retro appearance that seems to date from the mid-20th century. The main body is composed of a hard molded composite, displaying a solid red finish. The borders, featuring a chrome-like finish, appear to be chromed metal, adding a sleek and durable accent. The top section shows the message HAVE A COKE in bold lettering, while the front translucent panel displays DRINK COCA-COLA in classic red script. This panel was likely illuminated by a light source when mounted, giving it a glowing effect to attract attention in a soda fountain or diner setting. At the rear, there are labels indicating the beverage options available at the fountain: FANTA GRAPE and FANTA ORANGE, along with a partially visible COCA-COLA label, which suggests this topper was connected to multiple dispenser lines. The wear on these labels, combined with the fountain topper's sturdy construction, hints at extended commercial use. This piece represents the iconic branding and instant recognition of Coca-Cola products, made to be both eye-catching and functional as a fountain display element.

SHIPPING AVAILABLE > These two vintage rolling pins measure approximately 16-17 inches in length and around 2.25 inches in diameter. One example features red handles, which show signs of wear and narrow cracks in the wood, while the other exhibits a more natural, well-used finish with a patina developed from years of use. Rolling pins have a long history as essential tools in baking, dating back to ancient times. Early rolling pins were typically simple wooden cylinders, rolled by hand. The familiar design with handles on either side, like these examples, became popular in the 19th century, making it easier to roll out dough evenly. Over the years, rolling pins have been crafted from various materials, including marble, glass, and metal, though wooden rolling pins remain a classic choice due to their durability and ease of handling. These rolling pins reflect the charm and functionality of traditional baking tools, each showing the marks of prolonged use, which speaks to their role in preparing countless pastries, breads, and other baked goods. The red-handled style was a common design, especially in mid-20th century kitchens, where bright colors added a cheerful touch to household tools.

SHIPPING AVAILABLE > This cobalt blue globe appears to be unmarked, standing over 4.5 inches tall, with a 3.5-inch diameter at the base flange and a 4-inch diameter at the top flange. While some globes of this type are used with railroad lanterns, this particular size and shape are more commonly associated with barn type lanterns. Its distinct cobalt blue color could make it a collectible piece for those interested in vintage lantern globes or antique lighting parts.

SHIPPING AVAILABLE > This 16-inch miniature baseball bat is a promotional item bearing the branding of both LOUISVILLE SLUGGER and HALE & JONES SPORTING GOODS. Hale & Jones Sporting Goods Company was organized by Goat Hale and Jerrell “Fid” Jones, and located in Jackson, Mississippi. The imprinted text on the bat reads as follows: LOUISVILLE SLUGGER 125 HILLERICH & BRADSBY CO. MADE IN U.S.A. LOUISVILLE, KY. HALE & JONES SPORTING GOODS JACKSON, MS Hillerich & Bradsby Co. and the Louisville Slugger Brand Hillerich & Bradsby Co., founded in Louisville, Kentucky, is renowned for producing the iconic Louisville Slugger baseball bats. The company’s roots trace back to 1884, when Bud Hillerich crafted a custom bat for Pete Browning, a baseball player for the Louisville Eclipse. Browning’s success with the bat led to widespread popularity, and the company began producing the “Louisville Slugger” brand, which quickly became a staple in professional baseball. Over the years, Hillerich & Bradsby Co. perfected their bat-making process and signed endorsement deals with legendary players like Babe Ruth and Lou Gehrig. The “125” designation seen on the bat typically signifies a model number used by Louisville Slugger for its standard bat line.

SHIPPING AVAILABLE > A Dietz No. 2 Blizzard model tubular design lantern, measuring approximately 15" tall not including the wire bail handle. It features a ruby red glass globe, a desirable color that adds a unique aesthetic and functional value to this piece, as red globes were often used for signaling purposes. Marked with the DIETZ logo to the top cap and the model around the top of the font shoulder, all in reverse relief letters. The Dietz No. 2 Blizzard lantern is a cold-blast lantern, designed to burn kerosene efficiently while providing ample light. Its durable construction made it ideal for outdoor and industrial use, especially in harsh weather conditions. Cold-blast lanterns are characterized by a system that pulls in fresh air, guiding it down to the flame, which helps maintain a brighter, more consistent burn even in windy or rainy weather. The R. E. Dietz Company was established in 1840 by Robert E. Dietz in New York City, where it initially specialized in oil lamps. Over time, the company expanded its focus to include lanterns, which became widely used for a variety of purposes, from railroad and maritime signaling to general outdoor lighting. Dietz lanterns gained a reputation for their resilience and dependability. The No. 2 Blizzard was among Dietz’s most popular models, first introduced in the early 20th century. The design was crafted to withstand rough conditions, making it a preferred choice for farmers, railroads, and outdoor laborers. Dietz lanterns, especially models like the Blizzard, were extensively exported and recognized globally for their quality. Collectors today seek these lanterns for their craftsmanship, historical significance, and utility as reliable sources of light in rustic or emergency settings. CONDITION REPORT / Globe intact ~ Overall rusty patina ~ No holes are apparent to underside of the font.

SHIPPING AVAILABLE > A Dietz No. 2 Blizzard model tubular design lantern, measuring approximately 15" tall not including the wire bail handle. It features a clear glass globe, appropriate in style and size. Marked with the DIETZ logo twice to the top cap and the model name around the top of the font shoulder, all in reverse relief letters. The Dietz No. 2 Blizzard lantern is a cold-blast lantern, designed to burn kerosene efficiently while providing ample light. Its durable construction made it ideal for outdoor and industrial use, especially in harsh weather conditions. Cold-blast lanterns are characterized by a system that pulls in fresh air, guiding it down to the flame, which helps maintain a brighter, more consistent burn even in windy or rainy weather. The R. E. Dietz Company was established in 1840 by Robert E. Dietz in New York City, where it initially specialized in oil lamps. Over time, the company expanded its focus to include lanterns, which became widely used for a variety of purposes, from railroad and maritime signaling to general outdoor lighting. Dietz lanterns gained a reputation for their resilience and dependability. The No. 2 Blizzard was among Dietz’s most popular models, first introduced in the early 20th century. The design was crafted to withstand rough conditions, making it a preferred choice for farmers, railroads, and outdoor laborers. Dietz lanterns, especially models like the Blizzard, were extensively exported and recognized globally for their quality. Collectors today seek these lanterns for their craftsmanship, historical significance, and utility as reliable sources of light in rustic or emergency settings. CONDITION REPORT / Globe intact ~ Damage to the oil filler neck and cap ~ Overall rusty patina ~ No holes are apparent to underside of the font.

SHIPPING AVAILABLE > A Dietz Monarch lantern, standing close to 14 inches tall, excluding the wire bail handle. Marked with the DIETZ logo in the classic oval shape on the top cap, and the word MONARCH is featured in reverse relief lettering to the shoulder of the font. The clear globe is relief cast with DIETZ in the oval logo above the word FITZALL, along with NEW YORK, U.S.A. The Dietz Monarch is part of the company's line of cold-blast lanterns, known for their ability to maintain a steady flame in windy conditions. The cold-blast design incorporates a dual airflow system that improves combustion, allowing the lantern to produce a consistent and bright light, even outdoors in inclement weather. This model features a classic shape with a reinforced metal frame, adding durability to withstand the demands of heavy use. The Monarch model was one of Dietz’s rugged, multi-purpose lanterns, suitable for both industrial and personal use. Originally introduced in the late 19th or early 20th century, it was marketed for its reliability and adaptability, making it popular among farmers, railroad workers, and general outdoor laborers. The Fitzall globe used in the Monarch model was designed to be interchangeable across several Dietz models, making replacement easier for users and adding to the model’s long-lasting appeal. This lantern serves as a testament to Dietz’s commitment to quality and utility in lantern design, remaining a sought-after collectible for those interested in early American industrial lighting. Its historical value is enhanced by its original globe and markings, capturing a piece of the legacy of the R. E. Dietz Company in New York. CONDITION REPORT > As discovered, rusty patina, not cleaned or altered ~ Underside font base is unblemished ~ A remarkably well preserved example.

SHIPPING AVAILABLE > A vintage Coca-Cola advertising sign, measuring 20 inches by 5.25 inches, lithographed on paper stock. The sign prominently displays the phrase YOU'LL ENJOY A FLOAT WITH COKE, with COKE in bold red and FLOAT in bright blue, drawing attention to the classic ice cream float being poured in the visual. The "fishtail" Coca-Cola logo appears on the right side, alongside the words ENJOY COCA-COLA WITH ICE CREAM, emphasizing the connection between Coca-Cola and ice cream floats. The copyright statement at the bottom left corner reads COPYRIGHT 1962 THE COCA-COLA COMPANY, LITHO. IN U.S.A., with the catalog or reference number 1933. This sign serves as a collectible piece of Coca-Cola memorabilia from the early 1960s, capturing the nostalgic appeal of soda floats and mid-century advertising design. Its vibrant colors and classic Coca-Cola branding make it a sought-after item for collectors and enthusiasts of vintage advertising. CONDITION REPORT > As discovered, long stored away ~ Perhaps typical and minor elements relative to age and materials ~ Perhaps never displayed.

SHIPPING AVAILABLE > This vintage Coca-Cola advertising sign, measuring 20 INCHES BY 14 INCHES, was lithographed in vibrant colors on glossy paper stock. The top edge of the sign is folded over to the rear and stapled, likely for mounting purposes in retail settings. The design promotes Coca-Cola's MODERN PLASTIC CARTONS with bold, eye-catching text. The main text reads NOW! MODERN PLASTIC CARTONS in a combination of WHITE, RED, AND TEAL COLORS. An image of a SIX-PACK COCA-COLA CARTON, made from plastic, is shown prominently, illustrating the product being advertised. Below the carton image, the text CONVENIENT – EASY-TO-CARRY emphasizes the practicality of this new packaging format. The classic THINGS GO BETTER WITH COKE slogan appears on the upper right side. The classic round ball logo reads DRINK COCA-COLA in script below, reinforcing brand identity and the theme of modern convenience. This sign captures the mid-century marketing appeal of Coca-Cola, focusing on innovation in packaging. It remains a collectible piece for Coca-Cola enthusiasts and those interested in retro advertising. CONDITION REPORT > Intact, however suffers from some spotting and blemishes and creases ~ Even so, an uncommon example in acceptable condition relative to age and materials.

SHIPPING AVAILABLE > This vintage Coca-Cola advertising poster sign measures 24 x 11" overall with lithographed vivid colors to paper stock. Likely designed as an insert for advertising placements on streetcars or buses, it features a festive scene with Santa Claus and three Coca-Cola sprites, often referred to as elves, marching in a band-like procession. These sprites are representations of "Sprite Boy," a character introduced by Coca-Cola in the 1940s to personify the brand and connect the terms "Coke" and "Coca-Cola." Created by artist Haddon Sundblom, Sprite Boy became a recognizable figure in Coca-Cola's advertising through the 1940s and 1950s, appearing both in holiday and general campaigns. In this scene, Santa Claus is seated comfortably, holding a glass of Coca-Cola, while the three sprites entertain him. One sprite pours Coca-Cola from a glass bottle into a glass, another plays a trumpet, and the third beats a drum adorned with the ENJOY COCA-COLA logo in script, acting as a drumhead. The procession of sprites marching in sync creates a lively, celebratory atmosphere. Above, the slogan reads THE PAUSE THAT REFRESHES. At the lower left, the piece is marked THE COCA-COLA COMPANY, LITHO IN U.S.A., authenticating it as an original Coca-Cola advertisement. This artwork combines both the enduring Coca-Cola Santa and the playful sprites, highlighting Coca-Cola’s ability to create engaging, year-round brand imagery. Before Coca-Cola's influence, depictions of Santa Claus varied significantly. In 1931, Coca-Cola commissioned artist Haddon Sundblom to create a warm, human-like Santa Claus for their Christmas advertisements, based on the “jolly old elf” described in Clement Clark Moore’s 1822 poem ~ A Visit from St. Nicholas. Sundblom’s Santa featured rosy cheeks, a white beard, twinkling eyes, and a red suit with white fur trim, a color scheme that matched Coca-Cola’s branding. This portrayal of Santa became iconic and heavily influenced the modern image of Santa Claus worldwide. Coca-Cola continued to use this version of Santa Claus in holiday ads from 1931 to 1964, further cementing this visual in popular culture. Sundblom’s Santa and Sprite Boy together created a brand identity that was both friendly and approachable, establishing Coca-Cola’s holiday and year-round marketing impact. This piece exemplifies Coca-Cola’s marketing success in combining recognizable icons like Santa and Sprite Boy to create timeless, memorable advertising. CONDITION REPORT > Some tears to the borders ~ Spotting, blemishes and creases ~ Even so, considering the fragility, age and material, a rather well preserved, likely rare, example.

SHIPPING AVAILABLE > This vintage Coca-Cola poster sign measures 25 inches by 17.25 inches and features an adhesive backing that remains attached to the original backing paper, indicating it has never been posted. Lithographed to what appears as think vinyl material, with a smooth finish. The poster displays a colorful and lively illustration promoting Coca-Cola with the slogan COKE ADDS LIFE TO EVERYTHING NICE. The design includes multiple scenes showcasing people enjoying various outdoor activities, each with vibrant, hand-drawn style artwork. At the top, the word COKE is prominently displayed in large red letters, followed by the phrase ADDS LIFE TO in a playful, handwritten-style font. Below, the phrase EVERYTHING NICE is shown in bold black text. The illustrations depict a variety of activities: On the left, a couple prepares for a picnic with a cooler labeled COCA-COLA. At center, a couple paddles a canoe labeled CAMP ZION. Another scene depicts a person working on a car, accompanied by a small cactus. To the right, two figures are hang-gliding and mountain climbing, with a signpost reading SHANGRI-LA on the mountain. At the bottom, there is a copyright notice reading COCA-COLA AND COKE ARE REGISTERED TRADE-MARKS WHICH IDENTIFY THE SAME PRODUCT OF THE COCA-COLA COMPANY. This nostalgic poster encapsulates Coca-Cola’s branding approach during this era, associating the beverage with fun, adventure, and enjoyment in everyday life. CONDITION REPORT > As discovered, not cleaned or altered ~ Appears to have settled dust and grime ~ Buckles, blemishes and perhaps other elements relative to age and materials.

SHIPPING AVAILABLE > This vintage Coca-Cola poster, measuring 11 x 20" overall, is lithographed on glossy paper stock, featuring a festive holiday scene with Santa Claus holding a bottle of Coca-Cola in one hand and a unique candy star ornament made from popcorn balls and colorful candies in the other. This ornament serves as an example of "Holiday Ideas," likely intended to inspire creative Christmas decorations that incorporate simple, festive elements. The poster's text reads FREE NEW HOLIDAY IDEAS IN CARTONS OF COKE, with the words HOLIDAY IDEAS prominently displayed in a large red and white decorative font. Below, a circular red DRINK COCA-COLA logo reinforces the brand, using classic script lettering. This example captures the spirit of Coca-Cola's holiday marketing, combining the iconic image of Santa with a playful holiday decoration, aligning with Coca-Cola's long-standing association with Christmas and holiday cheer. The cheerful depiction of Santa and the decoration ideas would have appealed to consumers looking to add a festive touch to their homes during the holiday season. CONDITION REPORT > Some minor brown spots ~ Otherwise, perhaps typical and minor elements relative to age and materials ~ Overall, a rather well preserved example.

SHIPPING AVAILABLE > This Coca-Cola advertising poster, lithographed to paper stock, measuring 19.25 x 10.25 inches overall, features Haddon Sundblom's iconic artwork titled "Refreshing Surprise" and so captioned REFRESHING SURPRISE. Sundblom, the artist credited with shaping the modern image of Santa Claus, created this memorable scene as part of Coca-Cola’s holiday advertising, beginning in the 1930s. His depictions of Santa became synonymous with Coca-Cola’s brand, establishing the cheerful, warm-hearted Santa that has become a cultural icon. In this particular illustration, Santa Claus is depicted in a playful moment, caught taking a bottle of Coca-Cola from an open refrigerator. A young, pajama-clad child watches in surprise, adding to the charm and wonder of the scene. Santa, dressed in his classic red suit with fur trim, embodies Sundblom’s style—radiant, grandfatherly, and approachable. The soft shadows and inviting colors exemplify Sundblom's technique, bringing a lifelike warmth to the composition. To the right side of the poster, the red circular SERVE COCA-COLA logo appears, adorned with holly, emphasizing Coca-Cola’s association with holiday cheer. This promotional piece exemplifies Coca-Cola's strategy of linking its brand with the joy and magic of the holiday season. Small text at the lower border reads COCA-COLA COMPANY, LITHO IN U.S.A., confirming its authenticity as an original Coca-Cola advertisement. Sundblom’s work in creating Santa images for Coca-Cola remains one of the most influential contributions to holiday advertising, establishing a beloved image of Santa Claus that endures today. CONDITION REPORT > A remarkably well preserved example.

SHIPPING AVAILABLE > This large Coca-Cola sign, measuring 36 inches by 18 inches, is made from a thick corrugated cardboard-type material with applied vinyl die-cut lettering. The text reads LOOK HERE FOR THE LATEST FROM COCA-COLA in bold, eye-catching black and red lettering. The phrase is displayed against a neutral-toned background, with the iconic Coca-Cola logo prominently featured at the bottom in classic red script. This sign is somewhat unusual, suggesting a possible purpose beyond typical retail advertising. Its size and construction indicate it may have been intended for use within a Coca-Cola bottling plant or marketing setting, likely aimed at employees, sales personnel, or distributors. Such signs might have served as a communication tool, possibly to direct attention to new promotional materials, sales updates, or internal announcements related to Coca-Cola’s latest offerings. The material and lettering style give it a functional, durable appearance suitable for high-traffic or industrial environments. CONDITION REPORT > Some elements relative to age and materials ~ Appears to a be a subdued diamond grid pattern, perhaps indicating the sign was placed against some ironwork in the past ~ Not harmful, and overall, a unique Coca-Cola relic.

SHIPPING AVAILABLE > This vintage Dr Pepper sign, measuring 30 inches by 13 inches, is lithographed on a durable 1/8-inch thick plexiglass material. Designed as an illuminated insert for vending machines, it was originally intended to be backlit, allowing the vibrant colors to stand out and attract attention. The sign features the bold red Dr Pepper logo at the center within an oval shape, with the word DRINK above it. Below the logo, a stylized yellow V-shaped graphic adds a visual pop, drawing the eye downward to the slogan THE FRIENDLY PEPPER-UPPER in lowercase letters. Additionally, the phrase WITH CRUSHED ICE appears in red text, emphasizing the refreshing experience of Dr Pepper served over ice. This piece is a classic example of mid-20th-century vending machine advertising, combining bold typography and bright colors to appeal to consumers. Its plexiglass construction and design for illumination reflect its purpose in high-visibility commercial settings, enhancing the Dr Pepper brand's nostalgic appeal.

SHIPPING AVAILABLE > This miniature molded green plastic soda bottle case features Sprite branding to the sides, although the stylized lettering is now worn. Designed to hold 24 bottles, the case measures 6 x 4 inches and stands .75 inches tall, currently containing 20 miniature glass soda bottles, each standing 3 inches tall, with applied painted labels for FANTA and capped with metal bottle tops. Sprite and Fanta are two iconic brands under The Coca-Cola Company, each with its unique history and market presence. Fanta was originally developed in Germany during World War II in 1940 as a Coca-Cola alternative due to trade restrictions that prevented the import of Coca-Cola syrup. As ingredients for Coca-Cola were unavailable, the German branch created a new beverage using available ingredients, resulting in Fanta. It became popular in Europe, and Coca-Cola later reintroduced Fanta globally in the 1950s, where it gained popularity as a fruit-flavored soda, particularly known for its orange flavor. Sprite was introduced by Coca-Cola in 1961 as a response to the popularity of lemon-lime sodas, directly competing with 7UP. Sprite quickly established itself as one of Coca-Cola’s most popular brands, known for its crisp, refreshing lemon-lime flavor and marketed with a youthful, energetic image. Over the years, Sprite has become associated with vibrant, urban culture and continues to be a leader in the lemon-lime soda category. This miniature bottle case with Sprite branding and Fanta bottles reflects the global reach and historical legacy of these two brands, both of which have become enduring staples in the soft drink industry. CONDITION REPORT > Loss of painted SPRITE lettering to side ~ Some bottles contain residue.

SHIPPING AVAILABLE > This die-cast toy tractor bears the INTERNATIONAL logo, indicating it represents an International Harvester model. The tractor stands 4.5 inches tall to the steering wheel, measures 4.5 inches wide at the rear wheels, and spans 8 inches in length. The front wheels lack rubber tires, showing exposed hubs, while the rear wheels retain rubber tires with light wear. The casting and detailing suggest it may be from ERTL, a well-known manufacturer of die-cast agricultural toys, which has frequently produced licensed models for International Harvester. CONDITION REPORT > Lacking tires to front wheels ~ Blemishes and scratches to painted surfaces ~ Steering wheel and front wheel linkage functional.

SHIPPING AVAILABLE > This vintage Christmas decoration features two figural fur bears dressed in Santa-style outfits, sitting on a classic wooden sled. The sled measures 10.5 inches in length and 5 inches in width, while the overall display, including the bears, stands 7 inches tall. One side of the sled is adorned with the hand-painted lettering MERRY CHRISTMAS, embellished with small holly leaves. This charming piece evokes a nostalgic holiday spirit, capturing the essence of vintage Christmas decor. CONDITION REPORT > Perhaps typical and minor elements relative to age and materials ~ Overall, a rather well preserved example.

SHIPPING AVAILABLE > A vintage TYCO brand HO scale model train collection that offers a nostalgic entry into the classic hobby of model railroading. The set includes several TYCO boxed items, featuring diesel locomotives, such as a distinctive Santa Fe engine with its bold red and silver livery, along with various freight cars including boxcars, tankers, and a caboose. Additional accessories, such as curved and straight track sections in original packaging, enable the creation of extensive rail layouts. A bridge adds to the realism, offering scenic possibilities for hobbyists. Included with the set is a TYCO power pack to bring the railway to life, along with an instructional booklet, which provides guidance and captures the spirit of model railroading as a timeless pastime. Model railroading has long been cherished as a hobby that combines craftsmanship, engineering, and storytelling, inviting enthusiasts to build and operate miniature worlds that reflect historical or imagined landscapes. This TYCO collection embodies that tradition, making it both an ideal starting point for newcomers and a valuable addition for seasoned collectors looking to expand their HO scale empire. CONDITION REPORT > Stored away for a period of time ~ None of the elements included have been tested for functionality ~ Expect varying elements relative to age and materials ~ Overall, seemingly well preserved.

SHIPPING AVAILABLE > This is a vintage Illinois Central Railroad (ICRR) hand signal lantern is marked ICRR to the top cap skirt, signifying its association with the famed Illinois Central Railroad. The top cap bears the HANDLAN mark, indicating it was manufactured by the Handlan Company of St. Louis. This lantern is lacking the glass globe, but remains an iconic piece of railway history, reflecting the rugged, utilitarian design typical of railroad equipment from this era. The Illinois Central Railroad, established in 1851, was instrumental in connecting the Midwest to the Gulf of Mexico, making it one of the longest railroads in the United States. It played a pivotal role in transporting goods and passengers across America’s heartland, especially in Illinois, where it connected rural areas with major cities. Known as the ~ Main Line of Mid-America, ICRR was vital in supporting agricultural trade, particularly for commodities such as grain and livestock. Its legacy is remembered as a significant part of the American railway expansion and economic growth. The Handlan Company, based in St. Louis, Missouri, was a prominent manufacturer of railroad lanterns, lamps, and other signaling devices throughout the late 19th and early 20th centuries. The Handlan-Buck Manufacturing Company, based in St. Louis, Missouri, traces its origins back to 1856. Over the years, the company underwent several name changes, reflecting the involvement of key figures such as A.H. Handlan and M.M. Buck. CONDITION REPORT > Lacking globe ~ Oil font lodged in well, perhaps removable with effort ~ Font and burner condition inconclusive.

SHIPPING AVAILABLE > This 1988 audio cassette edition of The Art of the Deal by Donald J. Trump, produced by Random House as part of their "Sound Editions" series, offers an early glimpse into Trump’s business philosophy and persona long before he entered the political sphere. Narrated by Jim Cameron, this recording predates Trump’s later political career, including his tenure as the 45th President of the United States (2017–2021) and his recent election as President-Elect. The front cover features a photograph of Trump during his business career, reflecting the era in which the tape was produced. The cassette includes production details such as Dolby System sound quality and “Manufactured in Canada” labeling. CONDITION REPORT > Not tested for functionality.

SHIPPING AVAILABLE > This collection of -18- glass salt dips includes a variety of master and individual salts in an array of colors and shapes. Among them are pieces in vibrant ruby red, emerald green, milk glass, amethyst, cobalt blue, and amber, along with several clear glass designs. The group features both classic circular and hexagonal shapes, with some detailed with pressed patterns such as stars and floral designs. Notably, one piece takes on a figural form resembling a footed seashell, while others are likely miniature bases intended for "Hen on the Nest" covers. Historically, salt dips—also known as open salts—were a common feature on dining tables from the 17th century until the early 20th century. In an era before refined salt shakers, salt was a prized and costly commodity, so it was often served in small, open dishes placed at each setting or centrally on the table. Master salts, larger in size, were positioned for communal use, while individual salts allowed each guest their own portion. This practice began to decline with the invention of more efficient salt shakers in the 1920s, but the decorative quality of open salts has kept them popular as collectible items. CONDITION REPORT > One example, in the manner of a figural bird at nest is damaged and noted to the image offered ~ The remainder are notably well preserved examples with no overt issues.

SHIPPING AVAILABLE > Standing 3.75" tall at front center, measuring 8" wide x 5.5" deep overall, this Sun Mark SM-7C is a vintage Art Deco-style alarm clock radio produced in Japan. The model features a 7-transistor AM radio with a tuning range of 535 to 1605 kHz, housed in a table-top design that integrates both the clock and radio functionalities. The Art Deco influence is evident in its streamlined form and decorative elements, reflecting the design aesthetics of the era. While specific details about the Sun Mark brand are limited, the SM-7C model shares similarities with other Japanese-made radios from the same period, such as the Coray 500 and Startone C-100. These models often featured compact designs and combined clock and radio functions, catering to the mid-20th-century consumer demand for multifunctional home appliances. Collectors of vintage electronics and Art Deco enthusiasts may find the Sun Mark SM-7C appealing due to its distinctive design and functionality. In summary, the Sun Mark SM-7C is a notable example of mid-20th-century Japanese craftsmanship, combining Art Deco design elements with practical clock and radio functionalities. CONDITION REPORT > Not tested for functionality or inspected ~ Battery compartment door shows some signs of corrosion ~ Offered as shown.

SHIPPING AVAILABLE > This antique woodworking plane measures 21.75 inches in length, with a body dimension of 3.25 x 2.75 inches, and stands 6.25 inches tall to the handle. The plane features a blade, or "iron," marked WARRANTED CAST STEEL along with the manufacturer’s name, WILSON HAWKSWORTH ELLISON & CO., all incised within an arched symbol to the blade. This marking attests to the high-quality steel used in its production, as cast steel was renowned for its durability and edge retention, essential qualities for fine woodworking tools. Wilson, Hawksworth, Ellison & Company, based in Sheffield, England, was a prominent toolmaker during the 19th century. Sheffield, often called the "Steel City," was a global hub for quality steel and tool production. This company, among other notable manufacturers in Sheffield, earned a strong reputation for producing high-quality edged tools, including plane irons, chisels, and other woodworking essentials. Sheffield steel was prized for its resilience and ability to hold a sharp edge, making tools from this region highly valued by craftsmen worldwide. The woodworking plane itself has a rich history, with origins tracing back thousands of years. Early planes have been found in Roman archaeological sites, and by the 18th and 19th centuries, wooden planes like this example were standard in workshops across Europe and North America. These tools were essential for preparing wood by flattening, smoothing, and shaping surfaces, ensuring tight-fitting joinery in furniture and cabinetry. This particular plane, built with a solid wooden body and a handle shaped for ergonomic use, was designed for substantial tasks, such as planing large timber surfaces. The iron is secured with a wedge, allowing for easy adjustments to control the depth of cut. Over time, the tool’s wood has developed a rich patina, and the wear on both the body and metal components reflects its extensive use and long-standing value in woodworking. The plane would have been essential in a variety of applications, from rough carpentry to fine joinery, where skilled craftsmen could adjust the blade to achieve varying degrees of smoothness. Wooden planes like this one remained in use well into the early 20th century, even as metal-bodied planes became more common, due to the unique balance and control they offered. This example is not only a functional tool but a piece of craftsmanship history. Its origins with WILSON HAWKSWORTH ELLISON & CO. place it in Sheffield’s golden age of toolmaking, where precision and quality were paramount. Collectors and woodworkers alike value tools from this era and manufacturer for their enduring quality and historical significance. CONDITION REPORT > Expect varying elements relative to age, use and materials ~ Considering all, this seems to be a remarkably well preserved example.

SHIPPING AVAILABLE > A group of -2- antique wood planes of traditional design, each with distinct characteristics and historical relevance. A. HOWLAND & Co. Wood Plane ~ The smaller plane in this pair was produced by A. HOWLAND & Co., a firm active during the late 19th to early 20th century in Worcester, Massachusetts, known for manufacturing durable woodworking tools, particularly plane blades and similar hand tools. The blade is intact, and the name of the firm, A. HOWLAND & Co., is embossed in small lettering on one end of the plane body. This embossment provides a mark of authenticity and craftsmanship associated with the company's era of operation. This example is a complete plane with the original iron, designed for detail or finishing work in fine woodworking. Large Unmarked Wood Plane ~ The larger plane measures 21.5 inches in length, with dimensions of 3 x 3.25 inches across the body, standing 6.5 inches to the handle. This plane's design suggests it was intended for broader strokes in planing wood surfaces, such as leveling or smoothing larger surfaces in cabinetry or carpentry. Though the handle's top is damaged, the form and structure remain largely intact, showcasing the heavy-duty construction typical of woodworking planes used in historical workshops. This larger example lacks both a blade and identifiable markings, making it difficult to attribute it to a specific manufacturer, though its robust build reflects the standards of 19th-century or early 20th-century plane craftsmanship. These planes reflect a period when hand tools were essential to woodworking, each with a purpose that contributed to the precision and quality of finished wood pieces. CONDITION REPORT > Review description above for details ~ Expect varying elements relative to age, use and materials.

SHIPPING AVAILABLE > This grouping includes a mix of firearm related components and accessories. The primary item is the metal frame of a 20 gauge double barrel shotgun marked RANGER, likely manufactured by J. Stevens Arms Co. for Sears under the Ranger name during the 1930s and 1940s. Known for their reliability, these shotguns featured utilitarian finishes and a break-action, side-by-side double-barrel design, making them popular for hunting and sport. Although not particularly valuable as collectibles, Ranger shotguns are of interest to those collecting vintage Sears items or early 20th-century American firearms. This particular example exhibits wear and is missing the wooden stock and additional parts, though its marking SELECTED FORGED STEEL is visible on the barrel, attesting to its quality. Also included in this lot are two wooden stocks. The first is a wooden stock for a Daisy Red Ryder BB gun, recognizable by the iconic "Red Ryder" branding. The second wooden stock is unmarked and its specific firearm association is unknown, though it appears to be for another type of gun. Additionally, the grouping contains a small, unidentifiable metal part believed to be firearm-related but with uncertain purpose or function, possibly a trigger or bolt piece. This lot offers a combination of collectible items suitable for enthusiasts interested in firearm history, specifically those related to affordable and widely accessible firearms and airguns produced for practical use in mid-20th-century America. Each piece shows signs of wear, highlighting its utilitarian use and historical appeal. CONDITION REPORT > Notable condition issues to all items in this group ~ Offered as shown ~ Please examine images closely.

SHIPPING AVAILABLE (Rolled) > Printed to heavyweight stock, measuring a large 22 x 34" overall, a Mills Novelty Slot Machines Poster lithographed to heavyweight stock, likely produced during the1940 era ~ Color illustrations depict Mills’ line of slot machines with descriptive text. To the lower block right of center ~ Mystery Bell Bottom Left: Extraordinary Front Vender Right: Gooseneck Skyscraper Bell All these models use the exclusive Mills Silent mechanism. Designs are made up in a rich variety of Bells, Side Venders, Gold Awards, Mystery, and Regular Payouts. See our complete machine list. Mills Novelty Company World’s Largest Manufacturers of Coin Operated Machines 4100 FULLERTON AVENUE CHICAGO, ILL. To the lower block, left of center ~ Magnificence! THE BLUE BLOODS OF 'MACHINEDOM' Your money brings you the fullest value when you select your machines ffrom Mills superb Silent line. Beauty intrigues, design fascinates, performance holds, and quality endures. It's money thrown away to buy anything but a Silent ~ because "If it isn't a Silent, it's out of date! Colored photographs : Reading left to right top row. Silent Bell, Golden Bell, Mysterty Front Vender. CONDITION REPORT > Stored away rolled, and well preserved ~ Perhaps typical and minor elements relative to age and materials ~ A remarkable, rare example.

SHIPPING AVAILABLE > Likely relative to analysis of radio signals, in relation to restoration of vintage electronics, specifically radios. A vintage set of specialized NMR (Nuclear Magnetic Resonance) equipment housed in a wooden case measuring 15.25 x 11.25 x 3 inches deep, fitted with a satin-like fabric liner and individual inserts tailored to hold each component securely. Produced by Nuclear Magnetic Resonance Specialties, Inc., this set includes multiple frequency-specific modules labeled with model numbers and frequency ranges, indicating use in advanced NMR applications such as signal generation, tuning, filtering, and amplification. Each component plays a role in managing radiofrequency signals necessary for precision in NMR spectroscopy, widely used in molecular research, chemistry, and biochemistry. The meticulously crafted case showcases a central module labeled as Instrument Model ED-60A and a smaller module Model SP-601, along with additional interchangeable units designed to accommodate various frequency needs, offering customization options for high-quality signal processing. This set exemplifies vintage scientific instrumentation for research laboratories, with each piece well-preserved in its designated space. In NMR spectroscopy, this equipment facilitates essential functions such as signal generation, tuning, filtering, and amplification, each component designed to optimize the detection and analysis of magnetic resonance signals. The central module, labeled Instrument Model ED-60A, and a smaller unit, Model SP-601, are likely used for calibrating and controlling radiofrequency (RF) pulses. The additional interchangeable modules allow the system to operate across specific frequency ranges, offering versatility for various types of nuclei and experimental needs in spectroscopy. CONDITION REPORT > Untested for functionality ~ Offered as shown.

SHIPPING AVAILABLE > A vintage Howard Model 901A tabletop tube radio, exemplifying streamlined Art Deco styling with Mid-Century Modernist influences, crafted in a cream ivory Bakelite or composite case. Measuring 9.25 inches wide, 5.75 inches tall, and 5.5 inches deep, this piece is a refined expression of the 1950s Art Deco revival and Mid-Century Modern design aesthetics. The horizontal louvered grille emphasizes the sleek, streamlined design, a hallmark of the era's fascination with clean, functional lines and geometric symmetry. The bold, centrally positioned dial, marked HOWARD and reading in KILOCYCLES, is framed by a textured Art Deco-inspired pattern with prominent numerical markers. This combination of radial and geometric detailing highlights both the decorative and functional approach typical of Mid-Century Modernism and the Art Deco revival. The original 110-volt power cord and back panel remain intact, enhancing its collectible appeal. Although the example powers up with a loud speaker emitting static, it currently lacks radio station transmission reception at our location. The backside bears the original label, identifying it as MODEL 901A, with specifications of 105 TO 125 VOLTS at 30 WATTS, produced by HOWARD RADIO CO., CHICAGO, ILLINOIS. This HOWARD radio embodies the iconic streamline and modernist design principles of its time, making it a distinguished addition for collectors who appreciate Art Deco and Mid-Century aesthetics in functional decor. CONDITION REPORT ~ Note above relative to incomplete funcitonality ~ Lacking the clear plastic domed cover over the dial ~ As discovered, uncleaned and unaltered, with settled dust and spots.

SHIPPING AVAILABLE > Vintage New Orleans Mardi Gras Fleur de Lis sequined tunic, a statement costume piece crafted for the iconic revelry of Mardi Gras, a festival rooted in the history and culture of New Orleans. Known for its opulent parades, grand floats, krewes, and masked balls, Mardi Gras is a time of joyous celebration and vibrant spectacle, dating back centuries. This unisex tunic captures the spirit of this tradition with a stunning display of gold and silver sequins, showcasing a central Fleur de Lis motif, a nod to the city’s French heritage and regal symbolism. In New Orleans, Mardi Gras colors hold deep significance: purple represents justice, green stands for faith, and gold symbolizes power. This tunic’s lavish detailing, with ornate gold-trimmed accents around the neck, shoulders, and sleeves, reflects the luxurious spirit of the festival, while the sparkling silver background mirrors the glimmer of Mardi Gras lights and beads tossed from floats. The puffed sleeves and decorative trim add a vintage flair, reminiscent of costumes worn by krewe members as they participate in the timeless festivities. Measuring 20 inches across the chest, 30 inches in length, and with 22-inch sleeves from the shoulder seam, this tunic is designed to fit comfortably for both men and women. The satin-like lining enhances its wearability, making it a perfect choice for any Mardi Gras event, whether on parade routes, at masquerade balls, or as part of a collector's display. This tunic is not only a piece of festive attire but also a representation of New Orleans’ rich cultural legacy and the enduring allure of Mardi Gras. CONDITION REPORT > A notably well preserved example ~ Perhaps typical and minor elements relative to age, minimal wear and materials.

SHIPPING AVAILABLE > This collectible COCA-COLA and JOHN DEERE licensed metal tray, titled "FILLIN' UP ON MEMORIES," measures 13 x 10.5 inches and stands 1 inch tall to the rolled edge. Issued in 1996, it represents the first jointly licensed product between The Coca-Cola Company and Deere & Company. The artwork, created by Pamela Renfroe in 1995, was inspired by a 1930s-era gas station in Hartwell, Georgia. Renfroe’s depiction features her family and friends, along with a 1936 John Deere Model "B" tractor, capturing a nostalgic scene from rural American life. The lithographed scene brings to life a bustling countryside service station, complete with vintage automobiles, a red pickup truck, and children playing with a wagon. Above the station, a prominent COCA-COLA sign and the labeled "GAS AND OIL" add a touch of authentic period advertising. The tray's vibrant green border with a subtle yellow trim complements the rural charm of the imagery. On the reverse, details about the artwork and licensing are inscribed, noting Pamela Renfroe’s inspiration, her art business in Hartwell, Georgia, and the collaborative licensing between COCA-COLA and JOHN DEERE. This piece was produced under the authority of The Coca-Cola Company, with trademarks COCA-COLA, COKE, and the contour bottle, and under Deere & Company for the leaping deer logo and JOHN DEERE name. This tray is distributed by Trademark Marketing International, Inc., adding to its collectible appeal for fans of Coca-Cola, John Deere, and American nostalgia. CONDITION REPORT > A well preserved example with no overt issues.

SHIPPING AVAILABLE > This special limited edition COCA-COLA tray commemorates the 85th Anniversary of the First Bottling of Coca-Cola in Vicksburg, Mississippi, 1894. Measuring 12.25 inches in diameter, it features a raised flange border with a depressed center and showcases artwork celebrating the historic achievement of Joseph A. Biedenharn, the first to bottle Coca-Cola. The front artwork highlights Biedenharn outside his Biedenharn Candy Company, holding a map of Mississippi marked with Vicksburg, along with a classic Hutchinson stoppered bottle—the original type used for Coca-Cola. A vintage DRINK A BOTTLE OF COCA-COLA, 5 CENTS sign completes the scene, encapsulating the early days of Coca-Cola’s expansion beyond soda fountains. The back of the tray recounts the story of Biedenharn’s groundbreaking decision to bottle Coca-Cola, initially as a means to reach customers in rural areas beyond Vicksburg. In the summer of 1894, Biedenharn bottled the popular soda fountain drink in his candy shop on Washington Street, launching what would become the foundation for Coca-Cola’s extensive bottling network. Asa Candler, then president of The Coca-Cola Company, acknowledged the innovation with a brief note but never returned Biedenharn’s bottles. This commemorative tray, produced by The Coca-Cola Company in 1979, celebrates the ingenuity that transformed Coca-Cola from a local treat to a globally recognized brand. The tray’s inscription honors Biedenharn's legacy, his pioneering role in the bottling system, and his expansion into neighboring territories, emphasizing his belief that Coca-Cola required constant promotion, stating, "There are always new markets to conquer." CONDITION REPORT > Expect some blemishes, scratches and marks, along with varying elements relative to age, handling and materials.

SHIPPING AVAILABLE > This vintage COCA-COLA metal tray measures 17.5 x 13 inches, with a raised flange border and rolled edges, designed for durability and ease of handling. The tray’s classic red background features the iconic COCA-COLA logo in white, with the distinctive Dynamic Ribbon device sweeping across the lower portion, adding a touch of motion and style to the minimalist design. The bold, simplified layout emphasizes the brand’s instantly recognizable script, which has become synonymous with American culture and nostalgia. This tray, likely used in commercial or promotional settings, reflects the timeless appeal of Coca-Cola’s branding. Its substantial size makes it both a functional serving piece and an eye-catching decorative item, ideal for collectors of Coca-Cola memorabilia or lovers of vintage advertising design. The tray’s edges show light wear, adding authentic vintage character to this well-preserved example of Coca-Cola advertising history. CONDITION REPORT > As discovered, uncleaned and unaltered ~ Perhaps some settled dust, along with varying elements relative to age, handling and materials ~ Expect some marks, scratches or blemishes.

SHIPPING AVAILABLE > A vintage metal COCA-COLA advertising tray measures 10.5 x 13 inches, with a 1-inch raised border featuring a classic gold pinstripe and the iconic DRINK COCA-COLA stylized script at the top. The lithographed artwork captures an elegant lady of the early 1920s, styled in the fashion of the period. The woman, dressed in a soft pink gown with delicate, layered fabric, exudes sophistication. She is draped in a luxurious white fur stole, a fashionable accessory of the era that highlights her social status and the tray’s aspirational appeal. Her attire is completed with a fashionable cloche hat in blue, perfectly framing her short, wavy bob—a popular hairstyle in the 1920s that reflects the liberated spirit of the decade. With a gentle smile, she raises a glass of COCA-COLA in her hand, savoring the refreshing beverage, while a classic COCA-COLA bottle sits subtly in the lower corner, reinforcing the brand’s presence. Her confident, relaxed pose embodies the elegance and modernity that Coca-Cola aimed to associate with its brand during this period. This tray is not only a functional item but also a striking piece of vintage advertising, capturing the timeless appeal of Coca-Cola with a touch of Jazz Age glamour. CONDITION REPORT > Despite some scratches near the top right corner, a notably well preserved example of later production.

SHIPPING AVAILABLE > This collectible Coca-Cola tray, measuring 13.75 x 10.5 inches and featuring a slightly raised flange border, showcases the classic holiday artwork of Haddon Sundblom, the artist renowned for defining the modern image of Santa Claus in Coca-Cola’s holiday advertising campaigns. Sundblom's portrayal of Santa Claus ... jolly, rotund, and dressed in a red suit trimmed with white fur ... became iconic, helping shape the widely recognized image of Santa celebrated around the world. The scene, commonly titled ~ Good Boys and Girls, captures Santa by the fireplace, holding a green book labeled "Good Boys and Girls" as he checks his list. A note pinned above the mantel reads, Dear Santa, Please Pause Here – Jimmy, accompanied by a bottle of Coca-Cola, inviting Santa to take a refreshing break during his Christmas Eve journey. In the background, two curious children peek around the corner, adding to the festive charm of the artwork. Sundblom's work for Coca-Cola, beginning in the 1930s, became synonymous with holiday cheer, and this tray embodies that warmth and nostalgia, making it an ideal piece for collectors and fans of classic Coca-Cola memorabilia. The tray’s rich green border, with a gold “Enjoy Coca-Cola” script at the bottom, adds a finishing touch to this timeless seasonal display. CONDITION REPORT > Expect some scratches, blemishes and marks relative to age, handling and materials ~ Perhaps dusty.

SHIPPING AVAILABLE > This oval Coca-Cola tray, measuring 15 x 12.5 inches, is a reproduction featuring the iconic FLAPPER GIRL artwork, originally from a 1923 Coca-Cola advertisement. The tray's design is completed with a gold pinstripe along the raised, rolled edge, where small lettering notes the artwork's origin, connecting this piece to Coca-Cola’s vintage advertising legacy. The tray depicts a young lady holding a glass of Coca-Cola, embodying the elegance and carefree spirit of the 1920s. Her stylish bob haircut, light blue dress, and draped shawl reflect the fashion of the Jazz Age, a time when young women known as "flappers" symbolized a new era of modernity and independence. The DRINK COCA-COLA stylized script appears at the upper edge of the tray, adding authenticity to this nostalgic piece. This tray celebrates the timeless appeal of Coca-Cola’s advertising and its connection to the cultural iconography of the Roaring Twenties, making it a prized piece for collectors of Coca-Cola memorabilia. CONDITION REPORT > A notably well preserved example ~ Perhaps typical and minor elements relative to age and materials.

SHIPPING AVAILABLE > A vintage Coca-Cola metal tray measures 15.75 x 11 inches, featuring a raised flange border with rolled edges in a bold red color. The lithographed scene on the tray captures a classic Coca-Cola advertisement from the early 20th century, exuding both elegance and charm. The artwork presents a young woman with wavy, short blonde hair, dressed in a soft, flowing blouse that reflects the feminine fashion of the time. She holds a glass of Coca-Cola in her hand, lifting it slightly as if offering a toast to the viewer. Her expression is confident and slightly playful, a characteristic portrayal of the Coca-Cola brand’s aim to evoke a sense of enjoyment and refreshment. The stylized script DRINK COCA-COLA appears prominently in the background, with the slogan DELICIOUS AND REFRESHING displayed below, reinforcing the brand’s message. This tray captures the nostalgic essence of Coca-Cola advertising, blending vintage aesthetics with an inviting scene that speaks to the timeless appeal of the Coca-Cola brand. The vibrant red border accentuates the artwork, making it an attractive display piece for collectors of classic Coca-Cola memorabilia. CONDITION REPORT > Notable scratches to the right side, across the face ~ Varying elements relative to age and materials ~ Likely of somewhat recent production.

SHIPPING AVAILABLE > This Coca-Cola tray, titled WINTER BRIDGE, measures 17.5 x 12.75 inches and stands 1 inch tall with a raised flange border and rolled edges. Featuring the art of Jim Harrison, this 1996 tray captures the nostalgic charm of a snow-covered landscape with a rustic red covered bridge prominently displaying a faded Coca-Cola advertisement. Harrison, who began his career painting Coca-Cola wall bulletins, draws from his experiences to recreate the timeless beauty of Coca-Cola’s classic advertising. In this serene winter scene, the covered bridge stands as a tribute to rural Americana, nestled in the crisp whiteness of freshly fallen snow. Harrison notes the unique appeal of these bridges, traditionally covered to shield them from the harsh elements, which would otherwise cause the wooden structures to crack and weaken. Adding to the historical ambiance, Harrison’s artwork depicts a homestead and barn in the background, contributing to the tranquil atmosphere. Jim Harrison’s admiration for Coca-Cola signs and his love for classic American landscapes blend seamlessly in this piece, which combines art and nostalgia. His gallery in Denmark, South Carolina, is a testament to his lifelong connection with Coca-Cola. Produced under the authority of The Coca-Cola Company, this tray is a collector’s piece that celebrates both Harrison’s artistic legacy and the enduring appeal of Coca-Cola’s heritage. CONDITION REPORT > A notably well preserved example ~ No overt issues.

SHIPPING AVAILABLE > This classic round Coca-Cola tray, measuring 12.75 inches in diameter, features a slightly raised flange border decorated with a vibrant red and gold pattern, enhancing its vintage charm. The central artwork showcases a turn-of-the-century lady in an elaborate hat adorned with feathers and a rose, a popular motif in early Coca-Cola advertising campaigns aimed at capturing elegance and sophistication. Beneath her image is the iconic ENJOY COCA-COLA script, blending seamlessly with the tray's rich red background. The lady’s portrait, styled in a refined and glamorous manner, reflects Coca-Cola’s early branding strategy, which associated the beverage with grace and refinement. This tray is not only a functional piece but also a decorative homage to the timeless appeal of Coca-Cola’s advertising history. The ornate gold border adds an extra layer of vintage appeal, making it an ideal collectible for enthusiasts of Coca-Cola memorabilia and lovers of nostalgic Americana. CONDITION REPORT > A rather well preserved example ~ No overt issues.

SHIPPING AVAILABLE > This vintage TOM'S snacks advertising calendar , produced for 1993, features a December 1992 month sheet at the bottom, aligning with the holiday season. Measuring 11.75 x 19 inches, the calendar showcases a promotional “topper” photograph that exudes a relaxed, beachside atmosphere. In the photo, a woman in a white polka-dotted bikini reclines comfortably on a lounge chair with a TOM'S LOGO beach umbrella set up nearby, adding brand visibility to the scene. Beside her is a small round table, where she enjoys a serving of TOM'S ROASTED PEANUTS, along with a refreshing drink garnished with lemon. The photograph emphasizes the leisure and enjoyment associated with TOM'S products, ideal for snacking in any setting. At the bottom, the text reads DECEMBER 1992, displaying holiday reminders such as CHRISTMAS on the 25th and NEW YEAR'S EVE on the 31st. A seasonal message is also included: TIS THE SEASON FOR TOM'S SNACKS. ALL OF US AT TOM'S WISH YOU A HAPPY AND SAFE HOLIDAY. The distributor details are prominently listed: JOHN NOTARI SALES, INC. 6520 MASONIC DRIVE, ALEXANDRIA, LA 71301 (318) 442-0004 OR 448-0989. This calendar is a nostalgic example of TOM'S advertising, combining brand imagery with a welcoming seasonal message. CONDITION REPORT > A notably well preserved example ~ No overt issues. History of Tom's Snacks Tom's Snacks has a rich history rooted in American snacking culture. Founded in 1925 by Tom Huston, an entrepreneur in Columbus, Georgia, Tom’s began with a unique peanut shelling machine and a method for packaging roasted peanuts in airtight bags to preserve freshness. Huston’s innovations quickly established Tom's as a recognizable name, especially in gas stations and convenience stores throughout the southeastern United States. Known initially for its roasted peanuts, Tom's expanded over the years to include a variety of snacks, such as potato chips, cheese crackers, and corn chips, catering to the growing demand for convenient, on-the-go treats. In 1966, General Mills acquired Tom’s, which enabled wider distribution and marketing efforts, pushing the brand into a national spotlight. Ownership changed several times over the decades. In 1983, Rowntree Mackintosh, a U.K.-based confectionery company, purchased Tom's Snacks. A decade later, in 1993, Heico Acquisitions took ownership before selling to Lance, Inc., a large snack producer in North Carolina. The brand later became part of Snyder’s-Lance when Lance merged with Snyder’s of Hanover in 2010, bringing Tom's into a broader distribution network and enhancing its visibility. Despite these changes, Tom’s remained a beloved brand, particularly in the South, with classic products that resonate with a sense of nostalgia and tradition. Today, as part of Campbell Soup Company’s portfolio following its acquisition of Snyder’s-Lance in 2018, Tom’s Snacks continues to offer its traditional line of roasted peanuts, cheese crackers, pork rinds, and potato chips. Known for its distinctive red and white packaging and enduring appeal, Tom’s has secured a lasting place in American snack history, representing the simplicity and satisfaction of traditional snack foods that have been enjoyed by generations. With nearly a century of heritage, Tom’s Snacks maintains a loyal customer base while adapting to shifts in the snack food industry.

SHIPPING AVAILABLE > This is a set of three vintage bank checks issued by the DIXIE-MAID ICE CREAM COMPANY of DeRidder, Louisiana, dating from the 1940s, a period marked by World War II. Each check, drawn on the FIRST NATIONAL BANK of DeRidder, Louisiana, features a vibrant color lithograph image of a slice of Neapolitan-style ice cream served on a decorative plate, a delightful and nostalgic piece of advertising from this era. Along one side of each check is a promotional message, reading: Eat DIXIE-MAID Ice Cream ~ Made with Sweet Cream and Natural Ingredients ~ A Wholesome Food. This group of three checks represents a unique collectible item, capturing the branding and aesthetic of mid-20th-century American advertising. The Dixie-Maid Ice Cream Company was part of a broad trend in the United States of regional dairy and ice cream companies catering to local tastes. Many of these companies grew during the early to mid-20th century, offering products that became staples in their communities. During the World War II era, ice cream was particularly popular among both civilians and servicemen, serving as a comforting treat amidst the uncertainties of the time. Dixie-Maid’s branding highlights the wholesome and natural ingredients used, a quality that would have resonated with customers looking for simple, quality products. CONDITION REPORT > Well preserved examples ~ No overt issues. HISTORY ~ DIXIE MAID ICE CREAM COMPANY & DeRIDDER, LOUISIANA The Kern family has been associated with DeRidder since 1916. Kade Bardin, company owner and Hunters father, said his uncle, Clebert Cyprien C.C. Kern bought the bottling business just before World War I. The franchise in DeRidder had been started by the Christian brothers and the original plant operated on East First at a nearby, but different location. Leonce Cyprian L.C. Kern, Kades grandfather, came to DeRidder after World War I to help his brother with the new business. The Kerns came from the Donaldsonville/Napoleonville area, but the family ultimately originates from Alsace-Lorraine and were French-speaking. Together, in 1926, brothers C.C. and L.C. founded Dixie Maid Ice Cream, an addition to their successful soda bottling business. In July 1927, C.C. Kern was struck by a car and injured. He died a few days later in the hospital of pneumonia at age 43. At that time, L.C. Kern and C.C.s widow, Leocadie Naquin Kern, took over the business. The building that is being restored for the current vending business was constructed in 1936. Many locals remember watching through the large glass window in the front as soda was bottled. In 1980, the family sold the bottling part of the business, and Dixie Maid continued until the 2010s. In 1981, Kade and wife, Sunshine, started Bardin Vending Service at 134 East First Street in DeRidder. DeRidder was named for Ella de Ridder, the sister-in-law of a Dutch railroad financier. Her family originally came from the small town of Geldermalsen in the Netherlands where she was one of thirteen children. She ran away from home at an early age and was presumed dead by her family who only recently discovered that she had traveled to the United States. The town was named for her by her brother-in-law who brought the first railroad to Southwest Louisiana. Prior to that, the little town was known as Schoval. The Dutch-financed train line to DeRidder came in 1902. It was the Pittsburgh & Gulf Railroad. It was later called the Kansas City Southern.

SHIPPING AVAILABLE > This 1939 Coca-Cola book cover features safety and refreshment themes, appealing to school-aged children. Printed in vibrant red lithography, the design highlights key safety messages under a banner reading SAFETY FIRST, encouraging children to follow traffic rules, avoid playing in the street, and refrain from hitching rides. The text includes spaces labeled NAME, TITLE, and SCHOOL for personalization. On the opposite side, the iconic Coca-Cola bottle is displayed prominently alongside the friendly Coca-Cola elf figure, with the words HAVE A COKE and ENJOY THE PAUSE THAT REFRESHES. Each flap is adorned with detailed instructions on how to fold and use the cover properly. This unique promotional item showcases Coca-Cola's effort to engage young audiences with positive messaging, blending brand imagery with valuable safety advice, all under the COMPLIMENTS OF THE COCA-COLA BOTTLING CO. CONDITION REPORT > Considering the age and materials, quite a well preserved example ~ Please examine images closely to form your own conclusion.

SHIPPING AVAILABLE > POST-WORLD WAR II COCA-COLA SERVICE STATION PROMOTIONAL FOLIO Measuring approximately 12 x 14 inches, this extensive folio is a rare collection of post-World War II promotional materials, used by Coca-Cola bottler salesmen to encourage gas stations to offer Coca-Cola products. The folio contains various marketing elements designed to boost traffic and enhance customer loyalty at service stations. The cover features bold text, reading PROVED TRAFFIC BUILDERS FOR SERVICE STATIONS, along with the familiar DRINK COCA-COLA logo. Within, a rich assortment of promotional items is presented, each aimed at attracting patrons through engaging displays and enticing offers. Key components include: Promotional Booklets: Titles such as AUTOMOBILUS AMERICANUS and INCREASE YOUR TIRE SALES highlight tailored marketing strategies designed to integrate Coca-Cola offerings with automobile services. Promotional Cards and Tags: Notable tags featuring brands like PHILLIPS 66, MOBILGAS, and PURE OIL CO. were included to promote bottle returns and incentivize purchases through Coca-Cola rewards. Coupons and Loyalty Promotions: A 'FIVE OF A KIND' promotion encourages repeat business with redeemable Coca-Cola coupons. This initiative fosters customer return by offering a carton of Coca-Cola for accumulated purchases. Grand Opening and Event Advertisements: Eye-catching posters for GRAND OPENING DAY events offer patrons Coca-Cola incentives with fuel purchases, building event traffic and encouraging repeat visits. For example, the PHILLIPS 66 and PURE GAS stations held OPEN HOUSE celebrations, distributing six-bottle cartons of Coke with gas purchases. Each item in this folio demonstrates Coca-Cola's postwar strategy to integrate its products into daily consumer routines at service stations, thus promoting brand visibility and creating opportunities for repeat customer interactions. This unique and historical folio is an exceptional example of mid-20th-century marketing, embodying Coca-Cola’s efforts to align with American automobile culture and service station retail, marking an era of innovative promotional tactics. CONDITION REPORT > Master folio exhibits some varying element relative to age, storage and materials, none overt ~ Interior contents are remarkably well preserved and perhaps never handled.

SHIPPING AVAILABLE > This extra large vintage Clabber Girl Baking Powder tin, measuring 8-1/2 inches in height and 7 inches in diameter, held 10 pounds of double-acting baking powder, wrapped with a lithographed label. Manufactured by HULMAN AND COMPANY in Terre Haute, Indiana, the tin features classic branding and vibrant graphics showcasing a mother and daughter baking, a depiction that emphasizes Clabber Girl’s place in American family kitchens. The label on the front prominently reads CLABBER GIRL in bold red letters with THE DOUBLE ACTING BAKING POWDER below, along with the text NET WT. 10 LBS. The directions on the back of the tin emphasize the balanced double action of Clabber Girl Baking Powder. Recommended for use in recipes calling for double-acting baking powder, the instructions suggest using approximately 1-1/4 level teaspoons per cup of sifted flour for various baked goods. Additional directions warn users not to sift baking powder with flour ahead of time or add it directly to hot liquids, highlighting Clabber Girl’s commitment to quality baking results. Text on Front of Tin: CLABBER GIRL ~ THE DOUBLE ACTING BAKING POWDER ~ NET WT. 10 LBS. Manufactured by HULMAN AND COMPANY, Terre Haute, Ind Contains CORN STARCH, BICARBONATE OF SODA, SODIUM ALUMINUM SULPHATE, ACID PHOSPHATE OF CALCIUM Features a picture of a mother and child baking, symbolizing its trusted family appeal Text on Back of Tin: DIRECTIONS: Use CLABBER GIRL, the Baking Powder with the balanced Double-Action, the kind specified in most recipes, for delicious biscuits, quick breads, cakes, cookies, and other baking powder products. For best results use about 1-1/4 level teaspoons CLABBER GIRL Baking Powder to each cup of sifted flour for most biscuits, quick breads, and cookies; and 1 to 2 teaspoons (a little less for cookies) in some cases for quick-method cakes or recipes using coarse flours or bran meal. Always sift baking powder with other dry ingredients or shake with flour before adding milk or other liquids. Claims compliance with all pure food laws, emphasizing national standards Included Booklet: The booklet, titled CLABBER GIRL – THE OLD FAMILY, complements the tin with additional brand heritage and baking advice. It features a similar illustration of the Clabber Girl tin and promotes the company’s commitment to quality and tradition in baking. Text on Front of Booklet: CLABBER GIRL – THE OLD FAMILY DOUBLE ACTING BAKING POWDER HULMAN AND COMPANY, Terre Haute, Ind. Includes encouragement to ask for the CLABBER GIRL Recipe Book ~ Details the baking benefits of Clabber Girl Baking Powder and reiterates its role in trusted family recipes CONDITION REPORT > Expect varying elements relative to age, materials and handling.

SHIIPING AVAILABLE > Leeds & Northrup Single Range Potentiometer Indicator in Wooden Case Due to a penned notation, seems this example was used by someone in an Agriculture and Bio-Engineering Department. This Leeds & Northrup Single Range Potentiometer Indicator, housed in a likely oak wooden case measuring approximately 9.5 x 6.5 x 7.5 inches, is a specialized laboratory instrument used for precise temperature measurement and calibration through thermocouples. The sturdy wooden case includes a leather handle on top, providing durability and portability. All components appear intact, though the device has not been tested for functionality. Potentiometers like this one are used in scientific and engineering applications to measure small voltage differences, often in conjunction with thermocouples. In temperature measurement, a thermocouple generates a voltage corresponding to a temperature gradient, which the potentiometer reads to determine the exact temperature. This model includes a galvanometer for zeroing adjustments, a compensator dial for manual reference junction adjustments, and connection points for various thermocouple wires. Its precise adjustments allow users to measure temperature or small voltages with high accuracy. This instrument exemplifies the quality and craftsmanship Leeds & Northrup brought to precision measurement tools, making it suitable for laboratory work, research, and industrial applications requiring dependable calibration and temperature readings. Printed details to a lithographed paper applied reads > This Single Range Potentiometer Indicator, produced by Leeds & Northrup, is a precision instrument used for temperature measurement and calibration through thermocouples. It includes detailed Directions for Preliminary Adjustments to ensure accurate operation. Adjusting the Galvanometer Zero requires sliding the pointer clamp toward the scale, adjusting the cap screw carefully to bring the pointer to zero. Potentiometer Current is set by removing the keyed handle, inserted into the case’s side keyway, adjusting the T.C. and S.C. keys, and carefully tuning the rheostat. Warnings caution against exposing the device’s standard cell to temperatures outside 32°F to 140°F, as this may affect accuracy. If extreme temperatures are necessary, it’s advised to remove the standard cell and maintain connections with temporary leads. For Temperature Measurement, if using a manual reference junction compensator, thermocouple wires are attached based on polarity, with the compensator dial adjusted to the ambient or ice bath temperature. When equipped with automatic junction compensation, Leeds & Northrup extension lead wires are directly connected without an ice bath. Maintenance instructions detail replacing the internal No. 6 dry battery when current adjustments become impossible or inaccurate. Additionally, a galvanometer clamp mechanism allows secure removal of the galvanometer if required. This carefully engineered instrument demonstrates a high level of sensitivity and standardization, embodying Leeds & Northrup’s quality in precision measurement tools for laboratory and field applications. CONDITION REPORT > Not tested for functionality or offered as operational ~ Evaluate condition based on images offered.

SHIPPING AVAILABLE > A charming pair of ceramic salt and pepper shakers, standing 7" tall and measuring 1.75" in diameter at the base. These delightful pieces showcase handpainted designs on vibrant, glossy glazes, exuding a whimsical charm. Each shaker is anthropomorphic in style, featuring playful, human-like characteristics, such as expressive facial features and exaggerated postures, which add personality and a touch of humor to the set. The designs, rendered in lively hues, are skillfully applied to enhance the anthropomorphic theme, creating a sense of motion and individuality. Both shakers retain their original cork stoppers, ensuring functionality while maintaining authenticity. The underside of each piece is marked with a foil label reading HANDPAINTED ~ TILSO ~ JAPAN, affirming their mid-century origin and collectible status. These shakers not only serve as functional tableware but also as decorative accents, ideal for collectors of vintage ceramics or lovers of mid-century whimsical designs. CONDITION REPORT ~ Offered, as discovered ~ Perhaps never used ~ Remarkably well preserved examples.

SHIPPING AVAILABLE > A substantial graniteware kettle, standing approximately 7" tall, exclusive of the arched metal handle, measuring 9" in diameter to the base. This example of utilitarian military cookware features a speckled enamel over metal finish, a hallmark of durable kitchenware from the era. The piece features a large, angled spout for efficient pouring and is completed with a domed cover that fits snugly. The underside is prominently marked U.S.N., denoting use by the United States Navy, alongside THE VOLLRATH CO., a respected name in American cookware. Vollrath, founded in the 1870s, became renowned for producing high-quality kitchenware and was a key supplier to the military during World War II. This kettle, likely a World War II-era example, was designed for heavy-duty use, no doubt serving in a Navy ship or submarine galley or mess hall to heat water or prepare hot beverages for the crew of sailors. The design reflects the practical and robust requirements of naval service, ensuring functionality under demanding conditions. A piece of historical cookware, it not only demonstrates the resilience of wartime manufacturing but also serves as a tangible connection to the daily life aboard U.S. Navy vessels. CONDITION REPORT ~ Offered, as discovered, not cleaned or polished ~ One oval spot of enamel loss ~ Otherwise, a remarkably well preserved example, perhaps having seen minimal use.

SHIPPING AVAILABLE > Standing 2.5" tall at the receptacle, measuring 2.5" in outside diameter, accepting a nut measuring just under 1.5" overall, with the screw bolt measuring 4" long, made of subtantial wood. This appears to be a vintage or antique screw-type nutcracker crafted from wood. The design features a large, rounded hollow chamber where the nut would be placed and a robust threaded screw mechanism. The ridged handle, when turned, forces the screw into the chamber to apply pressure, effectively cracking the shell of the nut. The solid wooden construction and smooth, aged patina suggest it was handmade or produced during a period when wooden tools were preferred for their durability and simplicity. The design is utilitarian yet elegant, showcasing craftsmanship intended to make it both functional and aesthetically pleasing. Such pieces were common household tools before the advent of more modern nutcrackers, and their rustic charm makes them collectible today, often appreciated for their decorative and functional appeal. This example could have been used for a variety of nuts, such as walnuts or hazelnuts, and its heavy-duty construction implies it was built for regular use. CONDITION REPORT > A notably well preserved example ~ No overt issues.

SHIPPING AVAILABLE > This vintage glazed pottery figure, standing 5.5" tall, is known as Bennie the Baker, a whimsical pie bird, or more aptly termed as a "pie vent" was produced by the Cardinal China Company during the 1940s and 1950s era/ Designed to release steam during pie baking, this piece represents a cheerful baker complete with a chef's hat, apron, and playful detailing. Both the right hand and the mouth are pierced, making it functional for venting steam while also preventing pies from bubbling over during baking. The back of the figure’s apron is embossed with the marking PAT PEND, indicating the design was awaiting patent approval during its production. Cardinal China Company, based in Carteret, New Jersey, was renowned for creating such playful yet functional ceramic kitchenware, and Bennie the Baker stands as an excellent example of their mid-20th-century craftsmanship. Venting charm, combining practicality with a whimsical aesthetic, this piece would have been both a useful kitchen tool and a delightful decorative accessory. Bennie the Baker remains highly collectible among vintage kitchenware enthusiasts, particularly those specializing in pie birds. CONDITION REPORT ~ Offered, as discovered, not cleane or altered ~ Seemingly a well preserved example ~ No overt issues. HISTORY of PIE BIRDS or VENTS Pie birds, also known as pie vents, are small hollow ceramic or metal figures designed to release steam from a pie during baking. Their primary function is to prevent the pie filling from bubbling over by allowing steam to escape through the vent, ensuring a crisp and even crust while maintaining the pie’s structural integrity. The use of pie vents dates back to the 18th century, with early versions made from clay or metal. These early vents were simple and utilitarian in design. However, by the 19th and 20th centuries, pie birds evolved into charming, whimsical figures, often resembling birds or other animals. The bird shape is thought to have been inspired by the nursery rhyme Sing a Song of Sixpence, which mentions "four and twenty blackbirds baked in a pie." By the mid-20th century, pie birds had become a popular kitchen accessory, especially in North America and the United Kingdom. Companies such as the Cardinal China Company, Red Wing Pottery, and Wade Pottery produced a variety of designs, ranging from practical to highly decorative. Some pie birds featured anthropomorphic designs, such as chefs or bakers, adding a playful touch to their functionality. Pie birds are placed in the center of a pie before baking, with their hollow body allowing steam to vent through the top. This prevents the crust from collapsing and helps the filling cook evenly. Beyond their functionality, pie birds became collectible items, prized for their unique designs and historical significance. Today, they are sought after by collectors of vintage kitchenware and ceramics, with certain designs commanding high prices in the antiques market.

SHIPPING AVAILABLE > A diverse lot of vintage men's wristwatches featuring various brands, including Waltham, Timex, and others. This collection comprises a total of eight wristwatches, some complete with metal expansion bands, while others are presented without straps. The assortment showcases mid-century to late 20th-century styles, reflecting a range of designs and functions. Highlighted in the lot is a gold-toned Waltham wristwatch marked 17 Jewels and Shockresistant, with Swiss movement, displaying a patina indicative of age and use. The watch face features a subtle gold dial with raised hour markers and a signature red Waltham logo. Accompanied by its original wavy expansion band, it embodies a vintage elegance synonymous with Waltham’s reputation for quality. The collection includes other notable pieces, such as Timex watches and additional unmarked or lesser-known brands, each offering unique dial and case designs. While some watches are operational, others may require repair or servicing, making this lot ideal for collectors or those seeking vintage wristwatch restoration projects. CONDITION REPORT ~ Not tested for functionality ~ Offered, as discovered, not cleaned or polished ~ Includes watches in varying states of preservation, with some showing signs of wear, scratches, or patina consistent with age and use ~ Some watches may not be in working order and are sold as-is.

SHIPPING AVAILABLE > A vintage HADACOL dietary supplement bottle with its original box and promotional insert, produced by THE LEBLANC CORPORATION of LAFAYETTE, LOUISIANA. The box stands 7.75 inches tall and measures 1.5 x 3 inches. It retains its original blue and cream packaging, which advertises the contents as a dietary supplement containing vitamins and minerals. The amber glass bottle retains some or all of its original contents and features branding consistent with mid-century marketing. The box top has been removed, likely due to its use as a premium for HADACOL’s promotional campaigns. The front of the box reads: HADACOL REG. U.S. PAT. OFF. A DIETARY SUPPLEMENT THE RECOMMENDED ADULT DAILY INTAKE OF 4 TABLESPOONFULS (2 FL. OZ.) CONTAINS THE VITAMINS B1, B2, NIACINAMIDE, B6, AND PANTOTHENIC ACID PLUS THE MINERALS IRON, MANGANESE, CALCIUM, AND PHOSPHORUS. PRICE $1.25 MANUFACTURED BY THE LEBLANC CORPORATION LAFAYETTE, LOUISIANA, U.S.A. HADACOL was created in the late 1940s by Louisiana State Senator Dudley J. LeBlanc. The tonic contained vitamins, minerals, honey, and 12% alcohol—an ingredient that contributed to its immense popularity, particularly among those seeking a "medicinal" excuse for alcohol consumption during restrictive times. While marketed as a remedy for vitamin and mineral deficiencies, HADACOL made broad, unsubstantiated claims about curing various ailments. As a result, it was often labeled as a quack medicine, drawing criticism from medical professionals and regulatory authorities. Despite this, HADACOL became a cultural phenomenon, buoyed by aggressive advertising, celebrity endorsements, and the HADACOL CARAVAN SHOW—a traveling promotional event featuring stars such as BOB HOPE, JIMMY DURANTE, AND HANK WILLIAMS. Admission to these shows required HADACOL box tops, blending entertainment with product marketing. By the early 1950s, financial mismanagement led to HADACOL's decline, but it remains a fascinating relic of mid-20th-century advertising and consumer culture. CONDITION REPORT ~ Offered, as discovered, not cleaned or polished ~ Box shows wear consistent with age, including the removal of the top panel ~ Bottle appears intact, retaining its label and contents, though exact volume is uncertain ~ Promotional insert displays creases and minor discoloration, adding to its vintage character. Offered strictly as a collectible and not for consumption.

SHIPPING AVAILABLE > A vintage set of Coca-Cola Golf Classic promotional items, including two unopened packages of Top-Flite XL golf balls and a sealed package of wooden golf tees, all branded with COCA-COLA GOLF CLASSIC and FULL LINE VENDING. Each package of golf balls contains three high-performance Top-Flite XL balls, known for their long trajectory and durability, with one ball in the foreground prominently displaying the Coca-Cola branding in red. The accompanying sealed bag of golf tees also features the COCA-COLA GOLF CLASSIC and FULL LINE VENDING logos printed in red, maintaining consistency in branding. These promotional items were likely distributed as part of a Coca-Cola Golf Classic event or marketing campaign, blending practicality with collectible appeal. The set captures the intersection of sports and branding, offering a nostalgic glimpse into Coca-Cola’s promotional history. CONDITION REPORT ~ All items are in their original packaging, remaining unused, retaining their original presentation and promotional graphics.

SHIPPING AVAILABLE > A 1943 COCA-COLA promotional notebook and mechanical pencil set, distributed by the COCA-COLA BOTTLING COMPANY of McCOMB, MISSISSIPPI, and tailored for World War II-era use. The notebook measures 3.75 x 6 inches, featuring a bold red cover with gold embossed lettering, including an eagle design above the word NOTES. Below, it reads COMPLIMENTS OF THE COCA-COLA BOTTLING COMPANY. The inside front cover contains a 1943 calendar, while the inside rear cover provides practical U.S. weights and foreign currency conversions, indicating its design for military personnel in the U.S. Armed Forces during World War II. The accompanying mechanical pencil features a red Bakelite barrel with silver enamel filled incised lettering that reads DRINK COCA-COLA IN BOTTLES COCA-COLA BOTTLING CO., McCOMB, MISS. Adorned with a figural nickel silver COCA-COLA bottle pocket clip, the pencil functions correctly, retaining its lead and eraser under the screw-off top cap, both intact and operable. CONDITION REPORT ~ Notebook shows some spotting and discoloration, with light age-related wear to the cover ~ The interior pages are remarkably clean and intact ~ The Pencil is superb example, fully functional with original lead and eraser, showing minor signs of wear consistent with age ~ An excellent example of Coca-Cola advertising and World War II-era memorabilia.

SHIPPING AVAILABLE > This lot includes -2- examples of the same record Seeminlgy pomotional 45 RPM vinyl records, specifically created for marketing purposes by The Coca-Cola Company to promote its "It's the Real Thing" advertising campaign. These were likely distributed to advertising agencies, Coca-Cola distributors, or executives, rather than for commercial sale or airplay, as explicitly noted with "This record is not to be played on the air." Side One Features ~ THE NEW SEEKERS ~ LITTLE BIT OF SUNSHINE :60 ~ Backer, Davis, Cook, and Greenaway ~ Copyright © 1971 The Coca-Cola Company. IT’S THE REAL THING :60 ~ Bill Backer ~ Copyright © 1969 The Coca-Cola Company. Side Two Features ~ BUY THE WORLD A COKE :60 ~ Backer, Davis, Cook, and Greenaway ~ Copyright © 1971 The Coca-Cola Company. The songs featured jingles performed by The New Seekers, a popular group associated with Coca-Cola's famed ~ I'd Like to Buy the World a Coke ~ campaign, which famously aimed to connect the brand with themes of harmony and global unity. Such records were often distributed internally within Coca-Cola, to advertising agencies, or as part of promotional kits to Coca-Cola’s partners. They were not intended for commercial distribution or public radio play, which is why they are marked "not to be played on the air." Coca-Cola's "It's the Real Thing" campaign. launched in 1969, and the subsequent "I'd Like to Buy the World a Coke" campaign of 1971 became iconic moments in advertising history. The music was a critical part of this success, as the jingles resonated with audiences and reinforced Coca-Cola's branding. These records represent a tangible piece of advertising history, combining Coca-Cola’s marketing efforts with the musical and cultural impact of the era. Collectors highly value such items for their historical significance and connection to one of the most memorable marketing campaigns of the 20th century. CONDITION REPORT > Superb, mint condition examples with sleeves ~ Never played.

SHIPPING AVAILABLE > A group of five double-sided, glossy lithographed rigid cardstock inserts, each measuring approximately 8 inches square, showcasing vibrant menu items paired with fountain Coca-Cola in classic branded cups. These inserts, likely designed for larger menu board displays, feature ten total images (one on each side of the five cards), presenting a variety of food combinations. Card One > Side One: A plate of three hard-shell tacos loaded with meat, lettuce, and cheese, accompanied by a Coca-Cola in a red branded fountain cup. ~ Side Two: A pizza with slices served alongside a Coca-Cola cup, emphasizing the pairing of hot, cheesy pizza and an ice-cold drink. Card Two > Side One: A breaded fish sandwich in a bun with lettuce, served with a cup of Coca-Cola and a metal pot of tartar sauce in the background ~ Side Two: A cheeseburger with a patty, lettuce, and tomato on a bun, paired with crinkle-cut fries and a Coca-Cola cup. Card Three > Side One: Golden fried fish fillets served in a basket with French fries, paired with a Coca-Cola cup and a bottle of vinegar or oil in the background ~ Side Two: A carton of popcorn spilling onto the table, complemented by a Coca-Cola cup, evoking movie-night vibes. Card Four > Side One: A flour tortilla wrap with shredded cheese and sauce on the side, paired with a Coca-Cola cup, suggesting a Tex-Mex menu option ~ Side Two: A hamburger patty being placed on a bun, served with French fries in a cardboard tray and a Coca-Cola cup. Card Five ~ Side One: A grilled cheese sandwich steaming on a plate, accompanied by a Coca-Cola cup, showcasing a comforting classic meal pairing ~ Side Two: A cheeseburger with a slice of cheddar cheese, served open-faced alongside French fries and a Coca-Cola cup. CONDITION REPORT ~ All inserts are in well-preserved condition, showing minor signs of handling and wear consistent with storage and use. Each features bold colors and crisp graphics, highlighting Coca-Cola’s classic branding and its association with popular menu items. These inserts represent mid-century advertising materials designed to enhance menu boards in restaurants or fast-food establishments.

SHIPPING AVAILABLE > An 11.5" tall clear glass jar with an applied die-cut paper label on one side, advertising ADAMS brand candy-coated peppermint and spearmint chewing gum. The jar features a domed cover with a raised finial surrounded by scalloped indentations, crafted with a ground flange that fits securely to the jar. The paper label depicts a woman's portrait above the ADAMS logo and includes the text PEPPERMINT CANDY COATED SPEARMINT repeated along the lower portion. The handwritten note included with the item speculates the jar's association with ADAMS chewing gum and references page 152 of Drugstore & Soda Fountain Antiques by Douglas Congdon-Martin as a potential verification source. However, questions arise regarding the authenticity of the paper label, as it does not seem consistent with the type of application expected for a jar intended for store counters from many years ago. CONDITION REPORT ~ Offered as discovered, uncleaned and unaltered ~ The lower portion of the flange to the lid exhibits significant chipping from damage ~ Paper label shows no apparent signs of aging consistent with its purported time frame, leading to questions about authenticity ~ A notably large and elegant jar with potential display or decorative appeal, despite uncertainties regarding its original use or label.

SHIPPING AVAILABLE > A miniature Coca-Cola can pendant, crafted from lightweight aluminum, fully lithographed with the iconic COCA-COLA branding and the text ALL ALUMINUM CAN near the base. The can measures approximately 1 inch tall and is suspended from a silver-tone metal chain with a spring-ring clasp. Presented in its original clear plastic display box lined with a blue velvet-like material. This novelty item serves as a collectible and a unique piece of Coca-Cola memorabilia, capturing the brand’s distinct advertising style in miniature form.

SHIPPING AVAILABLE > A pair of vintage paper hats featuring lithographed medium-weight cardstock bands with ENJOY COCA-COLA branding and the slogan IT'S THE REAL THING printed to both sides. The sailor-style design is evocative of mid-20th-century diner and concession culture. Each hat measures approximately 11 x 3.5 inches at the band, with adjustable sizing. The inner structure consists of lightweight tissue paper, designed for use by soda jerks, cooks, diner staff, and ballpark or stadium vendors, where such headwear was both practical and an advertising tool. CONDITION REPORT > These hats show discoloration and browning from storage over the years, with possible damage to the delicate tissue lining. Likely never worn, they are offered solely as collectibles and are not suitable for current wear.

SHIPPING AVAILABLE > A vintage Dixie Beer cardboard carrying case, designed to hold 24 twelve-ounce bottles, measuring approximately 9.5 inches in height and 11 by 17 inches in width and depth. The sturdy construction features heavy staples for durability. The exterior showcases lithographed graphics, including the phrases CERTIFIED PREMIUM accompanied by a wreath motif, RETURN BOTTLES AND CARTON TO DIXIE BREWING CO., NEW ORLEANS, LA., and PLEASE KEEP ME CLEAN AND DRY across the top flap. Notably, there are handwritten markings on the carton, likely added by previous owners. Included with the carton is an original, unopened Dixie Beer bottle. The brown amber glass bottle retains its body and neck labels, displaying branding elements such as CERTIFIED DIXIE BEER PREMIUM, GENUINE DIXIE BEER, and 100% PURE. Condition Report: The carton exhibits moderate age-related wear, including a torn portion on one flap and minor surface scuffs, yet it remains structurally sound. The bottle appears well-preserved and intact. History of Dixie Beer Dixie Beer was established in New Orleans, Louisiana, in 1907 by Valentine Merz. The original brewery, located at 2401 Tulane Avenue, was designed by German architect Louis Lehle. During Prohibition, the company operated under the name Dixie Beverage Company. In the 1980s, ownership changed hands, and the brewery faced financial challenges, including filing for Chapter 11 bankruptcy in 1989. After reorganization, Dixie introduced specialty beers like Blackened Voodoo and Jazz Amber Light in the early 1990s. The brewery suffered significant damage during Hurricane Katrina in 2005, leading to the closure of the original facility. Production was subsequently moved out of state until 2019, when brewing resumed in New Orleans. In 2020, the company announced a name change to Faubourg Brewing Company, reflecting a commitment to inclusivity and honoring the diverse neighborhoods of New Orleans.

SHIPPING AVAILABLE > A single 1930 Coca-Cola School Book Paper Cover, of heavy brown stock paper, measuring approximately 20 x 12 inches overall. These covers were distributed by local Coca-Cola bottlers to schools, serving a dual purpose of protecting students' books while prominently advertising Coca-Cola. The design features two primary illustrated advertisements: on the left, a prominently displayed Coca-Cola bottle labeled DELICIOUS and REFRESHING, and on the right, an image of a boy lounging with a bottle of Coca-Cola alongside the tagline WHOLESOME REFRESHMENT, PURE AS SUNLIGHT. Both advertisements emphasize the brand’s commitment to purity and refreshment. Other notable features include: A calendar of "Chief Legal Holidays in Various States" on the left-hand side, offering practical utility for students and teachers. The section THIS DAY IN HISTORY provides historical highlights, serving an educational purpose while keeping Coca-Cola advertisements visible in schools. Instructions for folding the cover to fit various book sizes, with no cutting or gluing required, as depicted at the top of the paper. CONDITION REPORT ~ While retaining its original structure and print clarity, the cover exhibits moderate to heavy signs of age, including discoloration, soiling, and creasing, particularly along the fold lines. Despite these imperfections, the graphics and text remain legible and provide a strong sense of vintage charm and historical context. These school book covers reflect a marketing strategy to engrain Coca-Cola branding into everyday life while associating the product with education and family values. They remain collectible pieces of Coca-Cola and advertising memorabilia.

SHIPPING AVAILABLE > Weighing a substantial 12 pounds and standing 20" tall, this vintage PARK-O-METER coin-operated parking meter represents a bygone era of municipal parking management. Measuring 7.5" wide by 4.5" deep to the upper body, the unit is crafted in cast metal with a rugged industrial design. It features an enameled plate on one side, identifying the manufacturer as Macwell Manufacturing Company of Pittsburgh, Pennsylvania, and displays "PARK-O-METER" in raised lettering to the upper casing. The meter includes a glass display window showcasing a "LIMIT 2 HOURS" dial with an "EXPIRED" flag that indicates time usage. Coins remain visible in the mechanism, with at least a penny and a dime present. Two keys are included: one grants access to the interior components, while the second secures the coin holder. The lot also features three original cast iron mounting elements designed to affix the meter to a pole. Notable wear is evident throughout, including surface rust to the mounting components, consistent with extended outdoor use. The operational functionality of the meter remains uncertain, and no further testing has been conducted. A quintessential piece of vintage Americana, this PARK-O-METER serves as both a collectible and a reminder of early 20th-century urban infrastructure. CONDITION REPORT ~ Offered as discovered with no cleaning or restoration ~ Evidence of rust and patina is present, notably to the mounting elements ~ Mechanism is intact but untested for functionality. HISTORY of the PARKING METER The coin-operated parking meter was first introduced in 1935 in Oklahoma City, Oklahoma, as a solution to the growing problem of urban traffic congestion. The invention is credited to Carl C. Magee, who designed the meters to encourage parking turnover in busy commercial areas. Dubbed the "Park-O-Meter No. 1," the first installation was met with widespread adoption across the United States as cities sought effective ways to manage limited parking spaces. Early meters, like the PARK-O-METER brand, featured mechanical mechanisms that allowed users to insert coins to pay for a set amount of parking time. The devices were typically mounted on poles and constructed from durable materials to withstand outdoor elements. By the mid-20th century, parking meters had become ubiquitous in urban centers, marking a significant development in city planning and transportation management. Over time, advancements in technology led to the evolution of parking meters, transitioning from mechanical systems to digital and app-based solutions. Vintage models, such as this PARK-O-METER, now serve as nostalgic collectibles, offering a glimpse into the early days of organized parking systems and the ingenuity of urban design.

SHIPPING AVAILABLE > Standing 6.75" tall and measuring 5.25 x 3" to the stepped base, this bedside table clock features a cast composite or Bakelite-like case with an arched top, commonly associated with the term cathedral-style in clock design. The arched, rounded-top case design mirrors the shape of cathedral windows or arches, which is a recognized stylistic term in antique and vintage clock classification. The clock face displays the text LINCOLN ELECTRIC ALARM, with additional markings noting ELECTRIC CLOCK CORP OF AMERICA. This is a spin-start type clock, appearing to function, as the second hand operates and seems to be keeping time over a few hours ... however, it is uncertain if it keeps time on long term basis or if the alarm mechanism is operational. A cloth-covered cord is attached, though it is heavily frayed and shows wear. CONDITION REPORT ~ Offered as discovered, not cleaned or polished ~ Frayed cloth covered cord, should be replaced ~ Otherwise, perhaps typical and minor elements relative to age, normal use and materials. Absolute functionality is uncertain and unwarranted.

SHIPPING AVAILABLE > A group of three vintage bank checks from the DeRidder Coca-Cola Bottling Company of DeRidder, Louisiana, drawn on the City Savings Bank & Trust Co. of DeRidder, Louisiana. These checks date back to the 1940s, showcasing the signature branding of Coca-Cola during this era. Each check prominently features the iconic Coca-Cola logo design, with the phrase DRINK COCA-COLA displayed within a bright red rectangular emblem, accompanied by a glass bottle of Coca-Cola depicted alongside, all presented in the Art Deco manner of advertising signage. To the background, a subtle silhouette of a girl drinking from a Coca-Cola bottle is delicately integrated into the check's design, adding a unique artistic touch and relative to the safety aspects of the printing, along with Coca-Cola in script, repeated across the face. These checks reflect the classic mid-20th-century marketing and financial documentation style of the Coca-Cola Bottling Company, offering a glimpse into both historical advertising and commerce. CONDITON REPORT > Notably well preserved examples ~ Perhaps typical and minor elements relative to age, handling and materials ~ Overall, a notably well preserved group.

SHIPPING AVAILABLE > A group of three vintage bank checks from the Rogers Coca-Cola Bottling Company of Rogers, Arkansas, drawn on the American National Bank of Rogers, Arkansas. These checks date back to the 1950s era, showcasing the signature branding of Coca-Cola during this era. Each check prominently features the iconic Coca-Cola logo design, with the phrase DRINK COCA-COLA displayed within a bright red rectangular emblem, accompanied by a glass bottle of Coca-Cola depicted alongside, all presented in the Art Deco manner of advertising signage. To the background, a subtle silhouette of a girl drinking from a Coca-Cola bottle is delicately integrated into the check's design, adding a unique artistic touch and relative to the safety aspects of the printing, along with Coca-Cola in script, repeated across the face. These checks reflect the classic mid-20th-century marketing and financial documentation style of the Coca-Cola Bottling Company, offering a glimpse into both historical advertising and commerce. CONDITION REPORT > Notably well preserved examples ~ Perhaps typical and minor elements relative to age, handling, and materials ~ Overall, a notably well preserved group.

SHIPPING AVAILABLE > Standing 10.25" tall, measuring 5.5" in diameter to the generous top lip, this 1930s era Brookins 1/2 Gallon Gas Station Metal Oil Can is a notable example of early 20th-century service station equipment. Crafted from galvanized metal, this can features "reverse embossed" lettering on its side, reading "1/2 GAL. LIQD." It is equipped with a thumb latch mechanism at the top, which, when pressed, releases oil through a flexible spout, facilitating the filling of automobile engines. During the 1930s, the automotive industry was rapidly expanding, leading to a proliferation of service stations across the United States. These stations required durable and efficient tools for vehicle maintenance, including oil cans. Galvanized metal oil cans, like the Brookins model, were favored for their corrosion resistance and robustness. The design often included a flexible spout and a thumb-operated release mechanism, allowing attendants to dispense oil accurately and minimize spillage. Such features were essential in maintaining the efficiency and cleanliness of service operations during that era. The Brookins Company, based in Cincinnati, Ohio, was a prominent manufacturer of service station equipment in the early to mid-20th century. They specialized in producing a range of oil dispensing cans and related tools, known for their quality and innovative designs. Brookins products were widely used in service stations, contributing significantly to the standardization and improvement of automotive maintenance practices during that period. This particular oil can is constructed from galvanized metal, providing durability and resistance to rust. The "reverse embossed" lettering indicates the capacity as "1/2 GAL. LIQD." The thumb latch mechanism at the top controls the flow of oil through a flexible spout, designed for precise dispensing into automobile engines. The ergonomic design reflects the practical needs of service station attendants in the 1930s, emphasizing ease of use and efficiency. Collecting vintage oil cans like this Brookins model offers a tangible connection to the history of automotive service and the evolution of maintenance tools. They serve as artifacts that illustrate the technological advancements and industrial design aesthetics of their time. CONDITION REPORT > A notable amount of the original silver paint remainds intact ~ Remarkably, this example appears to have never been used and condition is well above average.

SHIPPING AVAILABLE > Measuring 10 x 20" overall, this reverse-painted glass menu board sign is retained in a silver patina metal frame, designed for wall mounting in an ice cream shop or similar setting. The sign advertises DIXIE MAID PURE SWEET CREAM ICE CREAM A WHOLESOME FOOD, promoting the Dixie Maid Ice Cream Company of DeRidder, Louisiana. The bold yellow background is accented with green borders, creating individual sections for listing menu items and prices, though these sections remain blank. The lettering at the top, EAT DIXIE MAID, is prominently displayed in a script-style font, with PURE SWEET CREAM and ICE CREAM below in bold block lettering. The lower portion includes A WHOLESOME FOOD in red lettering, emphasizing quality and nutrition, along with the company name and location, DIXIE MAID ICE CREAM CO. DeRidder, LA. The Dixie-Maid Ice Cream Company was part of a broad trend in the United States of regional dairy and ice cream companies catering to local tastes. Many of these companies grew during the early to mid-20th century, offering products that became staples in their communities. During the World War II era, ice cream was particularly popular among both civilians and servicemen, serving as a comforting treat amidst the uncertainties of the time. Dixie-Maid’s branding highlights the wholesome and natural ingredients used, a quality that would have resonated with customers looking for simple, quality products. CONDITION REPORT > Notable condition issues include paint loss and patina consistent with age, materials and display, and later storage over the years. HISTORY ~ DIXIE MAID ICE CREAM COMPANY & DeRIDDER, LOUISIANA The Kern family has been associated with DeRidder since 1916. Kade Bardin, company owner and Hunters father, said his uncle, Clebert Cyprien C.C. Kern bought the bottling business just before World War I. The franchise in DeRidder had been started by the Christian brothers and the original plant operated on East First at a nearby, but different location. Leonce Cyprian L.C. Kern, Kades grandfather, came to DeRidder after World War I to help his brother with the new business. The Kerns came from the Donaldsonville/Napoleonville area, but the family ultimately originates from Alsace-Lorraine and were French-speaking. Together, in 1926, brothers C.C. and L.C. founded Dixie Maid Ice Cream, an addition to their successful soda bottling business. In July 1927, C.C. Kern was struck by a car and injured. He died a few days later in the hospital of pneumonia at age 43. At that time, L.C. Kern and C.C.s widow, Leocadie Naquin Kern, took over the business. The building that is being restored for the current vending business was constructed in 1936. Many locals remember watching through the large glass window in the front as soda was bottled. In 1980, the family sold the bottling part of the business, and Dixie Maid continued until the 2010s. In 1981, Kade and wife, Sunshine, started Bardin Vending Service at 134 East First Street in DeRidder. DeRidder was named for Ella de Ridder, the sister-in-law of a Dutch railroad financier. Her family originally came from the small town of Geldermalsen in the Netherlands where she was one of thirteen children. She ran away from home at an early age and was presumed dead by her family who only recently discovered that she had traveled to the United States. The town was named for her by her brother-in-law who brought the first railroad to Southwest Louisiana. Prior to that, the little town was known as Schoval. The Dutch-financed train line to DeRidder came in 1902. It was the Pittsburgh & Gulf Railroad. It was later called the Kansas City Southern.

SHIPPING AVAILABLE ~ IMAGE OFFERS THREE PERSPECTIVES OF ONE ITEM One example of a vintage Coors beer serving tray, measuring 13 inches in diameter and standing 1.5 inches tall to the turned rim. Constructed from metal with a lithographed finish, this tray was designed for use in bars, taverns, and restaurants, both as a practical serving item and as an eye-catching example of vintage advertising. The tray's topside prominently features the iconic Coors logo in white script lettering against a vibrant red background, accompanied by the company’s heraldic lion emblem. Below the logo, the slogan AMERICA'S FINE LIGHT BEER emphasizes the brand’s reputation. The underside echoes the Coors logo and includes the text ADOLPH COORS COMPANY, GOLDEN, COLORADO, U.S.A., identifying the manufacturer and origin. Around the exterior border, the lithographed lettering reads BREWED WITH PURE ROCKY MOUNTAIN SPRING WATER, highlighting the brand’s marketing focus on quality and purity. The tray's turned rim and durable construction ensured practicality for carrying drinks, while the bold design served as a functional advertisement. This tray stands as a collectible piece of mid-20th-century beverage advertising, showcasing the Coors brand's dedication to both marketing and quality craftsmanship. Signs of wear, such as minor scuffs and patina, add to its authentic vintage appeal. CONDITION REPORT > Perhaps typical and minor elements relative to age, extended commercial use and materials.

SHIPPING AVAILABLE ~ IMAGE OFFERS THREE PERSPECTIVES OF ONE ITEM A vintage Schlitz beer serving tray, measuring 12 inches in diameter and standing 1 inch tall. This tray is constructed from metal with a durable lithographed finish, serving both practical and advertising purposes in bars, taverns, and restaurants. The tray’s central design features the Schlitz logo in bold white script against a red rectangular backdrop, surrounded by a vibrant sunburst pattern of alternating orange and red geometric shapes and Schlitz emblems. Encircling the logo is the slogan THE BEER THAT MADE MILWAUKEE FAMOUS, celebrating the brand’s iconic reputation. The border of the tray includes repeating Schlitz logos and stylized graphics, adding depth and visual appeal to the design. The underside echoes the same logo and design motifs, emphasizing Schlitz branding and ensuring visibility even when not in use. Signs of wear and minor patina on the tray surface are consistent with age and use, enhancing its vintage charm. CONDITION REPORT > Minimal elements relative to age, extended commercial use and materials. History of Schlitz Beer Schlitz, established in 1849 by August Krug and Joseph Schlitz in Milwaukee, Wisconsin, grew to become one of America’s leading beer producers. The slogan THE BEER THAT MADE MILWAUKEE FAMOUS highlights its contribution to Milwaukee’s reputation as a brewing capital. Schlitz became particularly notable for innovative marketing strategies, including collectible trays like this one, which promoted the brand’s heritage and presence in the beer industry.

SHIPPING AVAILABLE ~ A single Falstaff beer advertising mug, in the manner of a tin beer can, standing 4" tall, measuring 2.75" to the body with a turned edge to the top lip. The mug features extensive lithographed designs and text, showcasing a medieval-styled figure holding a tankard and scroll, encased in ornate borders. Prominently displayed is the Falstaff logo, with text including FALSTAFF BEER, THE CHOICEST PRODUCT OF THE BREWER'S ART, and PREMIUM QUALITY. The text further notes BREWED AND FILLED BY FALSTAFF BREWING CORP., ST. LOUIS, MO., with plants in Omaha, St. Louis, and New Orleans, emphasizing the company's wide production range. The vibrant lithography and metal construction suggest it was likely offered as an advertising premium, perhaps in the late 1940s or 1950s, during the height of Falstaff Brewing Company's prominence as a major beer producer in the United States. CONDITION REPORT > Offered as discovered, retaining the original lithographed surface with wear consistent with age and use ~ Expect minor surface scratches, some blemishes and slight patina to the handle ~ Overall, a reasonably preserved example. HISTORY of FALSTAFF BREWING COMPANY Falstaff Brewing Company, originally established as Lemp Brewery in St. Louis, Missouri, became Falstaff in the early 20th century and rose to fame as one of America’s largest beer brands. Known for its innovative marketing and quality beer, Falstaff played a significant role in shaping the post-Prohibition brewing industry, particularly through its aggressive expansion and memorable advertising campaigns, which often included premiums like this mug. By the mid-20th century, Falstaff was a household name, celebrated for blending tradition and modernity in its brewing practices.

SHIPPING AVAILABLE ~ A 1916 Kentucky automobile license plate, measuring 15" x 6", constructed from heavy metal and featuring reverse embossed relief lettering and numerals. The plate displays the number 10582 along with the designation KY 1916 in bold black against a rusted and weathered background, indicative of its age and use over a century ago. The design includes mounting holes on the corners and top edge for attachment to a vehicle. CONDITION REPORT > Offered as discovered with notable wear, surface rust, and patina consistent with its age and outdoor use ~ Lettering remains legible despite surface degradation ~ A well-preserved example of early 20th-century automobile history. The history of automobile licensing in Kentucky reflects the broader development of motor vehicle registration in the United States during the early 20th century. Kentucky began requiring license plates for motor vehicles in 1910, following the increasing popularity of automobiles and the need to regulate their use. Early plates were issued annually and were typically crafted from metal with embossed characters for durability and visibility. The issuance of the 1916 plate coincided with a period of rapid growth in automobile ownership, spurred by the affordability of mass-produced vehicles like the Ford Model T. The introduction of vehicle licensing helped standardize motor vehicle identification, improve road safety, and generate revenue for infrastructure development. Kentucky's plates from this era often featured minimalistic designs, with the state's abbreviation and year prominently displayed. Over time, plate designs evolved to incorporate more detailed graphics and slogans, reflecting changes in state branding and license plate technology.

SHIPPING AVAILABLE > A 1931 Massachusetts automobile license plate, measuring 6.5" x 12.5", constructed from heavy metal and featuring raised embossed numerals and lettering. The plate displays the number 69708 prominently, along with MASS 1931 positioned at the bottom edge. The rustic patina and wear reflect its age and outdoor exposure, while the original embossing remains intact, emphasizing the craftsmanship of early 20th-century license plates. The design includes mounting holes at the corners and top edge for vehicle attachment. CONDITION REPORT > Retaining some of the original paint ~ Offered as discovered, retaining original embossed features with surface wear and rust consistent with age and outdoor use ~ A notably well-preserved example of early Depression-era automobile history. HISTORY of LICENSE PLATES in MASSACHUSETTS Massachusetts was among the pioneering states to require automobile license plates, initiating the practice in 1903. The earliest plates in Massachusetts were made of porcelain with a simple design, including a registration number and sometimes the owner's initials. By 1917, the state transitioned to embossed metal plates, which offered greater durability and improved visibility. The introduction of license plates was part of a broader effort to regulate the burgeoning automobile industry, ensure road safety, and provide a system for identifying vehicles and their owners. By the 1930s, Massachusetts plates featured standardized dimensions and designs, reflecting advancements in plate production techniques and the increasing importance of motor vehicle registration as a means of state revenue generation and infrastructure funding.

SHIPPING AVAILABLE > A set of seven pieces of Corning Ware cookware and serveware in the iconic Cornflower Blue pattern ~ The collection includes the following: One round pie plate Two small rectangular casserole dishes, each with the original clear glass cover Two medium rectangular casserole dishes, also complete with their original clear glass covers ~ 1-1/2 Quare ~ P-4-B / One with a chip at one point to the top rim. One large square roaster, accompanied by its original clear glass cover One small saucepan, complete with a long handle and its original clear glass cover. Each piece is adorned with the classic Cornflower Blue motif, a simple and elegant design featuring three blue flowers with stems and leaves, a hallmark of mid-century Corning Ware. CONDITION REPORT > One of the P-4-B rectangle deep casserole dishes suffers from a chip at one point to the top rim, as noted above ~ All pieces are offered as discovered, not cleaned or altered ~ The glass covers are original and intact ~ Perhaps typical and minor elements relative to age, use and materials ~ Overall, a notably well-preserved set representing vintage Corning Ware craftsmanship. History of the Cornflower Blue Pattern The Cornflower Blue pattern was introduced by Corning Glass Works in 1958 and remained in production until 1988. Designed by Joseph Baum, the pattern became synonymous with durability and style, appealing to homemakers for its versatility and timeless aesthetic. Corning Ware was renowned for its innovative pyroceramic glass material, which was resistant to thermal shock and ideal for stovetop, oven, and freezer use. The Cornflower Blue pattern was the first and most iconic design of Corning Ware, setting the standard for later patterns. Its production spanned three decades, during which it became a staple in American kitchens. The practicality of the cookware, combined with its classic design, cemented its legacy as a collectible and functional piece of mid-century modern design.

SHIPPING AVAILABLE > A rare example of Brush-McCoy art pottery produced with the unique onyx green drip glaze, introduced around 1924. Standing 6.75" tall, measuring 5.5" to the shoulder, presented in an ovoid shape. Such examples were never marked by Brush-McCoy, however the pattern in clearly documented. The "Onyx Green" glaze is a notable finish developed by the Brush-McCoy Pottery Company in the early 20th century. This glaze is characterized by its rich, marbled appearance, achieved through a technique known as over-glazing. In this process, a secondary color is stippled over the initial glaze, creating a distinctive, blended effect that resembles natural onyx stone. The resulting pieces often display a harmonious mix of greens, blues, and occasionally other hues, contributing to their unique aesthetic appeal. The production of Onyx Green ware began around 1910 under the J.W. McCoy Pottery Company, which later became Brush-McCoy Pottery in 1911. By 1924, Brush-McCoy introduced an extensive "New Onyx Line," offering a variety of shapes and sizes in this glaze. The popularity of Onyx Green pieces continued into the 1930s, with the company expanding the color variations to include red, blue, and brown onyx glazes. These items were highly regarded for their artistic quality and craftsmanship. Collectors today value Onyx Green pieces for their historical significance and the distinctive beauty of their glaze. The unique stippling technique used in their creation ensures that each piece has its own individual pattern, making them sought-after items among enthusiasts of vintage American CONDITION REPORT > A remarkably well preserved example, with no overt issues ~ Perhaps typical and minor elements relative to age and early methods of production.

SHIPPING AVAILABLE > Uhl Pottery was established in 1849 in Evansville, Indiana, and later moved to Huntingburg, Indiana, in 1908. The company primarily produced utilitarian stoneware, including crocks, jars, and jugs, before expanding to decorative and household items. Production ceased in 1944, making all Uhl Pottery items vintage collectibles today. The ewer features the number 125 faintly embossed to the underside, filled with glaze and rather obscure, however the number 125 ewer or carafe is known to be an example of Uhl's line of molded stoneware items. The number refers to the mold or catalog number used for this specific shape. Uhl produced many items with clean, functional designs, often incorporating glazes in earthy tones, as well as blue, which became a hallmark for certain lines. The rich blue glaze on this piece is typical of Uhl's later decorative items, which were meant to be both functional and aesthetically pleasing. The blue glaze used by Uhl Pottery is a high-fired, glossy finish, designed for durability and appeal. This type of glaze was common in their mid-century pieces, especially as the company began producing more decorative wares for home use. Clean design and vibrant blue glaze are representative of Uhl's aesthetic during the height of their production. The ewer would have been sold as a standalone piece or possibly as part of a larger set, though specific production records detailing every item's purpose are sparse. CONDITION REPORT > The lower point of the ball shaped stopper was originally surrounded by cork and perhaps a cork liner surround the interior spout, with only remnants of the cork remaining, therefore the stopper may not appear correctly seated to the top ~ Otherwise, perhaps typical and minor elements relative to age and early manner of production.

SHIPPING AVAILABLE > A group of -2- like examples, of Pullman railroad sleeping car berth keys, used by Pullman porters to open, access and lower berth beds ~ Of cast brass and metal, measuring 3.25 x 3.75" overall. Pullman sleeping cars were equipped with foldable berths that converted from daytime seating into beds at night. Each berth had mechanisms requiring a secure lock for privacy and safety. The porters used these brass or steel keys to: Lower or raise the upper berth. Unlock compartments or storage areas related to bedding. Ensure berths were securely fastened during rail travel. The T-handle design provided ease of use, offering leverage to engage or disengage the locking mechanism efficiently. The Pullman Company, established in the mid-19th century, revolutionized rail travel with its luxurious sleeping cars. Porters, often African American men, were responsible for providing impeccable service, including setting up and securing the berths. These keys were vital to their daily tasks and became symbolic of their work. Pullman porter berth keys are now collectible items due to their historical association with the golden age of rail travel and the role of Pullman porters in shaping the labor and civil rights movements. Collectors value these keys for their functional design, material (usually brass or iron), and connection to a bygone era of rail travel. CONDITION REPORT > Retains original patina consistent with age and use ~ Minor surface wear and oxidation present, as expected from vintage rail equipment ~ Well-preserved examples of early railroad passenger train hardware.

SHIPPING AVAILABLE > A charming collection of miniature dollhouse furniture and accessories, housed in a lithographed tin originally issued by Nabisco in relation to Oreo cookies. The tin measures 6" x 8" x 2.5" deep and features vibrant holiday-themed graphics, dated 1992. The collection includes the following pieces: Cheval Floor Mirror: A brass frame standing 5" tall and measuring 2" wide, with an adjustable mirrored surface. The elegant design adds a touch of refinement to the set. Wash Stand: A brass stand with a blue and white ceramic bowl and pitcher, both decorated with the phrase HOME SWEET HOME. A yellow towel is attached to the stand, emphasizing its functionality and decorative charm. Bathtub: A clawfoot-style brass bathtub with a high back, characteristic of Victorian-inspired design. The bright finish complements the other pieces in the set. Rocking Chair: A delicate brass frame rocking chair featuring intricate wirework for the seat and backrest, designed for a touch of whimsy. Crib: A brass-framed crib with lace detailing, containing a tiny bisque baby doll wrapped in a small blanket. Stroller: A brass stroller with curved wire handles and intricate lace detailing, housing another bisque baby doll, also wrapped in lace bedding. The tin serves as both storage and a decorative display for the set, which combines brass furniture with the charm of porcelain accessories and bisque dolls. These miniatures are ideal for collectors of dollhouse furnishings or for display as nostalgic decorative items. CONDITION REPORT > All pieces retain their original brass finish with minimal tarnishing ~ The porcelain bowl and pitcher are intact with no visible cracks or chips ~ The bisque dolls are well-preserved with detailed features ~ Overall, a notably well preserved set, offering an appealing representation of vintage-style dollhouse furnishings.

SHIPPING AVAILABLE > A vintage Testors Sprite Special gas-powered tether car, offered in its original packaging and discovered in unused, mint condition. This meticulously preserved example retains all original accessories, manuals, and decals as shown, which appear complete and were discovered within the box. The set includes the car, a bag of parts and tools, decals, instruction sheets, and Testors branding material. Due to its pristine condition and collector value, this example has not been tested for functionality. This model, introduced in 1970, represents a collaboration between Testors Corporation and Sprite, a soft drink brand under The Coca-Cola Company. The Sprite Special features a sleek open-wheel design, rubber tires marked "600x16," and a .049 cubic inch displacement engine powered by a methanol-based fuel mixture. Its tethered operation allowed hobbyists to experience high-speed racing in a controlled setting. The promotional "Enjoy Sprite" branding highlights its dual appeal to both racing enthusiasts and Sprite consumers, marking an innovative cross-brand marketing effort. Gas-powered tether cars like the Sprite Special were popular in the mid-20th century, particularly during the 1940s-1970s, as they combined engineering, speed, and the excitement of competition. Testors, a leader in model kits and hobby supplies, capitalized on this trend by producing high-quality miniature racing cars. Sprite, launched by Coca-Cola in 1961, became an iconic lemon-lime beverage, and its collaboration with Testors reflects the growing synergy between hobby culture and consumer goods during this era. This set, in its original Testors-labeled box, is an exceptionally rare and sought-after collectible, blending the appeal of vintage motorsport replicas with advertising memorabilia. It offers a snapshot of innovative marketing and product design from the early 1970s, appealing to collectors of both gas-powered models and Coca-Cola branding history.

SHIPPING AVAILABLE > Share SB You said: Prepare a description based on photos attached and > Walnut Victorian round swivel piano stool with glass ball and claw feet, adjustable, 19 in. T, 14.5 in. Dia. ChatGPT said: ChatGPT A walnut Victorian round swivel piano stool featuring an adjustable height mechanism. The stool showcases a richly turned base with fluted and bulbous design elements, supported by four claw feet gripping clear glass balls. The seat, measuring approximately 14.5 inches in diameter, is designed for comfort and practicality, swiveling to accommodate various height adjustments. Standing 19 inches tall, this piece exudes 19th-century craftsmanship and elegance, making it a functional and decorative addition to any antique furniture collection. You said: perhaps you can do a little better ChatGPT said: ChatGPT A classic Victorian walnut piano stool with a round swivel seat, showcasing exquisite craftsmanship and functional design. The seat, measuring approximately 14.5 inches in diameter, is mounted on an adjustable swivel mechanism, allowing for customizable height. The stool stands 19 inches tall and features a beautifully turned base with richly fluted and reeded legs that converge into a central stretcher, adding both stability and visual appeal. Each leg terminates in a claw foot gripping a clear glass ball, a hallmark of Victorian design, blending practicality with artistic elegance. The warm walnut finish highlights the natural grain of the wood, offering a timeless appeal. This stool serves as both a functional seating option and a decorative accent, reflecting the refined aesthetics of the late 19th century. You said: Capitalize as appropriate > FROM AN OLD AND PROMINENT COLUMBUS, MISSISSIPPI ESTATE, A CLASSIC VICTORIAN WALNUT ORGAN OR PIANO STOOL FEATURING A ROUND ROTATING SEAT, SHOWCASING EXQUISITE CRAFTSMANSHIP AND FUNCTIONAL DESIGN. THE SEAT, MEASURING APPROXIMATELY 14.5 INCHES IN DIAMETER, IS MOUNTED ON AN ADJUSTABLE THREADED MECHANISM, ALLOWING IT TO BE TURNED IN ORDER TO CUSTOMIZE HEIGHT, SHOWN IN THE IMAGES AT AROUND 19" TALL. THE STOOL PERHAPS ADJUSTS IN HEIGHT RANGING FROM 18 TO 24" TALL, MOUNTED ATOP A BEAUTIFULLY TURNED BASE WITH RICHLY FLUTED AND REEDED LEGS WITH FOUR STRETCHERS CONVERGING TO A CENTRAL SUPPORT, ADDING BOTH STABILITY AND VISUAL APPEAL. EACH LEG TERMINATES TO A CAST METAL CLAW FOOT GRIPPING A CLEAR GLASS BALL, A HALLMARK OF VICTORIAN DESIGN, BLENDING PRACTICALITY WITH ARTISTIC ELEGANCE. THE WARM WALNUT FINISH HIGHLIGHTS THE NATURAL GRAIN OF THE WOOD, OFFERING A TIMELESS APPEAL. THIS STOOL SERVES AS BOTH A FUNCTIONAL SEATING OPTION AND A DECORATIVE ACCENT, REFLECTING THE REFINED AESTHETICS OF THE LATE 19TH CENTURY. CONDITION REPORT > CERTAINLY ABOVE AVERAGE, A REMARKABLY WELL PRESERVED EXAMPLE. ChatGPT said: ChatGPT From an old and prominent Columbus, Mississippi estate, a classic Victorian walnut organ or piano stool featuring a round rotating seat, showcasing exquisite craftsmanship and functional design. The seat, measuring approximately 14.5 inches in diameter, is mounted on an adjustable threaded mechanism, allowing it to be turned in order to customize height, shown in the images at around 19" tall. The stool perhaps adjusts in height ranging from 18 to 24" tall, mounted atop a beautifully turned base with richly fluted and reeded legs with four stretchers converging to a central support, adding both stability and visual appeal. Each leg terminates to a cast metal claw foot gripping a clear glass ball, a hallmark of Victorian design, blending practicality with artistic elegance. The warm walnut finish highlights the natural grain of the wood, offering a timeless appeal. This stool serves as both a functional seating option and a decorative accent, reflecting the refined aesthetics of the late 19th century. Condition Report > Certainly above average, a remarkably well preserved example. You said: ANALYZE THESE PHOTOS AND DERIVE WHATEVER FACTS MIGHT BE APPARENT TO OFFER AN EXPLANATION OF THE SCENES, ERA, PERHAPS WAR RELATED ... ANY DEFINITVE CLUES AS TO ORIGIN AND SUBJECTS ChatGPT said: ChatGPT The photographs appear to depict scenes from World War II and its aftermath, focusing on significant events involving European liberation and You said: and what? ChatGPT said: ChatGPT Here's the continuation of the analysis: Top Row (First Set of Images) Crowds in Streets: These photos likely depict celebratory gatherings or marches, perhaps in liberated European cities such as Paris, based on the architecture and trees resembling the Champs-Élysées. The joyous crowds suggest post-liberation parades or victory celebrations. Nighttime Fountain Scene: This image with a large, illuminated fountain and gathered crowds could signify a public celebration, potentially marking the end of hostilities or a liberation event. Bottom Row (First Set of Images) Military Figures: The photograph of men in military uniforms engaged in discussion suggests high-ranking officials. Based on their attire, they could represent Allied forces. Formal Building: The photo showing a soldier in front of a large brick building with a clock likely signifies an important location, such as a government or military headquarters. Women with Soldiers: The group of women adorned with flowers and smiling soldiers appears to commemorate a victory or a formal public recognition of liberation efforts. Archway with Flags: This scene could represent a triumphant return or a parade, with the flags symbolizing Allied nations. Arch de Triomphe with Fireworks: This iconic monument in Paris, combined with fireworks, reinforces the theme of liberation and celebration, likely tied to the city's freedom from German occupation in 1944. Top Row (Second Set of Images) Headquarters or Meeting Location: A stately building surrounded by vehicles suggests a military or political command center, possibly used for surrender discussions. Assembly Hall: A large parliamentary or governmental assembly in session could depict efforts to restore order, establish governance, or sign treaties after the war. Military Officers in Conference: Senior officers seated around a table in a formal setting suggest high-level discussions, likely tied to surrender or post-war negotiations. Bottom Row (Second Set of Images) German Surrender Events: Several images depict military officers signing documents, possibly related to Germany’s unconditional surrender in May 1945. The uniforms and formal interactions strongly suggest this. Marching Troops: Soldiers walking near a brick building further indicate wartime activities, potentially marking movements of occupying or surrendering forces. Close-Ups of Surrender Signings: Officers signing documents in detailed images emphasize the official end of hostilities, likely referencing the Act of Military Surrender at Reims or Berlin. Conclusion These photographs collectively seem to document key moments surrounding the end of World War II in Europe, particularly focusing on liberation celebrations, military command structures, and surrender agreements. The scenes are primarily European, with strong indications of Paris (Champs-Élysées, Arc de Triomphe) and possibly Germany during surrender events. They serve as a powerful visual record of both the triumphs and formalities marking the end of the war. You said: So, let's condense and reformat all this information to result in a description of the group of -15- black and white photos, each measuring 3-1/2 x 2-3/8" overall ..... etc. ChatGPT said: ChatGPT A group of 15 black and white photographs, each measuring 3-1/2 x 2-3/8 inches, documenting significant moments during and after World War II in Europe. These images collectively capture scenes of liberation, military negotiations, and victory celebrations. Among the highlights are photographs depicting jubilant crowds marching in liberated cities, including what appears to be Paris with scenes resembling the Champs-Élysées and the illuminated Arc de Triomphe with fireworks. Other images feature high-ranking military officials in conference, likely during surrender negotiations, as well as formal gatherings of soldiers and civilians celebrating the end of hostilities. Several photographs focus on pivotal wartime moments, such as troops marching near command headquarters, high-level officers signing surrender documents, and a formal parliamentary assembly, likely tied to the restoration of post-war governance. The group showcases the dramatic transition from war to peace, emphasizing both the solemnity of military proceedings and the unrestrained joy of liberation. These historically significant images offer a vivid visual record of the events that marked the closing chapter of World War II in Europe. CONDITION REPORT > Well-preserved examples ~ Perhaps typical and minor elements relative to age and materials.

SHIPPING AVAILABLE > A group of three vintage items comprising a Polaroid Colorpack II Land Camera, a Kodak Instamatic 100 Camera, and a pair of Focal 10x22 binoculars with a case. The Polaroid Colorpack II, part of the popular Land Camera series, features manual exposure controls with "darken" and "lighten" adjustments, indicative of early instant photography advancements. Known for its compatibility with Polaroid’s peel-apart film, this camera showcases mid-20th-century ingenuity. The Kodak Instamatic 100 camera, introduced in the 1960s, symbolizes the widespread adoption of 126 cartridge film. Its compact design, simple operation, and enduring legacy make it a celebrated piece of photographic history. The Focal 10x22 binoculars, featuring a 5-degree field of view and a range of 262 feet at 1,000 yards, are enclosed in a durable camouflage-patterned casing. Accompanied by the original case and cord, they are designed for outdoor and sporting use. CONDITION REPORT > Offered, as discovered, unaltered ~ Cameras not tested for functionality, offered as shown ~ Kodak 100 suffers from peeling of simulated leather overlay at top ~ Binoculars appear new and never used ~ Otherwise, perhaps ypical and minor elements relative to age, materials, and use.

SHIPPING AVAILABLE > Measuring 10.5 x 13" overall, standing 1" tall to the turned border, a lithographed metal serving tray relative to the 100th Anniversary of the Atlanta Coca-Cola Bottling Company in 1975. Text printed to the reverse reads > This is one of 100,000 serially numbered commemorative trays issued to mark the 75th Anniversary of The Atlanta Coca-Cola Bottling Company, The illustration of this tray features the famous Metropolitan Opera star, Lillian Nordica, a popular personality used in advertising for Coca-Cola during the early years of this century. After her concert debut at the age of 19, Lillian Nordica performed her first operatic role in Italy in 1879. Her career with the Metropolitan Opera Com- pany in New York began in 1887 and continued until 1908. Lillian Nordica's rich and magnificent soprano interpretation of the songs and arias of Richard Wagner spread her fame throughout the Western World. During this era, in 1900 Joseph B. Whitehead and John T. Lupton arrived in Atlanta from Chattanooga and established the second Coca-Cola Bottling Plant in the world. Mr. Whitehead and Benjamin Thomas started the first plant in Chattanooga in 1899. Atlanta was their first expansion and is the oldest Coca-Cola Bottling Company in continuous operation under essentially the same ownership. Mr. Whitehead and John T. Lupton invited an Atlantan, Arthur Montgomery, to manage the Atlanta Company and to share in the ownership. Three generations of the Montgomery family developed and guided The Atlanta Coca-Cola Bottling Company to become one of Atlanta's leading business institutions. The first plant was on Edgewood Avenue and the most distant customer was determined by how far a mule team could travel in one day. Seventy-five years of progress brought five moves of the home office to larger facilities and the establishment of plants in surrounding cities. Today, The Atlanta Coca-Cola Bottling Company serves nearly two million thirsty customers through plants or sales centers in Atlanta, Austell, Gainesville, Griffin, Jasper, Lawrenceville, Marietta, Newnan, and Thomaston. In this our 75th year, we pause to remember the past, but look forward to our next seventy-five years and the privilege of serving Atlanta and the surrounding areas with the finest soft drink world... Coca-Cola! CONDITION REPORT > As discovered ~ Some dust ~ Varying rust spots to underside finish ~ Perhaps typical and minor elements relative to age, handling and materials ~ Stored away safely for nearly 50 years.

SHIPPING AVAILABLE > Of the mid-century modern era, a pink mottled ceramic planter, measuring 10 inches wide across the ornate handles and 5.5 inches wide at the bowl, with a height of 4.25 inches to the scalloped border. This elegant piece stands on a raised pedestal base, providing a balanced and graceful profile. The glossy glaze, rcharacterized by its vibrant pink hue with darker speckled accents, reflects a playful yet sophisticated mid-century aesthetic. The mottled finish adds depth and visual texture, evoking the bold and experimental ceramic styles popular during the 1950s and 1960s. The fluidity of the glaze complements the scalloped border and ornamental floral medallion, while the scrollwork handles nod to the ornate Revival styles that influenced decorative pottery of the era. This piece is not only functional but also a striking example of mid-century ceramic craftsmanship, showcasing a harmonious blend of bold design and traditional motifs. CONDITION REPORT ~ Overall, a notably well-preserved example of mid-century ceramic artistry ~ No overt issues.

SHIPPING AVAILABLE > An antique R&M electric fan standing 17 inches tall, with a substantial 14.5-inch diameter cage and weighing an impressive 17 pounds. The fan features four metal blades housed within a sturdy wire cage, providing a blend of durability and vintage industrial charm. The heavy gauge electrical cord measures nearly 10 feet in length. Prominently displayed to the front of the cage is a metal logo plate featuring the R&M emblem, with the text reading REG. U.S. PAT. OFF. This branding reinforces its identity as a product of Robbins & Myers Inc., a renowned American manufacturer of early electric fans and industrial equipment. The underside of the fan includes a detailed metal plate with the following information: ROBBINS & MYERS INC., SPRINGFIELD, OHIO, MADE IN U.S.A. Additional specifications include VOLTS, CYCLES, CURRENT, and AMPS, along with LIST 5304 and SERIAL 350. CONDITION REPORT ~ Offered, as discovered, not cleaned or altered ~ Fully functional, quiet and cooling sufficiently at various speeds, as well as oscillating ~ Cord is somewhat frayed at base ~ A remarkably well preserved example.

SHIPPING AVAILABLE > As discovered, a diverse group of twelve vintage radio tubes in boxes, featuring a variety of brands and designs. These tubes were essential components in early radios, amplifiers, and other electronic devices, serving as vacuum tubes to amplify signals, rectify currents, or switch circuits. These tubes and their lithographed cardstock boxes reflect the diversity of brands and marketing styles in the mid-20th century electronics industry. Box Details (From Left to Right, Top Row First): RAYTHEON: Reads FOR BETTER RECEPTION RADIO TUBE. A notable manufacturer known for high-quality radio components. SYLVANIA RADIO TUBE: Features the model number 6A7-A POWER AMPLIFIER and an image of people in a wooded setting. POWERTONE: Labeled as THE POWERFUL RADIO TUBE and FOR CLARIFIED RECEPTION, with a graphic of a globe and lightning bolt. TUNG-SOL: TUNG-SOL RADIO TUBES prominently displayed with TS AMERICA visible. Known for reliable vacuum tubes. RAYTHEON: Another RAYTHEON box, similarly marked FOR BETTER RECEPTION RADIO TUBE. KEN-RAD: Reads DEPENDABLE RADIO TUBE, with the KEN-RAD logo and distinctive branding. Bottom Row: MAJESTIC RADIO TUBE: Featuring lightning bolt imagery, the box emphasizes dynamic and dependable service. SUPER SILVERTONE: Reads GUARANTEED HIGHEST QUALITY, a name synonymous with consumer-grade electronics. PERRYMAN RADIO TUBE: Includes model number P.R. 281 and specifications such as HALF WAVE RECTIFIER and electrical details: FIL. V. 7.5, FIL. A. 1.25. CUNNINGHAM ELECTRON TUBE: Reads STANDARD SINCE 1915 and PRODUCT OF RCA. Known for its standard-setting reliability in early electronics. CETRON ELECTRONIC TUBE: Displays CONTINENTAL ELECTRIC CO., GENEVA, ILL. A striking design with a globe and tube graphic. RAYTHEON: Reads 4-PILLAR EXCLUSIVE PATENTED FEATURE and RADIO TUBE, emphasizing advanced proprietary design. Radio tubes were critical to the operation of early electronic devices, enabling functions like signal amplification, modulation, and rectification. Each box likely represents different tube types, tailored for specific applications in radios and amplifiers. Brands such as RAYTHEON, SYLVANIA, and CUNNINGHAM were leaders in vacuum tube production, renowned for their durability and performance. These tubes were integral to the rise of home radio systems, contributing to the golden age of radio broadcasting and early electronics. CONDITION REPORT ~ Offered, as discovered, unopened, unaltered and unexamined individually ~ Boxes show typical wear consistent with age and storage ~ Contents untested and sold as-is for display or perhaps restoration purposes.

LOCAL PICKUP ONLY ~ NO SHIPPING > The largest standing 5 feet tall, a group of -7- large and heavy custom-made, hand-painted Christmas yard decorations, cut in the shape of various familiar characters. Each is cut from 3/4" plywood, featuring handpainted designs. Charlie Brown - Wearing a red sweater with "HO HO HO" and a Santa hat; the largest figure, approximately 5 foot tall (excluding the stake). Lucy van Pelt - Dressed in a green holiday dress, holding a candy cane. Snoopy - Wearing a red and green winter hat and a scarf. Linus van Pelt - Dressed in a blue sweater, holding a wrapped present. Tweety Bird - Wearing a Santa hat and scarf. Woodstock - Also wearing a Santa hat, perched near Snoopy. 101 Dalmatian Puppy - Wearing a small red Santa hat. The characters are attached to metal pole stakes, making them suitable for outdoor yard displays. As shown, the majority are relative to the Peanuts characters created by Charles Schulz, along with Tweety Bird, a Looney Tunes character and 101 Dalmations are a Disney production. CONDITION REPORT > Well preserved examples ~ Perhaps typical and minor elements relative to age, display and materials ~ No overt issues.

LOCAL PICKUP ONLY ~ NO SHIPPING > Standing perhaps 6 foot tall, measuring around 48" wide at the base, a custom cut 3/4 plywood Christmas tree for use as a yard decoration ~ Handpainted, wired with dozens of lights through drilled holes ~ Wires exposed to the rear ~ Includes and extra bag of replacement bulbs, as shown. CONDITION REPORT > Not tested for functionality ~ Some sockets lacking bulbs ~ Expect typical and minor elements relative to age, display, storage and materials.

SHIPPING AVAILABLE > A vintage aqua glass canning jar with BALL in script embossed on one side, representing an iconic design from the Ball Brothers Glass Manufacturing Company. The jar features an incorrect ring-style metal closure, surrounding a flat glass lid with BALL NO. 10 cast in relief. Standing 9 inches tall with a base diameter of 4.5 inches, this jar showcases the elegant craftsmanship associated with early 20th-century canning and preserving jars, popular among collectors for their historical and aesthetic appeal. CONDITION REPORT ~ Offered as discovered, uncleaned and unaltered ~ Perhaps typical and minor elements relative to age, manner of early production and materials. HISTORY of BALL CANNING JARS The Ball Brothers Glass Manufacturing Company, established in 1880 in Buffalo, New York, became one of the most recognized names in the production of glass canning jars. The company initially produced wood-jacketed tin cans but transitioned to glass jars after purchasing a glass manufacturing plant in Muncie, Indiana, in 1887. The relocation and expansion marked the beginning of the company's dominance in the home canning market. Ball jars became synonymous with food preservation during the late 19th and early 20th centuries, a time when home canning was essential for preserving seasonal produce. The jars were made from durable glass, and their design evolved to improve efficiency and usability. The iconic "Ball" script logo, introduced in 1892, became a hallmark of quality and consistency. The company produced jars in various colors, including aqua, clear, amber, and occasionally rarer shades like cobalt blue. Aqua jars, like the one described here, were particularly common during the late 19th and early 20th centuries due to the natural impurities in the sand used to make the glass. Over time, as glass manufacturing techniques improved, the jars transitioned to being predominantly clear. In 1915, Ball introduced the "Perfect Mason" jar, which standardized jar dimensions and threading, making them compatible with reusable screw-on lids and rubber seals. This innovation made canning more accessible and safer for households. By the mid-20th century, Ball jars had become iconic symbols of American ingenuity and domesticity. While the company diversified into other industries over time, the legacy of its glass jars endures, with vintage examples prized by collectors and enthusiasts for their historical significance and nostalgic appeal. Today, Ball jars remain a staple in modern kitchens and DIY crafts, blending their rich history with contemporary uses. The durability and timeless design continue to make them a cherished item for both practical and decorative purposes.

SHIPPING AVAILABLE > A vintage 12-ounce soda bottle with an applied color label (ACL), standing 7.5" tall and measuring 2.75" in diameter at the base. The bottle features a unique design with graduated ribs around the neck. The front label depicts a playful bear cub holding a rectangular sign with the text CUB BEVERAGES in bold letters, set against a blue background with white detailing. The reverse side reads 12 OUNCES FOR 5¢ in applied lettering and is marked FILLED BY CUB BEVERAGE CO., SHREVEPORT, LA. CONDITION REPORT ~ Exhibits wear consistent with age, including some fading to the label and surface soiling. About CUB BEVERAGES Mr. Edward Streun, the owner of Cub Beverages, wasengaged in the bottling and distribution of soft drinks in the Shreveport area since 1938. He first bottled and sold Pepsi Cola. In 1957 he obtained the Dr. Pepper franchise. Shortly thereafter he added a line of flavored carbonated drinks such as orange, grape and strawberry, etc. In 1962, he lost the Dr. Pepper franchise which reduced his total volume of sales by one-third. To pick up this slack, he did contract bottling for the next year. In 1963, he began investigating the possibility of purchasing beer in bulk, bottling it at his plant in Shreveport and then distributing it in his area using the same personnel and outlets. He ultimately decided upon a plan to purchase bulk beer from the Carta Blanca Brewery in Monterrey, Mexico and transport it via a refrigerated highway tanker to Shreveport. The beer was to be bottled directly from the tanker trailer.

SHIPPING AVAILABLE > This aqua glass beer bottle stands 9.5 inches tall, with a body diameter of 2-5/8 inches, and features cast relief lettering and designs specific to its historical context. The embossing on the bottle prominently reads ANHEUSER-BUSCH BRW'G ASS'N ST. LOUIS, indicating its origin from the renowned Anheuser-Busch Brewing Association based in St. Louis, Missouri. The design includes the iconic eagle clutching an anchor—a hallmark symbol of the company, which was adopted in 1872. The overall bottle design and manufacturing details suggest it likely dates to the late 19th or early 20th century, a period when Anheuser-Busch was expanding its distribution network and establishing itself as a leader in the brewing industry. Bottles like this were used to package and distribute beer before the widespread adoption of metal cans. The aqua glass reflects the use of sand with natural iron impurities during production, a common feature in bottles from this era. This type of bottle likely held a lager, as Anheuser-Busch's flagship product, Budweiser, was a popular choice during this time. CONDITION REPORT ~ Offered, as discovered, uncleaned ~ Overall, a reasonably preserved example with some age-related patina and minor sediment within ~ Perhaps typical and minor elements relative to age, materials, and early production methods.

SHIPPING AVAILABLE > A one-quart milk bottle attributed to the Dinsmore Dairy of Jacksonville, Florida, showcasing historical ties to one of the region's prominent dairies. This clear glass bottle, standing approximately 9.5 inches tall, features cast, relief lettering and design elements indicative of early 20th-century dairy packaging. At the neck, above ONE QUART LIQUID, a prominent letter J within a circle is cast in relief, representing Jacksonville, the home of Dinsmore Dairy. The embossed lettering on the body includes ONE QUART LIQUID PROPERTY OF DINSMORE DAIRY, further emphasizing the bottle's purpose and ownership. Below the dairy name is the phone number, PHONE 72107, offering a historical insight into business practices when dairies provided contact information directly on reusable glass bottles. To the underside of the bottle, the letters D-D are cast in relief, a clear reference to Dinsmore Dairy. Dinsmore Dairy, established in Jacksonville, Florida, around 1910, was renowned for maintaining the largest herd of purebred Guernsey cattle in the United States. This focus on high-quality milk production set a regional standard. The company’s history intersects with significant events, such as the civil rights-era boycott of the 1950s, which led to financial challenges and the eventual sale of its operations to the Borden Dairy Company. The bottle's design, with its embossed details and durable form, likely dates to the mid-20th century, a time when such reusable bottles were standard for home milk delivery. Customers would return these bottles to the dairy for cleaning and reuse, reflecting a sustainable practice common in early dairy operations. CONDITION REPORT ~ Offered, as discovered, uncleaned ~ Overall, a rather well-preserved example ~ Retains strong embossed lettering and distinctive markings, contributing to its appeal as a historical artifact.

SHIPPING AVAILABLE > An antique jewelry box measuring 7.5 inches long, 4.5 inches wide, and standing 2.25 inches tall. The exterior is covered in a sculptured velvet fabric featuring a golden hue accented with red to pink roses and green foliate leaves, arranged in horizontal bands, reflecting a charming floral motif characteristic of early 20th-century design. Contents: Hatpins - A collection of vintage hatpins, some adorned with black and pearl-like heads, demonstrating the variety used in Edwardian and Victorian millinery. Embossed Jewelry Hook - A decorative metal hook with an ivory-toned handle, possibly for securing or adjusting corsets or jewelry. Wood-handled Tools - A trio of antique tools with wooden handles, likely for nail manicure. Beaded Necklace - A vintage gold-tone necklace featuring carved blue beads. Black Beaded Cluster - A spherical decorative cluster of faceted black beads, potentially a brooch or embellishment. Floral Bouquets - Delicate fabric and ribbon floral decorations, including roses and hydrangeas, reflecting craftsmanship of the era. Celluloid Shoe Hook and Buttonhook - Early plastic tools, one marked with an elegant monogram, often used for fastening shoes or buttons. Die-cut Ephemera - Vintage printed cutouts, including a woman holding a shield and a group of boys playing, likely from Victorian scrapbooks. Sew-on Brooch Card - A brooch presented on its original card, with the phrase SEW ON OR PIN ON printed as part of its description. Loose Pins and Trinkets - Assorted small vintage items, including pins with pearl accents and a tiny orange figural charm. CONDITION REPORT ~ Offered, as discovered, unaltered ~ The box shows age-related wear with minor fading to velvet and slight fraying at edges, but retains its sculptural beauty ~ Contents are vintage with signs of use, adding character and authenticity to the collection.

SHIPPING AVAILABLE > A vintage Coca-Cola fountain dispenser cover sign measuring 11.5 inches overall, featuring a chromed metal frame enclosing a composite insert with the iconic Coca-Cola branding. The insert prominently displays the red and white Coca-Cola logo with the text ENJOY COKE, trademarked, set against a striped background that enhances its retro aesthetic. Manufactured by Cornelius, the bottom corner features their distinct logo, reflecting their expertise in crafting soda fountain equipment. Cornelius, a leading manufacturer of beverage dispensing systems, has a long history in producing high-quality soda fountain equipment. Founded in 1931 and based in Minnesota, Cornelius became synonymous with innovation in the beverage industry. They specialized in designing and producing soda fountains, draft beer systems, and post-mix beverage dispensers. Cornelius worked closely with iconic brands like Coca-Cola to create functional yet visually appealing products for soda fountains, which were central to American culture during the mid-20th century. CONDITION REPORT ~ Offered, as discovered, with age-related wear and minor surface blemishes ~ The chromed metal frame retains a strong structure with some tarnish and patina indicative of its vintage nature ~ The composite insert shows wear consistent with age and use, maintaining its bold graphics, making it a charming piece of Coca-Cola and soda fountain memorabilia.

SHIPPING AVAILABLE > A lithographed heavyweight cardstock advertising sign measuring 11.75 by 15.75 inches, promoting the Seven-Up Float, dating to 1958 based on a small printed date code. The design features vibrant colors and bold imagery aimed at summer refreshment. The central display includes a green glass bottle of 7UP, labeled with its iconic red and white logo and the slogan YOU LIKE IT, IT LIKES YOU. Beside the bottle is a blue tub of ICE CREAM and a frothy glass filled with a pink Seven-Up Float, complete with a striped straw for added appeal. The top of the sign reads ENJOY A SEVEN-UP FLOAT in bold red and orange text, set against a background of alternating yellow and gray circles. Below the imagery, the text encourages consumers to GET 'EM TOGETHER OFTEN THIS SUMMER, reinforcing the seasonal theme. A circular area with a printed cent symbol suggests this was a point-of-sale sign where pricing information could be customized. Originally designed to stand upright using an easel back, the easel is now lacking, leaving the sign suitable for wall mounting or display. CONDITION REPORT ~ Offered, as discovered, with notable wear and damage ~ Shows creasing, edge wear, and small areas of surface loss, indicative of prolonged use and handling ~ Despite the wear, the vibrant colors and vintage graphics remain highly displayable, capturing mid-20th-century advertising charm.

SHIPPING AVAILABLE > A heavy cast metal printer's die-cut designed for lithographing ice cream cartons, specifically for the Dairy-Maid brand, produced by the Dixie Maid Ice Cream Company of DeRidder, Louisiana. Measuring a substantial 10 by 14.5 inches, this die features intricate lettering and design elements associated with Dairy-Maid's branding and product details. The top section prominently features VANILLA as the flavor designation, with the text CONTENTS ONE PINT LIQUID positioned below, reflecting its intended use for pint-sized ice cream containers. The central design showcases the Dairy-Maid logo with its script-style lettering and the tagline PURE SWEET CREAM ICE CREAM. The bottom section displays additional flavors, including CHOCOLATE and STRAWBERRY, each accompanied by the phrases EAT DAIRY-MAID ICE CREAM and A WHOLESOME FOOD. These areas would have been printed on different sections of folding cartons. The central design features a whimsical illustration of a boy and girl dancing, reinforcing the nostalgic and family-oriented appeal of the brand. The text below reads MANUFACTURED BY DIXIE MAID ICE CREAM CO., DE RIDDER, LA, emphasizing the product's origin. This die was likely used in a commercial lithographic press to transfer its design onto paperboard, producing folding cartons for ice cream packaging. The detailed cast ensures precision in printing, with raised elements providing sharp, clear impressions. These die-cuts are a testament to the industrial craftsmanship of mid-20th-century ice cream production and marketing. They highlight the regional pride and branding efforts of small-town businesses like Dixie Maid, which sought to compete with larger national brands. CONDITION REPORT ~ Offered, as discovered, not cleaned or polished ~ Retains clear and legible raised lettering and designs ~ Displays age-related patina and minor surface oxidation consistent with use and material. HISTORY of DIXIE MAID ICE CREAM The Dixie-Maid Ice Cream Company was part of a broad trend in the United States of regional dairy and ice cream companies catering to local tastes. Many of these companies grew during the early to mid-20th century, offering products that became staples in their communities. During the World War II era, ice cream was particularly popular among both civilians and servicemen, serving as a comforting treat amidst the uncertainties of the time. Dixie-Maid’s branding highlights the wholesome and natural ingredients used, a quality that would have resonated with customers looking for simple, quality products. HISTORY ~ DIXIE MAID ICE CREAM COMPANY & DeRIDDER, LOUISIANA The Kern family has been associated with DeRidder since 1916. Kade Bardin, company owner and Hunters father, said his uncle, Clebert Cyprien C.C. Kern bought the bottling business just before World War I. The franchise in DeRidder had been started by the Christian brothers and the original plant operated on East First at a nearby, but different location. Leonce Cyprian L.C. Kern, Kades grandfather, came to DeRidder after World War I to help his brother with the new business. The Kerns came from the Donaldsonville/Napoleonville area, but the family ultimately originates from Alsace-Lorraine and were French-speaking. Together, in 1926, brothers C.C. and L.C. founded Dixie Maid Ice Cream, an addition to their successful soda bottling business. In July 1927, C.C. Kern was struck by a car and injured. He died a few days later in the hospital of pneumonia at age 43. At that time, L.C. Kern and C.C.s widow, Leocadie Naquin Kern, took over the business. The building that is being restored for the current vending business was constructed in 1936. Many locals remember watching through the large glass window in the front as soda was bottled. In 1980, the family sold the bottling part of the business, and Dixie Maid continued until the 2010s. In 1981, Kade and wife, Sunshine, started Bardin Vending Service at 134 East First Street in DeRidder. DeRidder was named for Ella de Ridder, the sister-in-law of a Dutch railroad financier. Her family originally came from the small town of Geldermalsen in the Netherlands where she was one of thirteen children. She ran away from home at an early age and was presumed dead by her family who only recently discovered that she had traveled to the United States. The town was named for her by her brother-in-law who brought the first railroad to Southwest Louisiana. Prior to that, the little town was known as Schoval. The Dutch-financed train line to DeRidder came in 1902. It was the Pittsburgh & Gulf Railroad. It was later called the Kansas City Southern.

SHIPPING AVAILABLE > A hammered copper bowl, standing 2.75 inches tall and measuring 7.5 inches in diameter to the shoulder, is marked SOLID COPPER WB to the underside. Produced by the West Bend Aluminum Company, this piece reflects the company's reputation for crafting high-quality cookware and decorative items during the mid-20th century. Founded in 1911 in West Bend, Wisconsin, the West Bend Aluminum Company initially specialized in aluminum kitchenware. By the 1930s and 1940s, the company expanded into producing solid copper items, which were highly sought after for both their functional and aesthetic qualities. Their copper products, often marked with the "WB" logo, became synonymous with the mid-century American home. West Bend's hammered copperware was particularly popular in the 1940s and 1950s, aligning with the Arts and Crafts revival movement, which emphasized handmade and artisan-style designs. The hammered texture, seen on this bowl, was not only decorative but also a testament to craftsmanship, reflecting a growing appreciation for quality in household items. These bowls, trays, and other copper goods were often used for serving or as decorative pieces, prized for their warm, glowing finish. CONDITION REPORT ~ Offered, as discovered, not cleaned or polished ~ Exhibits natural patina and minor verdigris inside, consistent with its age and material ~ Retains structural integrity and a charming handmade aesthetic. West Bend's copperware continues to be a desirable collectible for enthusiasts of vintage kitchenware and mid-century design, valued for its functionality, beauty, and connection to a significant era in American manufacturing.

SHIPPING AVAILABLE > A brass fire extinguisher manufactured by Fyr-Fyter, measuring 18 inches long and 3.5 inches in diameter, complete with its rarely found wall bracket. This example features a hand-pump mechanism, an early and efficient design for portable firefighting tools. Despite partial damage to the attached metal plate, the branding and usage instructions remain identifiable, highlighting its functional and historical significance. Hand-pump fire extinguishers, such as this example, were commonly used during the early-to-mid 20th century. These extinguishers relied on manually operated mechanisms, requiring the user to pump the handle to expel the extinguishing agent. Typically constructed of brass or copper, these extinguishers were prized for their durability and resistance to corrosion. Hand-pump extinguishers like this were introduced during an era of industrial expansion, when fire hazards became a pressing concern for homes, factories, and transportation vehicles. Companies such as Fyr-Fyter and Pyrene specialized in manufacturing portable extinguishers to meet this growing demand. These devices were often filled with carbon tetrachloride, a chemical effective in extinguishing liquid and electrical fires but later discontinued due to health concerns. A "Pyrene" fire extinguisher refers to a brand of fire extinguisher originally developed by the Pyrene Company, which gained prominence in the early 20th century for its use of carbon tetrachloride as the extinguishing agent; the key historical point is that a Scottish engineer initially patented the concept in the US, establishing the "Pyrene Company of Delaware" in 1909, later expanding to the UK as "The Pyrene Company Limited" where they produced a range of fire extinguishers utilizing this chemical compound, primarily known for its ability to create a dense vapor blanket to smother flames. The Fyr-Fyter Company, established in the early 20th century in Dayton, Ohio, was known for its innovative fire safety equipment, including wall-mounted and portable extinguishers. The addition of the wall bracket for this model allowed easy access in emergency situations, enhancing its practicality. Brass construction, as seen in this extinguisher, was not only functional but also gave these tools an attractive appearance, making them popular for display purposes in modern collections. CONDITION REPORT ~ Offered, as discovered, with a partial and damaged metal plate ~ Retains its original brass body and functional hand-pump mechanism ~ Includes the rarely found wall bracket, adding to its collector value. Hand-pump fire extinguishers remain desirable among collectors and enthusiasts of firefighting history, prized for their craftsmanship and the technological advancements they represent in fire safety.

SHIPPING AVAILABLE > This pair of antique cast iron ice tongs, measuring 14 inches tall, represents a practical and essential tool from a time when ice delivery was part of everyday life. Designed with curved, pointed tips and large looped handles, these tongs were crafted for gripping and transporting heavy blocks of ice, which played a crucial role in household refrigeration during the late 19th and early 20th centuries. Before the advent of electric refrigerators, homes relied on iceboxes to keep perishable goods cold. These wooden or metal-lined cabinets required large blocks of ice, typically delivered by the ice man. Ice tongs like these were integral to the process, allowing the ice man to lift and maneuver the slippery, solid blocks from the delivery wagon into homes, often placing the ice directly into the icebox. The ice industry, thriving during the late 19th century, involved harvesting ice from frozen lakes and rivers in winter and storing it in insulated icehouses for year-round use. By the early 20th century, advancements in ice-making technology and distribution expanded the use of iceboxes, creating significant demand for durable tools like these tongs. The design of these tongs showcases their functionality and durability. The curved tips provide a secure grip on ice blocks, while the looped handles offer leverage and ease of use. The sturdy cast iron construction ensured the tongs could withstand repeated use and heavy loads, making them indispensable for the ice man’s daily rounds. Exhibiting a well-aged patina consistent with their material and era, they retain structural integrity and functionality. Antique ice tongs like these are prized by collectors for their connection to a bygone era of domestic life and are often displayed as rustic decorative pieces or as part of historical collections focused on early refrigeration and delivery tools. CONDITION REPORT > Natural rust color patina ~ Rather above average, well preserved examples.

SHIPPING AVAILABLE > A vintage 1950s electric clock, once part of an advertising sign, featuring an 8" diameter face with a convex glass cover. The clock is mounted on a 9" x 12" section of a masonite-type board, cut from a larger advertising sign. The board retains some of its original green finish, with wear and discoloration evident from age and use. A number of matches for this clock can be found online, associated with signs for ice cream brands, television sales and other products. The dial face showcases bold, streamlined black numerals and a red sweep second hand, reflecting the influence of Art Deco and Mid-Century Modernist design, emphasizing sleek and functional aesthetics. It is fitted with a standard 110-volt cord and plug, appearing to be functional; however, the accuracy of timekeeping remains unverified due to limited testing time. This piece exhibits the utilitarian charm of mid-20th-century functional decor, blending practical purpose with streamlined vintage styling and its connection to advertising history. CONDITION REPORT ~ Offered as discovered, uncleaned and unaltered ~ Typical wear and patina consistent with age, materials, and use ~ Working condition noted.

SHIPPING AVAILABLE > The 1926 Audels Plumbers and Steam Fitters Guide, volumes 1 through 4, is a practical and illustrated trade assistant, designed as a ready reference for professionals including master plumbers, journeymen, apprentices, steam fitters, gas fitters, sheet metal workers, draughtsmen, master builders, and engineers. Published by Theo. Audel & Co. of New York, these guides are renowned for their concise, practical language and detailed illustrations. Each volume is bound in embossed leatherette with decorative elements, including a pipe wrench motif, signifying its utility for trades. Measuring 5 x 6.5 inches, the books feature gilded page edges, a process called edge gilding, adding durability and an elegant finish to the pages. The set comprehensively covers the principles and practices of plumbing and steam fitting across various disciplines: Volume 1: Mathematics, physics, materials, tools, and leadwork. Volume 2: Water supply, drainage, rough work, and tests. Volume 3: Pipe fitting, heating, ventilation, and code regulations, emphasizing modern plumbing practices through detailed illustrations, diagrams, and charts. Volume 4: Gas, sheet metal work, welding, and motors. Written under the leadership of Frank D. Graham, Chief, and Thomas J. Emery, Associate, the books were intended to equip professionals with essential skills and knowledge. The motto "By Hammer and Hand All Things Do Stand" reflects the craftsmanship ethos embodied in this series. This set remains a valuable artifact of early 20th-century trade education and professional development. CONDITION REPORT > Remarkably well preserved 100 year old examples ~ No overt issues.

SHIPPING AVAILABLE > A substantial and comprehensive reference, this 1961 Belknap Hardware and Manufacturing Company Catalog No. 121 represents a hallmark of mid-20th-century wholesale hardware distribution. Hardbound in durable cloth-covered boards, the volume measures 10.25 x 8.5 inches and weighs an impressive 9 pounds, reflecting its extensive content and robust construction. The cover is boldly marked with "Belknap Hardware and Manufacturing Co." alongside the iconic Blue Grass trademark, emphasizing the company’s reputation for quality. Containing 4524 numbered pages, this catalog serves as a vast resource for mechanics, contractors, and hardware retailers, detailing an immense variety of products ranging from hand tools and electric lighting fixtures to kitchenware, outdoor equipment, and specialized industrial tools. The interior is carefully organized into departments, with illustrations and detailed specifications for every item, making it a practical and invaluable guide for its time. The catalog features a richly designed title page for Department 1, Mechanics Tools, showcasing Belknap’s sprawling Louisville facilities, which at the time boasted 46 acres of floor space. Each page is a testament to the company’s meticulous attention to detail and the breadth of their offerings, with sections including everything from rolling pins and butter molds to precision compasses, stopwatches, and electrical fixtures. This piece stands not only as a functional reference of the 1960s era but also as a historical artifact, capturing the scope and scale of a company that played a pivotal role in the American hardware industry. Its combination of utility and historical significance makes it a noteworthy addition for collectors, historians, and enthusiasts of industrial history. CONDITION REPORT ~ Remarkably well-preserved condition for its size and age ~ Clean, perhaps never put out for use, with Interior pages remainoing intact and clean. HISTORY of BELKNAP HARDWARE & MANUFACTURING Belknap Hardware and Manufacturing Company was established in 1840 by William Burke Belknap in Louisville, Kentucky. It began as a modest iron shop, producing items such as horse and mule shoes, nails, and spikes. Over time, the company expanded into one of the largest wholesale enterprises in the United States, distributing a vast array of hardware products. By its centennial in 1940, Belknap had grown to operate a complex of 37 buildings, covering 37 acres of floor space under one roof. The company offered over 110,000 different products, including tools, firearms, padlocks, lawn mowers, and bicycles. Belknap developed several well-known brands, including "Blue Grass" tools and "John Primble" knives, with the latter being manufactured in Louisville between 1947 and 1985. Despite its prominence, Belknap faced significant challenges during the latter half of the 20th century. After more than 140 years of operation, the company declared bankruptcy and ceased operations in 1986. In 1993, two of its large warehouse buildings were demolished in a highly publicized implosion. In 2023, the Belknap Hardware and Manufacturing Company name was revived, marking a return to business after a 40-year hiatus. This resurgence seeks to honor the company’s rich heritage while adapting to modern market needs.

SHIPPING AVAILABLE > A group of -8- vintage Coca-Cola school notebooks, each measuring approximately 8 x 10 inches and containing ruled pages within. The covers prominently feature a vibrant yellow background with the text SAFETY ABC'S ALWAYS BE CAREFUL displayed in bold red and green. A large illustration of a Coca-Cola bottle is central to the design, bearing the iconic branding MAKE IT MARK REG. U.S. PAT. OFF. BELIEVE IN COKE alongside the famous Coca-Cola Sprite Boy, depicted peeking playfully from the side. Surrounding the bottle and Sprite Boy are various safety-themed illustrations rendered in green, including children riding bicycles, a crossing guard assisting pedestrians, children walking on snowy terrain, and figures emphasizing traffic and pedestrian safety. The design reflects mid-20th-century Coca-Cola advertising, blending product promotion with public service messaging. CONDITION REPORT ~ Most examples exhibit wear, including discoloration, stains, and edge losses consistent with age and use. Despite these condition issues, this group captures a charming and nostalgic piece of Coca-Cola’s advertising legacy.

SHIPPING AVAILABLE > A vintage Williams display board crafted from 1/2" thick wood, measuring 23.75 x 11.75 inches overall. The board is painted in a bold orange hue with black detailing, prominently featuring the WILLIAMS logo across the top. Fitted with evenly spaced nails, the board is designed to securely hold tools for display. Mounted to the board are -5- Williams wrenches, varying in length and size. Each wrench is constructed of robust steel, showcasing the high-quality craftsmanship associated with Williams tools. Yes, the tag shows -7- but -5- have been discovered at time of this listing. Swift examination shows the head of each wrench is marked BILLINGS in stylized letters, along with Made in USA, as well as the size. CONDITION REPORT ~ Moderate wear is evident on both the board and wrenches, consistent with age. The paint on the board exhibits some fading and scratches, while the wrenches retain their structural integrity but show surface oxidation typical of vintage tools. This set serves as both a functional tool collection and a collectible piece of hardware history. HISTORY RELATIVE to WILLIAMS BILLINGS TOOLS Williams and Billings & Spencer were two prominent American tool manufacturers with rich histories dating back to the 19th century. Williams: Founded in 1882 by James Harvey Williams and Matthew Diamond in Flushing, Queens, New York, Williams & Diamond began as a drop forging business. In 1884, the company relocated to Brooklyn and, by 1887, was operating under the name J.H. Williams & Co. The company was among the first to offer mass-produced drop-forged hand tools, which were essential in various industrial applications. In 1914, Williams expanded by opening a second factory in Buffalo, New York. Over the years, Williams became known for its high-quality tools, including the "Superrench" line introduced in 1926, which featured drop-forged alloy steel wrenches that were both lightweight and strong. The company continued to innovate, introducing flexible wrench systems and modular flat and socket wrenches. In 1968, J.H. Williams & Co. was acquired by Snap-on Tools, further cementing its legacy in the tool manufacturing industry. Billings & Spencer: Established in 1869 as the Roper Sporting Arms Co. by Charles E. Billings and Christopher M. Spencer in Hartford, Connecticut, the company reorganized as Billings & Spencer Co. in 1873. Specializing in drop-forged hand tools and machinery, Billings & Spencer were pioneers in the drop forging process, producing a variety of tools, including wrenches, pliers, and other hand tools. The company was known for its "B" inside a triangle logo, trademarked in 1905 but in use since the 1870s. By the early 20th century, Billings & Spencer had become one of America's leading tool manufacturers, expanding their product lines and facilities. In 1939, they acquired Bemis & Call, adding adjustable and monkey wrenches to their offerings. The company continued operations until 1962, when it was acquired by the Crescent Niagara Corporation. Both Williams and Billings & Spencer played significant roles in the development and manufacturing of quality tools in America, contributing to various industries with their innovative products and manufacturing techniques.

SHIPPING AVAILABLE > A vintage amber beer bottle standing 7.5 inches tall with a base diameter of 2.5 inches. The bottle features cast relief lettering prominently on one side of the body, reading PAUL POHL CHICAGO ILLS, reflecting its origins as a product of the Paul Pohl Brewing Company of Chicago, Illinois. The bottle's body showcases a classic early 20th-century design, with its slightly tapered cylindrical form leading to a rounded collar neck. The amber coloration adds both aesthetic appeal and functionality, as it would have helped protect the contents from light exposure. A charming artifact of Chicago's historic brewing industry, this piece reflects the craftsmanship and branding of a bygone era. CONDITION REPORT ~ Overall, well-preserved condition for age, with expected surface scuffs, perhaps from case wear, and small imperfections in the glass relative to the early manufacturing process. HISTORY RELATIVE to PAUL POHL BEER BREWERY Paul Pohl was a significant figure in Chicago's brewing industry during the late 19th and early 20th centuries, contributing to the city’s rich tradition of beer production. His brewing endeavors began in 1881 when he, along with his brother, established the Pohl Bros. Brewery on Cooper Street in Chicago. This initial venture, though short-lived, laid the groundwork for further enterprises. In 1882, Paul Pohl entered into a partnership with Reinhold Henry, forming the Paul Pohl & Reinhold Henry Brewery. Operating from the same Cooper Street location, this partnership lasted until 1884. After parting ways with Henry, Pohl continued the brewing operations independently under the name Paul Pohl Brewery. For the next two decades, his brewery at 27/35 Cooper Street became a notable establishment in Chicago’s brewing scene, producing beer for local distribution and gaining a reputation for quality. In 1905, Pohl rebranded his operation as the Paul Pohl Brewing Company and moved to an updated address at 2335/2344 Cooper Street. This marked the final phase of his brewing enterprise, which continued until 1913. During this time, the brewery flourished, reflecting the dynamic and competitive nature of Chicago’s beer industry at the turn of the century. Artifacts from Paul Pohl’s brewing ventures, including stoneware beer bottles and advertising materials, are cherished by collectors today. These items not only showcase the craftsmanship of the era but also serve as tangible reminders of a once-thriving business that played a role in shaping Chicago’s cultural and economic landscape during a pivotal period in its history.

SHIPPING AVAILABLE > A charming group of eight antique porcelain china butter pats, also known as butter chips, each measuring around 3" in diameter, traditional in size for serving butter. This collection showcases a variety of designs and purposes, ranging from utilitarian restaurant ware to finely decorated porcelain china. Floral Blue Transferware: Features delicate blue flowers and foliage, transferred onto a soft white background. The edges are lightly textured, adding a touch of refinement. Gold-Trimmed Pat with Purple Florals: A standout piece with vibrant purple flowers and greenery, framed by an ornate gold-trimmed scalloped edge. The intricate detailing highlights the fine porcelain craftsmanship. Pink Rose Garland Design: A classic floral theme with soft pink roses and scattered greenery, set against a white base. The edges are slightly waved, adding to its delicate charm. Creamy Beige with Embossed Scallop Pattern: A simpler, more subdued design, this pat features a solid beige glaze with a raised scallop border, likely suited for casual or utilitarian use. Solid White Gloss Glaze: A minimalist piece with a clean white gloss finish. Subtle wear on the surface reflects its age and practical use, likely as a piece of restaurant ware. Fine Green and Gold Band Porcelain: An elegant piece with a central floral bouquet surrounded by a vivid green band. Intricate gold accents frame the border, emphasizing its fine china quality. Pink and Green Rosebuds with Scalloped Edge: Another floral-themed piece featuring small pink rosebuds with soft green accents. The gently scalloped edge complements the feminine and delicate design. Simple Green Stripe on White: A utilitarian piece with a single green stripe encircling the plain white porcelain, likely from a restaurant or commercial setting. CONDITION REPORT ~ Perhaps typical and minor signs relative to age, use and materials, including light surface wear and small imperfections typical of antique china. Despite some of these elements, this collection offers a delightful mix of decorative and functional history, perfect for collectors or as accents in a charming table setting.

SHIPPING AVAILABLE > An 11 x 14 sepia-toned poster printed on medium-weight cardstock, capturing an iconic still image from the 1942 Warner Brothers motion picture CASABLANCA. This striking scene features Humphrey Bogart and Ingrid Bergman, who starred as Rick Blaine and Ilsa Lund, respectively. The emotional intensity in their expressions reflects the complex love story and moral dilemmas central to the film’s plot. CASABLANCA, directed by Michael Curtiz, is widely regarded as one of the greatest films in cinematic history. Set during World War II in the Vichy-controlled city of Casablanca, Morocco, the movie weaves a tale of love, sacrifice, and resistance. Bogart's portrayal of Rick Blaine, a cynical yet noble nightclub owner, and Bergman’s performance as Ilsa Lund, torn between love and duty, have become legendary. The film also features a memorable supporting cast, including Paul Henreid, Claude Rains, Conrad Veidt, Sydney Greenstreet, and Peter Lorre. The still image shown here likely represents one of the poignant moments between Rick and Ilsa, encapsulating their bittersweet relationship. The film’s enduring themes and unforgettable dialogue, including lines such as “Here’s looking at you, kid” and “We’ll always have Paris,” have cemented its place in popular culture. CASABLANCA won three Academy Awards, including Best Picture, Best Director, and Best Adapted Screenplay, and continues to be celebrated for its brilliant storytelling, acting, and timeless appeal. This particular poster serves as both a nostalgic piece and a tribute to a film that has captivated audiences for generations, making it an excellent collectible for fans of classic Hollywood cinema. CONDITION REPORT > A well preserved example ~ No overt issues

SHIPPING AVAILABLE > An 11 x 14 sepia-toned poster printed on medium-weight cardstock, depicting Marilyn Monroe aboard what is often referred to as the Million Dollar Special train. This captivating image features Monroe posing energetically on a Canadian Pacific locomotive, clad in casual attire, exuding the charm and charisma for which she is renowned. The photograph is connected to the 1953 production of River of No Return, a 1954 film starring Marilyn Monroe and Robert Mitchum. The movie, directed by Otto Preminger, was filmed in the Canadian Rockies, with key locations including Jasper and Banff National Parks. It is suggested that Monroe and the cast may have traveled to the filming locations via train, a common mode of transport at the time, with this image being part of a series published to promote the film. The locomotive appears to be part of the Canadian Pacific Railway, which played a significant role in the logistics of the production. While there is some speculation about the exact location and purpose of the photo, it is believed to have been taken near the filming set in what may have been Chalewick (likely a misspelling of a Canadian locale). Regardless of its precise origins, the photograph captures a unique blend of Hollywood glamour and rugged Canadian wilderness, reflecting the adventurous spirit of the movie. An evocative piece of Hollywood and Canadian history, ideal for collectors of Marilyn Monroe memorabilia or classic cinema artifacts. CONDITION REPORT ~ A well preserved example, despite an area of dark staining to the rear, resulting in no issues to the front.

SHIPPING AVAILABLE > A die-cut advertising calendar from 1899, measuring 5 x 8.5 inches, printed on embossed medium-weight cardstock with glossy lithographed designs. This example features the text COMPLIMENTS OF G. W. HAIL, DEALER IN FINE BUGGIES, WAGONS, IMPLEMENTS AND WIND MILLS, HICO, TEX., prominently displayed at the top. The scene depicts a tranquil winter landscape with a large windmill in the center background, surrounded by snow-covered trees and quaint cottages. In the foreground, a figure dressed in period attire carries a bucket, walking along a snowy path lined with rustic fencing. The detailed floral embellishments and scrollwork framing the scene add to the Victorian charm of the piece. The January 1899 monthly calendar sheet is intact and attached at the base, showing all dates clearly, including lunar phases such as FIRST QUARTER, FULL MOON, and LAST QUARTER. The vivid lithographed colors and embossed details remain striking, making this a wonderful example of late 19th-century advertising and a charming historical artifact for collectors of Victorian ephemera or Texan memorabilia. CONDITION REPORT > A remarkably well preserved example, nearly 125 years old. G.W. Hail, associated with Hico, Texas, was likely a member of the Hail family, notable in the region during the late 19th and early 20th centuries. A prominent figure was William Robert Hail (1855–1944), who married Emma Carolina Dry in Hico in 1877. They had several children, including George Webster Hail (1889–1938). Given the initials "G.W.," it's plausible that George Webster Hail is the individual in question. However, specific records detailing his business activities in Hico are limited. The Hail family was among the early settlers in the area, contributing to the community's development. Hico, Texas, is a small town located in Hamilton County, with its origins tracing back to the late 19th century. It was first settled in 1856 and named after the Hico Creek in Kentucky, the hometown of its founder, Dr. John R. Alford. The town grew modestly during its early years, with farming and ranching serving as the primary economic activities. In 1880, Hico was officially incorporated, and the arrival of the Texas Central Railroad in 1885 significantly boosted its development. The railroad transformed Hico into a shipping hub for agricultural goods such as cotton, corn, and livestock. The economic growth brought by the railroad also spurred the establishment of businesses, schools, and churches, further solidifying Hico as a thriving community in the region. During its heyday in the late 19th and early 20th centuries, Hico boasted a vibrant downtown area with mercantile stores, banks, and other businesses. The town also gained some historical notoriety due to local legends. One of the most famous stories involves "Brushy Bill" Roberts, a Hico resident who, in the 1940s, claimed to be the notorious outlaw Billy the Kid. This claim remains a point of intrigue and contributes to the town’s unique identity. Hico has preserved much of its historical charm, with many of its early buildings and structures still standing today. The town continues to celebrate its rich history through local museums, historic markers, and annual events that attract visitors interested in Texas heritage. Today, Hico remains a small but proud community, offering a glimpse into the past while embracing its role as a quiet rural town in central Texas.

SHIPPING AVAILABLE > The 1940 Swamp-Root Almanac and Dream Book by Dr. Kilmer & Co., measures 8-1/8 x 5-1/8 inches and features 32 pages. Its cover showcases vivid chromolithograph artwork with a central Native American woman wrapped in a blanket, accompanied by zodiac signs arranged vertically on the left margin, each represented by symbolic imagery. The title SWAMP-ROOT ALMANAC DREAM BOOK prominently arches across the front, with the bottom attributing the publication to DR. KILMER & CO. BINGHAMTON, N.Y. The back cover illustrates the sprawling factory headquarters of Dr. Kilmer & Co., completed in 1902, and describes its extensive facilities as absolutely fireproof, devoted entirely to the Swamp-Root business. This includes laboratory, bottling, and printing operations, further accentuated by decorative Native American motifs and "COMPLIMENTS OF PRESTON DUNN, DRUGGIST, ESKRIDGE, KANS." Internally, the almanac offers horoscopes, weather predictions, anatomical guides linked to zodiac signs, lunar phases, and eclipse data. Notably, a Certificate of Purity attests to the product's safety, claiming it does not contain harmful substances and emphasizing its vegetable-based composition. Swamp-Root is detailed as a remedy for kidney, liver, and bladder ailments, with a list of botanical ingredients such as buchu leaves, valerian root, and balsam copaiba, underscoring its purported natural formulation. Dr. Kilmer's Swamp-Root was marketed as a cure-all medicine in the late 19th and early 20th centuries. Despite its widespread use, it has been criticized for exaggerated claims, leading to its classification as a "patent medicine." Such products were part of the era's burgeoning market for over-the-counter remedies, often using almanacs like this one as promotional tools to disseminate health tips and advertising disguised as informative content. These almanacs were indispensable to rural and agricultural communities, offering crucial meteorological, agricultural, and medical advice in a time before widespread access to modern communication. This almanac exemplifies the unique blend of quackery and marketing that characterized patent medicine advertising. The elaborate illustrations, inclusion of zodiac forecasts, and pseudo-medical endorsements aimed to create a sense of credibility and allure for Swamp-Root, cementing its place in the history of early American consumer health culture. CONDITION REPORT > A notably well preserved example ~ Perhaps typical and minor elements relative to age, handling and materials.

SHIPPING AVAILABLE > This image depicts a collection of 12 lithograph labels and nameplates, primarily associated with products from the BUERGER BROTHERS SUPPLY CO. of Denver, Colorado. Each item highlights the company's extensive range of beauty, barber, and personal care products. Below is the count and description of each label: ROCK LILY TOILET WATER - Features an ornate floral and scrollwork design with "NOT OVER 50% GRAIN ALCOHOL" printed beneath. This label prominently credits THE BUERGER BROS. SUPPLY CO. DENVER, COLO. AMOLE LIQUID TAR SHAMPOO - A rectangular label with bold text "NONE BETTER," specifying the inclusion of "3% ALCOHOL" and directions for use. Prepared by MEX-AMOLE SOAP CO., PEORIA, ILL. BUERGER'S BLUE GOOSE - A smaller label for EXTRA FINE HAIR DRESSING, noting "NET CONTENTS 8 FL. OZ." Manufactured by THE BUERGER BROS. SUPPLY CO., DENVER, COLO. BUERGER'S PERMOIL - A red and black label for a hair care product with "NET CONTENTS 2.025 FL. OZ." The label advises usage for dry or coarse hair and credits THE BUERGER BROS. SUPPLY CO., DENVER, COLO. BUERGER'S NU-ROSE HAIR LOTION - A tall label with an illustration of roses, describing the product as "AN EXCELLENT HAIR DRESSING." Manufactured by THE BUERGER BROS. SUPPLY CO., DENVER, COLO. VEGETAL BUERNISSE - Features an elegant design with a woman holding flowers and labeled "FLOWERY FRAGRANCE." This label also credits THE BUERGER BROS. SUPPLY CO., DENVER. BUERGER'S MENTHO CREAM - A rectangular label with cool-toned scenery and the description "VANISHING COOLING AND REFRESHING." It notes BUERGER BROS. SUPPLY CO., DENVER. SORORITY LIQUID CLEANSING CREAM - A small enamel or metal nameplate with green and black detailing, crediting BUERGER - DENVER. BUERGER'S QUINODA DANDRUFF LOTION - A vibrant red and gold label for a hair treatment, manufactured by THE BUERGER BROS. SUPPLY CO., DENVER, COLO. BUERGER'S EVER-LAY HAIR OIL - A blue and gold label for hair oil with "NET CONTENTS 4 OZ." and produced by THE BUERGER BROS. SUPPLY CO., DENVER, COLO. SMALL FOIL LABEL - A small silver-toned label marked MANUFACTURED BY THE BUERGER BROS. SUPPLY CO. DENVER, COLORADO FOR PUREST WHITEST BLEACH ONE POUND. FOIL LABEL ~ The green and silver foil embossed label reading SORORITY in the greek manner Each label reflects the company’s dedication to visually appealing marketing while providing detailed product descriptions. This collection offers a glimpse into the wide-ranging inventory of BUERGER BROS. SUPPLY CO. during their operational years. HISTORY RELATIVE to BUERGER BROTHERS SUPPLY The Buerger Brothers Supply Company, established in 1885 in Pueblo, Colorado, by Otto, Hugo R., and Max Buerger, began as a supplier of barber equipment and supplies. Recognizing the growing demand in the Rocky Mountain region, the company relocated to Denver in 1890, enabling them to serve a broader clientele, including barbers and beauty salons. Initially operating from Larimer Street, the company expanded its offerings to include creams, tonics, perfumes, and other beauty products. As their business flourished, the Buerger Brothers constructed a new headquarters at Champa Street in 1929. This building, designed by architect Montana Fallis, stands as one of Colorado's finest examples of Art Deco architecture. The company became a leader in the supply of barbershop and beauty salon products throughout the Rocky Mountain and western plains regions, providing everything from scissors and face creams to barbershop poles and shoeshine stands. They also manufactured their own line of beauty products, further establishing their prominence in the industry. The Buerger Brothers Supply Company operated until 1980, leaving a significant legacy in Denver's commercial history. Their headquarters has been preserved and repurposed, now serving as the Buerger Brothers Lofts, a testament to the company’s enduring impact on Denver’s architectural and business landscape.

SHIPPING AVAILABLE > The Gilchrist No. 78 handheld ice shaver is an antique kitchen tool manufactured by the Gilchrist Company, a well-known producer of high-quality kitchen gadgets in the late 19th and early 20th centuries. The Gilchrist Company, based in New York, became famous for its durable and innovative tools, including ice cream scoops, butter cutters, and ice shavers. The No. 78 ice shaver was specifically designed to shave fine pieces of ice from larger blocks, a common practice in households and businesses before the widespread adoption of electric refrigeration. Its compact, handheld design made it an essential tool for creating crushed ice for drinks, desserts, and culinary purposes. It was often used in homes, soda fountains, and bars during the early 1900s. CONDITION REPORT > Rust color patina to the exterior ~ Some nickel silver plating remains to the interior ~ Blade in place.

SHIPPING AVAILABLE > An original issue of POPULAR SCIENCE, dated November 1944, features approximately 250 pages packed with wartime innovations, science, and culture. The front cover boldly announces WHY JAPAN CAN’T STOP THE B-29, showcasing a vivid, full-color image of a technician working on a bomb mounted beneath the belly of the iconic Boeing B-29 Superfortress, one of the most technologically advanced aircraft of World War II. This wartime edition highlights the critical role of science and technology in achieving military superiority. The B-29, famously used in the Pacific Theater, was integral in missions such as firebombing campaigns over Japan and the eventual atomic bombings of Hiroshima and Nagasaki. Designed for high-altitude, long-range missions, the B-29 featured pressurized cabins, advanced avionics, and remote-controlled defensive gun systems. These characteristics made it a strategic asset in overcoming Japan’s air defenses, referenced in the issue’s prominent headline. The reverse cover showcases a colorful CAMEL CIGARETTE advertisement featuring U.S. soldiers at rest, under the slogan I’D WALK A MILE FOR A CAMEL, emphasizing the brand’s popularity among service members. The imagery captures camaraderie and resilience, aligning with the era’s patriotic tone. The soldiers are shown enjoying a rare moment of respite in a natural setting, reinforcing the cultural importance of cigarettes in the daily lives of World War II troops. The magazine includes articles detailing cutting-edge wartime inventions such as NEW OXYGEN EQUIPMENT for high-altitude pilots, GLASS LAND MINES engineered for stealth, and advancements in rail transportation, exemplified by the new streamlined locomotive under the section titled SMOOTH JOB. This combination of military and civilian innovations reflects the dual-purpose focus of scientific advancement during wartime. POPULAR SCIENCE, established in 1872, became a beacon for popularizing scientific knowledge and technological developments. During World War II, it frequently addressed the intersection of civilian life and military needs, offering readers insights into how science was shaping the future. The magazine played a crucial role in educating the public on the innovations that were critical to the Allied war effort, making issues like this a fascinating snapshot of history. This issue, in particular, stands out for its blend of vivid wartime imagery, detailed accounts of military advancements, and broader cultural references, encapsulating the spirit and challenges of the era. CONDITION REPORT > Bumping, blemishes, some tears and elements relative to age, handling and materials, stored away over 75 years, but remains in fair condition, full of interesting history.

SHIPPING AVAILABLE > A pair of mid-20th century Western pulp magazines, including MAMMOTH WESTERN from FEBRUARY 1948 and 44 WESTERN MAGAZINE from JUNE 1949. These vivid publications capture the essence of the Western pulp fiction genre with dynamic cover illustrations and thrilling narratives. The MAMMOTH WESTERN cover proclaims RECKLESS ADVENTURE IN THE GOLDEN WEST and highlights the story DESERT DESTINY by ALEXANDER BLADE, described as A TALE OF GREAT LOVE AND HIGH COURAGE. The striking artwork depicts a rugged cowboy rescuing a woman, with a tense backdrop of silhouetted riders against a night sky. The 44 WESTERN MAGAZINE features the banner THE BIG FRONTIER WESTERN with the title story THE BUCKSKIN PRAIRIE-BUSTER by WAYNE D. OVERHOLSER and additional stories such as HELL STARTS AT END-OF-TRACK by W.A. TOMPKINS. Its vivid cover art showcases a determined cowboy lighting a fuse, evoking high-stakes action and drama. The back cover of MAMMOTH WESTERN advertises FANTASTIC ADVENTURES, emphasizing FANTASY AS YOU LIKE IT! with promises of CHILLS! THRILLS! ACTION! The dramatic imagery of a shrouded figure and the moonlit sea reflects the era's imaginative and sensational storytelling. The back of 44 WESTERN MAGAZINE presents a vibrant advertisement for DE LUXE QUALITY SCOTCH PLAID FIBRE AUTO SEAT COVERS, alongside other vintage consumer products like a JUKE BOX COIN BANK and a PRESTO-ELECTRIC WATER HEATER. Inside, these magazines feature serialized stories, action-packed illustrations, and engaging advertisements. For instance, the MAMMOTH WESTERN includes a story titled TOBACCO LIL’S REDEMPTION by MARVIN J. JONES, complete with detailed line illustrations that complement the narrative. Additional sections feature comic strips, advertisements for mail-order products, and editorial content reflective of the time. CONDITION REPORT ~ Offered as found, with notable wear consistent with age and handling, including creasing, small tears, and edge wear ~ Rather rough; however, both magazines retain their vivid illustrations and readable content, offering a nostalgic glimpse into the pulp fiction era of Western storytelling.

SHIPPING AVAILABLE > A 1904 issue of AINSLEE'S MAGAZINE, A MAGAZINE OF CLEVER FICTION, dated JANUARY 1904, priced at 15 CENTS, published by AINSLEE MAGAZINE CO., NEW YORK. This publication is a prime example of early 20th-century periodicals, featuring over 100 pages filled with illustrated advertisements, literary content, and engaging editorial material. The REAR COVER showcases four notable advertisements from the era. LIEBIG COMPANY'S EXTRACT OF BEEF emphasizes its widespread use and signature quality. WASHBURNE'S PATENT IMPROVED FASTENER AND KEY CHAIN highlights its innovative design for securing keys. The advertisement for TABASCO SAUCE, YOUR XMAS DINNER, promotes its use as the perfect seasoning, produced by MCILHENNY'S TABASCO of NEW IBERIA, LA. Lastly, DENTACURA TOOTHPASTE advertises its effectiveness in dental hygiene, endorsed by leading dentists and manufactured in NEWARK, NJ. Inside, the magazine offers a variety of fiction and non-fiction pieces, accompanied by numerous period advertisements. Highlights include promotional pages for products such as THE EDISON PHONOGRAPH and THE HAYNES-APPERSON AUTOMOBILE. The content also features serialized stories and poems by prominent authors of the time, along with fascinating insights into the cultural and consumer trends of 1904. CONDITION REPORT ~ Offered as found, showing wear typical of age and handling, including edge fraying and surface creasing ~ The publication remains intact with readable content and rich historical imagery, providing a vivid glimpse into the literary and commercial landscape of the early 20th century. HISTORY RELATIVE to AINSLEE'S MAGAZINE OF CLEVER FICTION Ainslee's Magazine was a popular American literary periodical published from 1897 to 1926. Initially launched under the title The Yellow Kid Magazine, it focused on entertainment and stories before being renamed Ainslee's Magazine in 1898. The publication catered to a middle-class readership and became known for blending fiction, serialized novels, poetry, journalism, and illustrated advertisements. Its tagline, A Magazine of Clever Fiction, reflected its dedication to high-quality literary content that was both engaging and accessible. The magazine became a significant platform for many notable writers of the time, including O. Henry, Jack London, Stephen Crane, Willa Cather, and F. Scott Fitzgerald. These contributions elevated its reputation, and it was widely regarded as a leading venue for short stories, serialized works, and essays that captured the cultural, social, and political shifts of the late 19th and early 20th centuries. Ainslee's was also distinguished by its visual appeal. The covers often featured striking and colorful artwork by well-known illustrators such as Edward Penfield, who helped define its aesthetic identity. Inside, the magazine was filled with period advertisements rendered in Art Nouveau and early Art Deco styles, promoting products like phonographs, automobiles, corsets, and beauty products. These advertisements targeted an urban, middle-class audience, blending practical appeals with aspirational marketing. By the 1920s, the magazine market became increasingly competitive, with larger and more specialized publications gaining popularity. Ainslee's struggled to maintain its niche and ceased publication in 1926, marking the end of its nearly three-decade run. Today, Ainslee's Magazine is remembered for its contributions to American literature, its role in promoting now-iconic writers, and its vivid reflection of early 20th-century life through its stories, illustrations, and advertisements. Issues of Ainslee's remain highly collectible and provide valuable insights into the cultural and literary history of the period.

SHIPPING AVAILABLE > A vintage wicker-covered demijohn bottle standing 15 inches tall and measuring approximately 8 inches in diameter at the shoulder. This hand-blown glass bottle is encased in a protective wicker basket, complete with a twisted wicker handle for ease of transport. Such bottles were traditionally used for storing and transporting wine, spirits, oils, or other liquids, serving both functional and decorative purposes. The wicker wrapping not only provided durability and insulation but also allowed these fragile glass vessels to be transported safely over long distances. Originating as early as the 17th century, demijohns became widely popular in Europe and North America by the 19th and 20th centuries, particularly for winemaking and distillation. The use of natural materials like wicker or rattan highlights the ingenuity of early craftsmanship in combining utility with artistry. The glass body is likely hand-blown, evidenced by the slight variations in form and surface, a hallmark of traditional glassmaking techniques. The rustic wickerwork is meticulously handwoven, showcasing a pattern designed to shield the bottle and provide a decorative finish. Bottles like this were commonly found in vineyards, distilleries, and households, where they stored homemade wines, vinegars, or other liquids. Today, these vintage demijohns are prized for their charm and versatility. They are often used as statement decor pieces in rustic, farmhouse, or vintage-inspired interiors, as well as by collectors who appreciate their historical significance and unique craftsmanship. CONDITION REPORT ~ A well above average example, with the glass remaining intact, showing no apparent chips or cracks. Overall, a beautifully preserved example of utilitarian craftsmanship with a rich historical narrative.

SHIPPING AVAILABLE > A group of eight miniature figural oil lamps, each uniquely designed and showcasing charming details that reflect vintage craftsmanship. These miniature lamps are highly collectible for their creative forms and intricate designs. Carved Figure Design: One lamp features a carved face motif with bold, textured detailing, resembling a totemic figure. Amber Hobnail Glass : A lamp crafted from amber hobnail glass with a textured surface, adding a decorative and tactile appeal. Brick Fireplace : A figural lamp in the shape of a red brick fireplace, complete with a detailed mantle and hearth, topped with a glass chimney (Chip at one corner). Figural Water Well Pump : Designed to resemble a vintage tea kettle, complete with a spout and handle, reflecting old-world charm. Red Glass Bulbous Shape : A small, rounded red glass lamp with a curved form, exuding elegance and simplicity. Spinning Wheel : A figural lamp styled as a rustic spinning wheel, detailed with woven textures and a wheel design. Cannon on Stand : A lamp shaped like a cannon resting on a base, featuring detailed rivets and mechanical elements. Wood Stove : A figural oil lamp representing a vintage wood-burning stove, intricately adorned with a clock face and detailed cast-iron textures. Each lamp is equipped with a crown-shaped burner, and some include original glass chimneys or wicks. These lamps combine functionality with playful artistry, making them delightful decorative pieces and a nod to vintage ingenuity. CONDITION REPORT ~ Chip to one corner of fireplace ~ Otherwise, expect typical and minor elements relative to age and materials ~ Some lack chimneys and/or wicks ~ Most retain their original finishes, while some may exhibit slight patina or signs of handling.

SHIPPING AVAILABLE > A group of six miniature oil lamps, each exhibiting distinct designs and materials that showcase their vintage craftsmanship and decorative appeal. Clear Glass Globe Lamp: A classic miniature lamp with a round clear glass base and a slightly flared glass chimney. The clear simplicity highlights its utilitarian design, accented with a patina on the burner. Pair of Blue Swirled Glass Lamps: Two matching lamps featuring deep cobalt blue glass bases with a twisted swirl pattern. These lamps include tall flared blue chimneys, adding a striking pop of color and elegance. Milk Glass Lamp with Hobnail Pattern: A white milk glass lamp with a hobnail texture to the base and a softly flared opaque chimney, blending decorative charm with functionality. Porcelain Vase Lamps with Rose Motif: A pair of figural lamps shaped like ornate porcelain vases, featuring delicate applied pink roses and gold trim. The vases are further adorned with openwork handles, adding a whimsical touch to their design. This grouping highlights the variety and creativity of miniature oil lamp designs, from utilitarian simplicity to decorative artistry, making them both functional and collectible. CONDITION REPORT ~ Typical and minor elements relative to age, handling and materials ~ One blue glass chimney is chipped at the scalloped top ~ Some lacking chimneys and/or wicks ~ Wear to some components, including slight patina to the metal burners and minor imperfections on the glass or porcelain finishes.

SHIPPING AVAILABLE > A mid-century modern advertising display for Ballantine Ale, featuring a sculptural Art Deco streamline manner design that combines functionality with branding. The piece comprises a gold-tone metal wire support holding a semi-circular black cast plastic bowl, the intended purpose of which remains uncertain, possibly designed to hold promotional materials, small items, or as a decorative accessory for bars or retail displays. The focal point is the cast plastic sign mounted above the bowl, prominently featuring bold, raised lettering reading BALLANTINE ALE in vibrant red. To the side, the iconic three-ring Ballantine logo is displayed, with the interlocking circles labeled PURITY, BODY, FLAVOR, emphasizing the brand's longstanding commitment to quality. The back of the sign includes an inset inscription reading CREATED BY KAY, INC., 142 EAST 49TH ST ~ N.Y. 17, N.Y., providing insight into its mid-century origins and manufacturer. This display likely dates to the mid-20th century, a time when Ballantine Ale was a prominent name in American brewing. The piece embodies the modernist aesthetic of the period, combining clean lines, functional design, and bold branding to create an eye-catching promotional item. CONDITION REPORT ~ Settled dust and, as discovered, in need of a general cleaning ~ Overall, a well-preserved example of vintage advertising design. HISTORY of BALLANTINE ALE Ballantine Ale, one of the oldest and most iconic beer brands in the United States, was established in 1840 by Peter Ballantine, a Scottish immigrant, in Newark, New Jersey. The brand quickly gained recognition for its high-quality ales, characterized by a balance of bitterness and maltiness achieved through its unique aging process in oak barrels. This technique imparted a distinctive flavor that set it apart from other beers of the time. The Ballantine logo, featuring three interlocking rings symbolizing "Purity, Body, and Flavor," became one of the most recognized symbols in American brewing history. During the mid-20th century, Ballantine enjoyed its golden age as one of the largest and most popular beer brands in the United States. Its flagship product, Ballantine Ale, was complemented by other offerings such as Ballantine India Pale Ale, known for its robust hop character, and Ballantine XXX Ale, a staple in American beer culture. Ballantine’s innovative marketing efforts, including sponsorship of the New York Yankees and memorable advertising campaigns, solidified its place in American beer history. The brand began to decline in the 1970s following its sale to Falstaff Brewing Company. Changes in production methods and industry consolidation contributed to the loss of its premium image, and the brewery eventually ceased operations. In 2014, Pabst Brewing Company revived Ballantine Ale, focusing on recreating the original recipes, particularly for Ballantine IPA, to appeal to modern craft beer enthusiasts while honoring its historical legacy. Ballantine Ale remains a symbol of America’s brewing heritage. Its influence on the development of American ales, especially during its peak in the 20th century, and its revival in the craft beer era highlight its enduring significance. Collectors prize vintage Ballantine memorabilia, reflecting the brand’s cultural impact and storied history.

SHIPPING AVAILABLE > A wood-backed advertising sign measuring 10.75 by 11.5 inches, promoting Seven Star Blended Whiskey, with brass elements including an extended arm for a bell that is now absent. The text reads RING THE BELL FOR... AMERICA'S LIGHTEST WHISKEY, accompanied by a patriotic red, white, and blue design and gold stars, reinforcing its American branding. The crest at the top bears the initials G&W, EST'D 1832, referencing Gooderham & Worts, the company behind the brand. Seven Star Blended Whiskey was a product of Gooderham & Worts, a Canadian distillery with a long and storied history. Established in 1832 in Toronto, the company became one of the largest whiskey producers in North America by the late 19th century. Gooderham & Worts initially focused on milling grain before expanding into whiskey production, leveraging high-quality ingredients and traditional methods. The Seven Star brand was introduced in the United States during the mid-20th century as a blended whiskey, crafted to appeal to American tastes with its lighter profile. Blended whiskeys like Seven Star became particularly popular during and after Prohibition, offering a smoother alternative to straight whiskey. The brand positioned itself as "America's Lightest Whiskey," catering to drinkers who preferred a milder flavor profile. Its marketing frequently emphasized modern, approachable drinking, and its branding incorporated patriotic themes to resonate with American consumers. Gooderham & Worts eventually shifted focus in the latter half of the 20th century, and many of its whiskey brands, including Seven Star, faded from prominence. Today, artifacts like this advertising sign are valued for their historical and aesthetic appeal, offering a glimpse into mid-century whiskey marketing and design. CONDITION REPORT ~ Presented as found, with minor wear to the wood backing and brass elements. Lacking the original bell, but the remaining components retain their charm and historical significance.

SHIPPING AVAILABLE > A lithographed sheet metal United States postage stamp vending machine, standing 15 inches tall and measuring 6 by 5 inches at the body, mounted atop a raised pedestal base. This vintage machine features a functional lever mechanism and prominently displays lithographed text and graphics. Although lacking a key and not considered functional, it serves as a nostalgic piece of mid-century utility and design. The front of the machine displays bold text in red and blue, reading U.S. STAMPS IN SANITARY FOLDERS, with instructions to PUSH LEVER. Additional text includes U.S. PAT. NO. 2,444,747 and identifies the manufacturer as POSTAGE STAMP MACHINE CO., 2008-12 UTICA AVE., BROOKLYN, N.Y. The pricing mechanism is clearly indicated with "10¢" printed twice, suggesting the machine dispensed stamps for ten cents. The body is constructed of lithographed sheet metal with a weathered and aged surface, showing patina and oxidation typical of prolonged use and exposure. The base features a textured finish, complementing the industrial design and adding stability to the structure. This vending machine represents a time when self-service options for postage were increasingly incorporated into public spaces, reflecting the evolving convenience culture of the mid-20th century. CONDITION REPORT ~ Offered as found, with significant wear to the finish, surface rust, and missing components such as the key. Despite these imperfections, the piece retains its historical and decorative appeal, making it a collectible item reflective of vintage American postal history.

SHIPPING AVAILABLE > A cast iron Fordson brand toy tractor, standing 3.5 inches tall to the hat of the driver and measuring approximately 6 inches long by 3 inches wide. This hand-painted model features vibrant red for the body and large silver-tone spoked wheels, which are functional and roll. The figure of the driver is painted in blue with a black hat, adding a lifelike touch to the piece. Fordson was a brand introduced by Henry Ford and named Fordson to distinguish it from his automobiles. Fordson tractors were first produced in 1917 and were revolutionary in their time, becoming one of the most popular and widely used tractor brands worldwide in the early 20th century. They represented Ford's contribution to agriculture by making tractors more affordable and accessible to farmers. This cast iron model captures the robust design of early Fordson tractors with details like its oversized wheels and industrial engine body. The embossed Fordson name along the side adds to its authenticity and appeal. Its sturdy construction and functional wheels suggest it might have been designed as a toy or display piece, embodying the craftsmanship and agricultural heritage of its era. CONDITION REPORT ~ Offered as found, with hand-painted surfaces showing minor wear typical of age and use. The wheels retain functionality, and the overall structure remains solid, making this an appealing collectible piece reflective of early 20th-century farming innovation.

SHIPPING AVAILABLE > A pair of copper pans with forged iron handles, each pan measuring approximately 10 inches in diameter to the turned flange edges and around 1 inch deep. The handles extend about 15 inches, forged from iron with a circular loop at the terminal end for hanging. The bases of the pans feature embossed floral motifs created through a hammering technique, showcasing detailed craftsmanship. These pans likely served a decorative or utilitarian purpose or for display in rustic or colonial or French cottage style kitchens. The copper construction and the handcrafted nature of the embossed designs reflect traditional methods of metalworking, adding to their historical and aesthetic appeal. Their construction suggests durability and a connection to 19th or early 20th-century domestic life, where such objects were both functional and ornamental. CONDITION REPORT > Some minor dents and bends to the edge of the copper pans ~ Typical and minor, relative to age, handling and materials ~ Overall, nicely preserved examples.

SHIPPING AVAILABLE > This pair of cast iron branding irons is indicative of tools historically used on Western cattle ranches for marking livestock. Each iron measures approximately 16 inches in length and features a substantial branding head, though one exhibits damage. Designed for durability, these tools were heated to high temperatures for imprinting ranch symbols or ownership marks onto cattle hides, a practice essential for identification in open-range grazing systems. The heavy construction and current rusty patina reflect prolonged use and exposure to the elements, characteristics typical of vintage working tools. Branding irons like these are often considered emblematic artifacts of ranching heritage and frontier life. CONDITION REPORT > Damage to the brand head of one ~ Otherwise, rusty patina, stored away for many years ~ As discovered, uncleaned and unaltered ~ With a little effort, the appearance would improve, should one desire ... Otherwise, great examples of early Western Americana.

SHIPPING AVAILABLE > This is a vintage 1960s ERTL diecast model of a Ford 750 backhoe loader, a collectible toy from an era when such pieces were cherished for their realistic designs and durable build. Measuring 30 inches in length, this model demonstrates a high degree of detail with moving parts such as the loader arm and backhoe, characteristic of ERTL’s craftsmanship during the mid-20th century. The diecast construction reflects the heavy equipment it emulates, showcasing Ford branding along the loader arm and rear backhoe. This example, while substantial in its overall presentation, is missing one rear tire, as seen in the provided images. The surfaces exhibit accumulated dirt and dust, consistent with years of active play followed by decades of storage. Despite its condition, which includes wear from extensive use and age-related patina, it stands as a testament to its era and offers an opportunity for restoration or display as-is. ERTL models like this are sought after by collectors for their nostalgic value and representation of historical equipment. Comparable examples often vary in value depending on condition, completeness, and rarity, making this a worthwhile addition to vintage toy collections or Ford memorabilia. CONDITION REPORT > Caked dirt, settled dust ~ Notable elements relative to extensive play, age and materials ~ Scratches, blemishes ~ Lacking one rear tire, as shown in the images offered ~ Loader and backhoe seem to raise and lower appropriately.

SHIPPING AVAILABLE > A group of four vintage 33RPM vinyl record albums featuring Christmas music, each representing a unique theme and style. The first album, Christmas with Colonel Sanders, is a special collection edition released by RCA, featuring various artists and holiday favorites with the iconic Colonel Sanders dressed in a Santa hat on the cover. The second album, Hawaiian Holiday by Willie Alunaui and His Band, presents a tropical twist on holiday music. The cover displays a woman in a traditional Hawaiian outfit playing a ukulele, invoking the warm vibes of a Christmas celebrated in the islands. The third album, Christmas with the Chipmunks Vol. 2, highlights Alvin, Simon, and Theodore in their classic cartoon style, accompanied by David Seville. The playful and colorful cover art features the Chipmunks on a sleigh ride, capturing their whimsical holiday spirit. The fourth album, Wonderland of Christmas by André Kostelanetz and His Orchestra, offers a sophisticated orchestral interpretation of holiday classics. The cover showcases a festive scene with a white and pastel winter wonderland motif. This collection captures a diverse range of Christmas music styles, from classic orchestral arrangements to lively Chipmunk fun and tropical holiday tunes. Each album is a nostalgic representation of vintage holiday celebrations in music. CONDITION REPORT > As acquired, not played or tested for quality, however appearing to be well preserved examples stores in a climate controlled environment over the years.

NO SHIPPING ~ LOCAL PICKUP ONLY > A large and varied collection of vintage 33RPM vinyl LP record music albums, offering a wide range of musical styles and eras. The examples shown and noted below are only some of the examples offered with this collection: Winchester Cathedral by The New Vaudeville Band, a playful and colorful album featuring retro-themed music. Guy Lombardo and His Royal Canadians, an album with classic swing and big band tunes. Big Hits by Prado, showcasing lively mambo and Latin-inspired tracks by Pérez Prado. Capriccio Espagnol, performed by The Philadelphia Orchestra, presenting classical Spanish compositions. Frank Sinatra's That Old Feeling, a selection of timeless crooner ballads. Another section includes: Leroy Anderson Favorites, performed by Frederick Fennell and the Eastman-Rochester Pops. Seals & Crofts, featuring their blend of soft rock and harmonious melodies . Ricky Nelson's classic hits, embodying the rock-and-roll spirit of the 1950s and 1960s. Telstar, a sci-fi-inspired instrumental album by The Tornadoes. Toni Carroll singing hits from the roaring 1920s. Additional records highlight: ABBA Greatest Hits Vol. 2, with disco-pop anthems. Patti Page's greatest hits. South Pacific soundtrack, with Rodgers and Hammerstein's iconic musical compositions. Rick Springfield's pop-rock offerings. A lively addition with Dr. Hook and the Medicine Show. Further classical highlights include: Mantovani Film Encores. Nutcracker Suite. Tchaikovsky Piano Concerto No. 1 by Peter Katin and the New Symphony Orchestra of London. The soundtrack for Doctor Zhivago, a sweeping cinematic score. Bizet’s Carmen Suite. The collection is housed in a red Coca-Cola branded crate, adding a nostalgic and collectible display element. These albums represent an eclectic mix of genres, from classical to pop, swing, and instrumental, catering to various tastes and offering a journey through musical history. CONDITION REPORT > As acquired, not played or tested for quality, however appearing to be well preserved examples stores in a climate controlled environment over the years.

NO SHIPPING ~ LOCAL PICKUP ONLY An electric Budweiser Beer advertising sign featuring the iconic bow-tie design in red with the brand name Budweiser illuminated in white neon tubing. This sign measures 17.5 inches tall, 21.5 inches wide, and 6 inches deep, designed for wall mounting or display in commercial or home settings. Currently, the sign is not functional, with the neon tubing and electrical components requiring repair or replacement to restore operation. The red plastic bow-tie frame and metal mounting brackets remain intact, offering a solid foundation for refurbishment or display as a vintage collectible. Budweiser, introduced in 1876 by Adolphus Busch, is one of America’s most recognized beer brands. Brewed by Anheuser-Busch in St. Louis, Missouri, it is often referred to as the "King of Beers." Inspired by traditional Czech brewing methods, Budweiser is a lager with a light, crisp taste, made using a unique beechwood aging process. The brand has played a significant role in American advertising history, utilizing memorable slogans and campaigns that have solidified its place in popular culture. This sign represents Budweiser’s enduring legacy as a hallmark of beer advertising. CONDITION REPORT > Not functional ~ Perimeter tubing has been damaged at a point, noted by examining the image closely ~ Cord and plug intact.

SHIPPING AVAILABLE > A vintage advertising sign for the WATLING ROL-A-TOP slot machine, crafted from heavy-gauge metal with applied porcelain enamel that ensures durability and vibrant coloration. This piece weighs a substantial 3 pounds, reflecting its robust construction, and measures 10 x 14 inches. The design vividly depicts the iconic ROL-A-TOP slot machine with its distinctive checkered patterns, vibrant red and yellow accents, and the "Twin Jack Pot" feature prominently illustrated, capturing the charm of early 20th-century gaming machines. The sign includes diminutive lettering at the lower right border that reads LO ENAMEL SIGN CO., attributing its manufacture to this specialized producer. Such advertising signs were often displayed in establishments hosting Watling slot machines, enhancing their visual appeal and attracting players. The ROL-A-TOP slot machine, manufactured by the Watling Manufacturing Company of Chicago, was renowned for its innovative design and functionality. Introduced during the early 20th century, it featured a unique payout system and eye-catching aesthetics that contributed to its popularity in bars and casinos. This sign serves as a nostalgic tribute to the era of mechanical gaming and a collectible artifact of vintage advertising. CONDITION REPORT > Perhaps typical and minor elements relative to age and materials ~ Overall, a remarkably well preserved example.

SHIPPING AVAILABLE > A pair of vintage lithographed metal tins, each measuring 1.5 inches in diameter and 0.5 inches deep. These tins are likely intended for watch parts or related tools, reflecting their original use in the watchmaking industry. The tins are vividly designed in yellow with bold black text, indicating their purpose and origin. The lettering on one tin reads: WHOLESALE GENUINE WATCH MATERIALS SEND US YOUR MAIL ORDERS AND COUNT THE HOURS S. FARGOTSTEIN & SONS SECOND & JACKSON ~ MEMPHIS, TENN. TOOLS AND SUPPLIES S. Fargotstein & Sons operated out of Memphis, Tennessee, and specialized in providing wholesale watch materials, tools, and supplies. Located at the intersection of Second and Jackson, the company catered to watchmakers and jewelers. Given the decline in traditional watch repair services over the decades, it is likely that the firm ceased operations in the mid-20th century, a common fate for such specialized suppliers. These tins represent a rare and nostalgic piece of horological history, showcasing the tools and materials once essential to the craft of watchmaking. CONDITION REPORT > One exhibits some rust and blemish to the paint on the underside ~ Otherwise, well preserved examples.

SHIPPING AVAILABLE > This example includes its original box, which prominently features the White Mountain brand name alongside the slogan "Old Fashioned Quality," reinforcing its reputation for durability and reliability. The included instructional materials further highlight the manufacturer's attention to detail, guiding users in the efficient operation of the tool. The White Mountain Apple Parer, Corer, and Slicer is a vintage kitchen tool designed for efficiently peeling, coring, and slicing apples. This device, manufactured by the Goodell Company in Antrim, New Hampshire, features a robust cast-steel frame finished in green enamel. It is equipped with a thumbscrew clamp for secure attachment to a countertop or table, ensuring stability during operation. The hand-cranked mechanism, paired with a red-painted wooden handle, rotates the apple against a swiveling blade to effectively remove the peel while simultaneously coring and slicing. The Goodell Company, established in the late 19th century, was well-known for its durable kitchen tools, including this versatile apple parer. During the early 20th century, this model gained popularity for its ability to quickly process apples, making it indispensable for home cooks and professionals, especially during canning seasons or large-scale pie preparation. Today, vintage White Mountain Apple Parers are collectible, valued for their historical significance and practical design. When considering one of these tools, it is essential to verify the condition of its moving parts and blades, as original replacement components may no longer be readily available. This piece, accompanied by its box and documentation, offers a charming glimpse into the ingenuity and craftsmanship of early kitchenware. CONDITION REPORT > Old stock or simply never used, retained in the original box with an instruction sheet ~ As acquired, uncleaned and unaltered ~ Should be functional as intended ~ Some dust to the box.

SHIPPING AVAILABLE > The amber glass bottle, standing 5.75 inches tall with a body measuring 2.5 by 1.25 inches, is embossed with MUL-EN-OL and F.A. DICKS, NATCHEZ, MISS. It features a curved shoulder and a flanged mouth, though the flange exhibits chipping. F.A. Dicks was a prominent pharmacist in Natchez, Mississippi, during the late 19th and early 20th centuries. He acquired the wholesale and retail drug business of Walton, Clark & Company, where he had previously served as manager. His establishment, known as the Prescription Department, was located in Natchez and catered to the pharmaceutical needs of the local community. MUL-EN-OL appears to be a proprietary medicinal product offered by F.A. Dicks' pharmacy. The name suggests a formulation containing mullein, a herb traditionally used for respiratory ailments. Mullein (Verbascum thapsus) has been utilized in herbal medicine for centuries, particularly for its soothing effects on the respiratory system. While mullein itself is not considered a quack medicine, the specific formulation and marketing of MUL-EN-OL by F.A. Dicks would determine its legitimacy and efficacy. This bottle serves as a historical artifact, reflecting the pharmaceutical practices and medicinal formulations of its era in Natchez, Mississippi. CONDITION REPORT > As discovered, uncleaned and unaltered ~ Chipping to the flange lip of the mouth ~ Otherwise, a fine example.