George Strunk (b.1958) Glendora, NJ 12" long Delightful matched pair of hooded mergansers. Hollow carved with classic raised 'V' wing tips and carved tail feathers. The paint is exact and the drake has very tight comb feathering on the sides. The drakes head is alert and turned off to the left, with the resting hen having her waving crest tucked low into her back. Both have glass eyes, carved bill details, and are fully rigged for use. The bottoms bear George's signature and carry the 'R. Kobli' stamp in the lead pad for Ron's Wildlife Art Gallery. Condition: Excellent and original

George Strunk (b.1958) Glendora, NJ 10.25" long A large scale hollow carved 1/3 size goose in the exact same posture as the Ward Foundation World Championship logo. Finished with impecable detail, one of the best miniature scale geese to be had by George. The underside is signed in pen by the maker and bears his small, and not often used, Strunk knife making brand just under the signature. Condition: Excellent and original

George Strunk (b. 1958) Glendora, N 17.25" long Long body, hollow carved, delaware river style decoy. Carved bill details and glass eyes. Rigged with a leather line tie and lead pad weight stamped "G. STRUNK" Condition: Excellent and original

George Strunk (b. 1958) Glendora, NJ 11.25" long Plump hollow carved decoy with a round bottom. Carved bill details and fluted tail feathers. Lead pad weight on the bottom stamped 'G STRUNK'. Condition: Excellent and original

George Strunk (b.1958) Glendora, NJ 8.75" long Rare miniature Shoveler in George's decoy style. The hollow carved miniature is a perfectly scaled down replica of his full size works and is crafted in the exact same quality. The underside bears a lead pad weight and leather line tie. The lead pad weight bears George's small knife making stamp, a makers mark rarely seen on his miniatures. Condition: Excellent and original

George Strunk (b.1958) Glendora, NJ 13.5" "stick up" style shorebird decoy with nicely sculpted wings that come to a point over the tail. Glass eyes and a long thin bill. Signed on the bottom by George. Condition: Very good with professionally replaced bill by Russ Allen

William J. Koelpin (1938-1996) Wauwatosa, WI, 1971 Drake 12.75" long | Hen 13.75" long William J. Koelpin was a celebrated wildlife artist and master woodcarver whose passion for nature inspired lifelike sculptures, paintings, and bronzes. Raised near Milwaukee, Koelpin honed his artistic skills through field studies and personal dedication, creating a legacy that elevated American sporting art. He gained national recognition as a "Best in World" winner at the Art and Waterfowl Exhibit in Salisbury, Maryland, and earned accolades such as "Master of the Guild" from the International Wood Carvers Guild. Koelpins work, noted for its precise realism and emotional depth, often depicted hunting, fishing, and nautical themes. His ability to capture the spirit of wildlife earned him features in prestigious venues like the Leigh-Yawkey Woodson Art Museum and recognition from Ducks Unlimited as Wisconsin?s Artist of the Year. Museums and collectors worldwide treasure his works for their exquisite detail and enduring artistry. While Koelpin is perhaps best known for his celebrated bronze sculptures, his competition decoys stand as rare and remarkable examples of his artistry. Hollow-carved and retaining their original competition keels and aged labels, these decoys are a rare and noteworthy find, with none like them appearing at public auction in over 25 years. The duo is distinctly unique: the hen, posed in a subtle swimming posture, contrasts beautifully with the more restful drake. Both feature carved bills, crests, and sculpted wing details, including finely carved feather tips. The drake is further distinguished by delicate comb painting along its sides, adding texture and lifelike depth. Finished in stunning, soft matte paint, the pair exudes a natural realism that elevates their presence. Glass eyes bring a lifelike quality to the carvings, completing these beautifully rendered works. Koelpins lifelong love of the outdoors and craftsmanship transcended mediums, blending nostalgic charm with technical mastery. Today, his legacy continues to inspire and preserve the beauty of the natural world. Condition: Very good and original. Mininmal wear with a few tiny spots of discoloration. Age check under drakes rump and tight seam line on the back base of the hens neck.

Jim Schmiedlin (1945-2015) Bradford Woods, PA, c. 1981 12.5" long Exceptional decorative Blue-winged teal drake with delicate feathering, vibrant paint, and natural form. The drake is in a curious pose with the head turned slightly to the left looking upwards. The bill is intricately detailed with glass eyes. Carved feather detailing across the back with thin raised feather and wing tips. Condition: Excellent and original

Jim Schmiedlin (1945-2015) Bradford Woods, PA, c. 1981 Drake 16.50" long | Hen 16.25" long Matched decorative pair of Canvasbacks. Raised and carved wing tips with carved tail feathers. Heads are turned slightly to the right with carved bill details and glass eyes. Signed and dated on the undersides with the species name. Condition: Very good and original with some slight blunting to the hens tail feather tips

Keith Mueller (b. 1956) Killingworth, CT 12.75" long A handsome wood duck drake decoy with stunning posture and paint. The finish is soft and utilizes some of the underlying grain and fine comb feathering to add depth to the surface. Hollow carved with an upswept tail and raised and separated wing tips. The watchful bird rests with its bill tucked into its back feathers, its glass eyes open and attentive. The bottom bears the Keith Mueller brand. Keith Mueller is a world-renowned decoy carver and bird artist based in Killingworth, Connecticut. He has earned the title of World Champion Carver seven times and won multiple divisions at the Ward World Championships, including "Peoples Choice" awards_. Muellers work is highly regarded for its realism and attention to detail, making his carvings some of the most sought-after in the field_. With over forty years of experience, Mueller?s expertise has earned him numerous accolades and over 250 Best in Show awards across North America_. His work is featured in prestigious collections such as the Mystic Marine Life Aquarium and the Governors Mansions of Connecticut and Rhode Island_. Condition: Excellent and original

Keith Mueller (b. 1956) South Meriden, CT, c. 1983 13" long Hollow carved shooting stool decoy with carved wing and tail feather details. Exact decoy took Honorable Mention in the "Lem & Steve Ward Shootin' Stool Decoy Contest" at the Ward Foundation World Championship 1983 and comes with the Ribbon. Rare opportunity to obtain a ribbon winning bird by this highly awarded contemporary decoy carver. Signed and dated on the bottom. Condition: Very good and original with minimal wear. Very tiny dots of sap under the paint.

William "Bill" Joeckel (1921-2010) Islip Terrace, Long Island, NY 22.25" long Large and rare hollow carved decorative decoy inspired from a fishing outting with other world class carvers when Bob Kerr accidentally hooked into a Black Backed Gull. Never passing up an opportunity for a live subject, they briefly held down the Gull to trace its head and jot some notes before safely releasing it, making a pattern that Joeckel would later use to make this exact decoy. Lightly relief carved wings and feather tips. The head is turned slightly to the right and has nicely carved bill and facial details. The black on the back was thinly painted so Bill could etch hundreds of strike marks to create the appearance of feathers. Bears the Bill Joeckel Decoys brand on the underside. Condition: Excellent and original

William "Bill" Joeckel (1921-2010) Islip Terrace, Long Island, NY D 16.5" | H 17.25" Matched pair of finely painted decoratives. Lifted and turned heads adds motion to the carvings. Both have carved bill details, glass eyes, carved crests and wing details. Both have his brand and are signed in paint and brush. Condition: Good and original with paint tightening, mostly on the hen. Both have minor rubs and marks

Ben Heinemann Durham, NC c.2008 21.5" long Striking hollow carved goose from Ben's 2008 cut string rig and so branded on the bottom. Soft paint with some rasped texturing created in the spirit of Elmer Crowell's preening decoys. Carved bill details and glass eyes. Condition: Excellent and original

Ben A. Heinemann (b. 1954) Durham, NC c.2024 18" long Excellently carved and painted decoy. Hollow carved with vibrant paint, deep comb feathering, and a perfectly textured surface. The head is turned to the right with carved bill details with species specific glass eyes. Rigged for use with Heinemann's custom lead strip weight. Branded "Ben's Rig 24" as a marker that this is one of Ben's cut string rig birds. Condition: Excellent and original

Ben A. Heinemann (b. 1954) Durham, NC c.2022 15" long Magnum hollow carved body with vibrant paint. Carved bill details and species specific glass eyes. Thick comb feathering across the body. Branded on the bottom from Bens Rig 2022, with the makers brand, and signed. Rigged with a lead strip weight and leather line tie. Condition: Excellent and original

Ben A. Heinemann (b. 1954) Durham, NC c.2024 14" long Large preening curelw aged by carver with carved wings, glass eyes, and an inserted metal bill. "Heinemann" carved into the bottom. Comes with a custom stand Condition: Excellent and original, as aged by artist

Robert "Bob" White (b.1939) Tullytown, PA c.1982 13" long Very rare keeled competition Green-winged Teal drake. The keel rides the bottom seemlessly showcasing Bob's craftsmanship and attention to detail. Hollow carved in a swimming forward position with the head turned slightly off to the right. The bill has carved details, with the head having a softly carved crest and glass eyes. Classic to Bob's regional style the decoy has slightly raised 'V' wing tips, and the tail has reliev carved feathering. Across the body is light scratch painting. The decoy is signed twice, an original faded signature is on the keel and dated 1982 with a later signature added by Bob across the bottom. Condition: Near mint, with a shallow indentation on the left side above the speculum.

Robert "Bob" White (b.1939) Tullytown, PA c.1980's 18.25" long Hollow carved antiqued style decoy that is hard to find by Bob. Applied eyes and carved bill details. Signed on the underside with a rectangular lead pad weight. Condition: Very good original condition with a knot bleed on the right side, paint tightness on the left from the same knot, and a handful of scattered indentations.

Joseph West (1907-1986) and James West (1937-2000) Bordentown, NJ c.1963 14.75" long Excellent pintail drake. Hollow carved with sculpted and raised wings with carved feather details. The head is gently turned to the left with glass eyes and carved bill details. Tight comb feather painting across the body. Carved tail feathers. Branded on the bottom J.J. West and signed and dated. Condition: Very good with some toning discoloration around the base of the neck and a couple shallow indentations on the right shoulder

Hurley Conklin (1913-1983) Manahawkin, NJ c.1950's 14.25" long Early and very lightly hollowed. Plump rounded bodies with soft dry paint. Carved ice grooves behind the necks. Drake has comb feather paint. Tapped for rigging but appear to have never been used. Condition: Very good and original, larger dent on drakes right shoulder with a couple other small dents across the back. Hen is missing a small spot of nail filler on the right side.

Hurley Conklin (1913-1983) Manahawkin, NJ c.1950's 20.5" long Earlier and lightly hollowed. Larger round body with soft dry paint. Carved ice grooves behind the neck. Applied glass eyes and some carved bill details. Tapped for rigging but appear to have never been used. Condition: Near mint, hairline check on the right of the neck

Dave Rhodes (1933-2019) Abescon, NJ c.1996 Drake 22" long | Hen 18" long Hard to find pair of working decoys from Dave's personal rig, and so bearing his thumb print on the underside of each decoy. Hollow carved with very large bodies. Both the alert drake and resting hen have painted eyes. They bear a deeply carved 'R' into their undersides as well as a lead strip weight and line tie. Condition: Excellent and original Provenance: Private NJ collection

Hurley Conklin (1913-1983) Manahawkin, NJ, c. 1970 18.25" long Long curlew with small carved eyes, soft sponge paint, and scratch carved feather details across the lower back. Branced 'H. Conklin' in the bottom. Comes with the custom base made by Conklin and is signed on the bottom. Condition: Excellent and original

Hurley Conklin (1913-1983) Manahawkin, NJ 5" long Feeding canada goose on a wood base. "Blind" with no carved or painted eyes. Signed on the bottom. Condition: Excellent and original

William S. Johnson Virginia Beach, VA Drake 7" | Hen 6" Exceptionally well carved and painted matched pair of pintails. The drake has an applied sprig tail and the hen has an uplifted head with an open calling mouth and a carved tongue. Both have raised and crossed wing tips and tiny tack eyes. The undersides are signed and have William's WJ insignia carved in. As a life-long waterfowl enthusiast, Bill volunteered and eventually became the director of the Atlantic Wildfowl Heritage Museum from 1995-1998. Condition: Excellent and original

Clarence G. Fennimore (b. 1935) Wrightstown, NJ 19.5" long Matched swimming pair. Hollow carved with raised 'V' wing tips, carved crests, and glass eyes. Condition: Excellent and original

William N. Oler (1940-2015) Beach Haven, NJ 13" long Vibrant paint and dry surfaces. Hollow carved in the Delaware River style with raised 'V' wings and carved tail feathers. Drake has combed feather paint detail. Branded W.M. Oler in the bottoms. Condition: Excellent and original

William N. Oler (1940-2015) Beach Haven, NJ 20.75" long Elongated swimming pose. Hollow carved with influence from Hurley Conklin. Carved crest and glass eyes. Branded W.M. Oler in the bottom. Condition: Excellent and original

Jim Birch 16" long Carved in the Delaware River style with raised 'V' wing tips and carved tail feather details. Head down to the left in a feeding pose. Signed and branded on the bottom with a lead pad weight and leather line tie. Condition: Excellent and original

Jim Birch 12.5" long Carved in the delaware river style with raised 'V' wing tips and carved tail feathers. Signed and branded on the bottom with a lead pad weight and line tie Condition: Excellent and original

Jim E. Hazeley (1934-2013) Lancaster, PA c. 1994 18.5" tall scene | 6.5" deep | Kestrel is 8.75" long Wood, Metal, Glass A distinguished bird carver from Lancaster, Pennsylvania, Hazeley is renowned for his lifelike representations of avian species. Beginning his carving journey in 1981, Hazeley specialized in decorative birds, earning widespread admiration for his meticulous attention to detail and realism. Eventually earning the right to compete in the coveted Masters Class at the Ward Foundation's World Championship Wildfowl Carving Contest, truly the highest class of carving in the world. A native of Philadelphia, Hazeley pursued higher education at the University of Pennsylvania and the University of Florida. His service in the U.S. Navy during the Korean conflict further enriched his life experiences. Carved from tupelo, this stoic Kestrel showcases Jims world class carving, his understanding of the bird, it's prey, and his artistic vision to highlight them all. Placed atop a solid black plinth with a carved branch extending upward for the kestrel to perch upon. Tightly clutching it's fresh caught meal, the grasshopper is a stunning feat of recreation in wood, metal, and paint itself. Brilliantly painted with every segment and ridge sculpted or cut to emualte the real insect. The kestrel?s head is turned to the left, its sharp gaze seemingly on alert for potential threats to its meal. The bird is finely sculpted with each wing and feather tuft, then the body is covered in intricate feathering. The delicate wing tips raise and cross over the backside. The underside of the base is signed and dated by the carver. A defining feature that sets apart Ward World Champion competition carvers is the complete talent required to create every aspect of the bird. The only aspect of the creation that can be manufactured by anything other than the carver, are the eyes. Every other aspect must be made from scratch. Condition: Excellent and original Provenance: Private collection New Jersey acquired directly from the artist

Jim E. Hazeley (1934-2013) Lancaster, PA c. 1988 Owl 8" tall | 12" tall scene | 6" deep | 10" wide Wood, Metal, Glass A distinguished bird carver from Lancaster, Pennsylvania, Hazeley is renowned for his lifelike representations of avian species. Beginning his carving journey in 1981, Hazeley specialized in decorative birds, earning widespread admiration for his meticulous attention to detail and realism. Eventually earning the right to compete in the coveted Masters Class at the Ward Foundation's World Championship Wildfowl Carving Contest, truly the highest class of carving in the world. A native of Philadelphia, Hazeley pursued higher education at the University of Pennsylvania and the University of Florida. His service in the U.S. Navy during the Korean conflict further enriched his life experiences. This exact carving took 3rd place in the Open Class 'Decorative Lifesize Wildfowl: Birds of Prey' division at the Ward Foundation's 1988 World Championship Wildfowl Carving Contest. A record breaking year that saw 918 carvers entering 2,127 carvings into the prestigious juried exhibition, which attracted carvers as far away as Norway and Japan. A defining feature that sets apart Ward World Champion competition carvers is the complete talent required to create every aspect of the bird. The only aspect of the creation that can be manufactured by anything other than the carver, are the eyes. Every other aspect must be made from scratch. A true testiment to the artistry and engineering skill a carver had to employ in creating detailed scenes such as this Owl. If you are curious to learn more about the high artistic standards or specific component composition, we would love to discuss this more with you. Please don't hesitate to contact the auction house. The intricate scene depicts the owl with its fresh catch, a field mouse which is also carved entirely from wood, resting in the branch of an acorn tree. Intricate scenes as this tell a story about the birds natural habitat, and so the compoents must be as accurate as the bird itself. The bird has delicately carved tufts and feathering. The entire surface is meticulously scored to add feathered texture to the surface. In addition to its placing at the Ward Worlds in 1988, it also won accolades at numerous other presitgious carving competitions of the time. The lot comes with all the ribbons that the family still retained, as well as the original photo of it taken with its ribbon at the 1988 Ward Worlds. SHIPPING: Please note that these highly fragile carvings are best handled via pick up or delivery. Delivery costs vary. Please contact the auction house to discuss transportation needs. Condition: Excellent and original with a tiny crack at the base of the rear talon on the left foot. Provenance: Private collection New Jersey acquired directly from the artist

Jim E. Hazeley (1934-2013) Lancaster, PA c. 1987 3.5" long Hummingbird | 15" tall scene | 8" deep & wide Wood, Metal, Glass A distinguished bird carver from Lancaster, Pennsylvania, Hazeley is renowned for his lifelike representations of avian species. Beginning his carving journey in 1981, Hazeley specialized in decorative birds, earning widespread admiration for his meticulous attention to detail and realism. Eventually earning the right to compete in the coveted Masters Class at the Ward Foundation's World Championship Wildfowl Carving Contest, truly the highest class of carving in the world. A native of Philadelphia, Hazeley pursued higher education at the University of Pennsylvania and the University of Florida. His service in the U.S. Navy during the Korean conflict further enriched his life experiences. Carved from tupelo, this vibrant Hummingbird showcases Jim's world class carving, his understanding of the bird, its natural surroundings, and his artistic vision to highlight them all. A specifically west coast bird, the blossoming floral scene is of a native west coast plant, the Cardinal Catchfly. The floral scene is scratch created from metal wire and sheet. The small bird lacks no detail and is posed in a way with dropping wings as if to appear ready for imminent take off. The underside of the base is signed and dated by the carver. A defining feature that sets apart Ward World Champion competition carvers is the complete talent required to create every aspect of the bird. The only aspect of the creation that can be manufactured by anything other than the carver, are the eyes. Every other aspect must be made from scratch. Condition: Excellent original condition with some small spots of paint flaking to the paint on the metal leaves. Provenance: Private collection New Jersey acquired directly from the artist

Jim E. Hazeley (1934-2013) Lancaster, PA c. 1987 14.75" tall scene | 14" long | 11" deep Wood, Metal, Glass A distinguished bird carver from Lancaster, Pennsylvania, Hazeley is renowned for his lifelike representations of avian species. Beginning his carving journey in 1981, Hazeley specialized in decorative birds, earning widespread admiration for his meticulous attention to detail and realism. Eventually earning the right to compete in the coveted Masters Class at the Ward Foundation's World Championship Wildfowl Carving Contest, truly the highest class of carving in the world. A native of Philadelphia, Hazeley pursued higher education at the University of Pennsylvania and the University of Florida. His service in the U.S. Navy during the Korean conflict further enriched his life experiences. Carved from tupelo, this large singular displaying grouse showcases Jim's world class carving, his understanding of the bird, its natural surroundings, and his artistic vision to highlight them all. A mountainous bird, native to the American and Canadian rockies, the blossoming scene is of a high elevation flower native to the birds natural range, the Stemless Easter Daisey, an early flowering plant that would be in flower about the same time as the Grouse's mating season. The simple floral scene is scratch created from metal wire and sheet. The large displaying bird is plush with blooming feathers creating a highly detailed fan, dropped wings, breast, and air sacks. The underside of the base is signed and dated by the carver. Interestingly, at the time this bird was carved two similar species, the Dusky Grouse and Sooty Grouse, were believed to be the same species under the name "Blue" Grouse, which is why this piece is titled Blue Grouse. A defining feature that sets apart Ward World Champion competition carvers is the complete talent required to create every aspect of the bird. The only aspect of the creation that can be manufactured by anything other than the carver, are the eyes. Every other aspect must be made from scratch. Condition: Very good and original with a small feather chip repair and right toe repair, all on non-displaying side. Provenance: Private collection New Jersey acquired directly from the artist

Al Burk Skysville, MD 13.5" wide | 19" tall | Harlequin is 12.75" long Exceptionally well carved bird and constructed scene. Delicate feathering covers the bird with the legs and feet being textured as well. The delicately carved wing tips are raised and cross above the thin and equally delicate tail feathers. Mounted on a swivelling base, the glassy pool at the base reflects an authentic wetland setting, made from resin, enhanced by carefully sculpted aquatic plants, formed metal wire and sheet. Condition: Excellent and original with a couple tiny spots of light discoloration on the back Provenance: Private collection New Jersey acquired directly from the artist

Al Burk Skysville, MD 15" tall | 15" wide Intricately carved life-size pair on a pond scene. Carved wings and meticulously feathered bodies recreate the decoys exactly. Glass eyes and crafted metal feet. Condition: Excellent and original Provenance: Private collection New Jersey acquired directly from the artist

Al Burk Skysville, MD c.1989 16" tall | 14" wide Intricately carved life-size pair on a pond scene. Carved wings and meticulously feathered bodies recreate the decoys exactly. Glass eyes and crafted metal feet. Condition: Excellent and original Provenance: Private collection New Jersey acquired directly from the artist

Al Burk Skysville, MD 14" tall | 10" wide Life-size highly decorative carving mounted on a burl wood base. Plump body with intricate feathering. Carved beak details and glass eyes. Signed on the side of the piece. Condition: Excellent and original Provenance: Private collection New Jersey acquired directly from the artist

Al Burk Skysville, MD 14.25" tall | 10" wide Life-size highly decorative carving of a pigeon on a burl wood base. Carved wings with intricate feathering and a few paper leaves on the base of the scene. Signed on the side of the piece. Condition: Small chip at end of beak, otherwise excellent and original Provenance: Private collection New Jersey acquired directly from the artist

Dan Williams Reistertown, MD 18.5" tall | 10" wide A regular competitor, and winner, at the Ward Foundation's World Championship Wildfowl Carving Contest in the professional division. This carving was displayed at the Ward Foundations Museum for some time as a piece from the carvers personal collection, and comes with the display placard. Half-size carving with exceptional sculpture and feathering work. Adhering to the Worlds high standards, absolutely everything about this scene was created by the carver from scratch except for the glass eyes. Condition: Excellent original condition with some paint flaking to the paint on the metal marsh grass. Provenance: Private collection New Jersey acquired directly from the artist

Don & Anne Forsyth Phillipsburg, NJ c.1987 10.5" tall | 9" square base Credited with having made some 500 wildlife carvings through their studio 'Birds in Wood'. Don would carve and Anne would paint, ending their carving career in 1994. Detailed scene standing in a shallow water pond with grass and rocks. Intricately carved with neat feathering and small glass eyes. Branded on the underside and dated with the couples card. Condition: Excellent and original Provenance: Private collection New Jersey acquired directly from the artist

A. Elmer Crowell (1862-1952) & Cleon Crowell (1891-1961) East Harwich, MA, c. 1940's 3" tall Vibrant original paint with a crisp rectangular stamp in the bottom Condition: Excellent and original

A. Elmer Crowell (1862-1952) East Harwich, MA, c. 1930 3" tall Nicely painted and preserved example with bold shades of green and purple on the head to provide the imitation of the vibrant iridescent colors seen on this species. Crowell's rectangular stamp on the bottom along with the species name and 21 written in pencil. #21 denotes it's place in the original set of 25 ducks it came in. Condition: Excellent and original Provenance: Marguerite Souther, family acquired from Crowell Betram K. & Nina Fletcher Little, acquired from above Warren M. Little, acquired from aboveLiterature: Nina Fletcher Little, "Little by Little: Six Decades of Collecting Decorative American Arts" New York, NY, 1984, p.173-176 partial Crowell miniature collection pictured and discussed.

A. Elmer Crowell (1862-1952) East Harwich, MA, c. 1930's 2.5" tall Detailed paint that has mellowed nicely under a thin coat of varnish. Exhibiting Crowell's best efforts of blending multiple shades of brown to achieve soft feathering. Bears the makers rectangular stamped brand on the under side. Condition: Very good and original with a thin coat of varnish

Jesse D. "Jess" Blackstone (1909-1988) Concord, NH, c. 1950 2.25" tall As an ardent ornathologist, of all of New England's miniaturists, he focused most on 'life-like' accuracy in paint and form. His carvings, like this miniature Kinglet, entail superb paint, primary carved details and perfectly rasped lines providing texture to the surface. The base is a perfectly carved piece of wood, shaped and finished to resemble a rock. The number on the underside indicates this is only the 131st Kinglet he had made. Blackstone spent his whole life studying and sketching birds. Even during his time in the military during WWII, Jess still found time to carve and study different species in Germany. His most notable overseas carving is his published double sided Wagtail that he carved while serving in 1945. After the war he returned home and moved to Concord, NH to join the Leage of New Hampshire Craftsmen, a major outlet for his work. To this day the New Hampshire Historical Society, located in Concord, NH, contains the largest trove of historical documents on Jess and his fascinating, well journaled, carving career. Condition: Near mint

Russ P. Burr (1887-1955) Hingham, MA, c. 1930 5.25" tall on scene - 4.5" wing span Animated flying grouse soaring above a custom driftwood base. Russ is known for his exciting postures and motion achieved in his works. Detailed out spread wings and fanned tail. Raised tufts on its head crest as well as flared up ruffs on the neck. Condition: Near mint with some paint flaking on edge of fanned tail

Russ P. Burr (1887-1955) Hingham, MA, c. 1930 5" tall A plump and finely detailed singular drake, perched atop a signature Russ Burr driftwood base. Unlike most of Burr's miniature ducks, Russ added carved details not seen in others. Russ extensively carved the primary wing feathering as well as carving out the tail feathers. Additional dropped wings were carved out in detail and added to the carving making this a unique addition to any New England miniatures collection. Condition: Original in very good condition with slight roughness to some wing tip feathers.

Robert Morse (1920-1960) Ellsworth, ME, c. 1940's 4" tall Very well preserved alert herring gull standing atop a piece of driftwood applied to a wood carved domed base by one of New Englands master miniaturists. Carved in and painted eyes with delicate bill detail and crossed wing tips. Painted metal legs and feet. Signed on the bottom with the species name written in ink. The original '5' in pencil is still on the underside, marking the original $5 that the carving sold for. Condition: Near mint

Wendell Gilley (1904-1983) Southwest Harbor, ME, 1950's 3.25" tall Appealing dry surface that has been preserved nicely. Very tiny taxidermy glass eyes and a thinly delicate bill. The metail tail curl has flattened with aged corrosion. Standing on a carved domed base with the feet painted on. The underside is signed by this iconic New England miniature bird carver and has the species written as well. Condition: Near mint, metal tail curl has flattened and has corrosion on it.

Allen J. King (1878-1963) North Scituate, RI, c. 1950 4.25" long "Of all the carvers of miniature and decorative birds in the mid-twentieth century, Allen J. King was without a doubt the most gifted and versatile artist." Joseph H. Ellis, "Birds in Wood and Paint" Fine paint and sculpted details on this tiny miniature pair. Both have carved wings with the resting hen having raised wing tips. Signed on the side of the base. Condition: Near mint, drake missing tail curl.

Levy Family (Attributed) Little Tancook Island, NS, Canada 2nd quarter 20th century 1.5" tall | 2.5" - 3" long Miniature folk art root head scoter and eider pair. String rigging on the bottom. Some of the heads swivel slightly. Condition: Very good and original condition. Some paint loss at the base of the neck.

Louis C. Rathmell (1898-1974) Danbury, CT, c. 1945 17.75" long The maker's refined head carving, dynamic poses, and exceptional scratch and feather paint place him alongside Shang Wheeler as Stratford's finest carvers. Published article titles on Rathmell include "Gentleman carvers of Connecticut" and "Lou Rathmell: A decoy maker who lived in a castle". Perhaps one of the biggest advocates of Rathmell's skill, when discussing Rathmell's Black Ducks, Donal C. O'Brien remarked, "His decoys are difficult to distinguish from Shang Wheeler's when both were at their best. He won several contests from 1939- 1943, beating Wheeler and other top makers." The body is comprised of a thick wooden bottom board and cork top. The applied head and tail are carved cedar. The turned head has applied glass eyes, excellent scratch feather paint, and a nicely sculpted bill with carved details. Condition: Original paint with light gunning wear, minimal darkening to body, and small amount of touch-up to bill tip. Literature: Cliff Alexander, "Lou Rathmell: A decoy maker who lived in a castle," Decoy Magazine, November/December 2015, p. 25 and front cover, rigmates illustrated.

Willie Ross (1878-1954) Chebeague Island, ME, c.1910 18.75" long It's been said by his son that Willie started carving decoys for himself in his mid-teens. A self reliant individual, Willie worked odd jobs throughout his life relating to the economy on Chebeague, even becoming known for weaving practical baskets that could be used for clamming or other tasks. None would gain him more fame than his ability to carve and paint a duck. Though Willie never viewed his decoys as anything more than working birds, it's apparent his great form and paint attracted more than just waterfowl as local hunters sought to buy decoys from him for their own use. The decoy has a seamlessly inleted head and Willies classic red-breasted merganser paint. Condition: Very good and original paint with a professionally replaced bill. Body has some surface dents and scratches, most notably on the back and right speculum. Faint blue streak on forehead. Lightly hit by shot.

Eugene 'Chief' Cuffee (1861-1941) Shinnecock Reservation, Long Island, NY, c. 1890-1900 17" long Large and rare sickle bill curlew with a bone bill as seen in many of his early works. Plump, well sculpted body, with a reared back head, small carved eyes, and dropped wings. Comes with stand. Condition: Strong original condition with an age separation in the back, tight check at neck base, and other light wear consistent with age.

Harold N. Gibbs (1886-1970) Barrington, RI 13.5" long Best known for his miniature duck and bird carvings, this is a rare example of his full size work. Generally miniaturists could make numerous, more profitable carvings, out of a single block required for a decoy. The carving features raised and separated wings, a hallmark of his finer miniatures. A long crest that begins as a ridge on the head and flows in an arc into the back. The paint is soft and mellow. Condition: Original with minimal wear

Thomas Gelston (1851-1924) Quogue, Long Island, NY c.1890's 15" long A hard to find species by this maker in this condition. Nicely carved head with glass eyes attached to a cork body that retains much of its original paint. Condition: Original with paint loss to the body and some rubbing on the bill.

Tom Fitzpatrick (1887-1958) Delanco, NJ c 1930's 16" long Perhaps one of the finest examples of a resting black duck by Tom in this body style. Aside from the pristine condition and dry surface, the paint detail exceeds what is seen on most black ducks by Tom. Carved bill details, fluted tail, and raised 'V' wingtips with incised carving. Hollow carved with lead pad weight. It is interesting to note that only the left side of the raised primary received feather painting! Condition: Excellent and original, slight rubbing on tail feathers, slight separation at seam. Couple dents in back

Pintails Lou Boldizar (1917-2009) Roebling, NJ c.1940-50's 18.5" long Working drake and hen pintail decoys. Carved in the classic Delaware River style, drawing influence from his friend and hunting partner, Reg Marter. They have long, narrow, and tall bodies, with pronounced raised 'V' wing tips with feather lines carved in. Glass eyes and pronounced carving where the bill meets the face. tamped BOLDIZAR on the bottoms. Condition: Original with minimal working wear.

William A. "Bill" Harris (1862-1912) Atlantic City, NJ, c. 1890 12" long These distinctive plover by Harris carry the moniker of "Brigantine Bullheads." It has a classic long body, painted eyes, with a large head and the typical cut under the tail. Condition: Original with a darkened surface and paint popping due to heat exposure Literature: Henry A. Fleckenstein Jr., "New Jersey Decoys," Exton, PA, 1983, p. 91 (middle), related bird illustrated, p. 173, pl. 417, rigmates illustrated. James R. Doherty, "Classic New Jersey Decoys," Louisville, KY, 2011, pl. 380, p. 173, two Conover rigmates illustrated.

John R. Wells (1861-1953) Toronto, Ontario, Canada c.1900 15" Solid body with a beautiful paint application over a deeply rasped surface. A similarly rasped pair of solid body Canvasbacks is pictured in Ontario Deoys III. The technique unquestionably added time to create, particularly to paint, but would have led to a more matte and textured surface creating a natural presence on the water. The underside is double struck with the W.R. Kay rig brand and bears an old Richard Oliver auction tag. Condition: Very good and original with some shot scars, knots and tight age separations, and a tight neck seam line

George Warin (1830-1905) Toronto, Ontario, Canada c.1870 14.5" long A rare and very early decoy with a solid body and yellow painted eyes. The body is tall with the alert head raised and slightly turned off to the left. The muted paint application is brought to life with vermiculation in organized wing patterns on the backside. In 1874, George became a founding partner of the renowned St. Clair Flats Shooting Company. The underside of the decoy bears several club brands, including that of Arthur H. Buhl, a Shooting Club member from 1914 to 1933, and Franklin H. Walker, a predecessor in the club from 1890 to 1914, who passed the decoy down to him. It is also bears the 'MCC' collection brand and shows traces of other painted initials, now worn with time. Condition: Very good and original with a couple of shot scars, a dent on the left side, and some few paint rubs with a tight in the making check that runs the length of the body. Literature: Bernard W. Crandell, "Decoying: St. Clair to St. Lawrence," Erin, Ontario, 1988, p. 129, related decoy illustrated.

Redhead Drake Southern Ontario First Quarter 20th Century 14.25" long Handsome drake with thin, dry, original paint that has a soft patina. Carved bill details where the bill meets the face and under the tip of the bill. Applied glass eyes. Condition: Original with light working wear

Billy Ellis (1865-1963) Whitby, Ontario, Canada 19" long Elongated body with an alert head and thin neck gently turned off to the left. Large glass eyes with carved bill details including deep carving where the bill meets the face. Combed feather painting across four pockets on the body. Condition: Original with an in the making split running the length of the left side and moderate paint loss throughout. Some of the original paint that has flaked off has been darkened.

Billy Ellis (1865-1963) Whitby, Ontario, Canada 16.25" Earlier body style in a slight swimming pose. Thin original paint with taxidermy glass eyes and carved bill details. Condition: Original, head swivels slightly at neck seam, tight neck crack above that. White under neck may have been strengthened in use.

Billy Ellis (1865-1963) Whitby, Ontario, Canada 15.25" long High body with an alert head and bright paint. Glass eyes, carved bill details, and tight scratch feathering across the back. Condition: Original paint with minor wear; crack in the neck with a thin chip missing from the bottom edge of it; a few small dents.

Ferman Eyre (1882-1969) Brockville, Ontario, Canada 17.5" long Regarded for his durable decoys with matte paint, Fermans rugged decoys found their way all across the great lakes region. Classic neck, head, and thick bill design with pronounced cheeks, bill nail, and deep carving where the bill meets the face. The head and neck have tight scratch paint with scratch paint feathering across the body. Condition: Original with wear, head swivels at neck seam, tight neck crack above that.

Rigmate Premier Bluebill Pair Mason Decoy Factory (1895-1926) Detroit, MI c.1910 14" Earlier model matched pair with nice form and sought after snakey heads. Both have bright original paint with clean surfaces aside from working wear. Same exact style as the pair pictured on Page 37 in Mason Decoys (Goldberger/ Haid) Condition: Original with moderate gunning wear to include paint rubs and some small dents. Small sliver of wood worn off the left side of drakes bill.

Mason Decoy Factory (1896-1924) Detroit, MI, c. 1915 14.5" long Challenge grade model with a bold head and carved bill details. Lightly struck by shot. Condition: Original with a grey wash to the center of the bottom and center of back, hit by shot numerous times, knot exposed on right side.

Evans Duck Decoy Co. (1921-1932) Ladysmith, WI, c. 1925 14.5" long Hollow carved standard grade pair of Bluebills. Crisp Evans Decoys ink stamps on the bottom of both. Condition: Original with even wear due to use.

Doug Jester (1876-1961) Chincoteague, VA 15.5" long Honest working decoy. Large body with an upswept tail. Applied head with carved bill details. Condition: Original with honest wear from use, tight neck crack, sliver missing under bill

Animal Trap Company "Victor" Lititz, PA c.1918-1938 17.25" long High quality early example that appears to have never been used. Stamped 'VICTOR' in the bottom, with the metal staple, and is hollow carved. Vibrant paint with sponge feathering on the tail feathers. Applied glass eyes. Condition: Excellent and original

Runar 'R.G.' Rodell (1898-1983) Prescott, AZ 7.5x9.75 sight. | 12.75" x 15" frame | 4" deep Renowned for his three-dimensional wildlife dioramas that capture vivid moments of nature and recreation. Based in Prescott, Arizona, Rodell created nearly 5,000 unique works during his lifetime. His process began with painting an oil background, which was set into intricately carved wooden frames. He added detailed carvings of animals, birds, and vegetation, treated them with plaster, and enclosed the scene with glass, creating the illusion of peering into a lifelike wilderness. His works gained significant recognition, attracting collectors like President Ronald Reagan and Bob Hope. Rodell's largest piece was commissioned by the Salt River Project in Phoenix, requiring the removal of a studio wall for its transport. Beyond his art, "Rodee" was a cherished community figure, often socializing at the Pine Cone Inn near his studio. Rodell's dioramas remain celebrated for their artistry and timeless connection to Arizona's landscapes. Excellent natural scenery work with intricately carved flying mallards with applied feet and carved wing feather details. Condition: Excellent and original

Lem Ward (1896-1984) Crisfield, M 8.5" long Very nicely painted hen mallard. Balsa body with cedar inserted tail and head. Head is slightly turned off to the right. Raised and separated wing tips. Condition: Original, dents with crack in bill. Both wing tips have been blunted, the left more than the right, and the left tip has been darkened and has a tiny dent. Some spots of paint flake and paint discoloration of the left lifted wing.

Lemuel T. Ward (1896-1984) Crisfield, MD, 1965 13" long A decorative preener with excellent paint and a hollow body. The wing tips are carved, including the tail feathers. Glass eyes and applied wood carved tail curl. The underside displays the date, the maker's metal plate, and Lem's signature. Original paint with light wear, slight chew to right wing tip, and some craquelure mostly to front of wings. Condition: Original paint with light wear, slight chew to right wing tip, and some craquelure mostly to front of wings. With a tight age separation line on the left side.

Mason Premier Style Pintail Drake Cameron T. McIntyre (b. 1968) New Church, VA c.2010 19" This large and distinctive pintail drake decoy by Cameron T. McIntyre is a masterful homage to Mason Decoy Factory's iconic Premier Grade models of the 1890s. Drawing from the most artistic and stylized period of Mason production, McIntyre set out to create a catalog-worthy example that captures the spirit of Mason's Premier Grade while infusing his own meticulous craftsmanship and enhancements. This decoy is one of only four pintail drakes made in this style, showcasing its rarity and significance. Inspired by Mason's advertising logic, where dynamic drakes with animated head positions were often illustrated but rarely realized, McIntyre sculpted this drake with a slightly turned head to the left, lending it an engaging and lifelike quality. Known for his mastery of form and patina, McIntyre crafted a surface that convincingly evokes the appearance of a decoy weathered over 135 years, blending artistic vision with historical accuracy. The underside features a hand-painted "Premier" stencil and McIntyre's incised initials "CTM," underscoring his attention to detail. A hallmark of McIntyre's work is his signature hourglass-shaped lead pad weight, imbued with symbolic meaning. For McIntyre, the weight serves as a personal reflection of the time and dedication he invested in creating each piece, a philosophy that resonates with collectors and admirers of his work. McIntyre's carvings have been featured in publications such as Decoy Magazine and Garden & Gun and have appeared in numerous exhibitions nationwide, including solo and group shows. His work resides in esteemed private collections alongside historical masterpieces, as well as in public institutions. Notably, McIntyre was the featured contemporary carver at the opening of The Center for American Decoys at the Peoria Riverfront Museum, where a pair of pintails in this style is housed. Condition: Excellent and original, as aged by artist Provenance: Private Virginia Collection

Herring Gull Confidence Decoy Cameron T. McIntyre (b. 1968) New Church, VA, c. 1991 19" long Solid bodied Herring Gull confidence decoy carved as a Christmas present in 1991, making this a rather early carving for Cameron. ?The decoy is carved in a slight forward swimming position. ?The head is very slightly turned to the left with glass eyes sitting in carved out eye grooves on either side of the head. The bill carved details are particularly deep where the bill meets the face and the upper and lower beak meet. "The number one thing I?m interested in is the sculptural form," he says. "People are starting to appreciate that simple, more primitive things have artistic merit. What I?m doing has a certain quality, but it?s not about level of detail. I could make a super realistic decoy if I wanted to?and I don't want to. I do it this way because that's what I love." ~ Cameron McIntyre, Garden & Gun interview 2020 Cameron's work has been covered in numerous publications from Decoy Magazine to Garden & Gun. His work has been displayed in numerous one-man and small group shows across the country. Privately his work resides in some of the best collections across the country, sitting along side many of the master pieces he has studied throughout his life. His work is displayed publicly in numerous insitutions like the?The Center for American Decoys, Peoria Riverfront Museum, Peoria, IL. Condition: Excellent and original, as aged by artist

Frank S. Finney (b. 1947) Capeville, VA Birds are roughly 5" long | Scene measures 9" across Excellent interactive scene of Chipping Sparrows on a carved forest floor base. Both have carved wing and tail feather details and glass eyes. Base is intricately carved depicting leaves and berries. Signed under the base with the bird name. Condition: Very good and original, small pin head size wing tip repair on the resting bird by Russ Allen

Josh Brewer (b. 1983) Little Deer Isle, Maine c. 2024 16.25" long This sculpturally elegant working decoy exemplifies the artist's profound understanding and artistic interpretation of the grace and beauty of waterfowl. Entirely hand-carved and painted using traditional hand tools, the piece incorporates complex joining techniques to ensure durability - hidden details that remain unseen by the viewer but attest to the artist's craftsmanship. One remarkable feature is the bill, carved from walnut and seamlessly dovetailed into the face for added strength and precision. The wings, true sculptures in their own right, begin with depressed shoulders accentuated by sharp black edges and sweep back in a graceful arc, rising above the rump in a dynamic, lifelike pose. The alert head, raised and turned to the right, adds a sense of vigilance and vitality to the piece. The body is a testament to the artist's mastery of oil painting, with intricate layers of blended colors and nuanced brushstrokes that enhance the realistic texture of the surface. The underside is painted in a rich green with an antique blanket chest-style technique, evoking a sense of timeless craftsmanship. The name "Brewer" is delicately scratched into the paint, adding a personal and historical touch to this extraordinary work. This decoy transcends functionality, standing as a sculptural celebration of artistry and nature's elegance. Condition: Excellent and original

Josh Brewer (b. 1983) Little Deer Isle, Maine c. 2024 Plaque 14.5" | Whale 10.75" long Beautiful carving with the whale carved from a single piece of wood. Mounted on a custom milled walnut base with the species name and artists name applied in gold paint. The whale itself is a masterpiece of intricate craftsmanship. Its pectoral fin, carved in full relief, extends gracefully from the body, while the mouth and eye are meticulously rendered in delicate relief. The surface comes alive with a stunning swirl of blended paint, imbuing the piece with a sense of movement and vitality that captures the essence of this majestic marine creature. Condition: Excellent and original

Josh Brewer (b. 1983) Little Deer Isle, Maine c. 2005 10" Beautifully sculpted resting mourning dove carved from wood mounted atop a walnut base. Dropped resting wings that tuck under the raised rump. Carved tail feather details and glass eyes. Signed and dated under the base March 24th, 2005. Condition: Near mint

Bill Gibian (b. 1946) Onancock, VA c.2024 10.5" long Perched atop a carved ear of corn, the piece captures the lifelike poise and character of the bird with extraordinary attention to detail. The grackle is rendered with a sense of movement and vitality, its beak holding a small corn kernel, bringing the scene to life. The intricate carving showcases Gibian's craftsmanship, from the finely detailed feathers to the realistic textures of the corn husk and kernels. The birds iridescent finish, painted with skillfully blended oil hues, enhances its lifelike appearance, echoing the natural shimmer of a grackle's plumage. The ear of corn serves as both a base and an integral element of the narrative, complementing the grackle's presence while demonstrating Gibian's ability to imbue everyday objects with artistic significance. This sculpture reflects the artist's deep connection to wildlife and his dedication to capturing its beauty through his work. Condition: Excellent and original

Bill Gibian (b. 1946) Onancock, VA 11.5" long Carved in an iconic feeding pose remeniscent of Crowell's "Dust Jacket" plovers. Carved wings that drop with carved feather details. Gibian signature on the bottom. Condition: Original with areas of grain lines, paint distortion, and some sap bleeding.

Eddie Wozny (b. 1959) Cambridge, MD c.2022 9" long | 7" tall Nicely sculpted and beautifully painted life-size wood cock with intricate carved feather details down the wings and across the tail fan. Large eyes with accurate facial and bill details. Standing atop a custom carved scene depicting a leafy forest floor. Signed and dated on the underside. Condition: Excellent and original

Eddie Wozny (b. 1959) Cambridge, MD, c.2008 4" long | 2" tall Regarded as one of the finest wildlife miniaturists alive today. Tiny finely sculpted body with dramatic cut feathering, glass eyes, and pinpoint accurate paint bring his carvings to life. This is only one of two squirrels Eddie has carved. In general, interactive scenes by Eddie are rare. This scene depicts a content squirrell enjoying an acorn on a carved forest floor log. Signed and dated on the bottom with the species name written and Eddie's carved 'W'. Condition: Excellent and original

Eddie Wozny (b. 1959) Cambridge, MD, c.1998 5.5" long | 4" tall Regarded as one of the finest wildlife miniaturists alive today. Tiny finely sculpted body with dramatic cut feathering, glass eyes, and pinpoint accurate paint bring his carvings to life. A less common species with a dramatic neck. The courting bird has large lifted wings with carved feathering details. The face and bill are finely detailed. Signed and dated on the bottom with the species name written and Eddie's carved 'W'. Condition: Excellent and original

Eddie Wozny (b. 1959) Cambridge, MD, c.2008 3" tall Regarded as one of the finest wildlife miniaturists alive today, with a highlighting focus to his miniature upland game birds. Tiny finely sculpted body with dramatic cut feathering, glass eyes, and pinpoint accurate paint bring his carvings to life. This Lesser Prarie Chicken is carved in it's iconic courtship 'dancing' pose. The wooden base is painted and textured to emulate the prarie ground. Carved with inflated orange air sacks, dropped wing tips, and pointed tail feathers. Signed and dated on the bottom with the species name written and Eddie's carved 'W'. Condition: Excellent and original

Eddie Wozny (b. 1959) Cambridge, MD, c.1999 2.75" tall Regarded as one of the finest wildlife miniaturists alive today, with a highlighting focus to his miniature upland game birds. Tiny finely sculpted body with dramatic cut feathering, glass eyes, and pinpoint accurate paint bring his carvings to life. Standing ontop of a carved wood base. Bears Eddie's 'W' in the underside with his signature and date. Condition: Excellent and original

Eddie Wozny (b. 1959) Cambridge, MD, c.1999 2" tall Regarded as one of the finest wildlife miniaturists alive today, with a highlighting focus to his miniature upland game birds. Tiny finely sculpted body with dramatic cut feathering, glass eyes, and pinpoint accurate paint bring his carvings to life. Very rare sex for this maker with most of his Bob White quails being finished as single males. This tiny miniature is a mate to the male in this sale. Carved in an appealing feeding pose. Bears Eddie's 'W' in the underside. Condition: Excellent and original

Tim Karash (b.1947) Kent, OH 11" long Well known for his fish plaques and flat paintings on paddles and boxes, this is an outstanding example of Karash's decoy work. One of his largest 'fancy' trout carvings known. The paint is vibrant and stunning, extending onto the 6 applied metal fins. Carved tail and applied glass eyes with a metal line tie. Poured lead weight in the underside. Condition: Excellent and original Literature on the artist:"Dr. Tim Karash - Rustic Fish Plaque." by Rod Taylor in Hunting & Fishing Collectibles Magazine, Vol. 11, No. 5, (September-October, 2011), pg. 37.

George J. Aho (1911-1994) Rapid City, Michigan 1986 12" long "Aho's decoys worked. They attracted fish. As a result, he was swamped with orders" ~ Gene Kangas (Hunting & Fishing Collectibles Nov/Dec 2006) exact decoy pictured Sometime in the early 20's and 30's George began to perfect fish carving, learning from the most popular styles in his area leading to most of his work having attributes from the Cadillac School of carving. He carried those attributes through his career though he largely slowed except for special orders after WWII, and resumed carving in quantity later in life. Most of his production was in smaller sized decoys. Many of his decoys reside in the Finnish Heritage Museum. This oversized example was custom made for the consignor in 1986. Slightly open mouth with carved gills and painted eyes. Six applied fins with the dorsal fin serving as the line tie. Softly curved to the right. Signed and dated on the bottom. Condition: Excellent and original Provenance: Private Collection, MI purchased directly from AhoLiterature: "George John Aho: Carver of Spear-fishing Decoys." by Gene Kangas in Hunting & Fishing Collectibles Magazine, Vol. 6, No. 6 (November-December, 2006), pp. 21-23 exact decoy pictured.

George J. Aho (1911-1994) Rapid City, Michigan 1986 12" long "Aho's decoys worked. They attracted fish. As a result, he was swamped with orders" ~ Gene Kangas (Hunting & Fishing Collectibles Nov/Dec 2006) Sometime in the early 20's and 30's George began to perfect fish carving, learning from the most popular styles in his area leading to most of his work having attributes from the Cadillac School of carving. He carried those attributes through his career though he largely slowed except for special orders after WWII, and resumed carving in quantity later in life. Most of his production was in smaller sized decoys. Many of his decoys reside in the Finnish Heritage Museum. This oversized example was custom made for the consignor in 1986. Slightly open mouth with carved gills and applied glass eyes Six applied fins with a metal loop line tie on top. Softly curved to the right. Signed and dated on the bottom. Condition: Excellent and original Provenance: Private Collection, MI purchased directly from AhoLiterature: "George John Aho: Carver of Spear-fishing Decoys." by Gene Kangas in Hunting & Fishing Collectibles Magazine, Vol. 6, No. 6 (November-December, 2006), pp. 21-23

Leroy Howell (1898-1988) Hinkley, MN c.1940-50's 8.75" long Stylized red and white patterned sucker decoy with carved eyes and metal line tie "Leroy Howell created stylized rather than realistic fish decoys, and often decorated them with painted lines, dots, and flowers. He trained as a housepainter and originally carved decoys just for personal use. His work became popular with other fishermen, however, and he traveled around Minnesota taking orders for decoys before the start of the spearing season" (Kimball, The Fish Decoy, vol. I, 1986). Leroys fish are prized pieces of Minnesota Folk Art. Many are held in prominent ?collections and museums across the country. Including the Smithsonian, Brooklyn, & Philadelphia Museum. Condition: Very good. Strong original paint with some flaking and paint loss to one fin

Arnold "Hook" Peterson (1905-1993) Jennings, MI 6" long Very early example by this carver and a rare find with applied glass eyes and thick bold paint. Curved to the right with an open carved mouth and 4 applied metal fins and a metal line tie. Shallow cut gills. Two lead poured weights in the bottom. Jig line markings on the body from when the line was tightly wrapped around the decoy. Decoys by this carver are held in the Smithsonian Museum. Arnold carved in the 'Cadillac' style and was heavily influenced by Oscar Peterson Condition: Excellent and original with minimal paint loss to the fins and tail edge. Literature on the artist: "Hook - The Other Peterson." By Gary L. Miller in Hunting & Fishing Collectibles Magazine, Vol. 13, No. 4, (July-August, 2013), pp. 42-46. Kimball, The Fish Decoy, vol. II, 1986

Judson O. "Judd" Duryee (1874-1967) Hillman, Michigan c.1939-1965 6.5" long Duryee worked for the International Harvester Company as a traveling equipment salesman. It's said that he acted as sort of an unofficial hunting and fishing guide for this company, often guiding corporate officers and their guests in Northern Michigan. After retirement in 1939, he began making fish decoys which he sold through bait and tackle dealers under the name "Judd's Decoys". They were quite popular in Northeastern Michigan, particularly in the area around Fletcher's Floodwater where he ran a string of rental shanties equipped with his decoys. Spotted red and white trout paint in his iconic domino pattern. 5 applied white painted metal fins with large tack eyes and a metal line tie. Thin poured led weight in the bottom. Condition: Original and good. Light paint wear on the body with paint flaking on the fins.

Vernon C. Baggs Sr. (1925-1985) Kalkaska, Michigan 11.75" Rare in this large size. Baggs painted with greenware paints to give the decoy a matte appearance and recyvled tin can tops and bottoms to create the 5 metal fins and line tie loops. The rounded decoy has painted eyes and gill lines. Thin lead poured weight in the bottom. In the 1940s and '50s the Baggs family ran a boat and spearing shanty rental operation out of their Baggs Landing homestead on Round Lake (now renamed Skegemog). The rental shanties were furnished with Baggs' decoys. He was a disabled WW II veteran and scout leader. Due to health issues he was forced into early retirement. He made and sold fish decoys to supplement his veteran's pension. Condition: Very good and original with minimal paint loss to fins and body.

Fred S. Olds Sr. Charlevoix, Michigan 15.5" long Fred wrote, "This is a hand-made, ice fishing spear decoy signed and dated and painted with hi metallic automotive acrylic enamel to lure in that trophy that you are looking for." Fred was a retired auto-body man who had been carving spearing decoys since the late 1950s. Condition: Excellent and original with few tiny dents and a couple small spots of paint flake Provenance: Private Collection, MI purchased directly from Olds

Unknown, Northern, MI 2nd Quarter 20th Century 5" long Frog spearing decoy with 4 applied metal fins and carved legs. Lead poured weight in the underside. Metal line tie on the top. Condition: Excellent and original

Bill Martinez (1913-1995) Denver, Colorado 28" Fish | 32" Plaque Large wooden trout carving with detailed fins mounted on an appealing faded board plaque. Carved gills and open mouth with taxidermy eyes. Condition: Very good and original some paint crackling where the fins meet the body

Beautifully carved and painted trout with carved eyes, gills, and texturing on fins. Measures 4.25" long, makers mark on the belly. Condition: Excellent and original

Macatawa Lures and Decoys Bait Co. Holland, MI 7.75" long Started by Tony Smith in 1976. Vibrant paint with an antiqued style surface. 8 applied fins, with a sturdy tail, with a metal line tie on tip. Slightly curved to the left. Softly carved gills and applied glass eyes. Comes with original box. Condition: Excellent and original as aged by maker.

Macatawa Lures and Decoys Bait Co. Holland, MI 8" long Started by Tony Smith in 1976. Vibrant paint with an antiqued style surface. 7 applied fins, with a sturdy carved tail, with a metal line tie on tip. Slightly curved to the left. Softly carved gills and applied glass eyes. Comes with original box. Condition: Excellent and original as aged by maker.

Macatawa Lures and Decoys Bait Co. Holland, MI 7.75" long Started by Tony Smith in 1976. Vibrant paint with an antiqued style surface. 8 applied fins, including the sturdy tail, with a metal line tie on tip. Slightly curved to the left. Softly carved gills and applied glass eyes. Comes with original box. Condition: Excellent and original as aged by maker.

Robert J. "Capt. Bob" Kurkewicz (1930-2009) Manistee, Michigan and Beach Haven, New Jersey c.1977 11.5" long 3 hand carved wooden fish plaques. Perch, Rainbow Trout and Green Trout. Signed and dated 1977 on back. Bob was a very well-known woodcarver with over 200 awards and best-of-shows in woodcarving competitions. Carving since 1945 he had a woodcarving business in Beach Haven, New Jersey where he also taught wood carving. In later years he ran a charter fishing business out of Manistee, Michigan. Reportedly over 24 of his carvings reside in museums around the world. Condition: Original, perch has damage to upper fin

Robert J. "Capt. Bob" Kurkewicz (1930-2009) Manistee, Michigan and Beach Haven, New Jersey c.1970's 4" long Four hand carved wooden fish plaques. Largemouth Bass, Smallmouth Bass, Rainbow Trout & Black Crappie. Bob was a very well-known woodcarver with over 200 awards and best-of-shows in woodcarving competitions. Carving since 1945 he had a woodcarving business in Beach Haven, New Jersey where he also taught wood carving. In later years he ran a charter fishing business out of Manistee, Michigan. Reportedly over 24 of his carvings reside in museums around the world. Condition: Very good and original

Ken Kirby (b. 1946) Little Egg Harbor, NJ c. 2000s 19" long | 18.5" wingspan Flying Mallard pair carved in the hudson style with applied wings and glass eyes. Signed, and with Kirby's brand, on the back side. Condition: Excellent and original as aged by maker.

4" tall A charming early 20th-century folk art carved English Setter, standing on a textured green-painted base. The figure is crafted with a stance that conveys a sense of alertness and purpose. The carving exhibits original paint, featuring a worn, time-softened surface with black and tan markings, adding character and patina to the piece. Notable details include carved fur lines, a delicately shaped tail, and expressive facial features. The green base is highlighted with a ridged design, complementing the figure's rustic appeal. A classic example of Americana folk art, Condition: Very good with minimal chipping at tail

Alfred Anderson (1874-1954) Oslo, Norway / Fosston, Minnesota c.1940's 13" long | 10.5" tall Born in Oslo, Norway, Alfred Anderson immigrated to America with his family at the age of five, settling into a life steeped in farming and creativity. While he produced a rich body of folk art throughout his life, he never sold a single piece during his lifetime. His work gained posthumous recognition, with a related Pheasant carving featured in the 1995 Museum of American Folk Art exhibit, Norwegian Folk Art: The Migration of a Tradition. This piece was also spotlighted on the cover of The New York Times article covering the exhibition. Anderson?s art reflects the themes and elements of his life, showcasing his diverse talents. He carved subjects that held personal meaning, from farm horses to pheasants, and even the steamships that brought him to America. Included in this lot is a 1940s photograph of Alfred and his carvings in front of his home in Fosston, Minnesota. This exact lot is pictured center left in the photo. Two of Anderson's works are part of the permanent collection of the Minnesota Historical Society, a testament to his enduring legacy. This particular piece, a pheasant-themed cigarette and match holder, demonstrates Anderson's ingenuity and skill. The cleverly designed carving features two hollow barrels - one larger, for cigarettes, and a smaller one for matches. The pheasant, perched atop a textured wooden log, is adorned with intricate details, including tack eyes and meticulously applied wooden wings and tail. Condition: Very good and original

20th century miniature carving of a pheasant. Folky paint with very tiny glass eyes. Measures 6.75" long. Unknown and unsigned with a soft patina. Condition: Original with glue seams visible at thighs and chip in tail feather

Joel "Herb" Herbert Parsons (1908-1959) Summerville, TN 5.5" long Herb Parsons is best known for his exceptional talents as an exhibition trick shooter, serving for 30 years as Winchester's "Showman Shooter". Additionally he was a household name as a talented sportsman. Being a two time international duck calling champion, he even produced records for outlets such as The Sportsman Shop in Memphis, Tennessee. Duck call maker Lynn Binford developed this call style for Herb. This sporting icon had a simple style. All bearing this relatively similar style of triple grove lines, twice on the barrel and once on the exhaust. With a single metal band around the joining section. Making this call special, was it's custom make for Andy Quattlebaum. A sportsman and philanthropist, Andy's Foundation provided critical funding for Clemson Univeristy's 'Andy Quattlebaum Outdoor Education Facility' and has provided Ducks Unlimited support for "critical waterfowl research in the lowcountry" - Ducks Unlimited April 2024 The working call has the plastic reed, and the metal brand is inscribed "Andy Quattlebaum" with an engraved flying duck. Condition: Original with light wear.

Marv Meyer Richfield, MN c.2024 6.75" long Unique layered folk carving detail on this ornate call. The two larger heads have taxidermy glass eyes with checkering across the blank spaces of the barrel. Comes with the original box and an adjustable width stand. Condition: Excellent and original working condition

Don Cahill 4.85" long Working diamond wood duck call, with sticker still on the barrel. Condition: In used working condition

Jode Hillman Mullica Hill, NJ c. 2017 9.5" long Turkey box call made from Mineral Poplar and Sassafrass. Turkey feather remark on the lid with makers initials. Signed and dated on the bottom with construction material information. Condition: Excellent and original

Virgil Lashbrook (1913-2003) Pekin, IL, c. 1968 12" long Classic Illinois body style, hollow carved, with the original lead strip weight on the bottom. Head is turned to the right and has glass eyes and carved bill details. The underside of the bill has the V.L. initials. Thick combed paint on the sides and belly. Condition: Very good and original with minimal wear.

Patrick Gregory Bloomington, IL c.1990 17.5" long Canvasback pair with "Mud Lake Rig" hot branded into the keel of both birds. Turned heads with glass eyes. Carved wings with layers of carved feathering down the backs. Condition: Excellent and original

Patrick Gregory Bloomington, IL c.2020 14" long COVID-19 Rig branded on the keel. Preening with carved bill details and glass eyes. Wings are carved with deeply carved feather details. Condition: Excellent and original

Patrick Gregory Bloomington, IL c.2000 Drake 16.75" long | Hen 16.25" long Matched pair of wood carved working pintail decoys. Both have slightly turned heads and carved wing tips. Signed and dated on the underside bearing the PJG brand Condition: Very good and original

R.D. Wilson Mineola, Texas 15.5" long Hllow carved folk art decoy . Rested head with flowing tail and carved wings. Applied metal eyes and leather line tie. Condition: Excellent and original, as aged by artist

L. Torry Ward (1926-1990) Portage la Prairie, MB, Canada 18" long Hollow carved with raised and crossed wing tips. Sculpted pocket details and combed feather paint. L.T. Ward maker in the bottom. Condition: Excellent and original

L. Torry Ward (1926-1990) Portage la Prairie, MB, Canada 19.75" long Hollow carved with a raised, slihtly turned head. L.T. Ward maker in the bevelled bottom. Condition: Excellent and original

Mike Borrett (b. 1960) Madison, WI c. 2005 Both: 18" long | 17.5" wingspan Matched pair of life-size wood carved widgeons exemplifies Borrett's masterful combination of ornithological accuracy and folk art technique. Each bird features offset hanging points, allowing them to be displayed in a highly realistic "cupped wing" flight pose, as though they are gliding effortlessly through the marsh. This off-center design, a hallmark of Borrett?s finest creations, enhances their lifelike appearance and draws the viewer into the scene. The wings are intricately detailed, with the primary flight feathers individually carved on the upper surfaces. A textured effect, achieved through expert chip and gouge carving, adds dimension to both the upper and underside of the wings. The feet are skillfully tucked close to the body in a closed position, further emphasizing the aerodynamic design. The heads and bills are rendered with exceptional precision, closely mirroring the natural features of the species, and each bird is completed with realistic glass eyes. Even the tail feathers are thoughtfully carved to enhance the overall realism. Borrett has signed and dated the back of each piece. This remarkable pair of sculptures perfectly captures the dynamic beauty of wildfowl in flight, making them an extraordinary addition to any nature-inspired art collection. Condition: Excellent and original

Mike Borrett (b. 1960) Madison, WI, 2003 Drake 12.75" long | 18" wingspan Hen 18" long | 18" wing span Exceptionally sculpted life-size full body fliers. This pair is hand carved with an incredible amount of surface detail across the applied wings imparted through a chip carved process with the flight feathers being relief carved out in a step down pattern. The bodies are formed to create the surface pocketing seen as the bird is in flight. Not to miss any details the bills are intricately carved and the root style legs and feet are carved and finished in a folk realistic style then inserted into the body. Unlike many of Borretts fliers, this pair was carved and tapped in a way so that they genuinely appear to be in motion in flight instead of simply tapped in the middle of the back. The pair required that additional level of craftsmanship to be able to create a sculpture that guinely looks like it's cupping in over the water, while physically hanging in a natural manner to match it's form. Both are signed and dated by the maker on the top of one flight feather. Condition: Excellent and original

Marty Hanson (b. 1965) Prior Lake, MN 16" long Part of a rig mate pair from Ken Cole's rig. The feeding hen is the next lot in this sale. Hollow carved in a resting posture with the original keel and a delicately pinched breast. Exceptional working decoy with a grain textured surface and soft matte paint. The head has scratch feathering painting, glass eyes, and carved bill details with yellow paint indicating the drake. The bottom bears Marty's black ink Prior Lake makers stamp as well as Ken Cole's red ink reward for return stamp. Condition: Very good original condition with minimal working wear.

Marty Hanson (b. 1965) Prior Lake, MN 18" long Part of a rig mate pair from Ken Cole's rig. The resting drake is the prior lot in this sale. Hollow carved in a forward feeding posture with the original keel and a delicately pinched breast. Exceptional working decoy with a grain textured surface and soft matte paint. The head has scratch feathering painting, glass eyes, and carved bill details with drab green paint indicating the hen. The bottom bears Marty's black ink Prior Lake makers stamp. Condition: Very good and original with light working wear.

Marty Hanson (b. 1965) Prior Lake, MN, c. 1990's 27 in. long Sculpturally elegant hollow carved working decoy. Soft feathered paint with thick black tail paint that has been textured to mimic a feathered surface. The white has matured to a soft patina from the underlying wood. Glass eyes and a nicely detailed bill. Signed underneath by Marty and bears his Prior Lake, MN ink stamp. Condition: Very good original condition with a couple minor rubs to the bill and slight discoloration to the bottom half of the decoy Provenance: Private Texas Collection Private NY Collection

Rare Compteition Mallard Pair Leo H. McIntosh (1953-2007) Adams, NY, c. 1990's Drake - 16.25" | Hen - 15" This exceptional pair of mallards represents one of the rarest decoys and comes from one Leo McIntosh's personal competition rigs. Among a group of five mallards he crafted for his own competitive use, this pair includes the only known sleeping mallard hen McIntosh ever made. Upon entry, the rig immediately drew the attention of noted collector Preston Lowe, who promptly acquired it in its entirety. Selected directly from Lowe's collection, this pair features the rarest hen and the finest drake of the group. Decoys made by McIntosh for his own competition use are exceedingly difficult to find, and this pair stands apart for its unique provenance and distinctive features. Unlike many of his other competition-style decoys, these were never branded, in adherence to competition regulations. The undersides and keels are marked with numerous weight attachment points, revealing McIntosh's meticulous adjustments in pursuit of achieving an ideal float for competition. Both decoys are solid-bodied and showcase McIntosh's lifelike competition paint patterns. The hen displays bold "scratch" feather detailing, a signature feature believed to be exclusive to the hens from the Preston Lowe rig. The drake's refined paintwork and sleek form exemplify McIntosh's mastery in blending functionality with artistry. Condition: Very good with minimal 'working' wear from competition use. Provenance: Leo McIntosh rig made for a competition purchased by Preston Lowe Preston Lowe Private Collection acquired direct from above

Leo H. McIntosh (1953-2007) Adams, NY, c. 1990's 17" long Hollow carved working decoy with carved bill details and applied glass eyes. Leather line tie on the bottom as well as a wooden keel. Bears the makers insignia on the center bottom. Condition: Very good and original with a dent on the side of the bill touched up by Russ Allen

Curtis Contance (b.1988) Gouverneur, NY c.2022 13.75" long Constance has developed a distinctive style rooted in his own patterns and personal experiences in the field. Drawing inspiration from both traditional and contemporary decoy carvers, his work reflects a deep understanding of the birds he pursues. As an avid sportsman, ever attentive to the fine details of waterfowl, Constance's decoys are crafted not only as pieces of art but as functional tools for the field. Especially as seen in his refined white oak keel. His approach results in lifelike decoys with nuanced postures and natural color schemes that are both visually appealing and effective in the water. Hollow carved cedar body and painted with a mix of tube oils. The head is turned gently to the right with the carved bill preening to its breast. The glass eyes are matched to the species. Tail feathers are curved upwards with the wing tips dropped to the water. The bottom is branded with Curtis' Long Tail makers mark. Condition: Excellent and original

Edward "Eddie" Gagne (b.1986) Enosburg Falls, VT c.2024 13" long Carved from Vermont atlantic white cedar and painted in tube oils. Gagne has borrowed interpretive styles from his native Vermont in makers like George Bacon to the Ward Brothers much farther south, creating his own unique style. An ardent sportsman who enjoys the nature and conservation of game he pursues and so makes his decoys for, are intended to be natural representations of their expressive states. His styling lends to unique postures, and in numbers, rigs that catch both the eye of the hunter and the bird, a defining feature for the proliferation of decoys as art today. Carving primarily for his own use on the shores of Lake Champlain, Gagne's output has been limited and allows him to refine each decoy for its intended use. This hollow carved working green-winged teal drake is carved in an upswept playful appeal with vibrant paint, glass eyes, and the head slightly turned off to the right. The bottom bears the makers EPG monogram brand and is signed and dated. Condition: Excellent and original

Edward "Eddie" Gagne (b.1986) Enosburg Falls, VT c.2024 17.25" long Carved from Vermont atlantic white cedar and painted in tube oils. Gagne has borrowed interpretive styles from his native Vermont in makers like George Bacon to the Ward Brothers much farther south, creating his own unique style. An ardent sportsman who enjoys the nature and conservation of game he pursues and so makes his decoys for, are intended to be natural representations of their expressive states. His styling lends to unique postures, and in numbers, rigs that catch both the eye of the hunter and the bird, a defining feature for the proliferation of decoys as art today. Carving primarily for his own use on the shores of Lake Champlain, Gagne's output has been limited and allows him to refine each decoy for its intended use. This hollow carved, slightly over sized, mallard drake is carved with a flowing posture, a petite pinched breast, and captivating expression. The decoy has vibrant paint, glass eyes, and painted bill detials with the head gently turned off to the right. The bottom bears the makers EPG monogram brand and is signed and dated. Condition: Excellent and original

Ken Harris (1905-1981) Woodville, NY 16" long Raised rump black duck, carved to look good on the water and shelf. Deeply inserted glass eyes, the smooth body is covered in comb feather paint. Never rigged and bears the makers white ink stamp on the bottom Condition: Very good and original with some small scuffs hairline check visible on left side. Provenance: Sampie Sutton Family Collection

Ken Harris (1905-1981) Woodville, NY 15.5" long Nicely carved decorative Mallard drake with an alert turned head and raised carved wing profile details and tail feathers. Combed feather paint on the sides. Felted bottom with the makers white ink stamp. Condition: Very good and original with minimal wear to the tail feather edges. Provenance: Sampie Sutton Family Collection

Ken Harris (1905-1981) Woodville, NY, c. 1960's 12" long Decorative style teal with relief carved wing details and carved tail feather details. Thinly carved bill details and glass eyes. The head is slightly turned to the left. Felt bottom with the Harris white ink stamp on the bottom. Condition: Very good and original, some topical markings. Provenance: Sampie Sutton Family Collection

Ken Harris (1905-1981) Woodville, NY 15.5" long Excellent example of one of Ken's magnum hollow bottom decoys. Meant to ride the rough waves of Lake Ontario and it's large bays, including Chaumont Bay, the largest fresh water bay in the world all while proving to be a lesser weight burden on the hunter. Broad back and nice paint including fine vermiculation across the back. Turned head and glass eyes. Two slots were milled out of the bottom to reduce weight and provide for a better handle. Bears the makers large white ink stamp on the bottom. Condition: Very good and original seeing little use. Provenance: Sampie Sutton Family Collection

Ed Sweet (1907-1978) Alexandria Bay, NY 14" Bold decoy for the rough waters of the St. Lawrence and Lake Ontario. Laminated construction with a raised head and glass eyes. Condition: Original with working wear

Steve Weaver (b. 1950) Sandwich, MA, 1992 9.25" tall Steve Weaver, a master wildlife carver with over 40 years of experience, has earned national acclaim for his award-winning creations. Based in South Sandwich, MA on Pimlico Pond, Weaver opened Wakeby Wildlife Studio to carve in solitude surrounded by nature. Selected by the Governor of Massachusetts to carve the Black-capped Chickadee for a national exhibit, his work has been showcased at the Ward Museum, the Duxbury Art Complex, and the Cahoon Museum of American Art. Weaver's dedication to traditional carving techniques, restoration of historic pieces, and teaching workshops highlights his role as both artist and advocate for wildlife preservation and wildlife art. Excellent life-size black capped chickadee scene, the state bird for Weaver's native Massachusetts. An earlier example of this highly sought after artists work, the masterfully detailed bird is perched atop a limb in a snowy tree scene. Sleepy glass eyes and the beak is tucked firm against the breast. Signed and dated under the base January 1992 Condition: Excellent and original

Steve Weaver (b. 1950) Sandwich, MA, 1991 7.5" tall Steve Weaver, a master wildlife carver with over 40 years of experience, has earned national acclaim for his award-winning creations. Based in South Sandwich, MA on Pimlico Pond, Weaver opened Wakeby Wildlife Studio to carve in solitude surrounded by nature. Selected by the Governor of Massachusetts to carve the Black-capped Chickadee for a national exhibit, his work has been showcased at the Ward Museum, the Duxbury Art Complex, and the Cahoon Museum of American Art. Weaver's dedication to traditional carving techniques, restoration of historic pieces, and teaching workshops highlights his role as both artist and advocate for wildlife preservation and wildlife art. Red-breasted nutchatch scene. An earlier example of this highly sought after artists work, the masterfully detailed bird is perched atop a limb in a tree scene. Carved as if pondering its next move in the tree, the bird has glass eyes and carved wing details Signed and dated under the base September 1991 Condition: Chipped beak, otherwise excellent and original

Steve Weaver (b. 1950) South Sandwich, MA 7" long Steve Weaver, a master wildlife carver with over 40 years of experience, has earned national acclaim for his award-winning creations. Based in South Sandwich, MA on Pimlico Pond, Weaver opened Wakeby Wildlife Studio to carve in solitude surrounded by nature. Selected by the Governor of Massachusetts to carve the Black-capped Chickadee for a national exhibit, his work has been showcased at the Ward Museum, the Duxbury Art Complex, and the Cahoon Museum of American Art. Weaver's dedication to traditional carving techniques, restoration of historic pieces, and teaching workshops highlights his role as both artist and advocate for wildlife preservation and wildlife art. While Steve Weaver's fish carvings are rarer, they reflect his deep connection to angling and his "catch-and-release" philosophy, blending art with his passion for nature. "Pimlico Pond Perch" is a tribute to the sport he cherishes and the vibrant fish inhabiting the treasured pond behind his carving shop. This meticulously crafted piece features finely relief-carved gills, fins, and an open mouth, showcasing Weaver's attention to detail. The extended fins and flowing tail are carved with precision to capture the perch?s natural form, while its beautifully hand-painted finish brings it to life. Complete with glass eyes, the piece is signed with the species name and Steve's carved "SAW" initials on the plaque, marking it as a true work of art. Condition: Excellent and original

Steve Weaver (b. 1950) South Sandwich, MA 7" long Steve Weaver, a master wildlife carver with over 40 years of experience, has earned national acclaim for his award-winning creations. Based in South Sandwich, MA on Pimlico Pond, Weaver opened Wakeby Wildlife Studio to carve in solitude surrounded by nature. Selected by the Governor of Massachusetts to carve the Black-capped Chickadee for a national exhibit, his work has been showcased at the Ward Museum, the Duxbury Art Complex, and the Cahoon Museum of American Art. Weaver's dedication to traditional carving techniques, restoration of historic pieces, and teaching workshops highlights his role as both artist and advocate for wildlife preservation and wildlife art. While Steve Weaver's fish carvings are rarer, they reflect his deep connection to angling and his "catch-and-release" philosophy, blending art with his passion for nature. "Santuit River Brook Trout" pays homage to one of Cape Cod's most colorful game fish and a cherished local fishing spot. This striking piece features lifelike details, including delicately relief-carved gills, fins, and an open mouth. The extended fins and flowing tail capture the natural elegance of the fish, while its vibrant, hand-painted finish adds realism. Signed with the species name and Steve's "SAW" initials on the plaque, this work highlights Weaver?s mastery of form and craftsmanship. Condition: Excellent and original

Steve Weaver (b. 1950) South Sandwich, MA 2.5" tall A whimsical miniature "stick up" style greater yellowlegs carving in a feeding postion. Microscopic proportion with an inserted bill, split tail, and standing atop a burl wood base. Signed by the artist with the species name on the underside. Condition: Excellent and original

Forrest "Bud" Jennings Shamong, NJ c.1987 20" long Exceptionally well sculpted and painted working goose decoy. Hollow carved with a slightly turned head and keel. Extra fancy competition paint. Branded and dated on the bottom February 1987 Condition: Near mint

Forrest "Bud" Jennings Shamong, NJ c.2000 20" long Exceptionally well sculpted and painted working goose decoy. Hollow carved with a slightly turned head and keel. Raised and crossed wing tips with carved primary feathers and carved tail feathers. Extra fancy competition paint. Signed, dated, and branded on the bottom. Condition: Near mint

John "Jack" Wood Venice, FL Drake 16" long | H 15" long Hollow carved pair of working mallards with vibrant paint. Both have raised wing tips and carved tail feathers. Contented head positions with carved bill details and glass eyes. Signed on the bottom and rigged with leather line ties and lead weights. Condition: Excellent and original

John "Jack" Wood Venice, FL 10" tall | 14" long Elegantly sculpted, with carved wings that flow back to raised wing tips that connect above the tail. Glass eyes with carved beak details. The head is turned slightly to the left. Signed on the bottom. Condition: Excellent and original

John "Jack" Wood Venice, FL 6" long Appealing pair of miniature decoy style gadwalls. Carved side pockets and wings that flow back to raised 'V' tips over the tails. The resting drake has closed eyes and the attentive hen has glass eyes. Both have carved bill details, a small lead pad weight, and leather line tie. Signed on the bottom by maker and each come with a custom made stand. Condition: Excellent and original

John "Jack" Wood Venice, FL 4" | 4.75" tall Matched pair of full body black ducks, a drake and hen. Both have intricate paint with raised wing tips that come to a point before the tail. The drake is alert with its head slightly turned to the left, glass eyes, and carved bill details. The hen is in a resting pose with closed eyes and carved bill details. Both signed under the base. Condition: Excellent and original

John "Jack" Wood Venice, FL 4" long "Cocktail" size miniature decoy style carving complete with a triangular lead pad weight and leather line tie. The preener has a thin neck, glass eyes, and raised 'V' wing tips. Signed on the bottom by the maker. Comes with a custom made miniature stand. Condition: Excellent and original

Frederick "Rick" Brown Point Pleasant, NJ c.2014 14.25" long Vibrant paint and hollow carved matched pair. Both have carved bill details and glass eyes. Both have turned heads, the drake to the left and the hen to the right. Both are rigged with a leather line tie and lead pad weight. Signed and dated with Rick's brass tag on each Condition: Working paint, some paint flaking on head and neck and around the edge of the bottom. Keel has long been removed.

Frederick "Rick" Brown Point Pleasant, NJ c.2015 11.5" long Vibrant paint and hollow carved matched pair. Both have carved bill details and glass eyes. Both have turned heads, the drake to the left and the hen to the right. Both are rigged with a leather line tie and lead pad weight. Signed and dated with Rick's brass tag on each Condition: Near mint, tiny paint flakes on back of drakes head

Frederick "Rick" Brown Point Pleasant, NJ c.2006 13.25" long Vibrant paint and hollow carved matched pair. Both have carved bill details and glass eyes. Both have turned heads, the drake to the left and the hen to the right. Both are rigged with a leather line tie and lead pad weight. Signed and dated with Rick's brass tag on each Condition: Near mint, some paint wear mostly on hen.

Frederick "Rick" Brown Point Pleasant, NJ c.2001 23.5" long Large hollow bodied goose with great paint, classic Delaware River raised 'V' wings that come to a point before the paddled tail. Glass taxidermy eyes, finished with a lead pad weight and leather line tie on the underside. Signed and dated. Condition: Near mint

Frederick "Rick" Brown Point Pleasant, NJ c.2000 7.5" long Beautifully matched pair with the drakes head turned off to the left and the hens turned off to the right. Both are carved with raised 'V' wing tips and thin incised lines to mark feathers. The pointed tails also have carved feather detail. They're finished in the working decoy style and have lead pad weights and leather line ties. Both are signed and dated Condition: Excellent and original

Frederick "Rick" Brown Point Pleasant, NJ c.2001 9.5" long Rare species for the maker. Hollow carved with the alert head turned off to the left. Small glass eyes and carved bill details. The wing feathers are raised into a 'V' style with incised lines to mark the feathers. The fanned tail also has carved details. Finished in the working decoy style with a small lead pad weight and leather line tie. Signed and dated. Condition: Excellent and original

Frederick "Rick" Brown Point Pleasant, NJ c.2002 9.5" long Excellent and original miniature in an appealing swimming pose. Classic regional paint and carving style. Raised 'V' wing tips with individual feather lines carved into the raised 'V'. Tail feather lines are carved into the fanned tail. Small taxidermy glass eyes and carved bill details. Finished with a small lead pad and leather line tie. Signed and dated underneath. Condition: Excellent and original

Frederick "Rick" Brown Point Pleasant, NJ c.2002 8.5" long Hollow carved content pose canada goose. The head is slightly turned to the left, has glass eyes, and bill carved details. The wing tips come to a raised point with carved lines and a small ice notch to mark the feathers. The tail has carved feather detail as well. Finished in the decoy style with a lead pad weight and leather line tie. Signed and dated Condition: Near Excellent and original, minor sap bleed to the breast

Frederick "Rick" Brown Point Pleasant, NJ c.2002 7.25"" long Hollow carved miniature green-winged teal drake. The head is slightly turned to the left, has glass eyes, and bill carved details. The wing tips come to a raised point with carved lines and a small ice notch to mark the feathers. The tail has carved feather detail as well. Finished in the decoy style with a lead pad weight and leather line tie. Signed and dated Condition: Excellent and original

Frederick "Rick" Brown Point Pleasant, NJ c.2002 7.25" long Handsome hollow carved drake with the head slightly turned to the left. Small taxidermy glass eyes and carved bill details. The wing feathers are raised into a 'V' style with incised lines to mark the feathers. The fanned tail also has carved details. Finished in the working decoy style with a small lead pad weight and leather line tie. Signed and dated. Condition: Near mint, thin line of sap bleed, mostly on the left side, where the top and bottom half come together.

Pete Peterson Cape Charles, VA c.1978 11.75" long Early working pair of alert green-winged teal with iconic body style and head carving. The heads are turned in opposing directions with the hen facing to the left and the drake to the right. Both have glass eyes and sculpted bills with deep carving where the bill meets the face. Both have their original weights and rigging and bear the 'PETE' brand. Condition: Very good and original, hen has a tight neck seam line visible.

Pete Peterson Cape Charles, VA c.2015/2016 11" long Rigged pair both are hollow carved. The drake was made in 2015 with the matching hen in 2016. Both bear the "PETE" brand and are signed and dated. Condition: Original with a tight in the making check showing on the left side of the hens neck.

Roe "Duc-Man" Terry Chincoteague, VA 13" long "my own personal rig" Classic pair of Roe's hooded mergansers. The hen is in a content position with the drake being alert with the head turned off to the right. Both have Roe's thick and bold paint finish with the drake having combed paint on the sides. Both have carved tail feathers. Both are branded "ROE" and are signed under the bottom. The drake has "top of the line gunning bird" with the hen having "my own personal rig" written on the bottom. Both have a carved "R" under the bill. Condition: Excellent and original

Mark S. McNair (b.1950) Craddockville, VA 11" long Iconic Cobb Island style plover with softly carved wing details that begin shortly after the neck and flow back to a raised point over the tail. Glass eyes, worn paint, and shot scars. McNair is carved into the underside. Comes with original McNair stand Condition: Original as aged by artist

Reggie Birch (b. 1953) Chincoteague, VA 19.75" long Very plump Common Eider drake carved with styling from coastal New England / Canada's iconic eider decoys. Hollow body with deeply beveled lines where the wavy black lines meet the white. Applied head with cut eyes. Leather line tie on the bottom with the makers "R Birch" insignia carved in. Condition: Excellent and original, as aged by artist

Reggie Birch (b. 1953) Chincoteague, VA 30" long Large hollow carved swan. Wide hipped with a short beaver tail style finish. The bill is carved where it meets the face in front of two large glass eyes. The front has a large rigging loop off it. Reggie's ink stamp and his 'R Birch' is carved into the bottom. The long lead weight is from 'WM. A. Conway Inc - Baltimore' Condition: Very good and original as aged by the artist. Tight crack in the backside of the neck

Reggie Birch (b. 1953) Chincoteague, VA 15" long Preening drake with an antiqued dry surface and carved wing details. Cut eyes with serated bill details and score lines added into the raised crest. Aged leather line tie and inserted lead pad weight in the bottom. Bearst the makers R. Birch carved into the bottom. Condition: Excellent and original, as aged by artist

Reggie Birch (b. 1953) Chincoteague, VA 14.5" long Folky curlew carved in southern style. Applied head is turned gently to the left with deep cut eyes and a splined bill. Carved wings on the plump body come to a raised point over the tail. Bears the makers carved "R Birch" insignia into the bottom. Comes with stand made by Reggie Condition: Excellent and original, as aged by artist

John Kouchinsky Georgetown, South Carolina c.2008 13.5" Hollow carved matched pair with intricate feathering and raised crossed wings. Carved bill details with glass eyes. Signed and dated c.2008 Condition: Near mint, some paint flaking on the drakes right side

John Kouchinsky Georgetown, South Carolina c.2008 16" Hollow carved brant decoy with carved primary feather details and raised, crossed, wing tips over the carved tail feathers. Carved in a slight swimming posture with carved bill details and glass eyes. Signed and dated on the bottom by the carver. Condition: Excellent and original

William "Bill" Goenne King City, CA 22" long Working hollow carved snow goose decoy. Carved bill details and glass eyes. Bottom keel has been drilled out for lightness and bears the makers "WRG" brand. Condition: Very good and original with wear from use

William "Bill" Goenne King City, CA 14" long Working Ruddy Duck in a swimming posture with the head turned slightly off to the left. Glass eyes and carved bill details. The underside has a line tie and numerous drilled holes to lighten the weight of the decoy. Condition: Good and original with light working wear and a tight separation at the base of the neck.

Joan Seibert (b. 1941) Cape May, NJ, 1984 Scene 7" long | Ducks 3.5" long Beautiful carved natural scene of a pair of wood ducks on a leveled driftwood base. Emulating the reality of their marshy environment in nature. The standing drake has a lifted head, carved crest, and metal feet. The hen is in a resting position. Both have small carved and painted eyes, raised wing tips, and carved tail feathers. Condition: Excellent and original

Birdhug (artist) Scene 10.5" tall Highly detailed carving with intricate feathering and feather details. The head is turned to the right with raised and crossed wing tips above a fluted tail. The bird is standing atop a wood scene base. Legs are painted metal. Signed on the bottom by the artist. Condition: Excellent and original

Chauncey Wheeler (1888-1945) Alexandria Bay, NY 16" long Working bluebill drake with honest wear. Carved bill details with cut eye grooves and glass eyes. Condtion: Original with heavy wear from use. Slivers from tail and bill missing.

Intriguing large Canvasback decoy that has previously traded hands as a legitimate Ole Gunderson (1883-1960) of Ashby, Minnesota circa early 20th century. 17" long. Folky style with sharp slanted sides and a paint similar to Gundersons work, though likely a very good contemporary reproduction. Commanding style with a bold head and bill carving with applied glass eyes. The decoy has been struck by shot. Exact decoy Lot 185, Guyette & Deeter April 2018. Condition: Appears to be original as aged or used by the more contemporary maker

Joseph Lincoln (1859-1938) Accord, MA, c. 1910 15.5" long Phenomenal restoration with the appearance of some original paint on the bottom. Branded F.B. Rice, for the Francis B. Rice rig. Rice was a native of Bridgewater, MA. Retains original rigging on the underside. Condition: Excellent professional restoration with a mix of working and possibly original paint on the underside. Provenance: Francis B. Rice Rig Literature: "Joseph W. Lincoln", Cap Vinal, p. 55, rigmate decoy pictured. "New England Decoys", John and Shirley Delph, p. 102, related decoy pictured Harold Sorenson, Decoy Collector's Guide, April-June, 1963, p. 3, rigmate pictured.

16" long Attributed to Jess Heisler, appears to have a different head and a mix of working and original paint. Hollow carved with a metal line tie and lead pad weight. Condition: Appears to be a different head, mixed paint, as is.

Charles H. Perdew (1874-1963) Henry, IL, c. 1940's 15.75" long Worn working hollow carved mallard hen, recently discovered in a barn in IL. Condition: Original with heavily worn paint with age neck cracks.

James Stanley (1855-1927) Clayton, NY c.1900 14" Original thin paint on the body with an appealing working re-head. An early regional carver whos entirely original decoys are hard to come by. Condition: Original body with working head replacement

Mason Decoy Factory (1896-1924) Detroit, MI c.1915 17.75" long Hollow carved Premier Grade Mallard drake Condition: Original with working wear Condition: Original with working wear

Unknown Maker California 18" long High-head pose in a style very similar to that of "Fresh Air Dick" Janson (1872-1951) of Sonoma Creek, CA. Carved wing tips and elongated sprig. Condition: Mix of original and working paint. Portion of the sprig was broken off, shaved down, and darkened.

Wildfowler Decoy Factory 18.75" long Rare species. Applied glass eyes and retains the original keel. Painted M.B.H. on bottom. Condition: Original except for narrow strip of working touch up along bottom left edge. Minor wear from use.

Wildfowler Decoy Factory 15.25" long Applied glass eyes and original keel. Ink and pressed stamp in the bottom, appears to be the 'Old Saybrook' brand Condition: Very good and original with light wear

Wildfowler Decoy Factory 13" long Matched pair with turned heads and applied glass eyes. No brand in the bottom, both have a weight wedge in the center of the keel. Condition: Original with moderate wear

Wildfowler Decoy Factory 13" long Vibrant paint, both retaining their original keels. Hen has old saybrook brand in the bottom. Condition: Original with light wear. Drake is protected with thin coat of varnish

Wildfowler Factory Babylon, Long Island, NY 6.25" wide 6.25" tall Nice condition with fancy paint, including vermiculation on the back of the hen and combed paint on the drake. Both are branded with the Babylon factory stamp Condition: Near mint, small paint flake missing from hens bill

Marv Mozlin Cheltenham, PA c.1985 9.5" long Decorative sleepy eyed hen with glass eyes and thin raised wings. Intricately carved feather and bill details. Signed and dated on the bottom Condition: Excellent and original

Robert "Bob" Guge (1952-2013) Sleepy Hollow, IL, 1976 4.5" long A five-time Best-in-World winner, Guge was a highly accomplished decorative bird carver. Carving this intricately detailed miniature mallard drake standing atop a driftwood base. The underside is signed and dated by the maker. Condition: Near mint

3.75" long Nicely painted and carved in a walking pose as if scanning the beach for food. Small glass eyes and raised wings. Placed upon a wooden base with the makers FJ brand in the side of the base. Condition: Near mint

Don Edgerton (1932-2019) Indian River, MI 5" long Don had a small but very loyal local following but was little known outside of Northern Michigan. Buyers had to get on his waiting list and possibly wait years to get a piece. Plump winter golfinch standing on blueberry bush branch with small glass eyes and carved feathering details across the body with raised wing tips. Condition: Excellent and original

Ralph VanWagoner (1925-2005) Royal Oak, MI c.1971 9" Decorative carved decoy with a tucked head and carved wing details. Engraved copper plate under the tail with the makers name and date. Condition: Excellent and original

Circa 1981 19" long Swimming Merganser hen with raised and carved wings. Textured body, carved tail feathers and speculums. The bill has applied serated metal with carved details. Carved crests and glass eyes. Signed and dated by artist on the underside Condition: Good and original with chip from one of the tail feathers

6.5" tall Condition: Original with heavily chipped wings

Box of miscellaneous miniature song birds, some signed, and some with damage. Sold as is.

Grand Heron natural wood carved bird. Comes with stand. Brass bill. 59.5" tall Condition: Original